Summer 2013: The Top 10 Hits and More

This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.

Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.

Let the countdown begin!

10. The Great Gatsby

Domestic Gross: $144 million

Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.

9. We’re the Millers

Domestic Gross: $150 million

Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.

8. The Heat

Domestic Gross: $159 million

Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.

7. World War Z

Domestic Gross: $202 million

Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.

6. Star Trek Into Darkness

Domestic Gross: $228 million

JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.

5. Fast & Furious 6

Domestic Gross: $238 million

Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.

4. Monsters University

Domestic Gross: $268 million

The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.

3. Man of Steel

Domestic Gross: $291 million

The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.

2. Despicable Me 2

Domestic Gross: $368 million

Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.

1. Iron Man 3

Domestic Gross: $409 million

Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.

Now for some others worthy of discussion:

The Conjuring

Domestic Gross: $137 million

It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.

Now You See Me

Domestic Gross: $117 million

The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.

The Butler

Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.

Pacific Rim

Domestic Gross: $101 million

Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.

This Is the End

Domestic Gross: $101 million

This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.

The Purge

Domestic Gross: $64 million

This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.

Blue Jasmine

Predicted Gross: $33 million

That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.

Fruitvale Station

Domestic Gross: $16 million

Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.

There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.

The Hangover Part III

Domestic Gross: $112 million

Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.

Elysium

Domestic Gross: $93 million

Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.

The Lone Ranger

Domestic Gross: $89 million

I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.

White House Down

Predicted Gross: $73 million

Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).

After Earth

Predicted Gross: $60 million

Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.

The Internship

Domestic Gross: $44 million

Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.

R.I.P.D.

Predicted Gross: $33 million

It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.

And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…

Best Picture 2022: The Final Five

We are caught up and have reached 2022 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

For the ceremony that occurred less than three months ago, we know Everything Everywhere All at Once would land a spot. To say it was the big winner on Oscar night is an understatement. The multi-genre hit made off with 7 trophies – Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), Original Screenplay (also the Daniels), and Film Editing. It was nominated for four more – Supporting Actress (Stephanie Hsu), Costume Design, Original Score, and Original Song.

Picking the other 4 of 9 for the final five was no easy feat, but here’s my best speculation!

Well… almost. Before we get to that, this particular series will now become a yearly occurrence where I give you my final five in the coming years. However, stay tuned for the reverse of these write-ups. Starting soon and beginning with 2008 (the last year there were five nominees), I’ll give you speculation on which pictures I believe would be nominated if there were ten contending films.

Back to the Oscars that just happened…

All Quiet on the Western Front

Edward Berger’s World War I epic was one of the easiest picks on Oscar night to win the International Feature Film trophy. It also took home Cinematography, Original Score, and Production Design and received noms for Adapted Screenplay, Makeup and Hairstyling, Sound, and Visual Effects. The quartet of victories was second best to Everything.

Does It Make the Final Five?

Yes, despite surprising misses for its Director and in Film Editing. I still think the 9 nine total nods (also second best to Everything) puts it in the quintet.

Avatar: The Way of Water

As anticipated, James Cameron’s long-awaited sequel to the 2009 box office behemoth was a victor in Visual Effects. It also got nods in Production Design and Sound.

Does It Make the Final Five?

No. Water logged less than half of its predecessor’s nine mentions and Cameron himself didn’t make the directorial derby.

The Banshees of Inisherin

Martin McDonagh’s black comedy clocked nine nominations with the others being for the director and screenwriter (both McDonagh), Actor (Colin Farrell), two Supporting Actor bids (Brendan Gleeson and Barry Keoghan), Supporting Actress (Kerry Condon), Film Editing, and Original Score. It ended up going 0 for 8.

Does It Make the Final Five?

Yes. The winning percentage of zero was due to the Everything love, but it still would’ve found a slot among the five.

Elvis

Baz Luhrmann’s lavish musical biopic of The King shimmied to 8 nods including Actor (Austin Butler), Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Production Design, and Sound. Like Banshees, it left the building with no statues.

Does It Make the Final Five?

