Oscar Watch: The Goldfinch

John Crowley’s The Goldfinch looks like a picture made for Oscar consideration. It’s a prestige drama based on a well known novel (from Donna Tartt). This is the follow up to the filmmaker’s Brooklyn, which did receive a nod in the biggest race four years ago. Nicole Kidman is in it, as is Ansel Elgort in his first headlining role since Baby Driver.

Yet I found it curious that Warner Bros didn’t screen it last weekend in Venice or Telluride. After all, its Toronto screening today is a mere five days ahead of its stateside release. That’s not much time to build awards buzz.

Now we know why. The Goldfinch is being savaged by some critics and the Rotten Tomatoes score is at 22%. So while numerous movies have increased their visibility on the voter circuit in the last few days, this would be a casualty. If anything, perhaps Roger Deakins (who at last won a gold statue two years ago for Blade Runner 2049) could see his cinematography noticed. That would be the extent of it. My Oscar Watch posts will continue…

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