The four week reign of Star Wars: The Force Awakens is likely to end this MLK weekend at three new entries join the box office fray: Kevin Hart/Ice Cube action comedy sequel Ride Along 2, Michael Bay’s true life military pic 13 Hours: The Secret Soldiers of Benghazi, and Arctic animated kid flick Norm of the North. You can read my detailed prediction posts on each of them here:
As I see it, Ride Along 2 shouldn’t have much trouble topping the charts and I’m projecting that 13 Hours will finish strong in the runner-up spot. That would push Star Wars and Golden Globe favorite The Revenant to third and fourth, unless Norm earns more than my estimate. Otherwise, I have it rounding out the top five.
And with that, my top five predictions for the weekend:
Ride Along 2
Predicted Gross: $45.5 million
2. 13 Hours: The Secret Soldiers of Benghazi
Predicted Gross: $29.3 million
3. Star Wars: The Force Awakens
Predicted Gross: $23.9 million (representing a drop of 43%)
4. The Revenant
Predicted Gross: $21.4 million (representing a drop of 46%)
5. Norm of the North
Predicted Gross: $9.3 million
Box Office Results (January 8-10)
In what was a closer than expected battle for #1, Star Wars: The Force Awakens held for the fourth week in a row with $42.3 million (below my $51.6M prediction). The juggernaut also became the highest grossing domestic earner of all time and its total stands at $812M.
#2 belong to freshly minted Golden Globe winner The Revenant, which expanded nationwide to a terrific $39.8 million, bearing past my $33.2M estimate. The Leonardo DiCaprio wilderness tale exceeded expectations and with its likely Oscar nominations coming Thursday, it should be in for a solid run ahead.
Daddy’s Home was third with $15 million (a bit shy of my $16.8M projection) for a three week haul of $116M. The critically panned horror pic The Forest actually did pretty well in fourth with a $12.7 million debut (I said $8.7M). Look for it fade quickly, however.
I incorrectly had The Hateful Eight in fourth with $10.5 million, but it fell a troubling 59% to sixth place in its sophomore weekend with $6.4 million for a lackluster total of $41M. That allowed Sisters with Tina Fey and Amy Poehler to keep chugging along in fifth with $7.1 million for a $73M total.
And that’ll do it for now, my friends! Until next time…
**OK, one last thing. This blog is about movies as you know, with an occasional dip into the world of music. As movies continue to inspire me everyday, so have legions of musicians that I’ve had the pleasure of listening to all these years. As a young child, I’ll never forget wearing out the record (yes, record) of “Let’s Dance” by one David Bowie (and there was truly only one David Bowie). As I got older, I came to truly appreciate and adore his entire catalog. What a brilliant artist he was. May he rest among the stars.
We have arrived at my weekly Friday predictions for who and what will be nominated for the Oscars honoring 2015 pictures. This will be the last Friday I’ll be doing so because the nominations themselves come out this Thursday, January 14th. I will have one final post of predictions either on Tuesday or Wednesday next week.
One consistent source of consternation is whether Rooney Mara will be nominated in lead Actress or Supporting Actress for Carol (same goes, to a lesser degree, for Alicia Vikander’s work in The Danish Girl). Last week, I had her in Actress, but now I’m switching back to Supporting. We shall see. As with my posts every week, it will show where the movers and shakers have shifted around with chances of nomination.
So here goes… my penultimate Oscar predictions…
Best Picture
Spotlight (No Change)
The Big Short (+1)
Mad Max: Fury Road (+1)
Room (-2)
The Martian (+1)
The Revenant (+1)
Carol (-2)
Bridge of Spies (+1)
Brooklyn (-1)
Other Possibilities:
10. Straight Outta Compton (+3)
11. Star Wars: The Force Awakens (-1)
12. The Hateful Eight (No Change)
13. Inside Out (-2)
14. Sicario (+4)
15. Beasts of No Nation (-1)
16. Steve Jobs (No Change)
17. Trumbo (+2)
18. Ex Machina (Previously Unranked)
19. The Danish Girl (+1)
20. Son of Saul (-5)
21. Creed (-4)
DROPPED OUT: Anomalisa
WHAT’S CHANGED: No Changes
Best Director
George Miller, Mad Max: Fury Road (+1)
Tom McCarthy, Spotlight (-1)
Alejandro Gonzalez Inarritu, The Revenant (+1)
Ridley Scott, The Martian (-1)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Adam McKay, The Big Short (No Change)
7. Steven Spielberg, Bridge of Spies (+1)
8. Lenny Abrahamson, Room (-1)
9. John Crowley, Brooklyn (+3)
10. Quentin Tarantino, The Hateful Eight (-1)
11. F. Gary Gray, Straight Outta Compton (Previously Unranked)
12. J.J. Abrams, Star Wars: The Force Awakens (-1)
DROPPED OUT: Creed, Mad Max: Fury Road (moved to Original)
WHAT’S CHANGED: No Changes
Best Animated Feature
Inside Out (No Change)
Anomalisa (No Change)
Shaun the Sheep Movie (No Change)
Kahlil Gabran’s The Prophet (+1)
The Good Dinosaur (+1)
Other Possibilities:
6. The Peanuts Movie (-2)
7. When Marnie Was There (No Change)
DROPPED OUT: Minions
WHAT’S CHANGED – In: The Good Dinosaur. Out: The Peanuts Movie.
