Tag: brad pitt

Summer 2004: The Top Ten Hits and More

As we’re moving deep into the 2014 Summer Movie Season – on this here blog I’ve been reflecting on what has come in the summers before us. Days ago, I wrote a post reflecting on the hits, notable pictures, and flops from 20 years ago in 1994. Today – we focus on the season from a decade ago with 2004’s summer entries.

We’ll start with the Top Ten, but what is notable is some of the comedies that weren’t on that list that spawned endless catchphrases and became massive cult classics:

Onto the Top Ten:

10. Dodgeball: A True Underdog Story

Domestic Gross: $114 million

Vince Vaughn and Ben Stiller teamed up for this well-received sports comedy which received 70% positive support on Rotten Tomatoes. While this was a solid hit, Vaughn’s biggest comedy would come one summer later with a certain pic costarring Owen Wilson.

9. Fahrenheit 9/11

Domestic Gross: $119 million

It’s not often you see a documentary in the top ten summer hits, but in the summer of 2004 the country was focused on an upcoming Presidential election between Bush and Kerry. Michael Moore’s examination of the Iraq War struck a chord with viewers and became the highest grossing documentary of all time.

8. Van Helsing

Domestic Gross: $120 million

Don’t let its #8 ranking fool you because Van Helsing starring Hugh Jackman was considered a major flop upon release. With a reported $160 million budget, it couldn’t recoup that stateside and a potential franchise for Jackman stalled immediately. Good thing he’s got another character he can go back to time and time again.

7. Troy

Domestic Gross: $133 million

Wolfgang Peterson’s Trojan War saga starring Brad Pitt, Orlando Bloom, and Eric Bana under performed a bit domestically (with its reported $175 million budget) but made it up overseas.

6. I, Robot

Domestic Gross: $144 million

While not reaching the heights of his previous summer hits Independence Day or Men in Black – Will Smith’s I, Robot did respectable business. Based on a short story by Isaac Asimov, it received mixed reviews from critics and a planned sequel never materialized.

5. The Bourne Supremacy

Domestic Gross: $176 million

Goodwill left over from the 2002 original The Bourne Identity propelled this Matt Damon sequel to gross over $50 million more than its predecessor. A third Bourne feature would follow three years later before Damon left the franchise and Jeremy Renner took over in 2012.

4. The Day After Tomorrow

Domestic Gross: $186 million

Roland Emmerich returned to doing what he does best (showing the world getting destroyed) and audiences rewarded him for it. Starring Dennis Quaid and Jake Gyllenhall, Tomorrow is the highest non-sequel on the list and it took in over half a billion worldwide.

3. Harry Potter and the Prisoner of Azkaban

Domestic Gross: $249 million

Alfonso Cuaron took over directing duties from Chris Columbus in this third franchise entry. While many (including myself) consider this the best of the series, it surprisingly has the lowest domestic gross of all eight Potter flicks.

2. Spider-Man 2

Domestic Gross: $373 million

Generally considered one of the best superhero movies of all time and the best of this particular franchise, Spider-Man 2 was a massive hit even though it couldn’t quite match the $403 million performance of the 2002 original.

1. Shrek 2

Domestic Gross: $441 million

DreamWorks Animation easily ruled the summer as the sequel featuring the vocal work of Mike Myers, Eddie Murphy, and Cameron Diaz took the top spot. Of the four Shrek entries, it is the biggest grosser and outshined its predecessor by nearly $180 million dollars.

Beyond the top ten, there are four particularly notable pictures which achieved major cult status:

14. Anchorman: The Legend of Ron Burgundy

It made a decent $85 million upon release, but as we all know, the Will Ferrell comedy has gone onto to becoming one of the most quoted flicks in memory. A 2013 sequel followed.

15. The Notebook

Based on the Nicholas Sparks novel, The Notebook caused audiences to fall in love with Ryan Gosling and Rachel McAdams and brought in $81 million.

27. Napoleon Dynamite

With a tiny $400,000 budget – the quirky comedy Napoleon Dynamite with Jon Heder came out of nowhere and posted a $44 million domestic gross. Like Anchorman, it became an endlessly quoted picture.

