The Big Short Box Office Prediction

Known primarily for directing Will Ferrell comedies (if this wasn’t coming out, you might have thought he’s behind the camera for competitor Daddy’s Home), Adam McKay changes things up with The Big Short, out December 23rd. The comedic drama focuses on the housing crisis from a few years ago and stars heavyweights Steve Carell, Christian Bale, Ryan Gosling, and Brad Pitt. Other supporting players include Melissa Leo and Marisa Tomei.

The pic has received mostly glowing reviews and it stands at 85% currently on Rotten Tomatoes. It stands a very decent shot at a Best Picture nomination. That said, that doesn’t mean Short will come up big in its debut. Even with star power and Oscar buzz, competition over Christmas weekend for adults is fierce (Joy, Concussion). And the last time a critically acclaimed Oscar player focusing on recent events opened, it was Steve Jobs and it flamed out with a $7.1 million opening.

I believe The Big Short is more likely to be a slow burner that could gain momentum if its potential Academy nods pan out. There is a small advantage for it opening on Wednesday, two days before four other titles enter an already crowded Star Wars marketplace. I believe this will just top $10 million for its five day beginning.

The Big Short opening weekend prediction: $8.1 million (Friday to Sunday), $10.6 million (Wednesday to Sunday)

For my Daddy’s Home prediction, click here:

https://toddmthatcher.com/2015/12/15/daddys-home-box-office-prediction/

For my Joy prediction, click here:

https://toddmthatcher.com/2015/12/15/joy-box-office-prediction/

For my Concussion prediction, click here:

https://toddmthatcher.com/2015/12/15/concussion-box-office-prediction/

For my Point Break prediction, click here:

https://toddmthatcher.com/2015/12/15/point-break-box-office-prediction/

Oscar Watch: The Big Short

The last piece of the AFI Film Festival puzzle as it relates to Oscar potential was unveiled Thursday night as Adam McKay’s The Big Short screened. You don’t normally (as in ever before now) see director McKay’s name linked to Academy Awards buzz. We know him best for making Will Ferrell comedies like Anchorman, Talladega Nights, and The Other Guys. 

Yet this comedy with some drama mixed in focuses on the financial and housing crises of recent years and features a stellar cast that includes Steve Carell, Christian Bale, Ryan Gosling, Brad Pitt, Melissa Leo, and Marisa Tomei. And when Paramount pushed it up from a release date in 2016 to Christmas time this year, it was seen by some as a move to put it in the Oscar race.

The verdict? Pretty strong, but reviews haven’t been met with universal acclaim. Some critics have been quite positive though and when it comes to the performances, attention has turned to Carell for Actor and Bale in Supporting Actor (a category he won in 2010 for The Fighter). Even though the Best Actor race is less competitive in 2015 than it’s been in recent year, I still feel Carell is a bit of a long shot for consideration unless the movie really takes off. Same goes for Bale. I would also say its inclusion in Best Picture seems iffy, at best.

As you know, however, these things can change over the next couple of months and The Big Short at least established itself as a potential player in the weeks ahead.

Oscar Watch: By the Sea

Just last year, Angelina Jolie’s second directorial feature Unbroken was looked at as a potential major contender in the Picture and Director categories. However, when it screened for critics, its prospects dimmed and it ended up getting nominated in just three races with none of them being the high profile ones.

A year later, her third turn behind the camera is By the Sea and it hasn’t been talked about in the same terms that her last film was in terms of Oscar nods. Now we know why. The marital drama costars Jolie’s real life hubby Brad Pitt and Melanie Laurent and it debuted yesterday at the AFI Film Festival. Critical reaction has not been too kind, with most writers calling it a rather dull vanity project. It stands at just 38% on Rotten Tomatoes currently.

With the talent involved, By the Sea still stood at the outer edges to keep an eye on for awards attention. Now that it has been seen, that wave of possibility has dissipated.

2015 Early Oscar Predictions: Best Actor

How about this for a 2015 Best Actor category? You could have Miles Davis, Steve Jobs, Dalton Trumbo, Whitey Bulger, Dan Rather, Hank Williams, Edward Snowden, and Lance Armstrong all competing against one another? Yep, it’s true as this year’s possibilities contain a number of high-profile performers playing real life characters.