Best Production Design
The Danish Girl (+1)
Carol (-1)
Mad Max: Fury Road (No Change)
Bridge of Spies (No Change)
Brooklyn (+2)
Other Possibilities:
6. The Hateful Eight (-1)
7. Cinderella (-1)
8. MacBeth (+3)
9. The Revenant (-1)
10. Far From the Madding Crowd (No Change)
11. Star Wars: The Force Awakens (-2)
WHAT’S CHANGED – In: Brooklyn. Out: The Hateful Eight.
Best Cinematography
The Revenant (No Change)
Mad Max: Fury Road (+1)
The Hateful Eight (-1)
Sicario (No Change)
Bridge of Spies (No Change)
Other Possibilities:
6. The Martian (No Change)
7. Carol (+1)
8. The Assassin (Previously Unranked)
9. Son of Saul (-2)
DROPPED OFF: Star Wars: The Force Awakens
WHAT’S CHANGED: No Changes
Best Costume Design
The Danish Girl (+1)
Carol (-1)
Brooklyn (+1)
Cinderella (-1)
Far from the Madding Crowd (No Change)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Suffragette (+3)
8. Trumbo (Previously Unranked)
9. The Revenant (No Change)
10. MacBeth (-2)
11. Star Wars: The Force Awakens (No Change)
12. Mad Max: Fury Road (-5)
WHAT’S CHANGED: No Changes
Best Editing
Mad Max: Fury Road (No Change)
The Big Short (+5)
The Martian (+1)
The Revenant (-2)
Spotlight (-2)
Other Possibilities:
6. Steve Jobs (-1)
7. Bridge of Spies (+1)
8. Room (+4)
9. The Hateful Eight (No Change)
10. Sicario (-4)
11. Straight Outta Compton (Previously Unranked)
12. Star Wars: The Force Awakens (-2)
DROPPED OUT: Carol
WHAT’S CHANGED – In: The Big Short. Out: Steve Jobs.
Best Makeup and Hairstyling
Mad Max: Fury Road (No Change)
Black Mass (+1)
The Revenant (-1)
Other Possibilities:
4. The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+2)
5. Concussion (-1)
6. Mr. Holmes (-1)
7. Legend (No Change)
WHAT’S CHANGED: No Changes
Best Sound Mixing
Mad Max: Fury Road (No Change)
The Martian (+2)
Star Wars: The Force Awakens (-1)
Sicario (+1)
The Revenant (-2)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Jurassic World (+1)
8. In the Heart of the Sea (-1)
WHAT’S CHANGED: No Changes
Best Sound Editing
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (+1)
The Revenant (-1)
The Martian (No Change)
Sicario (+1)
Other Possibilities:
6. The Hateful Eight (+1)
7. In the Heart of the Sea (-2)
8. Jurassic World (No Change)
WHAT’S CHANGED – In: Sicario. Out: In the Heart of the Sea.
Best Visual Effects
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
Jurassic World (+1)
The Martian (-1)
Ex Machina (No Change)
Other Possibilities:
6. In the Heart of the Sea (No Change)
7. The Walk (No Change)
8. Avengers: Age of Ultron (Previously Unranked)
9. Everest (-1)
DROPPED OFF: The Revenant
WHAT’S CHANGED: No Changes
Best Original Score
The Hateful Eight (No Change)
Bridge of Spies (No Change)
Carol (No Change)
The Danish Girl (+1)
Star Wars: The Force Awakens (-1)
Other Possibilities:
6. Spotlight (No Change)
7. Steve Jobs (No Change)
8. Mad Max: Fury Road (+1)
DROPPED OFF: Inside Out, The Revenant
WHAT’S CHANGED: No Changes
Best Original Song
“Til It Happens to You” from The Hunting Ground (No Change)
“So Long” from Concussion (+1)
“See You Again” from Furious 7 (-1)
“Simple Song #3” from Youth (No Change)
“Love Me Like You Do” from Fifty Shades of Grey (+2)
Other Possibilities:
6. “Earned It” from Fifty Shades of Grey (-1)
7. “Writing’s on the Wall” from Spectre (-1)
WHAT’S CHANGED – In: “Love Me Like You Do”. Out: “Earned It”.
These current predictions reflect the following breakdown of films getting these numbers:
9 Nominations
Mad Max Fury Road
8 Nominations
Carol, The Revenant
6 Nominations
Bridge of Spies, The Martian
5 Nominations
The Big Short, Brooklyn, The Danish Girl
4 Nominations
The Hateful Eight, Spotlight, Star Wars: The Force Awakens
3 Nominations
Room. Sicario, Steve Jobs
2 Nominations
Ex Machina, Inside Out
1 Nomination
Anomalisa, Beasts of No Nation, Black Mass, Cinderella, Concussion, Creed, Far from the Madding Crowd, Fifty Shades of Grey, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, Joy, Jurassic World, Kahlil Gabran’s The Prophet, Love and Mercy, Shaun the Sheep Movie, Trumbo, Youth
That’ll do it for now, folks! I’ll have my FINAL Oscar predictions up next week…
Unless Leonardo DiCaprio’s awards contender The Revenant has a much bigger than anticipated debut, it should be weekend #4 atop the charts for record breaker Star Wars: The Force Awakens on this second 2016 frame. As I see it – Han, Leia and company should garner about another $50M+ to add to its astonishing total.
