Kevin Hart has been busy at the box office in 2016. Ride Along 2 debuted in January with an overall gross of $90 million (shy of its predecessor, but not bad). This summer came Central Intelligence, his team-up with The Rock that marked his second highest grosser ever at $127 million (after the first Ride Along, which made $134M). While the comedian has broken through on the silver screen in a major way, he hasn’t forgotten his stand-up roots. That leads to Kevin Hart: What Now?, out next weekend, which presents his latest comedy tour with a show taped in 2015 in Philadelphia.
For comparisons sake, it’s been three years since Mr. Hart released his last stand-up pic theatrically. Kevin Hart: Let Me Explain had a $10 million premiere with a $32M eventual domestic haul. Comedy concerts released in multiplexes are a rare breed, but there’s some hope this could outshine Explain. The most obvious reason is that Hart has become a much bigger movie star in the three years that have transpired. On the other hand, moviegoers know even more now that Now will likely be available for their viewing pleasure via streaming quite soon.
Add that up and I believe What Now? will manage to outpace Explain for a debut in the low to mid double digits.
Kevin Hart: What Now? opening weekend prediction: $13.5 million
It’s been a busy year for Mr. Ben Affleck as he made his debut as the Caped Crusader in Batman v Superman: Dawn of Justice and will unveil his next directorial effort, the Prohibition era crime drama Live by Night, this December. And that’s not all because next weekend comes The Accountant.
The action thriller stars Batfleck and is directed by Gavin O’Connor, who’s had a mixed filmography with critical and commercial pleasers like Miracle and Warrior. There’s also his previous effort – the Natalie Portman flop of a Western Jane Got a Gun. This will be a true test of Affleck’s star power as he’s really the sole selling point. Costars include Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, and John Lithgow.
Two Octobers back, the star had one of his largest career hits with Gone Girl, which debuted to $37 million. The Accountant will try to lure in adult moviegoers who (unlike in the summer) have had plenty of offerings to choose from, including Sully, The Magnificent Seven, Deepwater Horizon, and The Girl on the Train. While this could reach over $20 million, a debut in the high teens seems like the numbers this Accountant will manage.
The Accountant opening weekend prediction: $17.6 million
For my Kevin Hart: What Now? prediction, click here:
The first full weekend of the October box office brings us a trio of newcomers: big-screen adaptation of last year’s bestselling thriller The Girl on the Train, Nate Parker’s slavery drama The Birth of a Nation, and teen comedy Middle School: The Worst Years of My Life. You can peruse my detailed prediction posts on each of them here:
While my prediction for Train doesn’t get it near Gone Girl (the blockbuster pic released two years ago on the same weekend that it’s compared to the most), it shouldn’t have much trouble locking down the #1 position.
Birth has received plenty of publicity – first for its rave screenings at festivals and then regarding past legal issues for its director, writer, and star. I have this reaching just over double digits. As for Middle School, it could be stuck in a battle for the five spot with the third weekends of Magnificent Seven and Storks. That said, I’ll predict Storks has a small drop-off and leaps over both of them.
As for other holdovers, I expect current champ Miss Peregrine’s Home for Peculiar Children to dip a bit further in its sophomore frame than Deepwater Horizon. Both should move down a spot to second and third.
Here’s how the blog’s readers feel about my estimates for the newbies:
The Girl on the Train – 48% Just About Right, 37% Too Low, 15% Too High
The Birth of a Nation – 42% Too Low, 35% Just About Right, 23% Too High
Middle School – 58% Too Low, 25% Too High, 17% Just About Right
And with that, a top 7 predictions for the weekend ahead:
1. The Girl on the Train
Predicted Gross: $28.2 million
2. Miss Peregrine’s Home for Peculiar Children
Predicted Gross: $14.3 million (representing a drop of 50%)
3. Deepwater Horizon
Predicted Gross: $11.9 million (representing a drop of 41%)
4. The Birth of a Nation
Predicted Gross: $10.5 million
5. Storks
Predicted Gross: $9.3 million (representing a drop of 30%)
6. Middle School: The Worst Years of My Life
Predicted Gross: $7.8 million
7. The Magnificent Seven
Predicted Gross: $7.7 million (how about that?? – representing a drop of 51%)
Box Office Results (September 30-October 2)
Tim Burton nabbed his seventh #1 opener of his filmography as Miss Peregrine’s Home for Peculiar Children took in $28.8 million, schooling my $19.6M forecast. This is a pretty decent debut, though it’s unlikely to join the $100M club as six of the director’s other features have.
Deepwater Horizon premiered in second and I incorrectly had it making more than Peregrine and those strange kiddos. The big-budget disaster pic starring Mark Wahlberg had a muted start (especially considering its price tag) at $20.2 million, below my $24.7M estimate. Its best hope is for meager declines in coming weekends.
The Magnificent Seven was third, dipping a bit farther than anticipated in weekend 2 with $15.6 million. I predicted $18.2M. The Denzel Washington/Chris Pratt Western has made $61 million thus far.
Storks was fourth in its sophomore frame with $13.4 million (I was right there with a $13.2M estimate). The animated pic has grossed $38 million in ten days.