Today is part four of my very early Oscar predictions. In 2014, I made my initial round at the same time. For the races of Best Actress and Supporting Actor and Actress, these early 2014 prognostications yielded just two of the eventual five nominees. Yet last year in the Best Actor race, they correctly predicted four of the five eventual nominees and the fifth was mentioned in the other possibilities section.

Back to the real life folks. Of the many I mentioned, I currently only have Don Cheadle’s work as Miles Davis in Miles Ahead and Michael Fassbender’s portrayal of Steve Jobs getting in. Fassbender, it should be noted, also remains a contender for this fall’s Macbeth. Any of the others mentioned could bubble up: Bryan Cranston in Trumbo, Johnny Depp as Whitey Bulger in Black Mass, Robert Redford as Dan Rather in Truth, Tom Hiddleston as Hank Williams in I Saw the Light, Ben Foster as Lance Armstrong in The Program, and Joseph Gordon-Levitt as Snowden. Like Fassbender, Gordon-Levitt could be a contender for Robert Zemeckis’s The Walk, too.

Last year’s winner Eddie Redmayne has a showy role in the period piece transgender drama The Danish Girl and he could easily see a second nod in as many years. Beloved veteran thespian Michael Caine has received raves for Youth. And Leonardo DiCaprio, who’s yet to win, is sure to receive attention for December’s The Revenant. 

As festivals begin to roll on and some of these aforementioned films will be reviewed, the picture should continue to become clearer. As for now:

TODD’S EARLY PREDICTIONS – BEST ACTOR

Michael Caine, Youth

Don Cheadle, Miles Ahead

Leonardo DiCaprio, The Revenant

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

Other Possibilities:

Bradley Cooper, Burnt

Bryan Cranston, Trumbo

Matt Damon, The Martian

Johnny Depp, Black Mass

Michael Fassbender, Macbeth

Colin Firth, Genius

Ben Foster, The Program

Joseph Gordon-Levitt, Snowden

Joseph Gordon-Levitt, The Walk

Tom Hanks, Bridge of Spies

Tom Hardy, Legend

Tom Hiddleston, I Saw the Light

Brad Pitt, By the Sea

Robert Redford, Truth

Best Director will be up tomorrow with Best Picture on Saturday! Stay tuned…

If you missed my previous posts covering Actress and the Supporting races, click here:

https://toddmthatcher.com/2015/09/02/2015-early-oscar-predictions-best-actress/

https://toddmthatcher.com/2015/09/01/2015-early-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2014/08/29/todds-early-oscar-predictions-best-supporting-actress/

Box Office Predictions: October 24-26

Horror and action fans have newbies to feast on this weekend as Ouija and John Wick open Friday, attempting to displace Fury from its perch atop the box office. You can find my detailed prediction posts on each of them here:

https://toddmthatcher.com/2014/10/19/ouija-box-office-prediction/

https://toddmthatcher.com/2014/10/19/john-wick-box-office-prediction/

I believe the Halloween season should allow Ouija to make it to #1, though my estimate is slightly higher than others I’ve seen. Being that it’s a horror flick, it could also surpass my expectations. If only there was a board game I could ask about it…

As far as John Wick, I’m not expecting much out of it as I don’t think it’s been marketed well enough to make it a must see among action fans.

Fury may experience a smallish decline next weekend and I anticipate the same for both Gone Girl and The Book of Life. 

And with that, my predictions for this weekend’s top five:

1. Ouija

Predicted Gross: $24.9 million

2. Fury

Predicted Gross: $14.8 million (representing a drop of 37%)

3. Gone Girl

Predicted Gross: $11.6 million (representing a drop of 34%)

4. The Book of Life

Predicted Gross: $11.3 million (representing a drop of 34%)

5. John Wick

Predicted Gross: $11 million

Box Office Results (October 17-19)

As expected, Brad Pitt’s Fury opened in first place with a respectable though unspectacular $23.7 million, a bit below my $26.4M projection. With decent reviews and an A- Cinemascore grade, it should hold up reasonably well in subsequent weekends.