The Revenant is certainly the heavy hitter newbie this weekend and it should have no trouble posting runner-up status. The weekend’s other fresh offerings are horror pic The Forest and faith based sports drama The Masked Saint. You can peruse my detailed prediction posts on them all here:
The Forest should manage to place fifth unless some leftovers hold up better than my estimates while The Masked Saint may have to settle for an 11th place showing. Daddy’s Home and The Hateful Eight should populate the three and four spots.
And with that, my top five predictions for the weekend:
Star Wars: The Force Awakens
Predicted Gross: $51.6 million (representing a drop of 43%)
2. The Revenant
Predicted Gross: $33.2 million
3. Daddy’s Home
Predicted Gross: $16.8 million (representing a drop of 42%)
4. The Hateful Eight
Predicted Gross: $10.5 million (representing a drop of 33%)
5. The Forest
Predicted Gross: $8.7 million
Box Office Results (January 1-3)
The Force continued to be incredibly strong as Star Wars three-peated with $90.2 million, a bit under my $98.7M projection. The acclaimed seventh episode of the iconic franchise has amassed $742M at press time and looks to become the highest domestic grosser in history on Wednesday – surpassing Avatar‘s $760M.
Daddy’s Home remained in second with $29.2 million, ahead of my $25.9M estimate for a terrific 10 day haul of $93M. The Will Ferrell/Mark Wahlberg comedy has proven itself to be quite the breakout.
Quentin Tarantino’s The Hateful Eight expanded wide and could not match my lofty expectations. Coming in behind his previous pics Inglourious Basterds and Django Unchained, the three hour pic grossed $15.7 million over the traditional three day weekend and $22.3 million since its wide Wednesday opening. While this is considerably under my $27.2M and $36.1M respective predictions, this is still a decent debut and it hopes to hold up well in subsequent frames.
The Tina Fey/Amy Poehler comedy Sisters continued its fine run in fourth with $12.7 million (outpacing my $9.2M estimate) for a three week total of $61M. It could manage to reach close to the century mark and maybe even top it.
Alvin and the Chipmunks: The Road Chip held up solidly in weekend #3 with $12 million for fifth, ahead of my $9.1M projection for a total of $67M.
The David O. Russell/Jennifer Lawrence collaboration Joy was sixth in its second weekend with $10.2 million, in line with my $10.7M estimate. Its just OK two week cume is at $38M.
In seventh was Oscar contender The Big Short, holding nicely at $9 million (above my $7.8M guess) for a tally of $33M. A potential Golden Globe win this coming weekend in the Musical/Comedy race could help continue its sterling performance.
Will Smith’s underwhelming Concussion was eighth with $7.8 million (I was in the ballpark with $8.6M) for ten days earnings of $25M.
Point Break held up stronger than my $5.4M estimate with $6.8 million for a still weak 10 day tally of only $22M.
Rounding out the top ten was The Hunger Games: Mockingjay Part 2 at $4.6 million (I said $3.6M) for a $274M overall gross.
And that’ll do it for now, folks! Until next time…
We begin 2016 with my weekly Oscar predictions leading up to nominations being announced on January 14th. This will mean I’ll have two more posts prognosticating on what and who will be nominated (one on Friday the 8th and one likely the day before the announcements).
A couple of quick notes on various races:
There is considerable speculation as to whether Rooney Mara will be nominated in the category of Best Actress or Supporting Actress for her work in Carol. So far, I’ve speculated a nomination for her in the latter. Today, I am changing it to the former.
Same goes for Alicia Vikander in The Danish Girl, but I’m keeping her in Supporting Actress for now. There is also speculation that her nod could come for Ex Machina and not Danish Girl.
The historic box office performance of Star Wars: The Force Awakens is increasing its shot at a Best Picture nomination. I’ve still got it on the outside looking in, but don’t be shocked if that changes in the coming days.
And with that, here’s my weekly predictions that list all possibilities for each race and how they’ve fluctuated since Christmas Day:
2016 should come in just as 2015 went out with Star Wars: The Force Awakens continuing its historic record breaking run all over the globe. As I see it, I look for its third weekend to hover right around the $100M mark as it blasts forward with becoming the highest grossing domestic earner of all time.
The big opening this weekend is Quentin Tarantino’s The Hateful Eight, which debuted in limited release to scorching results. I look for it to come close to $30M over the three day weekend and reach mid 30s for its five day haul (it premieres wide on Wednesday), which should be enough to edge out the second weekend of Daddy’s Home. You can read my detailed prediction post on it here:
There are a host of Christmas holdovers in their second and third frames which should dominate the rest of the Top Ten (without November’s Hunger Games likely rounding out the list). The New Year’s weekend usually sees Christmas products experiencing smallish declines and this year should be no different. Point Break is likely to see the heftiest fall while I anticipate good holds for Joy, Concussion, and The Big Short.
