The last time that director Peter Berg and Mark Wahlberg hooked up, their war drama Lone Survivor grossed a terrific $125 million domestically in early 2014. Nearly three years later, the pair have collaborated on Deepwater Horizon. This is another true-life tale focused on the 2010 BP oil rig explosion and the people who had to battle it. Costars include Kurt Russell, Kate Hudson, John Malkovich, Gina Rodriguez, and Dylan O’Brien.
With a reported budget of $156 million, Summit Entertainment better hope moviegoers flock to see the disaster pic… or they may have their own financial disaster on their hands. Early reviews have been mostly strong. It stands at 82% on Rotten Tomatoes with critics particularly praising its technical aspects.
Lone Survivor earned $37 million in its first weekend of wide release. That is probably the highest of bars for Horizon. One difference is that Survivor benefited from strong military interest that simply won’t come into play here. Still, the combination of Wahlberg with this well-known story could be enough to get this to mid 20s, in range with the opening of Captain Phillips from three years back or Fury from two years ago.
Deepwater Horizon opening weekend prediction: $24.7 million
For my Miss Peregrine’s Home for Peculiar Children prediction, click here:
This past weekend, all newcomers failed to connect with audiences, but the fourth weekend of September has two openings where their prospects look more solid. They are the Denzel Washington/Chris Pratt Western remake The Magnificent Seven and Warner Bros animated Storks. You can read my detailed prediction posts on each right here:
I have Seven slated for the second largest September debut of all time, just behind last year’s Hotel Transylvania 2. As for Storks, I’m predicting a solid second place start.
Sully should fall to third after two weeks on top. As for the aforementioned newbies from last weekend, Bridget Jones’s Baby seems likely to have the smallest decline in its sophomore frame over Blair Witch and Snowden. In fact, while Blair Witch had the highest opening of the fresh titles (which isn’t saying much), I have it primed for a massive drop due to its putrid D+ Cinemascore average.
As far as where the readers think I am with predictions on our two newcomers:
The Magnificent Seven: 36% Too High, 35% Just About Right, 29% Too Low – quite the even split!
Storks: 46% Too Low, 36% Just About Right, 18% Too High
In last weekend’s poll, 74% incorrectly (including I) guessed that Blair Witch would be #1 while 26% correctly said Sully.
And with that, let’s do a top six for this weekend:
1. The Magnificent Seven
Predicted Gross: $47.1 million
2. Storks
Predicted Gross: $27.9 million
3. Sully
Predicted Gross: $14.9 million (representing a drop of 31%)
4. Bridget Jones’s Baby
Predicted Gross: $5.1 million (representing a drop of 40%)
5. Snowden
Predicted Gross: $4.3 million (representing a drop of 47%)
6. Blair Witch
Predicted Gross: $3.4 million (representing a drop of 65%)
Box Office Results (September 16-18)
Sully once again landed (the pun is old, I know) safely in first place for the second weekend in a row with $21.6 million – just shy of my $23.3M forecast. The Tom Hanks hit has earned $70M thus far.
The curse of the Blair Witch applied to its dismal box office numbers as the sequel to the 1999 smash hit made just $9.5 million. I originally predicted $27.4 million before revising it down to $22.4M. I should have kept going down further and further. In a year that’s been mighty good for horror, the Witch debut gave us a rare dud. However, keeping things in perspective, it did only cost a measly $5 million to make, so it nearly doubled its budget in three days.
In more underwhelming sequel news – Renee Zellweger’s return to the big screen in her signature role was met with a shrug as Bridget Jones’s Baby earned $8.5 million, under my $12.3M estimate. The third entry in the franchise (and first in 12 years) posted its lowest debut in third, just under the $8.6M of 2004’s Bridget Jones: The Edge of Reason.
Oliver Stone’s Snowden was fourth with $8 million, a bit ahead of my $6.8M prediction. This is just an OK showing as mixed reviews and perhaps a distaste for political drama on the big screen contributed to its ambivalent roll out.
Don’t Breathe stayed in the top five with $5.6 million ($75M total). I incorrectly didn’t include it as its drop-off was smaller than I anticipated.
When the Bough Breaks was sixth in weekend #2 with $5.4 million (I said $5.6M). It’s made $22M.
Last and least – the Christian concert doc Hillsong – Let Hope Rise tanked with only $1.3 million – less than half of my $3M projection for an unlucky 13th place showing.
