Maleficent: Mistress of Evil Box Office Prediction

The cavalcade of 2019 Disney live-action reimaginings continues next weekend with Maleficent: Mistress of Evil. The fantasy adventure is the sequel to 2014’s Maleficent, which focused on the villainous title character from Sleeping Beauty. Angelina Jolie returns along with Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple, and Lesley Manville. Newcomers to the fold include Chiwetel Ejiofor, Ed Skrein, and Michelle Pfeiffer. Joachim Rønning (who recently co-directed the Mouse Factory’s Pirates of the Caribbean: Dead Men Tell No Tales) takes over for Robert Stromberg.

When it comes to comps for how Mistress might perform, that’s a tricky calculation. Since the release of part 1 five summers ago, there’s been eight Disney updates of their classic animated material. The last two from this summer (Aladdin and The Lion King) were massive blockbusters based on beloved 1990s pics. This spring’s Dumbo, on the other hand, premiered with a so-so $45 million.

What about Maleficent itself? It opened just under $70 million with a $241 million eventual domestic haul. Yet five years is a fairly long break between sequels and some of the kiddos who attended could take a pass here. That brings up the example of Alice in Wonderland and Alice Through the Looking Glass. In 2010, Wonderland was the first significant reimagining in several years. It debuted to $116 million. Six years later, Looking Glass was a huge flop and earned in the mid 20s for its start. For a non Disney example, Snow White and the Huntsman kicked off with a robust $56 million in 2012. Four years, its follow-up The Huntsman: Winter’s War sputtered with a meager $19.4 million.

While I don’t anticipate the drop-off here will be quite as dramatic as the last two scenarios, I do feel Evil will come in markedly lower than its predecessor. I’ll predict low to mid 30s could be the range and that means around half of the bounty from half a decade ago.

Maleficent: Mistress of Evil opening weekend prediction: $32.3 million

For my Zombieland: Double Tap prediction, click here:

https://toddmthatcher.com/2019/10/09/zombieland-double-tap-box-office-prediction/

Dora and the Lost City of Gold Box Office Prediction


Making the leap from the Nickelodeon small screen for a live action rendering, Dora and the Lost City of Gold looks to cash in at theaters next weekend. The family adventure is based on the animated series “Dora the Explorer” that started back in 2000. James Bobin, best known for The Muppets reimagining and Alice Through the Looking Glass, directs. Isabela Moner, recently seen in Instant Family, is the title character with a supporting cast including Eugenio Derbez, Michael Pena, and Eva Longoria. Danny Trejo and Benicio del Toro provided voice work

Paramount is hopeful that a pot of gold will exist with Latino audiences and kids who’ve made the TV show part of their programming over the last many years. The film is probably review proof and they’ve been mixed so far. This shouldn’t face much trouble having the largest debut of the five pictures arriving over the weekend. I’ll say high teens to low 20s is where this lands.

Dora and the Lost City of Gold opening weekend prediction: $19.7 million

For my The Kitchen prediction, click here:

https://toddmthatcher.com/2019/07/31/the-kitchen-box-office-prediction/

For my Scary Stories to Tell in the Dark prediction, click here:

https://toddmthatcher.com/2019/07/31/scary-stories-to-tell-in-the-dark-box-office-prediction/

For my The Art of Racing in the Rain prediction, click here:

https://toddmthatcher.com/2019/07/31/the-art-of-racing-in-the-rain-box-office-prediction/

For my Brian Banks prediction, click here:

https://toddmthatcher.com/2019/08/04/brian-banks-box-office-prediction/

Pirates of the Caribbean: Dead Men Tell No Tales Box Office Prediction

After a six-year hiatus, Jack Sparrow and company return Memorial Day weekend in Pirates of the Caribbean: Dead Men Tell No Tales. The Disney property represents the fifth pic in the 14 year-old franchise with Johnny Depp returning in the role that made him a global box office superpower (at least for a while). Joachim Ronning and Espen Sandberg are new directors to the series. Costars include Javier Bardem, Geoffrey Rush, Brenton Thwaites, and apparently Orlando Bloom and Keira Knightley reprising their roles (they sat out the fourth edition). Even Paul McCartney is said to have a cameo!