And with that, my top ten predictions for the weekend:
Star Wars: The Force Awakens
Predicted Gross: $98.7 million (representing a drop of 33%)
2. The Hateful Eight
Predicted Gross: $29.2 million
3. Daddy’s Home
Predicted Gross: $25.9 million (representing a drop of 33%)
4. Joy
Predicted Gross: $10.7 million (representing a drop of 37%)
5. Sisters
Predicted Gross: $9.2 million (representing a drop of 35%)
6. Alvin and the Chipmunks: The Road Chip
Predicted Gross: $9.1 million (representing a drop of 30%)
7. Concussion
Predicted Gross: $8.6 million (representing a drop of 22%)
8. The Big Short
Predicted Gross: $7.8 million (representing a drop of 26%)
9. Point Break
Predicted Gross: $5.4 million (representing a drop of 47%)
10. The Hunger Games: Mockingjay Part 2
Predicted Gross: $3.6 million (representing a drop of 30%)
Box Office Results (December 25-27)
The Christmas holiday produced great results (and mediocre ones) for some newbies while Star Wars: The Force Awakens continued its domination and became the fastest pic to gross a billion dollars worldwide. Awakens took in $149.2 million, in line with my $151.6M estimate for a ten day domestic total of $540M. It looks to extend its #1 streak next weekend and beyond.
While the billion $ Star Wars action deservedly got the most press, the other big story of the weekend is the terrific performance of the Will Ferrell/Mark Wahlberg comedy Daddy’s Home. Despite lackluster reviews, Home scored with $38.7 million, more than doubling my meager $16.5M prediction.
Jennifer Lawrence and her go to director David O. Russell scored a decent opening with Joy. It placed third with $17 million, above my $14.9M projection. The comedic drama, which got mixed reviews, is highly unlikely to reach the grosses of the star and director’s previous outings, Silver Linings Playbook and American Hustle.
The Tina Fey/Amy Poehler comedy Sisters actually increased its gross during its sophomore weekend with $14.1 million for fourth, ahead of my $10.4M projection for a nice total of $37M. The other flick in its second weekend, Alvin and the Chipmunks: The Road Chip placed fifth with $13.1 million, not matching my $16.7M estimate. It’s earned an OK $39M and looks to come in well below its three predecessors in the animated rodent franchise.
Will Smith experienced the worst wide opening of his career with the NFL themed Concussion at $11 million for sixth place, under my $13.8M projection. However, an A Cinemascore grade could portend low declines in coming weekends.
Adam McKay’s critically acclaimed Oscar hopeful The Big Short got off to a robust start at seventh place in wide release with $10.5 million over the three day weekend and $14.5 million since its Wednesday roll out (outshining my projections of $8.1M and $10.6M, respectively).
In eighth, action remake Point Break posted the lowest of the newbies with just $10.2 million, a bit under my $11M prediction. Look for it to fade fast.
Ninth place belonged to the sixth weekend of The Hunger Games: Mockingjay Part 2 with $5.2 million (under my $6.5M estimate) for a total of $264M.
I didn’t post a prediction for the limited release of The Hateful Eight, but it managed to crack the top ten with $4.6 million for an explosive per screen average of $46K on just 100 screens. That bodes well for its wide release on Wednesday.
The emergence of Tarantino’s latest pushed Creed and The Good Dinosaur to 11th and 12th place showings. Creed took in $4.6 million (I said $5.8M) for earnings of $96M. Pixar’s The Good Dinosaur made $3.7 million (I predicted $4.9M) for a total of just $105M. To put that in perspective, Dinosaur has made just $105M at press time. The current lowest overall grosser of Pixar’s 16 offerings is 1998’s A Bug’s Life at $162M at that was 17 years ago when ticket prices were considerably less. Dinosaur will be lucky to reach $120M. Ouch.
And that’ll do it for now, folks! Until next time and next year with brand spanking new 2016 box office predictions…
This year, Christmas falls on a Friday and there are five new presents to potentially unwrap at the theater: Will Ferrell/Mark Wahlberg comedy Daddy’s Home, David O. Russell/Jennifer Lawrence collaboration Joy, Oscar hopeful The Big Short with Steve Carell, Christian Bale, Ryan Gosling, and Brad Pitt, action remake Point Break, and Will Smith NFL centered drama Concussion. You can read my detailed prediction posts on each of them here:
As I see it, all five are likely to gross somewhere from the high single digits to mid to high teens. I have Daddy’s Home managing to come in first among the newbies, but it could be a close competition for sure.
As for holdovers, both Alvin and the Chipmunks: The Road Chip and Sisters will be entering their sophomore frames after sturdy debuts (especially considering the competition). The Christmas weekend usually means that holdovers often increase their gross from the previous weekend and I believe this will hold true for Alvin (and Hunger Games and The Good Dinosaur and Creed for that matter). Sisters should experience a fairly small decline.
And that, of course, brings us to Star Wars: The Force Awakens, which will be entering weekend #2 after its historic opening (more on that below). Audiences and critics have taken to it and it has quickly become a cultural phenomenon. Its next record could be highest second weekend total of all time and in order to do so, it would need to top the six month long record of Jurassic World‘s $106.6 million. As I see it, Force shouldn’t have much of a problem accomplishing that feat and I envision a drop of around 40% for the holiday weekend.