And that will do it for now, friends! Until next time…
Warner Bros keeps the onslaught of animated titles being delivered to theaters going with Storks, opening next weekend. The comedic adventure comes from Nicholas Stoller and Doug Sweetland. Mr. Stroller is known for his live-action genre titles like Forgetting Sarah Marshall, Get Him to the Greek, and the Neighbors franchise. The pic features the voices of Andy Samberg, Jennifer Aniston, Keegan-Michael Key, Jordan Peele, Kelsey Grammer, and Ty Burrell.
2016 has been a banner year for animated material with mega-hits like Zootopia, Finding Dory, and The Secret Life of Pets and critically acclaimed fare like Kubo and the Two Strings and Sausage Party. With all those titles mentioned, it’s a distinct possibility that an animated feature will really have to stand out now for family audiences to plunk down their dollars. Whether Storks fits that bill is a legit question.
September has been an occasionally fruitful month for the genre. Hotel Transylvania and its sequel are responsible for the month’s two largest openings at $42 and $48 million, respectively. The two Cloudy with a Chance of Meatballs flicks both opened above $30 million. Warner Bros should be ecstatic if Storks manages those numbers.
I don’t believe this will quite reach that level and a debut in the mid to high 20s seems more probable.
Storks opening weekend prediction: $27.9 million
For my The Magnificent Seven prediction, click here:
There are few actors out there who can truly open a movie, but Denzel Washington is one of them. He’s back on screen for the first time in two years with The Magnificent Seven next weekend. A remake of the 1960 classic with Yul Brynner (which itself was a reworking of 1954’s Seven Samurai), this Western re-teams Washington with his Training Day and The Equalizer director Antoine Fuqua. It also features the red-hot Chris Pratt, Training costar Ethan Hawke, Vincent D’Onofrio, Peter Sarsgaard, and Haley Bennett.
Early reviews for Seven have been mixed, but this is likely to be a critic proof exercise that delivers an impressive debut. To give you some perspective on Washington’s star power, his last seven pictures have made over $20 million out of the gate (The Taking of Pelham 123, The Book of Eli, Unstoppable, Safe House, Flight, 2 Guns, The Equalizer). Three (Eli, House, Equalizer) have topped $30M and Safe House managed $40M. With its familiar title and the participation of Pratt (coming off summer 2014’s biggest hit Guardians of the Galaxy and summer 2015’s biggest hit Jurassic World), Seven could also join the plus $40M club. In fact, if this reaches over $43 million (the number that Washington’s 2007 pic American Gangster accomplished), it would mark his largest opening.
I believe it will accomplish that feat for a mid to high 40s debut and that would give it the #2 September premiere of all time.
The Magnificent Seven opening weekend prediction: $47.1 million
The third weekend of September brings us four new films (just as last weekend did) and they are: horror sequel Blair Witch, rom com three-quel Bridget Jones’s Baby, Oliver Stone’s political thriller Snowden, and faith-based concert documentary Hillsong – Let Hope Rise. You can peruse my detailed prediction posts on each of them here:
As I see it, Bridget Jones’s Baby looks like it’ll easily place third for the weekend – unless Snowden does considerably better than my estimate. However, I have Snowden pretty far behind in fourth.
Hillsong is unpredictable (it doesn’t help that I don’t have a screen count). I have it in eighth place at $3 million.
The battle for #1 could be one to watch. My estimate for Blair Witch puts it there, but I expect Sully to experience a rather smallish decline. If Witch comes in below my prognosis, the Clint Eastwood/Tom Hanks could land in first for the second frame.
As for current #2 When the Bough Breaks, I look for it to place fifth with a hefty decline.
Here’s how the blog readers feel about my newcomer predictions:
Blair Witch: 36% Too High, 33% Just About Right, 31% Too Low
Bridget Jones’s Baby: 51% Too Low, 32% Just About Right, 17% Too High
Snowden: 71% Too Low, 23% Just About Right, 6% Too High
**I made my Hillsong prediction just this evening, so no real data on that one yet.
And with that, a top 5 predictions for the weekend:
1. Blair Witch
Predicted Gross: $27.4 million
2. Sully
Predicted Gross: $23.3 million (representing a drop of 33%)
3. Bridget Jones’s Baby
Predicted Gross: $12.3 million
4. Snowden
Predicted Gross: $6.8 million
5. When the Bough Breaks
Predicted Gross: $5.6 million (representing a drop of 61%)
Box Office Results (September 9-11)
Sully had a terrific debut over the weekend with $35 million – good for the fifth highest September opening ever and coming in above my $28.5M estimate. It also marks Tom Hanks’s largest live-action premiere in seven years. With an A Cinemascore grade, expect Sully to have sturdy legs moving forward.
