A Bad Moms Christmas Movie Review

2016’s Bad Moms took its concept of three frazzled matriarchs letting loose and rode that wave to high box office bucks. As far as its quality, I felt it was a rather mediocre exercise that often unsuccessfully blended raunchy with pathos. Yet moviegoers turned out so now we have A Bad Moms Christmas, in which it turns out the bad moms from part 1 all have questionable ones themselves.

Our original trio is feeling the natural stress that comes from holiday planning. Amy (Mila Kunis), Kiki (Kristen Bell), and Carla (Kathryn Hahn) decide to throw caution to the wind and not go crazy with the season’s headaches… other than the ones that their drunken mall trip hangovers might induce. Circumstances are altered when their mamas turn up. Christine Baranski is Amy’s control freak mom, Cheryl Hines is Kiki’s super clingy mom, and Susan Sarandon is Carla’s wild and distant mom.

The week leading to Christmas gives all three subplots time for arguments and making up, as well as Santa stripping shows and bonding over butthole waxing. That’s about as deep as we get from writer/directors Scott Moore and Jon Lucas, who are once again tasked with creating a shallow and surface level comedic dive into the female psyche.

A Bad Moms Christmas doesn’t go full throttle with its cartoonish aspects and doesn’t earn the attempted sentimentality it tries toward the end. What’s left is a sequel with less laughs than the first and the bar wasn’t exactly high. Among the cast, Hines comes off the best because she’s at least convincing as she apes daughter Bell’s look and mannerisms.

It’s tough for comedy sequels to succeed because most of them aren’t planned and feel rushed to capitalize on the success of what came before. This is yet another example.

*1/2 (out of four)

A Bad Moms Christmas Box Office Prediction

Last summer, Bad Moms was a breakout comedy that earned $23 million in its first weekend and went on to gross $113 million domestically. STXfilms has wasted no time in capitalizing with holiday themed sequel A Bad Moms Christmas, which opens next Wednesday. Mila Kunis, Kristen Bell, and Kathryn Hahn are back and this time around it’s their moms joining the mix in the form of Christine Baranski, Cheryl Hines, and Susan Sarandon. Jon Lucas and Scott Moore are back handling directorial duties.

The quick turn-around on this follow-up likely means sequelitis will not creep in. Christmas could well serve as smart counter programming for females to the weekend’s giant release that is Thor: Ragnarok. The Wednesday debut will also give it a bit of a head start.

Due to the five-day roll out, the sequel may not quite match the $23 million achieved in its predecessor’s opening weekend. Yet it may get over that number in the Wednesday to Sunday earnings. I’ll estimate a high teens to low 20s premiere for the traditional weekend with mid to high 20s for the entire frame.

A Bad Moms Christmas opening weekend prediction: $18.7 million (Friday to Monday), $26.2 million (Wednesday to Sunday)

For my Thor: Ragnarok prediction, click here:

https://toddmthatcher.com/2017/10/24/thor-ragnarok-box-office-prediction/

 

 

Bad Moms Movie Review

The Wolf Pack of The Hangover came from the minds of writers Jon Lucas and Scott Moore and it kicked off a male-centric trilogy of frequent hilarity (at least the first one) where bros could be wild bros. This same duo now tries to do the same with frazzled and overworked matriarchs in Bad Moms and the result is considerably more hit and miss. We don’t know the answer to this question, but perhaps if this pic had been penned by an actual mom, this may have been more insightful. As it stands, this is an often generic and frequently blander than it should be experience punctuated by occasional real laughs.

Amy (Mila Kunis) is a do everything and overworked mother of two with a husband not pulling his weight. When she catches him internet cheating and sends him packing, her already jam-packed agenda just expands. She finds a kindred spirit in Kiki (Kristen Bell) whose own hubby is lackadaisical in his duties and a free spirit in single mom Carla (Kathryn Hahn), who has a hands off approach with her teenager. Together, they form their own pack, rebelling against their kids school’s militant PTA leader Gwendolyn (Christina Applegate). It culminates with Amy challenging her for the next PTA election.