And with that, I’ll expand beyond my usual number and do a Top 11 predictions for an extraordinarily packed Christmas weekend:
Star Wars: The Force Awakens
Predicted Gross: $151.6 million (representing a drop of 38%)
2. Alvin and the Chipmunks: The Road Chip
Predicted Gross: $16.7 million (representing an increase of 17%)
3. Daddy’s Home
Predicted Gross: $16.5 million
4. Joy
Predicted Gross: $14.9 million
5. Concussion
Predicted Gross: $13.8 million
6. Point Break
Predicted Gross: $11 million
7. Sisters
Predicted Gross: $10.4 million (representing a drop of 25%)
8. The Big Short
Predicted Gross: $8.1 million (Friday to Sunday prediction), $10.6 million (Wednesday to Sunday prediction)
9. The Hunger Games: Mockingjay Part 2
Predicted Gross: $6.5 million (representing an increase of 11%)
10. Creed
Predicted Gross: $5.8 million (representing an increase of 14%)
11. The Good Dinosaur
Predicted Gross: $4.9 million (representing an increase of 14%)
Box Office Results (December 18-20)
Slip in any cliche you like. The Force was with it. It moved at warp speed past the record. Star Wars: The Force Awakens easily set the high for largest domestic opening of all time with an otherworldly $247.9 million, topping my projection of $234.7M. This blasted past the record of Jurassic World, which made $208.8M this summer by nearly $40M. With universal acclaim, Awakens has given Disney a mega franchise to work with for years and crowds were clearly clamoring for a return to that galaxy far, far away.
Two titles dared to open against this juggernaut and both fared decently. Alvin and the Chipmunks took the runner-up spot with $14.2 million, right on par with my $14.3M estimate. While this fourth entry in the series easily had the smallest debut of the bunch, it’s still not bad considering it was up against Luke and company. I’m predicting it’ll see a bounce and stay #2 next weekend.
The Tina Fey/Amy Poehler comedy Sisters was third with $13.9 million for a commendable beginning. My prediction? $13.9M… boom!
Holdovers fell a bit further than my predictions. The Hunger Games: Mockingjay Part 2 fell to fourth after four weeks at #1 with $5.8 million (I said $7M). Its total stands at $254M.
Creed rounded out the top five with $5 million compared to my $6.3M estimate for an overall gross of $87M.
Pixar disappointment The Good Dinosaur was sixth with $4.3 million, under my $6.8M projection. It has yet to reach $100M after 4 weeks at $96M.
I incorrectly had Krampus outside my top seven and it took that number with $4.1 million for a tidy gross of $35M. That’s because I had the Ron Howard/Chris Hemsworth dud In the Heart of the Sea in seventh. It plummeted to 8th in weekend #2 with a gross of just $3.4 million (compared to my $5.6M estimate) and ten days earnings of just $18M. Ouch.
And that’ll do it for now, ladies and gents! Be sure to check back next week for all the Merry results…
When the famous line “A long time ago in a galaxy far, far away” appears and the Star Wars emblem rockets across the screen, it evokes a series of emotions that is familiar to any lover of the franchise. It changes from generation to generation but is likely strongest with those old enough to recall the first time seeing it in 1977 when the original premiered. The first Star Wars was a cultural phenomenon from the get go. It solidified what we now know as the modern blockbuster era. Its sequel The Empire Strikes Back improved upon it. Return of the Jedi ended the trilogy on a satisfactory if more uneven note. I was not alive in 1977 and I witnessed the series in a weekend of VHS viewing where I was captivated like legions of film lovers across the globe.
By the time George Lucas got around to making his prequel trilogy, I was age 19 at the time of The Phantom Menace. Like all other fans of what came before it, I anticipated Menace breathlessly and like many others, it was a letdown in many fashions. It didn’t really look like a Star Wars pic. More like a video game. In all honesty, the concept of watching the eventual Darth Vader as a precocious child wasn’t really necessary. Follow ups Attack of the Clones and Revenge of the Sith were improvements in some ways (especially Sith) yet still didn’t come close to matching the magic of the real trilogy (as I refer to it).
Therefore it was with a sense of major excitement mixed with some trepidation that I awaited Star Wars: The Force Awakens, episode VII of the franchise that picks up about 30 years after the events of Return of the Jedi. George Lucas sold the rights to Disney, who have grand Marvel style plans for the series. J.J. Abrams, who successfully reinvigorated the Star Trek flicks, is behind the camera. The beloved trio of Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), and Princess (now General) Leia (Carrie Fisher) would return along with Chewbacca, R2-D2, and C-3PO. A new generation of heroes and villains would emerge. The three year wait is finally over and the question is ready to be answered: does Force have the force to bring Star Wars back in the good graces of those who cherish it? The answer is mostly an unqualified and resounding yes.
Episode VII informs us that Luke Skywalker has vanished and the evil First Order (spawned from Darth Vader’s galactic empire) has restored its dominance despite a resistance led by Leia. The Resistance is desperately attempting to obtain a map containing Luke’s whereabouts that is built into BB-8, a droid that is pretty adorable in a manner in which Jar Jar Binks sure wasn’t. One of the leaders of the movement is pilot Poe Dameron (Oscar Isaac), whose character doesn’t have much impact in these proceedings but likely will in future installments. He teams with Storm Trooper gone good Finn (John Boyega) on the mission to find Skywalker. And that BB-8 droid leads them to Rey (Daisy Ridley), a young girl who has a connection with The Force. Their union soon brings them to Han, Chewie, and the now relic called the Millennium Falcon to fight First Order Commander Kylo Ren (Adam Driver) and Supreme Leader Snoke (Andy Serkis).