While Disney has been printing money with their Star Wars, Marvel Cinematic Universe, Pixar, and live-action animated reboots, Pirates is more of a risk. First, there’s the massive reported $320 million price tag. Then there’s the matter of Depp not being the draw he once was (tabloid fodder hasn’t helped much). It was just during the last Memorial Day weekend that the Depp/Disney combo resulted in the flop of Alice Through the Looking Glass. 

And there’s genuine curiosity as to whether the franchise has run low on steam. Let’s take a trip down Sparrow’s box office memory lane, shall we?

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Opening Weekend: $46.6 million; Overall Domestic Gross: $305.4 million

Pirates of the Caribbean: Dead Man’s Chest (2006)

Opening Weekend: $135.6 million; Overall Domestic Gross: $423.3 million

Pirates of the Caribbean: At World’s End (2007)

Opening Weekend: $114.7 million; Overall Domestic Gross: $309.4 million

Pirates of the Caribbean: On Stranger Tides (2011)

Opening Weekend: $90.1 million; Overall Domestic Gross: $241 million

As you can see, the Pirates saga hit its high mark over a decade ago and the last entry in 2011 posted the lowest total domestic earnings. I believe the days of Pirates making $100 million in a weekend are over. Even though it shouldn’t have much trouble at all placing first over the holiday weekend, I’ll predict a four-day gross in the high 70s to low 80s is most likely.

Pirates of the Caribbean: Dead Men Tell No Tales opening weekend prediction: $78.6 million (Friday to Monday estimate)

For my Baywatch prediction, click here:

https://toddmthatcher.com/2017/05/18/baywatch-box-office-prediction/

Todd’s Weekly Oscar Predictions: December 29th Edition

We have reached my final Oscar predictions post of 2016! There will be likely be four more posts: 3 Thursday editions (January 5, 12, 19) and a final one on Monday, January 23rd before the nominations are revealed on Tuesday, January 24th.

Per usual, I’m listing 20 Best Picture possibilities and ten in all the other categories.

Let’s get to it, shall we?

Best Picture

Predicted Nominees

1. La La Land (PR: 1)

2. Manchester by the Sea (PR: 3)

3. Moonlight (PR: 2)

4. Fences (PR: 6)

5. Lion (PR: 4)

6. Silence (PR: 5)

7. Arrival (PR: 7)

8. Hidden Figures (PR: 9)

9. Hacksaw Ridge (PR: 8)

Other Possibilities

10. Hell or High Water (PR: 10)

11. Loving (PR: 11)

12. Nocturnal Animals (PR: 14)

13. Sully (PR: 12)

14. Jackie (PR: 13)

15. 20th Century Women (PR: 15)

16. Florence Foster Jenkins (PR: 17)

17. Patriots Day (PR: 16)

18. The Jungle Book (PR: 18)

19. Captain Fantastic (PR: 19)

20. Zootopia (PR: Not Ranked)

Dropped Out:

Gold

Best Director

Predicted Nominees

1. Damien Chazelle, La La Land (PR: 1)

2. Barry Jenkins, Moonlight (PR: 2)

3. Kenneth Lonergan, Manchester by the Sea (PR: 3)

4. Martin Scorsese, Silence (PR: 4)

5. Garth Davis, Lion (PR: 6)

Other Possibilities

6. Denis Villeneueve, Arrival (PR: 5)

7. Mel Gibson, Hacksaw Ridge (PR: 7)

8. Denzel Washington, Fences (PR: 8)

9. David Mackenzie, Hell or High Water (PR: 9)

10. Tom Ford, Nocturnal Animals (PR: 10)

Best Actor

Predicted Nominees

1. Casey Affleck, Manchester by the Sea (PR: 1)

2. Denzel Washington, Fences (PR: 2)

3. Ryan Gosling, La La Land (PR: 3)

4. Andrew Garfield, Hacksaw Ridge (PR: 4)

5. Joel Edgerton, Loving (PR: 7)

Other Possibilities

6. Viggo Mortensen, Captain Fantastic (PR: 6)

7. Tom Hanks, Sully (PR: 5)

8. Michael Keaton, The Founder (PR: 8)

9. Andrew Garfield, Silence (PR: 10)

10. Adam Driver, Paterson (PR: 9)

Best Actress

Predicted Nominees

1. Emma Stone, La La Land (PR: 1)

2. Natalie Portman, Jackie (PR: 2)

3. Amy Adams, Arrival (PR: 3)

4. Annette Bening, 20th Century Women (PR: 4)

5. Meryl Streep. Florence Foster Jenkins (PR: 6)

Other Possibilities

6. Isabelle Huppert, Elle (PR: 7)

7. Ruth Negga, Loving (PR: 5)

8. Jessica Chastain, Miss Sloane (PR: 8)

9. Emily Blunt, The Girl on the Train (PR: Not Ranked)

10. Taraji P. Henson, Hidden Figures (PR: 9)

Dropped Out:

Hailee Steinfeld, The Edge of Seventeen

Best Supporting Actor

Predicted Nominees

1. Mahershala Ali, Moonlight (PR: 1)

2. Dev Patel, Lion (PR: 2)

3. Jeff Bridges, Hell or High Water (PR: 4)

4. Lucas Hedges, Manchester by the Sea (PR: 3)

5. Michael Shannon, Nocturnal Animals (PR: 5)

Other Possibilities

6. Hugh Grant, Florence Foster Jenkins (PR: 7)

7. Ben Foster, Hell or High Water (PR: 6)

8. Issey Ogata, Silence (PR: 8)

9. Mykelti Williamson, Fences (PR: 9)

10. Kevin Costner, Hidden Figures (PR: 10)

Best Supporting Actress

Predicted Nominees

1. Viola Davis, Fences (PR: 1)

2. Naomie Harris, Moonlight (PR: 2)

3. Michelle Williams, Manchester by the Sea (PR: 3)

4. Nicole Kidman, Lion (PR: 4)

5. Octavia Spencer, Hidden Figures (PR: 5)

Other Possibilities

6. Greta Gerwig, 20th Century Women (PR: 7)

7. Helen Mirren, Eye in the Sky (PR: 8)

8. Janelle Monae, Hidden Figures (PR: 6)

9. Felicity Jones, A Monster Calls (PR: 10)

10. Molly Shannon, Other People (PR: 9)

Best Adapted Screenplay

Predicted Nominees

1. Moonlight (PR: 1)

2. Lion (PR: 3)

3. Fences (PR: 2)

4. Arrival (PR: 4)

5. Silence (PR: 5)

Other Possibilities

6. Nocturnal Animals (PR: 7)

7. Hacksaw Ridge (PR: 6)

8. Loving (PR: 9)

9. Hidden Figures (PR: 8)

10. Sully (PR: 10)

Best Original Screenplay

Predicted Nominees

1. Manchester by the Sea (PR: 1)

2. La La Land (PR: 2)

3. Hell or High Water (PR: 3)

4. Captain Fantastic (PR: 4)

5. 20th Century Women (PR: 5)

Other Possibilities

6. The Lobster (PR: 6)

7. Jackie (PR: 7)

8. Toni Erdmann (PR: Not Ranked)

9. Zootopia (PR: 8)

10. I, Daniel Blake (PR: Not Ranked)

Dropped Out:

Eye in the Sky

Florence Foster Jenkins

Best Animated Feature

Predicted Nominees

1. Zootopia (PR: 1)

2. Kubo and the Two Strings (PR: 2)

3. Moana (PR: 3)

4. The Red Turtle (PR: 4)

5. My Life as a Zucchini (PR: 6)

Other Possibilties

6. Finding Dory (PR: 5)

7. The Little Prince (PR: 7)

8. April and the Extraordinary World (PR: 8)

9. Your Name (PR: 10)

10. Sausage Party (PR: 9)

Best Documentary Feature

Predicted Nominees

1. I Am Not Your Negro (PR: 1)

2. O.J.: Made in America (PR: 3)

3. 13th (PR: 2)