No. Had Elvis garnered wins in some of the below-the-line races (which it was expected to) or for Butler, I may have a different answer in this case. Yet it wasn’t to be.

The Fabelmans

Steven Spielberg’s most personal work to date saw 7 nominations for the director and screenwriter (both Spielberg with Tony Kushner co-scribing), Actress (Michelle Williams), Supporting Actor (Judd Hirsch), Original Score, and Production Design. In what’s starting to sound like a broken record, it failed to capitalize on any of its nominations.

Does It Make the Final Five?

Yes though I struggled with this one. Missing editing (a good harbinger of a BP nod) was a surprise and same goes for the cinematography. Ultimately the power of Spielberg might’ve reserved this for the fourth or fifth spot.

Tár

Todd Field’s profile of a complicated EGOT winner generated six mentions for its director and screenwriter (both Field), Actress (Cate Blanchett), Cinematography, and Film Editing. Once again – any potential victory was thwarted by Everything as it went 0/6.

Does It Make the Final Five?

Yes. I must say that I really went back and forth on this (more so than with The Fabelmans). Yet it managed to score inclusions in the precursors that matter most and it gets the edge for it.

Top Gun: Maverick

The moneymaking monolith of 2022 had a total of six nominations with Adapted Screenplay, Film Editing, Original Song, Sound, and Visual Effects on the menu. It emerged victorious in Sound (Everything and Western Front didn’t take them all).

Does It Make the Final Five?

No. I went back and forth between this and Tár for #5. The latter got in where it matters. Maverick, despite being the people’s champ, missed key races like Director (Joseph Kosinski), Actor (Tom Cruise), and Cinematography.

Triangle of Sadness

The Palme d’or recipient at Cannes was awarded an unexpected directing nod for Ruben Östlund and an expected screenwriting mention for him. The count for was 0 for 3.

Does It Make the Final Five?

No. Östlund’s surprise nomination for his behind the camera was a pleasant surprise, but a final five slot would be an even bigger shocker.

Women Talking

Director Sarah Polley won for her Adapted Screenplay and that marks Women‘s only other nom. That means the sprawling cast that included Rooney Mara, Claire Foy, and Jessie Buckley were all left out.

Does It Make the Final Five?

No. Despite the screenplay award, the aforementioned facts make this the easiest of the bunch to leave out (especially considering its two nods were the smallest of the group).

And that means my 2022 final five is:

All Quiet on the Western Front

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

Tár

Stay tuned for the inverse of these posts beginning with 2008!

If you missed my write-ups in the series covering 2009-21, you can access them right here:

2023 Oscar Predictions: May 29th Edition

As the month of May closes out, we arrive at my post Cannes forecast for the 96th Academy Awards! There were heavy hitters premiering in the south of France and buzz to discuss for several of them.

One year ago, Triangle of Sadness took the Palme d’Or (the fest’s top prize) and it eventually became a Best Picture contender at the Oscars. Ruben Östlund, Triangle‘s director who served as this year’s jury president, was also nominated for his behind the camera work.. In 2023, Justine Triet’s Anatomy of a Fall won the biggest honor. The French courtroom drama established itself as a major factor in International Feature Film and it is feasible that it could nab a slot in the eventual BP ten.

Other films that solidified their statuses as Academy bait? We start with Martin Scorsese’s Killers of the Flower Moon. The three and a half hour epic maintains its #1 position in Picture, Director, Supporting Actress (Lily Gladstone), and Supporting Actor after many raves at Cannes. However, the Supporting Actor in first is Robert De Niro and not Jesse Plemons, who was perched there two weeks ago. Reviews indicate it’s De Niro who should have the better shot.

Let’s be clear. My rankings right now reflect who I believe will be nominated and not necessarily who I think will win (it’s simply too early for that). Killers looks to be in a fantastic position for multiples nods after its unveiling.

Jonathan Glazer’s The Zone of Interest is right behind Moon as far as significant chatter out of the festival. The Holocaust drama could contend in Pic and Director. So could lead actress Sandra Hüller. Yet she might have an even stronger chance for her performance in Anatomy of a Fall.