As we’d expect, there are some revelations about who some of the characters actually are. I wouldn’t dream of spoiling them here. J.J. Abrams is keenly aware of our nostalgia goggles and he presents a vision that hearkens back to the original in both plot and tone. This is a plus. J.J. and his cowriters Lawrence Kasdan (who penned Empire and Jedi) and Michael Arndt are clearly cognizant of the expectation to start anew while rewarding what we adore about episodes IV-VI. There is much plot to roll out, but Awakens does so at a usually brisk pace throwing in the epic battles that look more like we wish for in any entry since 1983.
The John Williams score and special effects are, of course, top notch. Of the returnees, Mr. Ford is given the most material and provides Solo wisecracks and some emotion. Fisher acquits herself decently even though Leia is primarily relegated to the sidelines. As for Luke, the filmmakers have been careful to reveal nothing and neither will I. When it comes to the newcomers, we sense that Rey, Finn, and Poe will establish the new trio for the next few years. Here it is Rey that jumps out and much of that is due to a fine performance from Miss Ridley. Boyega’s Finn has his moments along with occasionally clunky dialogue. Driver is quite effective as Ren and we have a new villain whose motivations create an intriguing dynamic in this universe.
I would rank The Force Awakens as the third best pic in the series, after the first two (slightly above Jedi). Abrams and company accomplish something Lucas ultimately could not with episodes I-III. We care more about the actions transpiring here than with anything from 1999-2005. This is a franchise awakened in a way we have not seen in over 30 years. For those who might have had a bad feeling about this, fear not.
We arrive at my weekly Oscar predictions and a new wrinkle has been added. I’m predicting every category with the exception of Foreign and Documentary (those will eventually be added).
As with last week, I’ll ranking according to my feelings on likelihood of the films and performers being nominated and let you know what’s changed since last week. The pluses and minuses and no changes indicated their ranking from last week to this week.
Let’s get to it!
Best Picture
Spotlight (No Change)
The Revenant (No Change)
Room (No Change)
Brooklyn (+3)
Carol (-1)
The Martian (No Change)
Mad Max: Fury Road (-2)
Bridge of Spies (No Change)
The Big Short (+2)
Other Possibilities:
10. Inside Out (No Change)
11. The Hateful Eight (-2)
12. Star Wars: The Force Awakens (+11)
13. Trumbo (+6)
14. Son of Saul (+3)
15. The Danish Girl (+1)
16. Sicario (+5)
17. Beasts of No Nation (-3)
18. Steve Jobs (-5)
19. Straight Outta Compton (-4)
20. Creed (-8)
21. Joy (-2)
22. Love and Mercy (-1)
23. Anomalisa (-6)
What’s Changed Since Last Week – IN: The Big Short. OUT: The Hateful Eight.
Best Director
Tom McCarthy, Spotlight (No Change)
Alejandro Gonzalez Inarritu, The Revenant (No Change)
George Miller, Mad Max: Fury Road (No Change)
Ridley Scott, The Martian (No Change)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Steven Spielberg, Bridge of Spies (+1)
7. Lenny Abrahamson, Room (-1)
8. J.J. Abrams, Star Wars: The Force Awakens (+9)
9. John Crowley, Brooklyn (No Change)
10. Quentin Tarantino, The Hateful Eight (-2)
11. Adam McKay, The Big Short (+1)
12. Laszlo Nemes, Son of Saul (+1)
13. Jay Roach, Trumbo (Previously Not Ranked)
14. Tom Hooper, The Danish Girl (+2)
15. Danny Boyle, Steve Jobs (-1)
16. Cary Fukunaga, Beasts of No Nation (-5)
17. Ryan Coogler, Creed (-7)
DROPPED OUT: David O. Russell, Joy
What’s Changed Since Last Week: NO CHANGES
Best Actor
Leonardo DiCaprio, The Revenant (No Change)
Michael Fassbender, Steve Jobs (+1)
Eddie Redmayne, The Danish Girl (-1)
Bryan Cranston, Trumbo (+1)
Johnny Depp, Black Mass (-1)
Other Possibilities:
6. Matt Damon, The Martian (No Change)
7. Will Smith, Concussion (No Change)
8. Michael Caine, Youth (+3)
9. Ian McKellen, Mr. Holmes (No Change)
10. Tom Hanks, Bridge of Spies (No Change)
11. Geza Rohrig, Son of Saul (+2)
12. Steve Carell, The Big Short (No Change)
13. Michael B. Jordan, Creed (-5)
What’s Changed Since Last Week: No Changes
Best Actress
Brie Larson, Room (No Change)
Saoirse Ronan, Brooklyn (No Change)
Cate Blanchett, Carol (No Change)
Charlotte Rampling, 45 Years (No Change)
Jennifer Lawrence, Joy (No Change)
Other Possibilities:
6. Charlize Theron, Mad Max: Fury Road (+1)
7. Helen Mirren, Woman in Gold (+2)
8. Blythe Danner, I’ll See You in My Dreams (-2)
9. Sarah Silverman, I Smile Back (-1)
10. Maggie Smith, The Lady in the Van (No Change)
11. Carey Mulligan, Suffragette (+1)
12. Lily Tomlin, Grandma (-1)
What’s Changed Since Last Week: No Changes
Best Supporting Actor
Mark Rylance, Bridge of Spies (No Change)
Michael Keaton, Spotlight (+1)
Paul Dano, Love and Mercy (+1)
Idris Elba, Beasts of No Nation (+1)
Sylvester Stallone, Creed (-3)
Other Possibilities:
6. Michael Shannon, 99 Homes (+4)
7. Mark Ruffalo, Spotlight (-1)
8. Tom Hardy, The Revenant (No Change)
9. Christian Bale, The Big Short (-2)
10. Jacob Tremblay, Room (+1)
11. Benicio del Toro, Sicario (-2)
What’s Changed Since Last Week: No Changes
Best Supporting Actress
Alicia Vikander, The Danish Girl (No Change)
Rooney Mara, Carol (No Change)
Jennifer Jason Leigh, The Hateful Eight (No Change)
Kate Winslet, Steve Jobs (No Change)
Helen Mirren, Trumbo (+2)
Other Possibilities:
6. Rachel McAdams, Spotlight (+4)
7. Jane Fonda, Youth (-2)
8. Kristen Stewart, Clouds of Sils Maria (-2)
9. Elizabeth Banks, Love and Mercy (No Change)
10. Joan Allen, Room (-2)
DROPPED OUT: Alicia Vikander, Ex Machina
What’s Changed Since Last Week – IN: Helen Mirren, OUT: Jane Fonda.