4. Gleason (PR: 5)

5. Life, Animated (PR: 6)

Other Possibilities

6. Cameraperson (PR: 4)

7. Fire at Sea (PR: 7)

8. The Eagle Huntress (PR: 8)

9. The Ivory Game (PR: 10)

10. Weiner (PR: 9)

Best Foreign Language Film

Predicted Nominees

1. Toni Erdmann (PR: 1)

2. The Salesman (PR: 2)

3. Land of Mine (PR: 3)

4. A Man Called Ove (PR: 5)

5. The King’s Choice (PR: 6)

Other Possibilities

6. My Life as a Zucchini (PR: 4)

7. Paradise (PR: 8)

8. Tanna (PR: 7)

9. It’s Only the End of the World (PR: 9)

Best Cinematography

Predicted Nominees

1. La La Land (PR: 1)

2. Moonlight (PR: 2)

3. Silence (PR: 3)

4. Arrival (PR: 4)

5. Nocturnal Animals (PR: 7)

Other Possibilities

6. Lion (PR: 5)

7. Hacksaw Ridge (PR: 6)

8. Jackie (PR: 8)

9. The Jungle Book (PR: Not Ranked)

10. Rogue One: A Star Wars Story (PR: 10)

Dropped Out:

Hell or High Water

Best Costume Design

Predicted Nominees

1. Jackie (PR: 1)

2. La La Land (PR: 2)

3. Allied (PR: 4)

4. Love & Friendship (PR: 3)

5. Florence Foster Jenkins (PR: 5)

Other Possibilities

6. Silence (PR: 8)

7. Fantastic Beasts and Where to Find Them (PR: 7)

8. Rules Don’t Apply (PR: 9)

9. Live by Night (PR: 6)

10. Alice Through the Looking Glass (PR: Not Ranked)

Best Film Editing

Predicted Nominees

1. La La Land (PR: 1)

2. Moonlight (PR: 2)

3. Arrival (PR: 3)

4. Hacksaw Ridge (PR: 4)

5. Silence (PR: 6)

Other Possibilities

6. Manchester by the Sea (PR: 10)

7. Lion (PR: 5)

8. Hell or High Water (PR: 8)

9. Sully (PR: 7)

10. Jackie (PR: 9)

Best Makeup and Hairstyling

Predicted Nominees

1. Florence Foster Jenkins (PR: 1)

2. Star Trek Beyond (PR: 2)

3. Deadpool (PR: 4)

Other Possibilities

4. Suicide Squad (PR: 3)

5. A Man Called Ove (PR: 7)

6. The Dressmaker (PR: 5)

7. Hail, Caesar! (PR: 6)

Best Original Score

Predicted Nominees

1. La La Land (PR: 1)

2. Lion (PR: 4)

3. Moonlight (PR: 2)

4. Florence Foster Jenkins (PR: 3)

5. Jackie (PR: 6)

Other Possibilities

6. Rogue One: A Star Wars Story (PR: 5)

7. Hidden Figures (PR: Not Ranked)

8. Hacksaw Ridge (PR: 7)

9. The BFG (PR: 9)

10. The Jungle Book (PR: 10)

Dropped Out:

Moana

Best Original Song

Predicted Nominees

1. “City of Stars” from La La Land (PR: 1)

2. “How Far I’ll Go” from Moana (PR: 2)

3. “Audition (The Fools Who Dream)” from La La Land (PR: 4)

4. “Drive It Like You Stole It” from Sing Street (PR: 8)

5. “Runnin” from Hidden Figures (PR: 5)

Other Possibilities

6. “Letters to the Free” from 13th (PR: 3)

7. “Can’t Stop the Feeling!” from Trolls (PR: 7)

8. “The Rules Don’t Apply” from Rules Don’t Apply (PR: 6)

9. “The Great Beyond” from Sausage Party (PR: 10)

10. “I’m Still Here” from Miss Sharon Jones

Best Production Design

Predicted Nominees

1. La La Land (PR: 1)

2. Jackie (PR: 2)

3. Arrival (PR: 3)

4. Silence (PR: 4)

5. Rules Don’t Apply (PR: 9)

Other Possibilities

6. Allied (PR: Not Ranked)

7. Hacksaw Ridge (PR: 5)

8. Fantastic Beasts and Where to Find Them (PR: 7)

9. Live by Night (PR: 6)

10. Rogue One: A Star Wars Story (PR: 10)

Dropped Out:

The Jungle Book

Best Sound Editing

Predicted Nominees

1. Hacksaw Ridge (PR: 1)

2. La La Land (PR: 3)

3. Rogue One: A Star Wars Story (PR: 2)

4. Sully (PR: 4)

5. Deepwater Horizon (PR: 6)

Other Possibilities

6. Arrival (PR: 7)

7. Patriots Day (PR: 8)

8. Allied (PR: Not Ranked)

9. The Jungle Book (PR: 5)

10. Captain America: Civil War (PR: Not Ranked)

Dropped Out:

Deadpool

Doctor Strange

Best Sound Mixing

Predicted Nominees

1. La La Land (PR: 1)

2. Hacksaw Ridge (PR: 2)

3. Rogue One: A Star Wars Story (PR: 3)

4. Arrival (PR: 5)

5. Deepwater Horizon (PR: 4)

Other Possibilities

6. Sully (PR: 7)

7. Allied (PR: 8)

8. Patriots Day (PR: 9)

9. The Jungle Book (PR: 6)

10. Deadpool (PR: 10)

Best Visual Effects

Predicted Nominees

1. The Jungle Book (PR: 1)

2. Rogue One: A Star Wars Story (PR: 2)

3. Arrival (PR: 3)

4. Doctor Strange (PR: 4)

5. The BFG (PR: 6)

Other Possibilities

6. Fantastic Beasts and Where to Find Them (PR: 5)

7. Captain America: Civil War (PR: 8)

8. Kubo and the Two Strings (PR: 7)

9. Passengers (PR: 10)

10. Deepwater Horizon (PR: 9)

That leaves us with the following nomination breakdown:

14 Nominations

La La Land

8 Nominations

Moonlight, Arrival

6 Nominations

Manchester by the Sea, Lion, Silence

5 Nominations

Hacksaw Ridge

4 Nominations

Fences, Jackie, Florence Foster Jenkins

3 Nominations

Hidden Figures, Rogue One: A Star Wars Story

2 Nominations

20th Century Women, Hell or High Water, Nocturnal Animals, Moana, Deepwater Horizon

1 Nomination

Loving, Captain Fantastic, Zootopia, Kubo and the Two Strings, The Red Turtle, My Life as a Zucchini, I Am Not Your Negro, O.J.: Made in America, 13th, Gleason, Life, Animated, Toni Erdmann, The Salesman, Land of Mine, A Man Called Ove, The King’s Choice, Allied, Love & Friendship, Star Trek Beyond, Deadpool, Sing Street, Rules Don’t Apply, Sully, The Jungle Book, Doctor Strange, The BFG.

That’ll do it for now. See ya with the predictions next year!

 

2016: The Year of Disney

Towards the end of each calendar year, I’ve put up posts honoring the people who have captured our movie going attention during that time period. 2015 was the first year that I honored a feeling in one post as opposed to an individual. Last year, it was Nostalgia and it fit due to the box office potency of titles like Star Wars: The Force Awakens and Jurassic World, among others.

In 2016, the initial posting is again not a human, but a studio. And it’s Disney. The Mouse Factory has set the all-time record for studio grosses in a calendar year and its list of blockbusters is something to behold.

Currently, Disney is responsible for half of the top ten grossing pictures of the year and that list will grow to six very shortly with Rogue One: A Star Wars Story.

Let’s break it down: Finding Dory ($486 million) is #1 with Captain America: Civil War ($408M) at second. Rogue is likely to join the top three for a Disney trifecta atop the year.

#4 is The Jungle Book ($364M). #6 is Zootopia ($341M) and #9 is Doctor Strange ($226M). Moana is sitting at #11 right now with $162M.