For May December from Todd Haynes, reviews were quite solid. Its best chances at inclusion could be for its trio of actors Natalie Portman, Julianne Moore, and Charles Melton. We’re still not sure if Portman and Moore will be co-campaigned for lead. For now I’m slotting the former in Actress and the latter in supporting.

Wes Anderson’s Asteroid City drew plaudits though mixed reaction elsewhere. I’m skeptical of its chances (though it could play in down-the-line races like Production Design and Score).

Then there’s the features that dropped out of contention. Pixar’s Elemental won’t be the first studio title to vie for BP since Toy Story 3. It might be lucky to get an Animated Feature mention after some lackluster reaction. Indiana Jones and the Dial of Destiny will not be a Top Gun: Maverick style hopeful for Oscars. And the fest’s opener Jeanne du Barry with Johnny Depp might get a Costume Design nod and that’s all.

In 2022, I made predictions for the 95th Academy Awards on this same day. It yielded 3 of the eventual 10 BP nominees with eventual winner Everything Everywhere All at Once, The Fabelmans, and Women Talking. Four others (Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick) were named in Other Possibilities. I wasn’t ready to anoint Triangle of Sadness despite its Cannes hardware. In Director – I correctly named the victorious Daniels for Everything Everywhere and Steven Spielberg for The Fabelmans. With Best Actress, I had Michelle Yeoh (Everything Everywhere) who would take the gold. Cate Blanchett (Tár) and Ana de Armas (Blonde) were Other Possibilities. I will note that I had Michelle Williams (The Fabelmans) listed in supporting and she was nominated in lead. For Actor, winner Brendan Fraser (The Whale) were correctly called with Austin Butler (Elvis) listed. Both Colin Farrell (The Banshees of Inisherin) and Paul Mescal (Aftersun) were Other Possibilities. None of the five contenders in Supporting Actress were rightly placed. I did have winner Jamie Lee Curtis (Everything Everywhere), her costar Stephanie Hsu, and Hong Chau (The Whale) in Other Possibilities. Finally, Ke Huy Quan (who took the statue) for Everything Everywhere was the only correctly tagged performer in Supporting Actor.

OK… deep breath. With all that context, let’s see where everything and everyone ranks…

Best Picture

Predicted Nominees:

1. Killers of the Flower Moon (Previous Ranking: 1) (Even)

2. The Color Purple (PR: 3) (+1)

3. Past Lives (PR: 2) (-1)

4. Dune: Part Two (PR: 4) (E)

5. Oppenheimer (PR: 5) (E)

6. Saltburn (PR: 7) (+1)

7. The Zone of Interest (PR: 15) (+8)

8. The Holdovers (PR: 8) (E)

9. Air (PR: 9) (E)

10. Poor Things (PR: 6) (-4)

Other Possibilities:

11. May December (PR: 10) (-1)

12. Maestro (PR: 11) (-1)

13. Anatomy of a Fall (PR: Not Ranked)

14. Challengers (PR: 14) (E)

15. Blitz (PR: 13) (-2)

16. Barbie (PR: 12) (-4)

17. Napoleon (PR: 18) (+1)

18. Rustin (PR: 20) (+2)

19. Flint Strong (PR: 17) (-2)

20. Bob Marley: One Love (PR: 16) (-4)

21. The Nickel Boys (PR: 21) (E)

22. The Book of Clarence (PR: 22) (E)

23. The Killer (PR: 19) (-4)

24. Asteroid City (PR: 25) (+1)

25. Ferrari (PR: 23) (-2)

Dropped Out:

Strangers

Best Director

Predicted Nominees:

1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)

2. Denis Villeneuve, Dune: Part Two (PR: 3) (+1)

3. Blitz Bazawule, The Color Purple (PR: 4) (+1)

4. Celine Song, Past Lives (PR: 2) (-2)

5. Jonathan Glazer, The Zone of Interest (PR: 14) (+9)

Other Possibilities:

6. Christopher Nolan, Oppenheimer (PR: 6) (E)

7. Emerald Fennell, Saltburn (PR: 7) (E)

8. Yorgos Lanthimos, Poor Things (PR: 5) (-3)

9. Justine Triet, Anatomy of a Fall (PR: Not Ranked)

10. Alexander Payne, The Holdovers (PR: 9) (-1)

11. Bradley Cooper, Maestro (PR: 13) (+2)

12. Ben Affleck, Air (PR: 11) (-1)

13. Ridley Scott, Napoleon (PR: 15) (+2)

14. Greta Gerwig, Barbie (PR: 10) (-4)

15. Steve McQueen, Blitz (PR: 12) (-3)

Dropped Out:

Todd Haynes, May December

Best Actress

Predicted Nominees:

1. Fantasia Barrino, The Color Purple (PR: 1) (E)

2. Greta Lee, Past Lives (PR: 2) (E)

3. Emma Stone, Poor Things (PR: 3) (E)

4. Sandra Hüller, Anatomy of a Fall (PR: Not Ranked)

5. Natalie Portman, May December (PR: 5) (E)

Other Possibilities:

6. Jessica Lange, Long Day’s Journey Into Night (PR: 4) (-2)

7. Carey Mulligan, Maestro (PR: 7) (E)

8. Zendaya, Challengers (PR: 8) (E)

9. Margot Robbie, Barbie (PR: 6) (-3)

10. Saoirse Ronan, Blitz (PR: 9) (-1)

11. Kate Winslet, Lee (PR: 11) (E)

12. Annette Bening, Nyad (PR: 12) (E)

13. Sandra Hüller, The Zone of Interest (PR: 13) (E)

14. Ryan Destiny, Flint Strong (PR: 14) (E)

15. Jane Levy, A Little Prayer (PR: Not Ranked)

Dropped Out:

Regina King, Shirley

Amy Adams, Nightbitch

Best Actor

Predicted Nominees:

1. Colman Domingo, Rustin (PR: 1) (E)

2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)

3. Paul Giamatti, The Holdovers (PR: 4) (+1)

4. Barry Keoghan, Saltburn (PR: 3) (-1)

5. Kingsley Ben-Adir, Bob Marley: One Love (PR: 8) (+3)

Other Possibilities:

6. Bradley Cooper, Maestro (PR: 5) (-1)

7. Teo Yoo, Past Lives (PR: 7) (E)

8. Cillian Murphy, Oppenheimer (PR: 6) (-2)

9. Anthony Hopkins, Freud’s Last Session (PR: 11) (+2)

10. Joaquin Phoenix, Napoleon (PR: 10) (E)

11. David Strathairn, A Little Prayer (PR: Not Ranked)

12. Matt Damon, Air (PR: 9) (-3)

13. Ed Harris, Long Day’s Journey Into Night (PR: 13) (E)

14. Mike Faist, Challengers (PR: 12) (-2)

15. John David Washington, The Piano Lesson (PR: 14) (-1)

Dropped Out:

Andrew Scott, Strangers

Best Supporting Actress

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)

2. Danielle Brooks, The Color Purple (PR: 2) (E)

3. Taraji P. Henson, The Color Purple (PR: 3) (E)

4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)

5. Julianne Moore, May December (PR: 6) (+1)

Other Possibilities:

6. Viola Davis, Air (PR: 5) (-1)

7. Rosamund Pike, Saltburn (PR: 7) (E)

8. Lashana Lynch, Bob Marley: One Love (PR: 9) (+1)

9. Audra McDonald, Rustin (PR: 8) (-1)

10. Halle Bailey, The Color Purple (PR: Not Ranked)

11. Aunjanue Ellis, The Nickel Boys (PR: 11) (E)

12. Tilda Swinton, The Killer (PR: 10) (-2)

13. Danielle Deadwyler, The Piano Lesson (PR: 13) (E)

14. Jodie Foster, Nyad (PR: 14) (E)

15. Vanessa Kirby, Napoleon (PR: Not Ranked)

Dropped Out:

Claire Foy, Strangers

Rebecca Ferguson, Dune: Part Two

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 4) (+3)

2. Willem Dafoe, Poor Things (PR: 2) (E)

3. Colman Domingo, The Color Purple (PR: 10) (+7)

4. Charles Melton, May December (PR: 8) (+4)

5. John Magaro, Past Lives (PR: 3) (-2)

Other Possibilties:

6. Samuel L. Jackson, The Piano Lesson (PR: 5) (-1)

7. Ryan Gosling, Barbie (PR: 6) (-1)

8. Richard E. Grant, Saltburn (PR: 11) (+3)

9. Ben Affleck, Air (PR: 7) (-2)

10. Jesse Plemons, Killers of the Flower Moon (PR: 1) (-9)

11. Brian Tyree Henry, Flint Strong (PR: 13) (+2)

12. Mark Ruffalo, Poor Things (PR: 9) (-3)

13. Corey Hawkins, The Color Purple (PR: Not Ranked)

14. Glynn Turman, Rustin (PR: 15) (+1)

15. Ben Foster, Long Day’s Journey Into Night (PR: 14) (-1)

Dropped Out:

Jeremy Strong, Maestro

Oscar Predictions: Jeanne du Barry

The Cannes Film Festival is underway and if history is any guide, we will see Best Picture contenders emerge from the south of France over the next few days. Just last year, Palme d’Or winner Triangle of Sadness was one of the Academy’s 10 BP hopefuls. Two films playing out of competition (Elvis and Top Gun: Maverick) ended up in competition at the Oscars. Keep an eye on this blog for coverage of all the Cannes pics and their awards viability.

It starts with Jeanne du Barry. The 18th-century set French drama comes from Maïwenn, who directs herself in the title role. Domestically the premiere is generating lots of attention for one particular costar – Johnny Depp as King Louis XV (attempting a comeback after the trials of the past few years). Other costars include Benjamin Lavernhe, Pierre Richard, Melvin Poupaud, Pascal Greggory, India Hair, and Noémie Lvovsky.

The first handful of reviews are mostly positive though hardly gushing with an early Rotten Tomatoes score of 80%. France could peg it as their selection in International Feature Film, but I wouldn’t be surprised if they ultimately choose not to.

I don’t see this as much of a player at the Oscars… with one exception. Praise for the costume design leads me to think it could nab one of those five slots (whether it’s up in any other race or not). My Oscar Prediction posts will continue…

2023 Oscar Predictions: April Edition (Best Picture)

As April closes out, I’m giving you my initial ranked projections for the Best Picture race at the 96th Academy Awards. Over the past few days, I’ve done the same for Director and the four acting derbies. If you missed them, they are linked at the bottom of the post.

I will note that I made my first rankings for the 95th Oscars around the same time last year. Of those 10 movies predicted, it yielded three eventual nominees: Everything Everywhere All at Once (which won), The Fabelmans, and Women Talking. Four additional contenders were mentioned in Other Possibilities: Avatar: The Way of Water, The Banshees of Inisherin, Elvis, and Tár.

Three films in my top 25 from 2022 can be found here since they were delayed: Killers of the Flower Moon, Poor Things, and Rustin. Let’s dispense with the caveats you’re used to seeing if you read my other write-ups. Some titles here are bound to be pushed back. Some will simply not match pre-release hype and fall by the wayside. Surprises will emerge throughout the season and at upcoming festivals.

Here’s the premiere outlook on BP’ 23!

TODD’S BEST PICTURE PREDICTIONS

1. Killers of the Flower Moon

2. Past Lives

3. The Color Purple

4. Dune: Part Two

5. Oppenheimer

6. Poor Things

7. Saltburn

8. Challengers

9. Air

10. May December

Other Possibilities:

11. Maestro

12. The Holdovers

13. Blitz

14. Barbie

15. Bob Marley: One Love

16. Napoleon

17. The Book of Clarence

18. Strangers

19. Flint Strong

20. Rustin

21. The Killer

22. Asteroid City

23. Ferrari

24. The Nickel Boys

25. The Bikeriders

And now you can expect updates to these rankings every couple of weeks (they’ll soon become weekly). Keep an eye on the blog and on my podcast (search Movies at the Speed of Speculation) for all of it!