Sully was fifth with $8.2 million (I said $9.1M) as it entered nine digit territory with $105 million to date.
Lackluster newcomers filled the six and seven positions. The oft-delayed Masterminds earned $6.5 million, on the money with my $6.3M prediction. Disney’s Queen of Katwe failed to break through with audiences with just $2.4 million (less than half of my generous $5M projection).
And that’ll do it for now, folks! Until next time…
TheGirlontheTrain isn’t the only title out next weekend based on a bestseller as MiddleSchool: TheWorstYearsofMyLife debuts. Based on James Patterson and Chris Tebbits’s 2011 book, the comedy aims to capitalize on its successful source material.
Griffin Gluck plays the middle schooler having a bad time with a supporting cast that includes Lauren Graham, Rob Riggle, and Andy Daly. Steve Carr (in his comfort zone after making other youth oriented yuck fests like Dr. Dolittle2 and PaulBlart: MallCop) directs.
My expectation is that this will have a tough time breaking through to teens. The marketing campaign has been somewhat quiet. At least the animated blockbusters this year are geared toward a pre-teen audience and their parents attend, too. School could struggle to reach double digits, resulting in middling numbers.
MiddleSchool: TheWorstYearsofMyLife opening weekend prediction: $7.8 million
When Nate Parker’s The Birth of a Nation debuted at the Sundance Film Festival all the way back in January, it garnered red-hot buzz that included awards chatter. Fox Searchlight quickly snatched up the rights and it rolls out in theaters next weekend. The pic tells the true life tale of slave rebellion leader Nat Turner in 1831. Parker directed, produced, wrote, and stars in the $10 million production. Costars include Armie Hammer, Aja Naomi King, Jackie Earle Haley, Gabrielle Union, and Penelope Ann Miller.
Since its wildly successful roll out this past winter, Birth has faced an interesting and sometimes troubling journey to the wide release date. While its 82% on Rotten Tomatoes indicates the aforementioned positive critical reaction, the film has seemed to diminish in the view of Oscar forecasters. Whether that’s due to buzz waning or other worthy pictures being screened since then is an open question.
And, yes, there’s the matter of Nate Parker’s personal life stemming from a 1999 rape case and his accuser’s suicide years later. The matter has received significant publicity over the last few months. How the story affects Nation‘s box office performance obviously seems inconsequential considering the larger picture, but it must be taken into consideration for any prediction.
All of those factors have contributed to Birth losing some luster and, truth be told, my opening weekend prediction post Sundance probably would’ve been higher. I’ll predict this manages to get past double digits, but not by much.
The Birth of a Nation opening weekend prediction: $10.5 million
For my The Girl on the Train prediction, click here:
Just last year, the novel The Girl on the Train by Paula Hawkins became a massive bestseller and Universal Pictures wasted no time in getting the big screen adaptation to eager audiences. The book has been described as the “next Gone Girl” and the studio would love to replicate that film adaptation’s success here.
The thriller is directed by The Help‘s Tate Taylor and stars Emily Blunt with a supporting cast that includes Rebecca Ferguson, Haley Bennett, Justin Theroux, Luke Evans, Allison Janney, Edgar Ramirez, Lisa Kudrow, and Laura Prepon.
Train should undoubtedly bring in fans of the source material (including a hefty female demographic). Yet reaching the heights of Gone Girl seems like a fairly unlikely prospect. Two years ago in the same first October weekend, the David Fincher effort earned just over $37 million out of the gate. It wouldn’t shock me to see this top $30M for its opening weekend, but I believe a mid-high 20s gross is more probable. If Train manages solid audience buzz, it could keep chugging along with smallish drops in future weekends.
The Girl on the Train opening weekend prediction: $28.2 million
For my The Birth of a Nation prediction, click here:
Four new titles roll out in wide release this weekend at the box office and they are: Mark Wahlberg’s true-life disaster pic Deepwater Horizon, Tim Burton’s YA fantasy Miss Peregrine’s Home for Peculiar Children, oft delayed Zach Galifianakis/Kristin Wiig comedy Masterminds, and Disney’s Ugandan chess prodigy tale Queen of Katwe. You can peruse my detailed prediction posts on each here:
As I see it, Deepwater Horizon should top Peregrine for the top spot. Both have the chance to debut higher than my predictions, but the trend over the last couple of weeks has been titles under performing and not over performing. If Magnificent Seven loses close to half its opening weekend audience, it should be third with Storks at the four spot (it should experience the smallest decline of holdovers).
My estimates for Masterminds and Queen of Katwe put them in the sixth and seventh positions with Sully holding on for another week in the top five.