In short, the studio is making a killing on their three most valued properties: animation and the live-action adaptations of them, Marvel Studios, and the Star Wars franchise. That is bound to continue in 2017 with animated features like Cars 3 and Coco. As for the live-action remakes, expect March’s Beauty and the Beast to do boffo business. On the Marvel side, we have Guardians of the Galaxy Vol. 2 and Thor: Ragnorak. And of the Star Wars juggernaut, we have Episode VIII (still untitled) invading theaters in December.

Of course, not everything Disney released this year was a smash. There were high-profile flops like Alice Through the Looking Glass and The BFG. Also, Pete’s Dragon did decent business, but nothing compared to its other renderings of the animated classics. In 2017, a big question mark is whether or not they can successfully reinvigorate another once popular series with Pirates of the Caribbean: Dead Men Tell No Tales.

Those few disappointments aside, it was a watershed year for Disney and they deservedly get the first mention in my year end honors.

My 2016 posts will continue tomorrow…

 

Miss Peregrine’s Home for Peculiar Children Box Office Prediction

Nearly two years ago, Tim Burton had the second lowest grossing feature of his career (after 1994’s Ed Wood) with Big Eyes. To cushion the blow, that particular film was a low-budget drama that wasn’t expected to rank among his array of blockbusters.

Next weekend, Miss Peregrine’s Home for Peculiar Children finds Burton back in more familiar territory. It’s a fantastical adventure based on a well-known property (Ransom Riggs’s 2011 bestseller) with dark themes. Sounds like a Burton flick to me! Eva Green plays the title character with a supporting cast that includes Asa Butterfield, Chris O’Dowd, Allison Janney, Rupert Everett, Terence Stamp, Judi Dench, and Samuel L. Jackson.

It’s been six years since Mr. Burton has had a massive hit – 2010’s Alice in Wonderland (he didn’t direct this year’s flop of a sequel). This is also his first blockbuster hopeful not headlined by Johnny Depp in a little while. Even though it’s based on a novel with a solid following, I’m not convinced this will break out at the box office with its lack of star power and a director whose box office potency has waned.

My Peculiar estimate has this not reaching $20 million. This is under some other prognosticators expectations and would be considered a disappointment for Burton and company.

Miss Peregrine’s Home for Peculiar Children opening weekend prediction: $19.6 million

For my Deepwater Horizon prediction, click here:

https://toddmthatcher.com/2016/09/21/deepwater-horizon-box-office-prediction/

For my Masterminds prediction, click here:

https://toddmthatcher.com/2016/09/21/masterminds-box-office-prediction/

For my Queen of Katwe prediction, click here:

https://toddmthatcher.com/2016/09/23/queen-of-katwe-box-office-prediction/

Sequelitis: A 2016 Story

Over Memorial Day weekend this year, Disney’s Alice Through the Looking Glass opened to an abysmal $33 million over the holiday weekend, immediately making it one of the biggest bombs of 2016. How poor was that opening? It’s the sequel to 2010’s Alice in Wonderland, which made $116 million in its first weekend (which was a three-day frame, not a four-day one). Looking Glass will be lucky to make $80M in its entire domestic run, nearly $40M under what Wonderland earned in its premiere weekend. Ouch.

Is there an easy explanation? Did Disney take too long with the six year hiatus between franchise entries? Perhaps. Did the negative tabloid publicity surrounding star Johnny Depp hurt? Maybe.

Yet another explanation is likely part of the equation. In 2016, moviegoers have seemed to catch a case of “sequelitis” and their symptoms have been affecting box office grosses for a number of pictures already this year.

Over that same Memorial Day weekend, X-Men: Apocalypse ruled the charts with a $79 million debut. That would seem impressive, except X-Men: Days of Future Past made $110 million over the same weekend just two years earlier.

This story has repeated itself repeatedly in recent months. Ride Along 2 was expected to build on its predecessor’s opening weekend. The 2014 original cruised to a $41M opening. The sequel: $35M. When all was said and done, the first Ride made $44M more than its follow-up.

Other comedies have suffered the same fate. 2001’s Zoolander actually only made $45 million in its initial run, but became a major cult hit in subsequent years. It’s long gestating sequel would surely earn more. It didn’t. Just $28M.

