Director Paul Feig is best known for his comedies featuring Melissa McCarthy like Bridesmaids, The Heat, Spy, and Ghostbusters. He changes things up next weekend with the release of thriller A Simple Favor. It’s based on the debut novel from Darcey Bell released last year. The cast is headlined by Anna Kendrick, Blake Lively, and Henry Golding (fresh off his breakthrough role in the summer blockbuster Crazy Rich Asians).
Favor could have the benefit of appealing to a female audience in the midst of more male-driven fare such as The Predator and White Boy Rick, which both open the same day. The current forecast is in the $12-$15 million area. I feel that Kendrick, Lively, and the intended demographic could cause this to debut on the high-end of that range and perhaps exceed it.
A Simple Favor opening weekend prediction: $17.9 million
Blogger’s Note (12/20/17): I am revising my PP3 estimate from $40.6 million for the four-day to $33.6 million.
The Bellas are back for the holidays as PitchPerfect3 hits theaters next Friday. Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow, Anna Camp, Alexis Knapp, and Hana Mae Lee are among returnees alongside Elizabeth Banks and John Michael Higgins. Newcomers to the series include Ruby Rose and John Lithgow. Trish Sie directs.
The 2012 original was a sleeper hit which grossed $65 million and then became more of a sensation once it became available for home viewing. The summer 2015 sequel shocked all prognosticators with a $69 million opening weekend (topping its predecessor’s entire domestic run) and $184 million overall.
It’s no surprise therefore that Universal Pictures wanted a third helping of accapella comedy. Two and a half years later, Pitch3 faces competition even in its own musical genre with Hugh Jackman’s TheGreatestShowman debuting two days prior. That said, the Bellas appear to have a built-in audience and it could be dangerous to underestimate them.
I still believe Pitch2 could turn out to be the high water mark in the franchise. A debut in the low to mid 40s would probably put part 3 in the #3 spot behind the second weekend of StarWars and the first for Jumanji: WelcometotheJungle. Yet with its reported smallish budget of $45 million, that should still be music to the studio’s ears.
PitchPerfect3 opening weekend prediction: $33.6 million (Friday to Monday estimate)
For my Jumanji: WelcometotheJungle prediction, click here:
Gavin O’Connor’s TheAccountant is, on one hand, an often routine Jason Bourne style thriller with lots of decent fights. It even stars Mr. Bourne’s buddy Ben Affleck. On the other hand, Bill Dubuque’s screenplay contains some plot elements that left me shocked it was green lit. I don’t necessarily mean that in a negative way. You just don’t see action flicks where the central character is an autistic math whiz who mows down bad guys everyday. Said script also comes with a generous heaping of plot holes and meandering subplots.
Affleck is Chris Wolff, suburban number cruncher by day who moonlights for criminal empires catching embezzlers for his real work. He gets paid in cash at times, but also with cool stuff like original Action Comics (appropriate for the newest Caped Crusader) and Picasso paintings. When Chris takes a seemingly legit job auditing a robotics company, he uncovers some questionable practices. Anna Kendrick is one of the business’s employees assisting him.
The myth of Chris and his exploits have caught the attention of a Treasury agent (J.K. Simmons) looking to nab him. He’s about to retire because of course he is, so he blackmails a fellow agent with a shady past (Cynthia Addai-Robinson) to join his mission. Jon Bernthal is a hit man whose motivations you’ll spot from a mile away, which by the way is about the distance where Chris can hit any target.
We’re also given flashback sequences detailing the title character’s childhood. It begins in 1989 as Chris’s parents are struggling to deal with his diagnosis. Mom leaves. Dad’s solution is to toughen him up, along with their other son. His military background helps turn the boys into badasses.
Does this all sound just slightly weird? Oh it is. TheAccountant is loaded with a lot of plot and much of it ends up making little sense. It’s also written with an earnestness and directed with a soberness more than it warrants. This could have worked (maybe – just maybe) if the creative forces and actors just went all in on its B movie goofy as hell material.
Our lead actor plays this about as stone-faced and humorless as he can muster. No performances really stand out among the supporting players, though John Lithgow is always a welcome sight as he plays a corporate meanie. The talented Kendrick is thoroughly wasted.
I was more bemused by TheAccountant than entertained by it. I’ll give it a small amount of credit for attempting to inject something different into an otherwise ordinary genre pic. Still, like The Joker said in a franchise Affleck is now part of: Why So Serious?? You may ask that at times along with “Are You Serious?”
Viral intrigue hits multiplexes as Trolls, a timely thriller about Internet irritants, debuts next weekend. OK, the 3D animated musical kiddie pic is actually about those dolls with the funky spiked up hair and it hopes to capture a sizable family audience.
The Dreamworks effort comes with a reported $120 million budget and features the voices (both spoken and in song) of Anna Kendrick, Justin Timberlake, Zooey Deschanel, Russell Brand, Gwen Stefani, and James Corden. The soundtrack has already yielded Timberlake’s summer smash “Can’t Stop The Feeling!”. Reviews thus far have been surprisingly quite positive and it stands at 88% on Rotten Tomatoes.
