Oscars: The Case of American Fiction

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

I will begin with the ten BP contenders and then alternate alphabetically between the hopefuls in the other five big races. Cord Jefferson’s American Fiction kicks it off!

The Case for American Fiction:

The awards buzz for Hustle went into high gear when it won the People’s Choice Award at the Toronto Film Festival. That prize has also been bestowed to BP victors American Beauty, Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. The satire has been nominated for BP at Critics Choice and the Golden Globes and it exceeded expectations with 5 totals noms: Jeffrey Wright in Actor, Sterling K. Brown for Supporting Actor, Adapted Screenplay, and Original Score being the others.

The Case Against American Fiction:

It hasn’t won any of the previous BP derbies. Despite the five mentions, it missed out in key BP winning races like Director and Film Editing.

The Verdict:

American Beauty should still be the most recent BP recipient beginning the word American. Fiction‘s best hope for a statue is in the seemingly wide open Adapted Screenplay category where it emerged victorious at Critics Choice.

My Case Of posts will continue with Anatomy of a Fall

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