2002’s My Big Fat Greek Wedding became the unexpected smash of that year with $241M stateside. Part 2? $59 million (to be fair, this was on the higher end of many expectations, but still just 25% of what the first Wedding did).

2014’s Neighbors? $150 million. Last month’s Neighbors: Sorority Rising? It should top out at around $60M.

Barbershop: The Next Cut will make $55 million, under the $75M and $65M of its predecessors (though still not bad).

The action crowd has showed their ambivalence. London Has Fallen earned a just OK $62 million compared to Olympus Has Fallen‘s $98M.

2014’s Divergent made $150 million. 2015’s Insurgent: $130 million. This year’s Allegiant: a troubling $66 million.

Then there’s The Huntsman Winter’s War, which may not even reach $50 million. It’s the sequel to Snow White and the Huntsman, which made $155 million.

Just this weekend, Teenage Mutant Ninja Turtles: Out of the Shadows took in $35 million in its debut, which is a shell of the $65 million that the first made two summers ago.

Faith based audiences propelled God’s Not Dead to a heavenly $60 million gross in 2014. Part 2? $20 million.

Kung Fu Panda 3 performed decently with $143 million, but couldn’t match part 1’s $215M or part 2’s $165M.

Seeing a trend here, folks?

There have been rare exceptions in 2016 so far. 10 Cloverfield Lane managed $72 million. Even though that’s below the $80M of Cloverfield, it’s still a solid gross and a profitable venture for its studio.

And Captain America: Civil War was widely expected to outdo the respective $176M and $259M earnings of the first two entries. This was due to it basically being The Avengers 3. It did and will top $400M domestically.

Coming this weekend: two more sequels will try to avoid the 2016 trend and both actually have a decent chance of succeeding. The Conjuring 2 is receiving positive reviews and its studio is hoping the goodwill left over from the 2013 original will propel it to similar grosses (I’m predicting it’ll make $42 million for its start, slightly above the first).

Now You See Me 2 is hoping to match the $29 million made by the 2013 original for its beginning. I’m predicting $24M.

If both of these titles come in below expectations, that may truly show that crowds are just plain sick and tired of seeing roman numerals and numbers behind titles. Looking over the remainder of the 2016 calendar, there’s a heap of sequels that could also struggle to match what came before them. They include:

The Purge: Election Year. Bridget Jones’s Baby. Underworld: Blood Wars. Jack Reacher: Never Go Back. Ouija 2. Bad Santa 2.

Even this month’s Independence Day: Resurgence is an iffy proposition to capitalize on the nostalgia factor from the 1996 original. It appears unlikely to match the $306M earned 20 years ago by the first one.

Next month’s Star Trek Beyond could have trouble matching the $228M made by part 2 in 2013.

Inferno, the third Tom Hanks thriller based on Dan Brown’s novels, is a question mark to match the $133M that Angels & Demons made in 2011 and certainly won’t approach The Da Vinci Code‘s $217M a decade ago.

When it comes to 2016 sequels, it might not all be bad news. Finding Dory (out June 17) shouldn’t have much trouble topping the $70M that Nemo made in 2003 (though whether it reaches its eventual gross of $380M is a mystery).

And July’s Jason Bourne should benefit from having Matt Damon return to the franchise after nine years away. It should manage to outpace the $113M made by Jeremy Renner’s The Bourne Legacy in 2012. However, could it approach the $227M earned by Damon’s last one, 2007’s The Bourne Ultimatum? Probably not.

Perhaps these disappointing results for so many sequels will cause studios to give us more original programming, but don’t hold your breath. Next year is already packed with follow-ups and some of them already look like they could be in trouble.

For instance, it’s probably safe to assume Disney is sweating over the fifth Pirates of the Caribbean flick, Dead Men Tell No Tales. Same goes for Lionsgate with their final Divergent pic, Ascendant.

Some of the 2017 sequels that may not have much to worry about: Guardians of the Galaxy Vol. 2. Fast 8. And, of course, Star Wars: Episode VIII.

Yet given the recent trends, who knows? No one thought Alice or Huntsman or Allegiant would do that poorly and it’s contributed to a bad… and maybe badly needed downturn for sequels in 2016.