38. Harold and Kumar Go to White Castle

It made a meager $18 million upon release, but this stoner comedy became an instant cult classic and spawned two sequels.

And now we move to the flops of the summer:

21. The Stepford Wives

Frank Oz’s remake of the 1975 film cost $90 million to make and earned just $59 million. Critics weren’t impressed and audiences ignored the sci-fi comedy starring Nicole Kidman, Matthew Broderick, and Christopher Walken.

25. King Arthur

Training Day director Antoine Fuqua teamed up with Clive Owen and Keira Knightley for this retelling of the medieval legend. With a $120 million budget, Arthur tanked stateside with only $51 million.

29. Catwoman

Warner Bros. surely regrets spending $100 million on this critically lambasted Catwoman feature which starred Halle Berry and Sharon Stone. It earned only $40 million. The silver lining for the studio: one summer later, a certain Chris Nolan would reinvigorate their superhero fortunes with Batman Begins.

And that’s what was going on ten years at the multiplexes, my friends!

This Day in Movie History: December 29

Eighteen years ago on This Day in Movie History – December 29 – brought a trio of pictures opening for Oscar qualifying runs. While none of them were nominated for Best Picture, they all found varying degrees of success with their actors being nominated for awards.

First up, Terry Gilliam’s sci-fi pic 12 Monkeys starring Bruce Willis, Madeline Stowe, and Brad Pitt. It earned Oscar nominations for Mr. Pitt for Supporting Actor (his first nomination) and Costume Design. Pitt would lose in the category to Kevin Spacey for The Usual Suspects, but he did win the Golden Globe.

Next is Dead Man Walking, the capital punishment drama from director Tim Robbins starring Sean Penn and Susan Sarandon. It would earn nominations for Director, Actor, Actress, and Original Song with a title track from Bruce Springsteen. Only Sarandon was victorious while Penn would lose to Nicolas Cage for Leaving Las Vegas.

Finally, Mr. Holland’s Opus with its Oscar nominated performance from Richard Dreyfuss in this drama spanning the life of a music teacher. Dreyfuss’s work was the only Academy nomination, but the pic turned into an unexpected box office hit with an $82 million domestic haul.

As for birthdays today, Jude Law is 41. Mr. Law has worked with some of the greatest directors alive from Scorsese (The Aviator) to Spielberg (A.I.: Artificial Intelligence) to Eastwood (Midnight in the Garden of Good and Evil) to Nichols (Closer). Other notable roles include Gattaca, The Talented Mr. Ripley, Road to Perdition, Cold Mountain, Side Effects, and his work as Watson alongside Robert Downey Jr. in the two Sherlock Holmes flicks.

Danny McBride is 37 today and he’s one of the most recognizable faces in comedy over the past few years with roles in Pineapple Express, Tropic Thunder, Up in the Air, 30 Minutes or Less, Your Highness, and This is The End. There’s also his starring role in the HBO cult hit “Eastbound&Down”.

As for Six Degrees of Separation between the birthday performers:

Jude Law was in Sherlock Holmes with Robert Downey Jr.

Robert Downey Jr. was in Tropic Thunder with Danny McBride

And that’s today – December 29 – in Movie History!

Brad Pitt at 50: What’s Your Favorite Performance?

Like Johnny Depp before him this year, another major leading man from the past two decades hits the half century mark. Brad Pitt is 50 today with three Oscar nominations behind him and eleven pictures that have grossed over $100 million domestically. He’s worked with a number of directorial giants in his filmography: Ridley Scott, Quentin Tarantino, David Fincher, Barry Levinson, Tony Scott, the Coen Brothers, Steven Soderbergh, and Terry Gilliam. Just this year, Mr. Pitt had the biggest hit of his career with World War Z and has a supporting role in 12 Years a Slave, this year’s Oscar frontrunner.

If I had to create a top five movies he’s appeared in – it would probably include True Romance, Seven, 12 Monkeys, Fight Club, and Inglourious Basterds. In honor of Mr. Pitt’s 50 years, I ask you:

River Phoenix: 20 Years Later

Today marks 20 years ago that an incredibly promising acting career was cut tragically short due to drug addiction.