Early November has been fertile ground for animated fare in recent years past. Some of the original titles and their opening grosses include: 2007’s Bee Movie ($38M), 2010’s Masterminds ($46M), 2012’s Wreck-It-Ralph ($49M), 2014’s Big Hero 6 ($56M), and last year’s The Peanuts Movie ($44M). There is one significant factor standing in the way of Trolls potentially achieving those numbers and that would be Marvel’s Doctor Strange, which debuts directly against it. While the wild haired characters of this may be looking to siphon off an even younger audience (and their parents), Strange should undoubtedly succeed in bringing in families as well.
That said, I expect Trolls to manage a mid-30s roll out and likely play well into the month of November.
It’s been a busy year for Mr. Ben Affleck as he made his debut as the Caped Crusader in Batman v Superman: Dawn of Justice and will unveil his next directorial effort, the Prohibition era crime drama Live by Night, this December. And that’s not all because next weekend comes The Accountant.
The action thriller stars Batfleck and is directed by Gavin O’Connor, who’s had a mixed filmography with critical and commercial pleasers like Miracle and Warrior. There’s also his previous effort – the Natalie Portman flop of a Western Jane Got a Gun. This will be a true test of Affleck’s star power as he’s really the sole selling point. Costars include Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, and John Lithgow.
Two Octobers back, the star had one of his largest career hits with Gone Girl, which debuted to $37 million. The Accountant will try to lure in adult moviegoers who (unlike in the summer) have had plenty of offerings to choose from, including Sully, The Magnificent Seven, Deepwater Horizon, and The Girl on the Train. While this could reach over $20 million, a debut in the high teens seems like the numbers this Accountant will manage.
The Accountant opening weekend prediction: $17.6 million
For my Kevin Hart: What Now? prediction, click here:
We have seen numerous takes on the raunchy wedding comedy and MikeandDaveNeedWeddingDates is, well, another one. A grouping of actors who’ve done the genre in considerably better work before on film and television, the pic is stale and uninspired. It even wastes its gorgeous Hawaiian locale in a way that ForgettingSarahMarshall didn’t.
The title characters are actual people – the Stangle Brothers – whose life story inspired the events that take place here. Dave (Zac Efron) and Mike (Adam DeVine) lead an aimless and hard partying existence while running a liquor business. We’re not really shown many of their wild exploits. In fact, Dave seems like a somewhat well-adjusted and dull dude. Mike, with DeVine’s performance unsuccessfully attempting to ape a younger Jack Black, is more of an annoyance.
Brothers Stangle are called in by mom and dad when their little sister Jeanie (the coolly named Sugar Lyn Beard) is about to tie the knot. They’re asked to bring dates with the idea that they’ll be less prone to make a scene. So they put out an ad on social media which catches fire, culminating with appearing on Wendy Williams’s show.
When they finally choose their matches, it’s the equally aimless and wild duo of Alice (Anna Kendrick) and Tatiana (Aubrey Plaza). The girls are in it for the free vacay with Alice having the additional motivation of getting over recently being left at the altar. They try to act like good girls but bad things happen across the ocean.
What follows is a buffet of sex and drugs humor that does precious little to differentiate itself from other bawdy buffets we’ve been served up before. One central theme – “Hey, these gals are just as self-absorbed as the dudes!” – doesn’t add much. Like their male counterparts, Kendrick and Plaza have shined in superior material but can’t elevate this stuff. I don’t know what actually occurred or not in this story that bills itself as “sort of” true. I do know that I probably wouldn’t have wanted to hang with the real people and know for sure there’s not enough laughter in the 99 minutes watching others play them.
Next Friday brings us Zac Efron’s third raunchy comedy of the year after Dirty Grandpa and Neighbors 2: Sorority Rising. Neither one of them did particularly well and I’m not convinced that will change here with Mike and Dave Need Wedding Dates. The R rated rom com costars Adam DeVine and Anna Kendrick (who made both Pitch Perfect features together) and Audrey Plaza (seen with Efron in Dirty Grandpa).
The pic could benefit from really being the only straight up comedy out there in the marketplace besides Central Intelligence (which will be winding down in weekend #4). Having said that, its best hope might be falling somewhere in between Neighbors 2‘s $21 million opening and Grandpa‘s $11 million start. The summer release slot should at least get it slightly above the latter, which premiered in the January dead zone. I expect a so-so debut while Mike and Dave hope for a more happily ever after existence on the small screen.
Mike and Dave Need Wedding Dates opening weekend prediction: $13.5 million
For my The Secret Life of Pets prediction, click here:
It’s been a little while, but this evening on the blog – we continue with my ongoing series of Oscar History posts and we’ve arrived at 2009. That year’s Academy Awards are notable for a couple of reasons. First, this was the year where the decision was made to expand the list of Best Picture nominees from five to ten. It’s likely not an accident that this occurred just one year after 2008’s commercial and critical smash The Dark Knight failed to make the five pic cut. This was the Academy’s way of including more commercially successful ventures. After all, there’s a direct correlation between hit pictures being nominated and the ratings of the telecast itself. Secondly, the real battle of nominated entries came down between the efforts of a couple that was married and divorced – James Cameron for his smash hit Avatar (which demolished all box office records) and ex wife Kathryn Bigelow for her war drama The Hurt Locker.
