The Producers Guild of America (PGA) provided a weekend hat trick for Sean Baker’s Anora as it won their top award over my pick of The Brutalist. This is the same narrative that occurred Friday evening when it took Best Picture at the Critics Choice Awards over Brady Corbet’s epic immigrant drama. Also on Saturday night, Baker was selected as the Directors Guild of America recipient over Corbet. As discussed in the blog post recounting that ceremony, the DGA and Oscar’s Best Director nearly always match.
In one weekend, Anora became the Academy’s frontrunner for Best Picture. There’s no other logical way to look at it. With Emilia Pérez significantly weakened due to Karla Sofia Gascón’s recent controversies and A Complete Unknown, Conclave, and Wicked yet to grab any major BP precursors, Anora is elevated with CCA/PGA/DGA in a 48 hour period. Wicked still could win SAG in a couple of weeks and so could Conclave. I also feel the latter is a possibility for BP at BAFTA. The Brutalist is also a threat at the British equivalent of the Oscars. In other words, Best Picture isn’t over but Anora is your new leader (or continued leader if you had it in first). I have had The Brutalist in that position for months and that’s no longer the case.
As for the PGA’s other two categories, The Wild Robot is your Animated Theatrical Motion Picture while Super/Man: The Christopher Reeve Story (not up at Oscar) is the documentary victor. I correctly called those two competitions.
Keep an eye on the blog throughout the coming days as I continue to post Case Of Oscar write-ups. I’ll also have BAFTA winner predictions up later this week!
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