The New York Film Critics Circle revealed their best of selections for the year as precursors will be coming fast and furious in the days ahead. Critics from the Big Apple doled out two awards each for Martin Scorsese’s Killers of the Flower Moon, Christopher Nolan’s Oppenheimer, and Todd Haynes’s May December.
It was Killers that took Best Film while Nolan was your Best Director (Oppenheimer also won Cinematography). Those titles (with Oppenheimer first and Killers second) have been 1-2 in my BP predictions for weeks. Eight of the last ten NYFCC Best Film winners ended up on the Oscar BP list and you can expect that trend to continue here.
In Best Actress, Lily Gladstone (Flower Moon) was the pick as she should make the Academy’s quintet in a competitive field. As for Best Actor, New York made a surprise selection in Franz Rogowski for Passages. While the picture drew acclaim as did the performance, he is not expected to be a factor in the Oscar derby. If more critics prizes come, who knows? But it’s doubtful.
Da’Vine Joy Randolph, widely expected to be a factor in Supporting Actress, was successful here for her work in The Holdovers. In Supporting Actor, Charles Melton is now 2 for 2 with Gotham and NYFCC trophies. His inclusion at the Oscars is looking more and more solidified. The Supporting Actor race recipient here has made the Academy’s quintet nine out of the last ten years (more than any other major competition).
A week after taking Best Feature at Gotham, Celine Song’s Past Lives was named Best First Film as its slot in the Oscar BP lineup is looking fairly safe.
May December, in addition to Melton, took Best Screenplay (I have it currently in fifth for Original Screenplay).
In what could be a seesaw battle for critics prizes, The Boy and the Heron was the Animated Film victor over Spider-Man: Across the Spider-Verse.
Anatomy of a Fall, despite not being France’s selection for International Feature Film at the Oscars, is New York’s winner. I have it nabbing a BP spot at the moment, but it’s a question mark.
For Non-Fiction Film, this branch went with the four-hour culinary doc Menus-Plaisirs-Les Troisgros. It has not been on my radar screen for Academy attention.
As for contenders that received no love, NY didn’t give any hardware to Poor Things, Maestro, or The Zone of Interest.
Keep an eye on this blog for all the Oscar precursor activity!
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