Megahit Gone Girl slipped to second in its third weekend with $17.5 million, right on par with my $17.6M estimate. The David Fincher pic has amassed $106M so far.

The animated feature The Book of Life opened in third with a solid $17 million, slightly above my $15.6M prediction. Like most kiddie pics, it should hold up well for the foreseeable future (at least until Big Hero 6 opens).

Alexander and the Horrible, Terrible, No Good, Very Bad Day was fourth in its sophomore weekend with $11.4 million, just below my $12.5M estimate. It’s taken in $36 million in ten days and may reach around $65M domestic.

Opening with a thud in fifth was the Nicholas Sparks adaptation The Best of Me with just $10 million, well under my generous $17.8M projection. The poorly reviewed romantic drama marks the worst opening ever for a Sparks adapted novel. Perhaps opening it in February would’ve been smarter.

Slipping from second to sixth was Dracula Untold with $9.9 million, close to my $10.7M prediction. The Universal monster pic has taken in $40 million in two weeks and should finish with about $60M.

That’s all for now, my friends!

Box Office Predictions: October 17-19

A trio of new pictures open this Friday to try and end the two week reign of Gone Girl at the top spot: Brad Pitt’s World War II actioner Fury, the Nicholas Sparks adapted romantic drama The Best of Me, and the animated tale The Book of Life. You can read my detailed posts on each here:

https://toddmthatcher.com/2014/10/12/fury-box-office-prediction/

https://toddmthatcher.com/2014/10/12/the-best-of-me-box-office-prediction/

https://toddmthatcher.com/2014/10/12/the-book-of-life-box-office-prediction/

It’s hard to imagine Fury not having enough firepower to debut at #1, though The Best of Me or The Book of Life or both could surpass expectations. The real battle could be for the runner-up position as Gone Girl is likely to suffer a small decline and Best and Book should open in the same range.

As for other holdovers, I expect Alexander and Terrible, Horrible, No Good, Very Bad Day to experience a slimmer decline than current #2 Dracula Untold.

And with that, we’ll do a top six projections for the weekend:

1. Fury

Predicted Gross: $26.4 million

2. The Best of Me

Predicted Gross: $17.8 million

3. Gone Girl

Predicted Gross: $17.6 million (representing a drop of 33%)

4. The Book of Life

Predicted Gross: $15.6 million

5. Alexander and the Terrible, Horrible, No Good, Very Bad Day

Predicted Gross: $12.5 million (representing a drop of 32%)

6. Dracula Untold

Predicted Gross: $10.7 million (representing a drop of 54%)

Box Office Results (October 10-12)

David Fincher’s Gone Girl held off newcomers to remain atop the charts for the second week in a row. The water cooler hit based on Gillian Flynn’s novel took in $26.4 million, ahead of my $24.2M prediction and has amassed a terrific $77 million in ten days.

Dracula Untold had a robust beginning to the tune of $23.5 million, well beyond my meager $14.4M estimate. The pic is likely to fade rather quickly, but Universal Pictures has good reason to be pleased with its results.

The family comedy Alexander and its long title of a bad day debuted healthily with $18.3 million, right in range with my $18.7M prediction. The Steve Carell pic should hold up decently in subsequent weekends.

Horror spinoff Annabelle, as expected, dropped precipitously after its strong opening last weekend. It earned $15.8 million, barely above my $14.8M projection. It’s made $61 million so far.

Despite star Robert Downey Jr.’s relentless promotion last week, The Judge had difficulty luring viewers. It grossed just $13.1 million, below my $16.4M estimate. Mixed reviews may have kept some adult viewers away.

Finally, the steamy drama Addicted posted an impressive $7.4 million on a limited number of screens for a seventh place start. This outshined my $4.5M prediction.

That’s all for now, friends!

Fury Box Office Prediction

Five years ago, the combination of Brad Pitt and World War II produced robust box office results with Inglourious Basterds. We’ll see if lightning strikes twice in Fury, opening Friday. The WWII action pic comes from End of Watch director David Ayer. Pitt headlines alongside supporting players Shia LaBeouf, Logan Lerman, Michael Pena, and Jason Isaacs.