The news wasn’t as good for When the Bough Breaks, which made $14.2 million for runner-up status. I was way higher with $22.7M. The romantic thriller couldn’t match the September openings of similarly themed 2014 and 2015 pics – No Good Deed and The Perfect Guy. That said, Bough‘s price tag is only a reported $10 million so a tidy profit is in order for studio Screen Gems.
Don’t Breathe, as expected, dropped to third after two weeks on top with $8.2 million – in line with my $7.5M forecast for a total of $66M. Suicide Squad was fourth with $5.7 million (I predicted $5.1M) for a $307M tally.
Fifth place belonged to Belgian animated entry The Wild Life and I incorrectly had it outside the top five. It earned $3.3 million (I went with $3.2M) for a lackluster beginning.
Kubo and the Two Strings was sixth, also at $3.3 million (I said $3.8M) to bring its gross to $40M.
Last and least, Kate Beckinsale’s horror flick The Disappointments Room bombed in a 17th place showing with just $1.4 million. I was a bit more generous at $2.3M.
And that will do it for now, folks! Until next time…
BLOGGER’S Update: (09-12-16, 8:24pm) It’s just been revealed that Hillsong will only be released on approximately 815 screens. This lowers my projection to $3 million dollars.
This Friday, the faith based concert film Hillsong – Let Hope Rise hits theaters and will try to attract music loving Christian moviegoers. The documentary chronicles the Australian band’s story as they’ve sold millions of albums since their formation in 1998. It was originally scheduled to be released over a year ago, but was pushed back at least twice due to the bankruptcy of its studio.
Yes, I Googled all of this information as Hillsong is not a group I’m personally familiar with. My uncertainty for its box office prognosis is on a couple of levels. I don’t have a screen count for it yet, most importantly. The difference between 800 theaters or 2000 could greatly fluctuate my estimate (I’ll reserve the right to change this when it is released). Also, faith based audiences have been known to cause pictures to greatly exceed expectations.
So… guess work, folks! As it stands now, I’ll say Hillsong reaches somewhere between $4-6 million and we’ll see how it goes…
Hillsong – Let Hope Rise opening weekend prediction: $3 million (Updated – see above)
Four have passed since Oliver Stone released his last picture and it’s been eight years since he’s gotten political. That changes next weekend when Snowden hits theaters. This is a biopic of former CIA analyst Edward Snowden with Joseph Gordon -Levitt in the title role. A stellar supporting cast includes Shailene Woodley, Melissa Leo, Tom Wilkinson, Zachary Quinto, Scott Eastwood, Timothy Olyphant, Rhys Ifans, and Nicolas Cage.
The thriller was originally set for release in December of last year before being pushed to May and, finally, September. Snowden will be a test as to whether audiences wish to spend over two hours witnessing a story well-publicized in the press and already covered in the recent documentary Citizenfour.
My feeling is the answer will be no. Political dramas often struggle at the box office and I don’t see that as an exception. My prediction is Snowden doesn’t reach double digits in its debut as many moviegoers may be getting their fill of current events on the small screen.
BridgetJones’sBaby not only marks the return of a long dormant franchise, but also the return of Oscar winner Renee Zellweger, making her first onscreen appearance in six years. It’s been twice that long since her title character has been in multiplexes.
In 2001, BridgetJones’sDiary was a solid hit, opening to $10.7 million and displaying great legs to get to $71 million domestic. It also earned its lead a Best Actress nod. The 2004 sequel, BridgetJones: TheEdgeofReason, didn’t fare as well with a $40 million eventual gross.
Besides Zellweger returning to one of her most well-known roles, Sharon Maguire (director of the original) is also back. Same with Colin Firth and Jim Broadbent. Not returning: Hugh Grant and the love triangle with Bridget and Mr. Firth is instead completed by Patrick Dempsey.
As I see it, the long wait between entries and middling performance of the second entry doesn’t bode too well here. I highly doubt this can reach the $17.8 million accomplished by MyBigFatGreekWedding2 (another long gestating rom com sequel) earlier this year. After all, the predecessor for that one made $241 million.
My prediction is this doesn’t quite reach teens for its box office birth.
Bridget Jones’s Baby opening weekend prediction: $12.3 million
Seventeen years ago, The Blair Witch Project came out of nowhere and turned into a 1999 summertime smash. The found footage horror pic (we can basically thank it for kicking off that craze) was initially shot for a tiny $60,000 and made $140 million domestically and $248 million worldwide. A year later, a quasi-sequel entitled Book of Shadows: Blair Witch 2 failed to connect with audiences.