Bad Moms makes it point early – that youngsters today are too micro managed and coddled and that too much is often expected of them in class. The items of prohibited ingredients for the bake sale reads like a list of pretty much every one there is. The central trio here stick it to the (wo)man with their changed parenting style and learn that sometimes it works and sometimes it doesn’t. Kind of like this movie.

Since this is from the dudes responsible for The Hangover, there is a bit of raunch to go with a surprising amount of blandness. The cast is all just peachy, but no one particularly stands out (Bell’s character is pretty under written, truth be told). Hahn is a talent and she’s essentially given the Melissa McCarthy Bridesmaids part, even getting to give a big ole pep talk at one point. There is a romantic subplot between Amy and a single dad (Jay Hernandez) that doesn’t really warrant much attention.

Will Moms look at Bad Moms as a satisfactory excursion away from their crazy lives? I’m sure some will, but this never rose above a level of mediocrity for this non-parent. And if you say maybe you have to be a Mom to get it, remind yourself that it wasn’t written by one.

** (out of four)

Suicide Squad Movie Review

Suicide Squad is the latest in DC’s attempt to Marvelize its cinematic universe in considerably darker shades. It’s noisy and messy. It’s filled with some top-notch performances and fascinating characters mixed with utterly forgettable ones. In a pic filled with villains, there’s weak ones and strong ones. Yes, it’s what we’ve come to anticipate in a series that continues to follow what Man of Steel and Batman v Superman: Dawn of Justice started.

David Ayers directs this tale of super villains who are charged with saving the world. This is an idea hatched by government official Amanda Waller (a typically solid Viola Davis) and the team she assembles is an unknown one unless you’re an avid comic book reader. It includes master marksman Deadshot (Will Smith), loony tunes temptress Harley Quinn (Margot Robbie), flame thrower with a fiery temper El Diablo (Jay Hernandez), Aussie Captain Boomerang (Jai Courtney), disfigured Killer Croc (Adewale Akinnouye-Agbaje) and sword expert Katana (Karen Fukuhara).

We get back stories on them all – some more detailed and worthy of screen time than others. Will Smith gives a decent performance, even though his subplot of being a bad hit man who’s also a really dedicated dad (!) is as stale as it sounds. Still he acquits himself well, even if he’s done the dour anti-hero thing before in Hancock. The El Diablo story is helped by Hernandez’s work, even though his flashback info is a bit too serious for everything else happening here. Quite frankly, many of the others aren’t even worth mentioning.

The other that is? That would be Ms. Quinn, played with gusto and a Stockard Channing like Grease accent from Robbie. Her wise cracks land more often than not. She’s the highlight here and her road to villainy involves her romance with the granddaddy baddie of them all, The Joker (Jared Leto). Their story is one that works well, partly due to Leto hitting his mark in a role that’s obviously been well-played before. His screen time is limited (probably wisely) and I look with anticipation to seeing him again.

Where Squad fails majorly is with a dull main villain and that’s Enchantress (Carla Delevingne),  an archeologist turned witchy woman with world domination on her mind. In a movie filled with bad guys, the one they’re chasing shouldn’t be a bore. She is and so is her soldier boyfriend – Colonel Rick Flag (Joel Kinnaman) – from her pre-spell life.

The action sequences are a mixed bag, especially when Ayers films them in such darkness that it’s hard to tell what’s happening. This is an issue that has pervaded other DC adaptations. We expect CG to look pretty decent in everything now and that holds true here, though nothing really stands out.

For the first half or so, Suicide Squad is a bit of depraved fun. A lot of that is Robbie’s doing with some credit to Smith. After about the halfway mark, the feeling sets in that we aren’t terribly invested in what’s occurring and that the Squad goals of taking down the witch seem inconsequential. Batman v Superman was a bit of a mess as well (its main villain issues – aka Jesse Eisenberg – were also there). Yet I somehow left that experience ready to see the Justice League formed. Here – I’m indifferent to Squad seconds. Now if Harley wants to join her main man to battle Superman, Batman, and the others – that’s cool.

