It was indeed a slap free almost four hours of TV at the Oscars Sunday night. However, half of the Best Picture nominees were smacked down with zero victories: The Banshees of Inisherin, Elvis, The Fabelmans, Tár, and Triangle of Sadness.
There’s no doubt that Everything Everywhere All at Once was the massive winner of the proceedings, emerging victorious in seven of its 11 nods. It was also a loudly pleasing reception for All Quiet on the Western Front with a better than anticipated four trophies.
As for my numbers, I went 13 for 20. Over the past half decade, I’ve had far stronger showings in the odd numbered years than even numbered ones and my 2022 results were again on the lower end of the spectrum.
Everything took home the most above the line awards (6) of any picture in Academy history: Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), and Original Screenplay (also the Daniels). It also won Film Editing. I correctly called all of those except for Supporting Actress where I went with Kerry Condon (The Banshees of Inisherin). This is the first pic in (get this!) 46 years to nab three of the four acting races. That’s since Network in 1976.
When Elvis lost to The Whale for Makeup and Hairstyling (which I got wrong), prognosticators across the Twitterverse and beyond knew that it could be a sign Brendan Fraser may take the gold over Austin Butler. And indeed that’s what happened – meaning I missed two of the four acting derbies. Let it be noted, by the way, that the Academy exactly matched SAG in those four competitions.
All Quiet grabbed International Feature Film and Cinematography as predicted. It additionally took Production Design (over my Babylon call) and Original Score (over my pick of The Fabelmans). I projected Quiet for Sound, but instead it marked the only victory for Top Gun: Maverick.
Animated Feature and Documentary Feature went, as anticipated, to Guillermo del Toro’s Pinocchio and Navalny. Song was “Naatu Naatu” from RRR and Avatar: The Way of Water in Visual Effects (correct picks) with Black Panther: Wakanda Forever in Costume Design over my Elvis pick.
And it was Sarah Polley in Adapted Screenplay for Women Talking. As far as the 95th Academy Awards, we’ll be talking about a historic night for one film in particular. It didn’t win everything, but it did so everywhere it was expected to and beyond. And it was also an evening filled with some genuinely heartfelt speeches and touching wins capped off by Indiana Jones embracing Short Round nearly 40 years later!