Best Original Screenplay
Spotlight (No Change)
Inside Out (+1)
The Hateful Eight (-1)
Bridge of Spies (No Change)
Love and Mercy (+1)
Other Possibilities:
6. Son of Saul (-1)
7. Mad Max: Fury Road (Previously Not Ranked)
8. 99 Homes (No Change)
9. Sicario (+1)
10. Ex Machina (+1)
11. Straight Outta Compton (-4)
12. Youth (Previously Not Ranked)
13. Joy (-4)
14. Trainwreck (-2)
What’s Changed Since Last Week – IN: Love and Mercy. OUT: Son of Saul.
Best Adapted Screenplay
Room (+2)
Brooklyn (+2)
Carol (-2)
The Big Short (+1)
Steve Jobs (-3)
Other Possibilities:
6. The Martian (+1)
7. Trumbo (+3)
8. The Revenant (-2)
9. Beasts of No Nation (No Change)
10. Anomalisa (-2)
11. The Danish Girl (+1)
DROPPED OUT: Creed
What’s Changed Since Last Week: No Changes
Best Animated Feature (First Time Predictions)
Inside Out
Anomalisa
Kahlil Gobran’s The Prophet
Shaun the Sheep Movie
The Good Dinosaur
Other Possibilities:
6. The Peanuts Movie
7. When Marnie Was There
8. Home
Best Cinematography (First Time Predictions)
The Hateful Eight
The Revenant
Mad Max: Fury Road
The Martian
Sicario
Other Possibilities:
6. Carol
7. Bridge of Spies
8. The Danish Girl
Best Production Design (First Time Predictions)
Carol
The Danish Girl
Mad Max: Fury Road
Cinderella
Bridge of Spies
Other Possibilities:
6. The Revenant
7. Brooklyn
8. The Martian
9. The Hateful Eight
10. Star Wars: The Force Awakens
11. MacBeth
Best Editing (First Time Predictions)
Spotlight
Mad Max: Fury Road
The Revenant
The Big Short
Steve Jobs
Other Possibilities:
6. The Hateful Eight
7. The Martian
8. Bridge of Spies
9. Room
Best Costume Design (First Time Predictions)
Carol
Cinderella
Brooklyn
The Danish Girl
Far from the Madding Crowd
Other Possibilities:
6. Mad Max: Fury Road
7. Suffragette
8. Trumbo
9. The Hateful Eight
10. MacBeth
Best Makeup and Hairstyling (First Time Predictions)
The Danish Girl
Carol
Star Wars: The Force Awakens
Other Possibilities:
4. Mad Max: Fury Road
5. Black Mass
6. Pan
7. The Hateful Eight
8. The Revenant
Best Visual Effects (First Time Predictions)
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
Jurassic World
The Walk
Other Possibilities:
6. The Revenant
7. In the Heart of the Sea
8. Ex Machina
Best Sound Mixing (First Time Predictions)
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
The Revenant
Sicario
Other Possibilities:
6. Jurassic World
7. The Hateful Eight
8. In the Heart of the Sea
Best Sound Editing (First Time Predictions)
Mad Max: Fury Road
The Revenant
The Martian
Star Wars: The Force Awakens
In the Heart of the Sea
Other Possibilities:
6. Sicario
7. The Hateful Eight
8. Jurassic World
Best Original Score (First Time Predictions)
The Hateful Eight
Carol
Spotlight
Star Wars: The Force Awakens
The Danish Girl
Other Possibilities:
6. The Revenant
7. Bridge of Spies
8. Sicario
9. Brooklyn
10. Mad Max: Fury Road
11. Southpaw
Best Original Song (First Time Predictions)
“Til It Happens To You” from The Hunting Ground
“See You Again” from Furious 7
“Love Me Like You Do” from Fifty Shades of Grey
“Writing’s on the Wall” from Spectre
“Earned It” from Fifty Shades of Grey
Other Possibilities:
6. “Simple Song #3” from Youth
7. “One Kind of Love” from Love and Mercy
8. “So Long” from Concussion
Whew! Those predictions reflect a current belief of the following films garnering nominations with number included:
9 Nominations
Carol
8 Nominations
Mad Max: Fury Road
7 Nominations
The Revenant
6 Nominations
The Danish Girl, The Martian, Spotlight
5 Nominations
Star Wars: The Force Awakens
4 Nominations
Bridge of Spies, Brooklyn, The Hateful Eight, Steve Jobs
3 Nominations
The Big Short, Room
2 Nominations
Cinderella, Fifty Shades of Grey, Inside Out, Love and Mercy, Sicario, Trumbo
1 Nomination
Anomalisa, Beasts of No Nation, Black Mass, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, In the Heat of the Sea, Joy, Jurassic World, Kahlil Gabron’s The Prophet, Shaun the Sheep Movie, Spectre, The Walk
This weekend, Star Wars: The Force Awakens looks poised and primed to demolish box office records. It’s sold $100 million in pre-sale tickets (a previously unimaginable figure). The Disney marketing machine has been in hyper drive. Hyperbole it is not to say this is the most eagerly anticipated picture of the 21st century.