2023 Oscar Predictions: April Edition (Best Actor)

My first ranked predictions for the 96th Academy Awards in the four acting derbies with Director and Picture brings us to Best Actor. If you missed the posts covering the supporting races, you can access them here:

Some caveats… especially for this early in the calendar…

Don’t be surprised if a performer or two listed here end up being supporting players. There’s also people slotted in Supporting Actor (Ryan Gosling in Barbie for example) that could move to lead.

If 2022 is a guide, movies currently scheduled for ’23 could move to ’24. The top two actors below? Their pics were originally supposed to arrive last year. And, of course, some contenders simply won’t pan out while surprises will emerge as the year rolls along.

When I did my initial ranked projections for last year’s ceremony, I had Brendan Fraser (The Whale) listed in first place. Of course, he ended up nabbing the statue. Austin Butler (Elvis) and Colin Farrell (The Banshees of Inisherin) were mentioned in Other Possibilities.

TODD’S BEST ACTOR PREDICTIONS:

1. Colman Domingo, Rustin

2. Leonardo DiCaprio, Killers of the Flower Moon

3. Barry Keoghan, Saltburn

4. Teo Yoo, Past Lives

5. Mike Faist, Challengers

Other Possibilities:

6. Bradley Cooper, Maestro

7. Cillian Murphy, Oppenheimer

8. Kingsley Ben-Adir, Untitled Bob Marley Movie

9. Paul Giamatti, The Holdovers

10. Joaquin Phoenix, Napoleon

11. Anthony Hopkins, Freud’s Last Session

12. Andre Holland, The Actor

13. Paul Mescal, Strangers

14. Matt Damon, Air

15. Adam Driver, Ferrari

Best Actress is up next!

2023 Oscar Predictions: March 2023 Edition (Best Picture)

For the past week, I’ve given you my impossibly premature projections for the 96th Academy Awards. After all, most of these predicted features have yet to hold a screening.

Yet it’s worth pointing out that my initial forecast for the previous BP nominees in April of 2022 yielded seven of the ten eventual nominees. Three were included in my top 10: the winner Everything Everywhere All at Once, The Fabelmans, and Women Talking. Four were placed in Other Possibilities – Avatar: The Way of Water, The Banshees of Inisherin, Elvis, and Tár.

Let’s see how this ratio for 2023 works out a few months down the road, shall we? If you missed my look at Director and the four acting competitions, they can accessed at the end of this post.

Here we go!

TODD’S MARCH 2023 OSCAR PREDICTIONS: BEST PICTURE

Air

Challengers

The Color Purple

Dune: Part Two

Killers of the Flower Moon

Maestro

May December

Oppenheimer

Past Lives

Poor Things

Other Possibilities:

Asteroid City

Barbie

The Bikeriders

Blitz

The Book of Clarence

Ferrari

Flint Strong

Foe

The Holdvoers

The Killer

Napoleon

Next Goal Wins

Rustin

Saltburn

Untitled Bob Marley Movie

2023 Oscar Predictions: March Edition (Best Actor)

My wildly early first look at the major categories for next year’s Oscars continues with Best Actor! If you missed my posts covering the supporting derbies, they are linked at the bottom.

Quite honestly, I had a hard time shrinking this list down to 15. Leaving out possible contenders such as Benedict Cumberbatch (The Wonderful Story of Henry Sugar), Adam Driver (Ferrari), or Michael Fassbender (The Killer or Next Goal Wins) felt odd. Even Matt Damon for Air (out next weekend) is a legit hopeful. There’s plenty of others I could name.

It is worth pointing out that my inaugural projections for 2022 correctly placed eventual winner Brendan Fraser (The Whale) in the top five while Austin Butler (Elvis) and Colin Farrell (The Banshees of Inisherin) were both mentioned in Other Possibilities.

A final note (and there’s no great to broach this) is that I likely would’ve had Jonathan Majors (Magazine Dreams) in my quintet instead of in Other Possibilities a week ago. However, his weekend arrest obviously complicates the matter and throws any potential campaign into disarray.

Here’s the premiere forecast for ’23 and Best Actress is up next.