It would be Bigelow who would come out on top as The Hurt Locker would take Best Picture over her ex-husband’s blockbuster. The other eight nominated features: The Blind Side, District 9, An Education, Inglourious Basterds, Precious, A Serious Man, Up, and Up in the Air. The success of Hurt Locker would relegate Avatar to winning only the tech categories.
Up would mark the first animated flick nomination (and first and only Pixar one) since 1991’s Beauty and the Beast and it hasn’t happened since. Basterds would mark Quentin Tarantino’s second pic nod after Pulp Fiction fifteen years prior.
As for movies that might have made my personal cut, I advocate for Steven Soderbergh’s underrated and hilarious The Informant! And if the Academy wanted to include high profile pictures, why not consider the acclaimed Star Trek reboot or comedy smash of the year The Hangover? I’m also a big fan of Zack Snyder’s graphic novel adaptation of Watchmen.
Bigelow would go onto make history by becoming the first female Best Director winner in Oscar history over Cameron, Lee Daniels (Precious), Jason Reitman (Up in the Air), and Tarantino. I may have found room for Neill Blomkamp’s impressive work in District 9.
Beloved actor Jeff Bridges would score his first Best Actor win for Crazy Heart, beating out George Clooney (Up in the Air), Colin Firth (A Single Man), Morgan Freeman (Invictus), and Jeremy Renner (Hurt Locker). Firth would go onto win the prize the following year for The King’s Speech. Once again, my Informant! love would have meant an inclusion for Matt Damon’s terrific work in it.
Sandra Bullock would receive her first ever nomination and a win for her hit football drama The Blind Side. Other nominees: Helen Mirren (The Last Station), Carey Mulligan (An Education), Gabourey Sidibe (Precious), and Meryl Streep (Julie & Julia). Two names I would’ve considered: Alison Lohman’s great scared crapless work in Sam Raimi’s horror tale Drag Me to Hell and Zooey Deschanel in the rom com (500) Days of Summer.
Quentin Tarantino’s knack of finding the perfect actor in the perfect role landed an at the time unknown Christoph Waltz a win in Supporting Actor for Inglourious Basterds. Other nominees were Matt Damon for Invictus, Woody Harrelson for The Messenger, Christopher Plummer in The Last Station, and Stanley Tucci for The Lovely Bones. As I’ve mentioned in these posts before, the Academy usually ignores comedies and this race would have given them an excellent opportunity to nominate Zach Galifianakis in The Hangover. Also, I may have included Jackie Earle Haley for his work in Watchmen.
Mo’Nique would win Supporting Actress in Precious over previous year’s winner Penelope Cruz (Nine), Vera Farmiga and Anna Kendrick (both nominated for Up in the Air), and Maggie Gyllenhaal (Crazy Heart). I would have given consideration to either Melanie Laurent or Diane Kruger for their roles in Basterds.
And that’s 2009 for you, my friends! I’ll get to 2010 at same point in the future…
In 2012, the musical comedy Pitch Perfect became a sleeper hit at the box office grossing $65 million and becoming an even larger success when it reached the home video market. Three years later its sequel has earned a plum summer release and considerably higher expectations.
Returning cast members Anna Kendrick, Rebel Wilson, and Brittany Snow are in the mix along with Hailee Steinfeld and a new director, Hunger Games actress Elizabeth Banks. While Mad Max and The Avengers will duke it out for the male audience, Pitch Perfect 2 should score with females and teens.
There is little question that this sequel should easily eclipse the domestic gross of its predecessor. It could find itself in a close race with the aforementioned Max. I think it’ll earn a bit less but Universal Pictures should be quite pleased with the results.
Pitch Perfect 2 opening weekend prediction: $42 million
Walt Disney’s Christmas gift to moviegoers is Into the Woods, the adaptation of Stephen Sondheim’s Broadway smash musical fantasy. From Oscar winning Chicago director Rob Marshall, Woods features an all-star cast that includes Meryl Streep, Johnny Depp, Emily Blunt, Chris Pine, Anna Kendrick, and James Corden.
Woods has been well publicized and should be primed to connect with audiences over the holiday break. Reviews have been mostly strong and it sits at 71% on Rotten Tomatoes. There is some Oscar buzz, particularly for Streep in the Supporting Actress race. It’s debuting on approximately 2200 screens which isn’t near the 3000 plus that Angelina Jolie’s Unbroken is scheduled for, so that could slightly hinder its potential out of the gate.
Nevertheless with its strong brand name, Disney marketing, and recognizable stars, Woods should get off to a solid start with Christmas ticket buyers.
Into the Woods box office prediction: $21.8 million (Friday to Sunday), $30.1 million (Thursday to Sunday)
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