At the age of 23, Oscar nominee River Phoenix collapsed outside the Viper Room in Los Angeles due to a heroin and cocaine overdose. In just an eight year period, Phoenix had earned the status of one of the finest actors of his generation. His first film role came alongside a young Ethan Hawke in Joe Dante’s 1985 cult sci-fi flick Explorers.

By the following year, River really broke out with roles in Rob Reiner’s terrific Stand by Me and alongside Harrison Ford in the well-reviewed The Mosquito Coast.

In 1988, Mr. Phoenix received a Supporting Actor nod for his impressive work in Sidney Lumet’s Running on Empty, which is a picture well worth seeking out.

In 1989, Phoenix’s biggest commercial success would come in the opening scenes of Indiana Jones and the Last Crusade where he played a young Indy quite believably.

In 1991, he would costar with Keanu Reeves in Gus Van Sant’s acclaimed My Own Private Idaho, where he won the National Society of Film Critics Award for Best Actor. That same year he starred with Lili Taylor in the critical favorite Dogfight.

More commercial success would follow in 1992 with Sneakers, in which he played a supporting role alongside heavyweights Robert Redford, Ben Kingsley, and Sidney Poitier.

It’s hard to imagine, but River Phoenix would only be 43 years old if not for the fateful Halloween evening in 1993. There is little doubt that his career would have persisted onwards and upwards alonside contemporaries like Johnny Depp, Brad Pitt, and Leonardo DiCaprio.

The family legacy has certainly continued. It was River’s younger brother who placed the 911 call while River fought for his life. Joaquin Phoenix and his brilliant work in Walk the Line, The Master, and his Oscar buzzworthy turn in the upcoming Her carries on the tradition of great acting that his big brother started.

Box Office Results: October 25-27

The three-week domination of Alfonso Cuaron’s Gravity is over and it is Jackass Presents: Bad Grandpa becoming the only other #1 film in the month of October with an impressive debut. Grandpa earned $32 million in its debut, above my $28.3M prediction. This marks the second highest opening in the Jackass franchise and shows that the series hasn’t even come close to losing any steam.

Gravity fell to the #2 spot with $20.3 million in its fourth frame, slightly below my $21.2M prediction. It currently stands at $199 million and the possibility of reaching $300M domestic is still alive (especially when it starts earning Oscar nominations in the beginning of 2014).

In its third weekend, Paul Greengrass’s Captain Phillips with Tom Hanks was third with $11.8 million, slightly higher than my $10.9M estimate. Phillips stands at $70M and should cross the century mark later on.

Ridley Scott’s The Counselor could not capitalize on its all-star cast that included Michael Fassbender, Brad Pitt, Cameron Diaz, Penelope Cruz, and Javier Bardem. Riding a wave of mostly negative reviews, The Counselor flopped with only $8 million for a fourth place showing, well below my $13.8M prediction. Moviegoers were simply ambivalent about the pic and I have no doubt that the weak reviews certainly didn’t help.

The Carrie remake received zero help from the Halloween time frame and tumbled 63% in its sophomore frame with only $5.9 million – below my $7.6M estimate. This actually put the horror flick in sixth place and allowed the animated Cloudy with a Chance of Meatballs 2 to be #5 with $6.1M.

Outside of the top five, the acclaimed 12 Years a Slave was #8, grossing a robust $2.1 million on only 123 screens. The picture, which is looked at as an Oscar front runner, expands to more screens this Friday.

Be sure to check the blog later today when I’ll have prediction posts up for next weekend’s trio of newbies: Ender’s Game, Last Vegas, and Free Birds.

Box Office Predictions: October 25-27

Unless it earns less than half of what Jackass 3D took in for an opening three years ago, Jackass Presents: Bad Grandpa with Johnny Knoxville should knock Gravity off its three week perch of being #1. The weekend’s other newbie is Ridley Scott’s The Counselor with an impressive cast and curiously, a so-so marketing campaign and no reviews at press time. You can read my prediction posts on both newcomers here:

https://toddmthatcher.wordpress.com/2013/10/20/jackass-presents-bad-grandpa-box-office-prediction/

https://toddmthatcher.wordpress.com/2013/10/20/the-counselor-box-office-prediction/

Gravity lost about 30% of its audience from week two to three and I’d expect roughly the same for this weekend. A low 30s drop seems likely for Captain Phillips in week three. And, finally, Carrie opened to a disappointing third place showing in its debut and could easily fall over 50% in its sophomore frame.