Over the last few months, I’ve been writing my Oscar predictions and now it’s to the point where I’m doing weekly predictions as we draw closer to the actual nominations coming in January. Through it, Star Wars has hung out there like a giant question mark. If it got rave reviews, could it potentially become a player not just to smash records, but to enter the Oscar fray?
Today the landscape has become clearer as the review embargo has been lifted on the eve of its release. And the word that’s emerged is glowing like Luke Skywalker’s lightsaber. Based on 127 reviews so far, The Force Awakens stands at a magnificent 97% on Rotten Tomatoes. I’ll confess that I’m being careful not to read the reviews (I’ll be seeing it Sunday and my own review will be on the blog that day), but the consensus is undeniably that this is a welcome return to the most beloved franchise in history.
Does that mean The Force Awakens could become the first entry in the series to nab a Best Picture nomination since the original in 1977? Yes… it does. Is it guaranteed? No and my predictions on Friday likely won’t have it making the cut. However, as it premieres to what could be history making numbers and with critics on its side, the forces could align to include it and possibly J.J. Abrams in the directing race. Stay tuned…
It’s a weekend that box office prognosticators like myself have been waiting for all year long! Yes, ladies and gentlemen, the fourth Alvin and the Chipmunks film has arrived!!!
OK… in all seriousness, you may have heard of the big picture arriving this weekend called Star Wars: The Force Awakens. The seventh episode of the beloved franchise has been breathlessly awaited and it stands a shot at breaking pretty much every box office record there is. I truly feel it could gross anywhere from $170-$275 million out of the gate so I basically split the difference. That means my prediction does have it devouring the all time opening weekend record posted by Jurassic World this summer. It is worth noting that other estimators are saying this will come under what Jurassic accomplished, but we shall see. You can read my detailed prediction post on it here:
Somewhat surprisingly, other studios are premiering new product in hopes of serving as counter programming to The Force. We have the aforementioned Alvin and the Chipmunks: The Road Chip and Tina Fey/Amy Poehler comedy Sisters. I look for them to have fairly soft openings and have a close competition for second place. On the bright side, both titles could continue to play well and experience small declines into further holiday weekends. My prediction posts on both of them can be found here:
As for holdovers, The Hunger Games: Mockingjay Part 2 will finally fall from its four week perch atop the charts. In the Heart of the Sea got off to a lackluster start (more on that below) and I actually expect it to drop farther percentage wise than The Good Dinosaur and Creed.
And with that, my top seven predictions for what could be a historic weekend:
Star Wars: The Force Awakens
Predicted Gross: $234.7 million
2. Alvin and the Chipmunks: The Road Chip
Predicted Gross: $14.3 million
3. Sisters
Predicted Gross: $13.9 million
4. The Hunger Games: Mockingjay Part 2
Predicted Gross: $7 million (representing a drop of 38%)
5. The Good Dinosaur
Predicted Gross: $6.8 million (representing a drop of 36%)
6. Creed
Predicted Gross: $6.3 million (representing a drop of 37%)
7. In the Heart of the Sea
Predicted Gross: $5.6 million (representing a drop of 49%)
Box Office Results: December 11-13
Ron Howard’s $100 million whale tale In the Heart of the Sea with Chris Hemsworth was crushed by a wave of audience ambivalence with a gross of just $11 million, well under my $18.4M estimate. The pic, which received mixed reviews, simply didn’t capture the attention of adventure fans who may be biding their time until this weekend.
That allowed The Hunger Games: Mockingjay Part 2 to stay #1 for the fourth weekend in a row with $11.3 million, just topping my $10.5M projection. The franchise finale has taken in $244 million.
Pixar’s disappointing The Good Dinosaur was third with $10.5 million, ahead of my $9.4M prediction for a total of $89 million. This is well below the standards of what its studio is accustomed to and it remains on track to be Pixar’s smallest earner. On the bright side for parent company Disney, they’ve got a pretty high profile release out this weekend…
Creed took fourth with $10.1 million, a bit higher than my $9.1M estimate for an overall tally of $79 million. This looks to be the first Rocky flick to top $100M since Rocky IV some thirty years ago.
Krampus was fifth in its second weekend with $8.4 million, topping my $7.3M projection. Its taken in a tidy $28 million at press time and is performing solidly for a relatively low budget horror comedy.
And that’ll do it for now, folks! Until next time… May The Force Be With You…
All My Life... I Wanted To Be A Blogster 