TODD’S MARCH 2023 OSCAR PREDICTIONS: BEST ACTOR

Kingsley Ben-Adir, Untitled Bob Marley Movie

Bradley Cooper, Maestro

Leonardo DiCaprio, Killers of the Flower Moon

Mike Faist, Challengers

Cillian Murphy, Oppenheimer

Other Possibilities:

Colman Domingo, Rustin

Paul Giamatti, The Holdovers

Ryan Gosling, Barbie

Andre Holland, The Actor

Anthony Hopkins, Freud’s Last Session

Barry Keoghan, Saltburn

Jonathan Majors, Magazine Dreams

Charles Melton, May December

Joaquin Phoenix, Napoleon

Lakeith Stanfield, The Book of Clarence

95th Academy Awards Reaction

It was indeed a slap free almost four hours of TV at the Oscars Sunday night. However, half of the Best Picture nominees were smacked down with zero victories: The Banshees of Inisherin, Elvis, The Fabelmans, Tár, and Triangle of Sadness.

There’s no doubt that Everything Everywhere All at Once was the massive winner of the proceedings, emerging victorious in seven of its 11 nods. It was also a loudly pleasing reception for All Quiet on the Western Front with a better than anticipated four trophies.

As for my numbers, I went 13 for 20. Over the past half decade, I’ve had far stronger showings in the odd numbered years than even numbered ones and my 2022 results were again on the lower end of the spectrum.

Everything took home the most above the line awards (6) of any picture in Academy history: Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), and Original Screenplay (also the Daniels). It also won Film Editing. I correctly called all of those except for Supporting Actress where I went with Kerry Condon (The Banshees of Inisherin). This is the first pic in (get this!) 46 years to nab three of the four acting races. That’s since Network in 1976.

When Elvis lost to The Whale for Makeup and Hairstyling (which I got wrong), prognosticators across the Twitterverse and beyond knew that it could be a sign Brendan Fraser may take the gold over Austin Butler. And indeed that’s what happened – meaning I missed two of the four acting derbies. Let it be noted, by the way, that the Academy exactly matched SAG in those four competitions.

All Quiet grabbed International Feature Film and Cinematography as predicted. It additionally took Production Design (over my Babylon call) and Original Score (over my pick of The Fabelmans). I projected Quiet for Sound, but instead it marked the only victory for Top Gun: Maverick.

Animated Feature and Documentary Feature went, as anticipated, to Guillermo del Toro’s Pinocchio and Navalny. Song was “Naatu Naatu” from RRR and Avatar: The Way of Water in Visual Effects (correct picks) with Black Panther: Wakanda Forever in Costume Design over my Elvis pick.

And it was Sarah Polley in Adapted Screenplay for Women Talking. As far as the 95th Academy Awards, we’ll be talking about a historic night for one film in particular. It didn’t win everything, but it did so everywhere it was expected to and beyond. And it was also an evening filled with some genuinely heartfelt speeches and touching wins capped off by Indiana Jones embracing Short Round nearly 40 years later!

95th Academy Awards: Ranking the Best Picture Nominees

The 95th Academy Awards air tomorrow and, just in the nick of time, I have seen all ten Best Picture nominees courtesy of my Netflix viewing of All Quiet on the Western Front today.

If you missed my predictions for who and what I believe will win at the ceremony, you can access that here:

Now that I’ve seen the group of pics vying for BP, I will rank them according to personal preference. Just as in 2019 with Parasite, my #1 happens to match the movie that I’m projecting to take the biggest prize.

In 2022, I was ecstatic to attend the Toronto Film Festival for the first time. It is there that I saw future nominees The Banshees of Inisherin, The Fabelmans, and Women Talking. At the theater in my home state of Ohio, I took in Avatar: The Way of Water, Tár, and Top Gun: Maverick. Home sweet home is where I viewed All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, and Triangle of Sadness.

This is how I’d rank them!

10. Triangle of Sadness

9. Avatar: The Way of Water

8. Elvis

7. All Quiet on the Western Front

6. The Banshees of Inisherin

5. Tár

4. Women Talking

3. The Fabelmans

2. Top Gun: Maverick

1 . Everything Everywhere All at Once