Of course, the aforementioned Basterds (which debuted to $38 million) had the advantage of having Quentin Tarantino and Oscar buzz – something Fury has neither of. The pic was originally thought to be an awards contender, but mixed reviews have rendered that mute (it stands at a respectable 63% on Rotten Tomatoes).

Fury still should succeed at attracting the primarily male action crowd and it shouldn’t have a problem debuting at #1 next weekend. Some estimates put this at getting above $30M, but I’m skeptical. A mid 20s debut similar to what Captain Phillips accomplished last October seems most likely.

Fury opening weekend prediction: $26.4 million

For my prediction on The Best of Me, click here:

https://toddmthatcher.com/2014/10/12/the-best-of-me-box-office-prediction/

For my prediction on The Book of Life, click here:

https://toddmthatcher.com/2014/10/12/the-book-of-life-box-office-prediction/

Oscar History: 2008

The 2008 Oscars will likely go down as the final year when only five films would compete in the granddaddy category of them all, Best Picture. The following year, the Academy would change it to ten and a couple years after that, developed a formula where anywhere from 5-10 movies could be recognized.

Many believe the reason is 2008’s exclusion of the critically lauded superhero sequel The Dark Knight, which had become the year’s highest grossing feature and was considered a major milestone in the burgeoning genre. Yet with the exception of its acclaimed Joker, Knight was shut out in the major categories.

Best Picture instead went to a true “little movie that could” – Danny Boyle’s out of nowhere critical and audience pleaser Slumdog Millionaire.

It would win out over David Fincher’s The Curious Case of Benjamin Button, Ron Howard’s Frost/Nixon, Gus Van Sant’s Milk, and Stephen Daldry’s The Reader. It is a bit surprising that Oscar voters left out Knight and I would put forth that a decent argument could also be made for Jon Favreau’s Iron Man, which also stands as a creative high point in the comic book canon of movies.

In the Best Director category, it was a rare example of the five nominated auteurs matching the Picture nominees and Boyle would take home the gold over Fincher, Daldry, Van Sant, and Howard. Once again, Christopher Nolan would be on the outside looking in for his Knight direction.

Sean Penn would win his second Best Actor statue (2003’s Mystic River being the first) for playing gay activist Harvey Milk in Milk.

Other nominees: Richard Jenkins in The Visitor, Frank Langella in Frost/Nixon, Brad Pitt in Benjamin Button, and Mickey Rourke in a career comeback role as The Wrestler.

Certainly Christian Bale as Bruce Wayne/Batman and Robert Downey, Jr. as Tony Stark/Iron Man could have been considered along with Leonardo DiCaprio in Revolutionary Road, Clint Eastwood in Gran Torino, and the Slumdog Millionaire himself Dev Patel.

After a number of nominations with no victories, Kate Winslet would win Best Actress for The Reader, beating out Anne Hathaway (Rachel Getting Married). Angelina Jolie (Changeling), Melissa Leo (Frozen River), and the omnipresent Meryl Streep (Doubt).

It was a bit surprising to see Cate Blanchett’s work in Benjamin Button go unrecognized.

The Dark Knight would win its Oscar with the late Heath Ledger taking Supporting Actor as the Joker. Other nominees: Josh Brolin (Milk), Robert Downey Jr. (Tropic Thunder), Philip Seymour Hoffman (Doubt), and Michael Shannon (Revolutionary Road).

While it was refreshing to see the Academy nominate a comedic performance like Downey’s in Tropic Thunder, an equally good argument could have been made for Tom Cruise’s role in that picture. Same goes for James Franco’s exemplary work as a stoner in Pineapple Express.

Woody Allen has directed several actresses to Supporting Actress wins and he did it again with Penelope Cruz in Vicky Christina Barcelona.

She would be victorious over Amy Adams in Doubt, Viola Davis – also for Doubt, Taraji P. Henson in Benjamin Button, and Marisa Tomei for The Wrestler.

I might’ve found room for Frances McDormand in the Coen Brothers Burn After Reading.