This time around, we have a direct sequel to the original and it was shockingly a secret up until a couple of months ago. The director/writer horror team of Adam Wingard and Simon Barrett have been responsible for some critically acclaimed genre titles such as You’re Next and The Guest. Their latest venture was said to be The Woods and there was even a trailer for it. It wasn’t until this summer’s San Diego Comic Con (where it screened to great buzz) that it was revealed as Blair Witch. Like the 1999 pic, the cast is made up of relative or total unknowns.
Backstory explained, let’s get to its box office potential. First things first – scare tactics have been a bright spot at the multiplexes lately. The Conjuring 2 debuted to $40 million. Lights Out surprised many with a $21 million premiere and Don’t Breathe exceeded all expectations with $26 million out of the gate. That bodes well for this.
One potential concern: will younger viewers feel the connection to a franchise that has laid dormant for over a decade and a half? While the original was a moneymaking sensation, reaction to it was actually polarized and that may have contributed to the mediocre returns of the 2000 follow-up.
That said, I still envision Blair Witch reaching mid to high 20s next weekend with strong word of mouth from its screening helping.
Blair Witch opening weekend prediction: $27.4 million
For my Bridget Jones’s Baby prediction, click here:
BLOGGER’S UPDATE (09/09/16): I can no longer ignore the strong signals that Sully will top the box office this weekend. I’m not changing my When the Bough Breaks forecast, but am upping Sully from $19.8M to $28.5M.
The second weekend of September brings us four new entries that will likely perform significantly different. There’s the Clint Eastwood/Tom Hanks collaboration Sully, romantic thriller When the Bough Breaks, horror pic The Disappointments Room and Belgian animated export The Wild Life. You can peruse my detailed prediction posts on each of them here:
As I see it, there could be a serious battle for the #1 slot between Bough and Sully. The latter debuted to positive reviews over the weekend (75% currently on Rotten Tomatoes). The former is a critic proof entity that could follow in the footsteps of September 2014’s No Good Deed and September 2015’s The Perfect Guy with grosses in the low to mid 20s. Meanwhile, I have Sully not quite reaching $20M, though it’ll likely have solid legs in subsequent weekends.
For those reasons, I’m giving Bough the edge to reach the top spot this weekend. I have a feeling there may be those who disagree. As for the other newcomers, I’m expecting wildly disappointing results. Neither The Disappointments Room or The Wild Life seem to have any momentum. My $2.3M and $3.2M estimates for them, respectively, leave them outside the top five.
Here’s how the blog readers feel about my newcomer predictions:
Sully – 64% Too Low, 31% Just About Right, 5% Too High
When the Bough Breaks – 53% Just About Right, 44% Too High, 3% Too Low
The Disappointments Room – 64% Just About Right, 22% Too Low, 14% Too High
The Wild Life – 50% Just About Right, 43% Too Low, 7% Too High
As for holdovers, current two-time champ Don’t Breathe should slip to third with Suicide Squad in fourth. Kubo and Pete’s Dragon are likely to battle for the five spot with similar grosses.
And with that, my top five predictions for the weekend:
1. Sully
Predicted Gross: $28.5 million
2. When the Bough Breaks
Predicted Gross: $22.7 million
3. Don’t Breathe
Predicted Gross: $7.5 million (representing a drop of 52%)
4. Suicide Squad
Predicted Gross: $5.1 million (representing a drop of 49%)
5. Kubo and the Two Strings
Predicted Gross: $3.8 million (representing a drop of 40%)
Box Office Results (September 2-5)
It was a typically sluggish Labor Day weekend as two newcomers failed to connect with audiences. The low-budget horror pic Don’t Breathe, on the other hand, continued to impress with $19.7 million (above my $16.7M estimate) for a total of $55 million.
Suicide Squad was second once again with $12.6 million (in line with my $12.9M projection) as it crossed the $300M line.
Kubo and the Two Strings was third with $8.7 million (I said $8M) for a $36M gross. The four and five spots were holdovers that I incorrectly had outside the top five: Pete’s Dragon with $8.4 million ($66M total) and Sausage Party with $6.4 million ($89M total).
As for the aforementioned newcomers… ouch. Romantic drama The Light Between Oceans was sixth with only $6.1 million (well under my $11.3M prediction).
Sci-fi thriller Morgan fared even worse with just $2.5 million for 18th place… less than a fourth of my generous $10.6M forecast.
And that will do it for now, blog readers! Until next time…
All My Life... I Wanted To Be A Blogster 