**1/2 (out of four)

Suicide Squad Box Office Prediction

One of the most eagerly awaited titles of 2016 arrives next Friday when the Suicide Squad invades theaters and looks to set some records along the way. The Warner. Bros comic book adaptation has been the beneficiary of positive buzz and terrific trailers. David Ayers writes and directs this tale of DC supervillains that are banded together to try and do some good. The cast includes Will Smith, Margot Robbie (generating her own considerable buzz in her role as Harley Quinn), Joel Kinnaman, Jai Courtney, Jay Hernandez, Viola Davis, and Jared Leto as The Joker (not to mention an apparent Ben Affleck appearance as Batman). 

My sense is that Suicide Squad is poised for a massive debut. There are a couple of records that it should have no problem accomplishing. Will Smith’s largest opening is I Am Legend at $77 million. The current August record is Guardians of the Galaxy at $94 million. Consider those records toast.

Recent stories have put the expected opening weekend at $125 million. That is beginning to look like a low bar to this prognosticator. This seems to have at least an equal amount of anticipation and buzz as another harder edged comic book flick from earlier this year, Deadpool. That pic was expected to earn in the mid 60s or so for its roll out and ended up making $132 million out of the gate. Additionally, Deadpool was rated R while this Squad is PG-13 (which could even bring in more eyeballs).

Add all that up and my estimate puts Suicide Squad at the 15th highest domestic opening of all time – right between Furious 7 at $147.1 million and The Twilight Saga: New Moon at $142.8 million for what looks to be a major new franchise.

Suicide Squad opening weekend prediction: $144.3 million

For my Nine Lives prediction, click here:

https://toddmthatcher.com/2016/07/26/nine-lives-box-office-prediction/

Bad Moms Box Office Prediction

Mila Kunis, Kristen Bell, and Kathryn Hahn headline the raunchy R rated comedy Bad Moms, hitting theaters next weekend. The pic will attempt to bring in a sizable female audience whose significant others may be busy with Jason Bourne. It could be a formula for success.

Moms is directed by Jon Lucas and Scott Moore, who are responsible for writing 2009’s The Hangover and the marketing campaign isn’t shy about highlighting that. Costars include Christina Applegate, Annie Mumolo, Jada Pinkett Smith, and Jay Hernandez.

The simple concept – Moms Gone Wild! – should be an easy sell for a summer comedy. It may not reach the heights of last summer’s critically lauded Trainwreck (another female driven R rated comedy), but I don’t see much reason why it wouldn’t match or top another one – 2014’s The Other Woman, which managed $24.7 million out of the gate.

Bad Moms opening weekend prediction: $26 million

For my Jason Bourne prediction, click here:

https://toddmthatcher.com/2016/07/20/jason-bourne-box-office-prediction/

For my Nerve prediction, click here:

https://toddmthatcher.com/2016/07/20/nerve-box-office-prediction/

Max Box Office Prediction

Warner Bros family feature Max, out Friday, has quite a bit working against it when you consider its competition. It won’t be the movie most kids are going to see next weekend factoring in Jurassic World and Inside Out. It won’t be the highest grosser with an animal with Ted 2 opening the same day. It won’t even be the biggest summer grosser with the word Max in it when factoring in that mad one from May.

The studio’s best hope is that critics like it and it becomes a word of mouth sleeper hit, which is an uphill climb. Max tells the story of a military working dog who returns home from Afghanistan and Remember the Titans director Boaz Yakin is behind the camera. Thomas Haden Church, Lauren Graham and Jay Hernandez are among the human costars.

Unless Max succeeds in bringing in a sizable military contingent, the pic seems destined for a premiere in the low to mid teens for a probable fourth place showing next weekend.

Max opening weekend prediction: $13.9 million