And with that, my prediction for this weekend’s top five:

1. Jackass Presents: Bad Grandpa

Predicted Gross: $28.3 million

2. Gravity

Predicted Gross: $21.2 million (representing a drop of 29%)

3. The Counselor

Predicted Gross: $13.8 million

4. Captain Phillips

Predicted Gross: $10.9 million (representing a drop of 33%)

5. Carrie

Predicted Gross: $7.6 million (representing a drop of 52%)

As always, I’ll have updates on the blog’s Facebook page Saturday with final results Sunday!

The Counselor Box Office Prediction

It’s got some incredibly talented and well-respected people involved but will The Counselor break out of the pack and be a hit? Ridley Scott directs this crime drama that boasts an original screenplay from acclaimed novelist Cormac McCarthy. It stars Shame and X-Men First Class star Michael Fassbender and features an all-star supporting cast that includes Brad Pitt, Cameron Diaz, Penelope Cruz, and Javier Bardem.

With that kind of pedigree, The Counselor could have a healthy opening above $20 million. However, I don’t think it’s going to happen. The marketing campaign has only been so-so and the TV spots really don’t make it clear what the film is about. Curiously, we’ve seen no mainstream reviews out five days before its debut so buzz (whether it turns out positive or negative) is nonexistent at this juncture. While Fassbender is certainly well-respected, he’s got no track record of opening a film. This could all spell out a muted opening for The Counselor.

While it’s certainly one of my most anticipated releases of the season, there’s been plenty of recent titles catering to an adult audience (Gravity, Captain Phillips, Prisoners). The possibility of The Counselor getting somewhat lost in the shuffle seems very real. I’m going with a debut in the mid-teens.

The Counselor opening weekend prediction: $13.8 million

For my Jackass Presents: Bad Grandpa prediction, click here:

https://toddmthatcher.wordpress.com/2013/10/20/jackass-presents-bad-grandpa-box-office-prediction/

Movie Perfection: Moneyball and The Crack of the Bat

The 2011 Bennett Miller directed hit Moneyball is one of the better sports flicks of the 21st century and it contains one particular scene that qualifies as Movie Perfection.

Based on a true story, the picture focuses on Billy Beane (Brad Pitt in an Oscar nominated performance), owner of the Oakland A’s baseball franchise. When the team loses its big free agents to richer teams like the Red Sox, Billy buys into the team building ideas of Peter Brand (Jonah Hill, also Oscar nominated). The theory relies not on marquee names, but solely on which players stats lead to wins. This is met with skepticism from manager Art Howe (Philip Seymour Hoffman) and many others.

After some initial difficulty with the new format, an interesting thing begins to occur: The A’s start winning. And winning. And winning. So much so that they win 19 in a row and are going for a record-breaking 20. Billy is a rather superstitious fellow who doesn’t attend the games. The significance of a potential record-breaking moment draws him to the event after the A’s go up 11-0 and appear assured for history. What happens? The Kansas City Royals make a furious comeback and tie the game 11 all. Billy retreats back to the locker room.

And then – history is made! Scott Hatteberg, a player that no one but Billy wanted, steps up to the plate. We see the pitcher release the ball and then…

Crack!

What follows is a scene that is amazingly directed and edited. What I love most it is that, even to the most casual moviegoer, it brilliantly demonstrates the importance of not just editing, but also sound effects editing.

We hear the sound of the crack followed by the reactions of Billy, Peter, and Art. The music swells. The team celebrates. And Billy has his own moment of unbridled joy – something he doesn’t allow himself to do often. I’m not an Oakland A’s fan. Truthfully, I’m not even much of a baseball fan. However, during this scene, I am an Oakland fan and a baseball fan. I’m a fan because this scene is so well put together and features such well-written characters that you can’t help but be a fan.

I’m a fan of the movie Moneyball. And this scene is total Movie Perfection. I get goosebumps every time I see it.