And that’s all for now on the Oscar History front! I’ll be back with 2009 in the near future…

Todd’s Early Oscar Predictions: Best Actor

Day 4 is here with my initial round of Oscar predictions and we’re at Best Actor. Interestingly, the seventeen actors I have listed as possibilities have never won the award previously. As with the other categories, I am listing my five predicted nominees along with others who could find themselves in the mix. To peruse my other posts covering the Supporting races and Actress, you can find them here:

https://toddmthatcher.com/2014/08/31/todds-early-oscar-predictions-best-actress/

https://toddmthatcher.com/2014/08/30/todds-early-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2014/08/29/todds-early-oscar-predictions-best-supporting-actress/

When I did my first estimates for 2013, it yielded only two of the five eventual nominees including winner Matthew McConaughey. Let’s get to it:

Todd’s Early Predictions for Best Actor

Steve Carell, Foxcatcher

Benedict Cumberbatch, The Imitation Game

Michael Keaton, Birdman

Joaquin Phoenix, Inherent Vice

Eddie Redmayne, The Theory of Everything

 

Other Possibilities:

Ben Affleck, Gone Girl

Chadwick Boseman, Get On Up

Bradley Cooper, American Sniper

Ralph Fiennes, The Grand Budapest Hotel

Jake Gyllenhall, Nightcrawler

Oscar Isaac, A Most Violent Year

Bill Murray, St. Vincent

Jack O’Connell, Unbroken

David Oyelowo, Selma

Brad Pitt, Fury

Timothy Spall, Mr. Turner

Channing Tatum, Foxcatcher

We’ll get to Best Director tomorrow and Picture on Wednesday!

World War Z Movie Review

Last summer’s World War Z was met with Waterworld type expectations upon its release. The vast majority of its publicity was negative. Stories of a troubled production, cost overruns, and script problems were abundant. What happened? It turned into a massive worldwide hit with a sequel on the way. It’s also star Brad Pitt’s highest grossing film ever.

For a picture that was looked at as a potential disaster which was apparently plagued with issues during the shooting, you’d never know it while viewing it. Loosely based on Max Brooks’s (son of Mel) bestseller, World War Z excels in taking your typical zombie movie clichés but expanding them on a big-budget, global scale. Pitt is Gerry Lane, a former UN investigator turned stay at home father. When a mysterious pandemic breaks out with people being infected with zombie-like symptoms, Gerry is recruited to go on a mission to find the outbreak’s origin and a potential cure. He does so reluctantly only after being told his family’s safety is not guaranteed if he doesn’t. Gerry’s new life of Dad and chief pancake maker is history.

The movie doesn’t take long at all to get revved up with a giant action spectacle scene set in Philadelphia. Gerry’s journey takes him to South Korea, Jerusalem, and Wales within a short period of time – probably around the number of continents that Brad Pitt and family visit in one week’s time. Along the way, he finds a female Israeli guard to help him and comes across a corrupt CIA agent (creepily portrayed by David Morse) who has his own ideas on how to stop the virus.

The first two-thirds of World War Z are shot on an epic scale with big action scenes directed quite well by Marc Forster. This is a bit of a surprise considering his handling of action in the Bond pic Quantum of Solace was mediocre. The final acts opt for more claustrophobic locations and this is a wise decision by the filmmakers. If the pic had kept moving along at its large scale, it might’ve become routine. Instead the audience is treated to a truly suspenseful airplane scene and the finale at the Welsh WHO research facility where Gerry’s surprisingly plausible explanation for how to stop the virus is tested. Rather than explosions and widespread mayhem with hundreds of zombie extras chasing our hero down, it is one zombie and his chattering teeth that memorably keep us on the edge of our seats.

Of course, there are clichés we expect to see in zombie flicks and most are present here. It even features the latest zombie cliché craze where the zombies are FAST, like in 28 Days Later and the Dawn of the Dead remake. It makes for better action scenes and World War Z has plenty of them. Then there’s Gerry’s daughter who has asthma – because in films like this, there must be an asthmatic child. That said, signs of a difficult production don’t make it to the screen. World War Z is a tremendous amount of fun and ranks high on the scale of Z features.

***1/2 (out of four)