Here’s how the blog readers feel about my projections for the newcomers:
Deepwater Horizon – 45% Too Low, 38% Just About Right, 17% Too High
Miss Peregrine’s Home for Peculiar Children – 69% Too Low, 16% Just About Right, 15% Too High
Masterminds – 54% Just About Right, 46% Too Low, 0% Too High
Queen of Katwe – 50% Just About Right, 38% Too Low, 12% Too High
And with that, a top 7 predictions for this weekend:
1. Deepwater Horizon
Predicted Gross: $24.7 million
2. Miss Peregrine’s Home for the Peculiar Children
Predicted Gross: $19.6 million
3. The Magnificent Seven
Predicted Gross: $18.2 million (representing a drop of 47%)
4. Storks
Predicted Gross: $13.2 million (representing a drop of 37%)
5. Sully
Predicted Gross: $9.1 million (representing a drop of 33%)
6. Masterminds
Predicted Gross: $6.3 million
7. Queen of Katwe
Predicted Gross: $5 million
Box Office Results (September 23-25)
As expected, TheMagnificentSeven remake with Denzel Washington and Chris Pratt easily topped the charts, though it did come in towards the bottom end of most expectations. The Western took in $34.7 million and I went considerably higher with $47.1M. Still, the opening is in line with Washington’s TheEqualizer from two years ago.
After the animated talking animal mega-hits that were Zootopia, Finding Dory, and The Secret Life of Pets – perhaps family audiences had their fill as Storks posted a debut on the lowest end of expectations. Despite positive reviews, the Warner Bros release made $21.3 million for second (below my $27.9M projection). Its best hope is for smallish declines in future weekends.
Sully dropped to third after two weeks on top with $13.5 million (under my $14.9M forecast) for a total of $92M.
Last weekend’s newcomers all posted lackluster debuts and they all experienced unimpressive second weekends as well. Bridget Jones’s Baby was fourth with $4.6 million (I said $5.1M) for a $16M total. Snowden was fifth with $4 million (I said $4.3M) for a $15M tally. Blair Witch dropped to sixth with $4 million as well (I predicted $3.4M) for a $16M overall gross.
Most biographical sports films focus on football or boxing in recent years, but Disney changes it up next weekend with The Queen of Katwe. The pic tells the true-life tale of Ugandan chess master Phiona Mutesi (Madina Nalwanga). Mira Nair directs with a cast including David Oyelowo and recent Oscar winner Lupita Nyong’o.
Katwe screened at the Toronto Film Festival to positive critical reaction (it’s at 88% currently on Rotten Tomatoes). At one time, this was looked at as a potential awards hopeful yet that has been tampered down a bit (Nyong’o could be a factor in Supporting Actress, but probably not). The film comes with a rather minor $15 million budget.
Disney’s best hope is for a decent opening followed by long legs if audiences love what they see. Opening on a relatively small 1252 screens, expectations aren’t too high and I’ll predict this manages to reach $5 million for its start.
Queen of Katwe opening weekend prediction: $5 million
At long last, the heist comedy Masterminds hits theaters next weekend after much delay. Whether or not it’s able to steal some box office dollars is very much in question. Director Jared Hess broke through in a big way 12 years ago with his sleeper hit Napoleon Dynamite. His follow-up, 2006’s Nacho Libre with Jack Black, was a critical letdown which still managed to make $80 million domestic.
Since then, Mr. Hess’s efforts have been little-seen and poorly reviewed efforts. 2009’s Gentlemen Broncos? 2015’s Don Verdean? Anyone? Masterminds had the whiff of a return to form, but it’s been mired in the financial distresses of its studio, Relativity. The pic was originally scheduled for release in August of last year and then October (hence its trailer having been around for quite some time).
The talent involved here is serious – Zach Galifianakis, Kristin Wiig, Owen Wilson, Jason Sudeikis, Kate McKinnon, and Leslie Jones. That’s three new Ghostbusters by the way – even though the ladies shot that reboot after this. Recognizable stars aside, I have a feeling that all of the delays and a fairly quiet marketing campaign will hurt Masterminds immensely.
I’m tempted to go really low — like $4 million, folks. I believe this may manage to reach a bit beyond that. Double digits seems like a reach, however.
Masterminds opening weekend prediction: $6.3 million
Nearly two years ago, Tim Burton had the second lowest grossing feature of his career (after 1994’s Ed Wood) with Big Eyes. To cushion the blow, that particular film was a low-budget drama that wasn’t expected to rank among his array of blockbusters.
Next weekend, Miss Peregrine’s Home for Peculiar Children finds Burton back in more familiar territory. It’s a fantastical adventure based on a well-known property (Ransom Riggs’s 2011 bestseller) with dark themes. Sounds like a Burton flick to me! Eva Green plays the title character with a supporting cast that includes Asa Butterfield, Chris O’Dowd, Allison Janney, Rupert Everett, Terence Stamp, Judi Dench, and Samuel L. Jackson.
It’s been six years since Mr. Burton has had a massive hit – 2010’s Alice in Wonderland (he didn’t direct this year’s flop of a sequel). This is also his first blockbuster hopeful not headlined by Johnny Depp in a little while. Even though it’s based on a novel with a solid following, I’m not convinced this will break out at the box office with its lack of star power and a director whose box office potency has waned.
My Peculiar estimate has this not reaching $20 million. This is under some other prognosticators expectations and would be considered a disappointment for Burton and company.
Miss Peregrine’s Home for Peculiar Children opening weekend prediction: $19.6 million
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