November 14-16 Box Office Predictions

Blogger’s Update (11/12): I am downgrading my The Running Man estimate from $27.6 million to $19.6 million as reviews and word-of-mouth have stalled momentum; I am downgrading my Keeper estimate from $6.5 million to $3.2 million

The Running Man looks steal the box office crown as heist threequel Now You See Me: Now You Don’t and horror pic Keeper debut. You can peruse my detailed prediction posts on the trio of newcomers here:

The Running Man Box Office Prediction

Now You See Me: Now You Don’t Box Office Prediction

Keeper Box Office Prediction

Based on the Stephen King novel, sci-fi action satire The Running Man also serves as a remake of the 1987 pic with Glen Powell taking over starring duties from Arnold Schwarzenegger. I don’t think it reaches the heights of Predator: Badlands from this past weekend (more on that below), but it should place 1st in the low to mid 20s.

Now You See Me: Now You Don’t includes Jesse Eisenberg, Woody Harrelson, and Morgan Freeman reprising their roles from 2013 and 2016 predecessors. That’s a lengthy layover from part 2 to 3 and the second one didn’t match the original in terms of cash. I anticipate the drop-off will continue and I have See in third.

Keeper could overperform as horror titles often do, but I’m going mid single digits for a fourth place showing for the latest genre effort from the prolific Osgood Perkins.

It will be interesting to see the sophomore frame percentage decline for Predator: Badlands. 2010’s Predators and 2018’s The Predator each debuted in the mid 20s (far below this one). They plummeted 72% and 63% respectively in their follow-up outings. The film in the franchise that performed similarly to Badlands (2004’s AVP: Alien Vs. Predator) saw a 68% dip. However, I don’t see this falling that far due to its A- Cinemascore (the strongest of the lot). Mid 50s seems more likely.

Regretting You, which showed impressive staying power last weekend, should round out the top five and here’s how I see it shaking out:

1. The Running Man

Predicted Gross: $19.6 million

2. Predator: Badlands

Predicted Gross: $18.2 million

3. Now You See Me: Now You Don’t

Predicted Gross: $17.1 million

4. Regretting You

Predicted Gross: $5 million

6. Keeper

Predicted Gross: $3.2 million

Box Office Results (November 7-9)

It took a nearly 40-year-old franchise to wake up the box office and showed that the series wasn’t over the hill as Predator: Badlands amassed $40 million. Solid word-of-mouth and positive reviews helped propel it to the highest start of the nine pictures when not adjusting for inflation. This easily eclipsed my $27.6 million prediction.

Regretting You, as mentioned, slid a teensy 15% in weekend #3 to $6.6 million compared to my $4.8 million call. The romantic drama is plugging along with $38 million thus far.

Black Phone 2 dropped from 1st to 3rd as it received $5.1 million, in line with my $4.6 million projection. The sequel has taken in $70 million after four weeks.

The inspirational early 20th century set drama Sarah’s Oil, which includes Zachary Levi among its cast, was my surprise of the weekend. It placed fourth with $4.2 million and I didn’t do a guesstimate. Scoring a rare A+ Cinemascore grade, Oil could hold up well in the coming weeks.

Historical courtroom drama Nuremberg with Oscar winners Russell Crowe and Rami Malek rounded out the top five with $3.8 million, managing to outdo my $3 million take.

Bugonia was sixth in weekend #2 at $3.4 million (ahead of my $2.7 million prediction) for $12 million after two weeks of wide release.

Chainsaw Man – The Movie: Reze Arc finished seventh with $3.4 million (I said $2.9 million) as the anime hit stands at $37 million after three weeks.

Jennifer Lawrence and Robert Pattinson’s drama Die, My Love debuted in eighth with $2.6 million, on pace with my $2.5 million estimate.

Finally, boxing biopic Christy with Sydney Sweeney was KO’d in 11th with just $1.3 million. I was more generous at $2.2 million.

And that does it for now, folks! Until next time…

Predator: Badlands Box Office Prediction

Predator: Badlands looks to awaken a dormant box office when it debuts November 7th. It marks the ninth overall feature in the nearly 40-year-old franchise that began with the Arnold Schwarzenegger classic. Dan Trachtenberg directs his second pic in the series after helming the 2022’s Prey and the animated Predator: Killer of Killers back in June. Both were acclaimed and they premiered via streaming on Hulu. Elle Fanning stars alongside Dimitrius Schuster-Koloamatangi and Mike Homik.

Technically AVP: Alien vs. Predator holds the record for best start among the films at $38 million back in 2004. As far as Predator titles without an iconic sparring partner, 2010’s Predators and 2018’s The Predator experienced virtually identical openings of $24.7 and $24.6 million, respectively.

Early word-of-mouth for Badlands is solid yet some fans may choose to wait for to Disney+/Hulu. It could manage to top expectations because there’s not much else out there. I also wouldn’t be surprised at all if it sees a mid 20s output similar to what we witnessed in 2010 and 2018 and that would be considered a letdown. I’ll give it slightly more.

Predator: Badlands opening weekend prediction: $27.6 million

For my Christy prediction, click here:

Christy Box Office Prediction

Retribution Box Office Prediction

Blogger’s Update (08/23): I’m downgrading my prediction from $3.2M to $2.4M

Liam Neeson’s string of action thrillers continues with Retribution this weekend as he attempts to reverse some recent box office bad luck. Predators director Nimrod Antal is behind the camera with a supporting cast including Noma Dumezweni, Lilly Aspell, Jack Champion, Embeth Davidtz, and Matthew Modine.

The Neeson shoot-em-ups this decade haven’t come close to matching Taken, its sequels, and other hits that followed shortly thereafter. Yet their opening grosses have been remarkably consistent. 2020’s Honest Thief made off with $3.6 million for its start. In 2021, The Marksman hit $3.1 million. In 2022, Blacklight took in $3.5 million while the same year’s Memory made $3.1 million.

I haven’t seen a screen count for this Roadside Attractions effort and that could alter my projection. However, I don’t see any reason why this would make considerably more or less than the aforementioned genre exercises. Perhaps National Cinema Day on Sunday (with ticket prices at $4) will help, but I wouldn’t count on it.

Retribution opening weekend prediction: $2.4 million

For my Gran Turismo prediction, click here:

Gran Turismo Box Office Prediction

For my The Hill prediction, click here:

The Hill Box Office Prediction

Prey Review

Touching down 35 years after the glistening biceps and grisly kills of Predator, Prey puts the “pre” in prequel by taking us all the way back to 1719. Our setting is the Northern Great Plains in a mountainous region inhabited by a Comanche Indian tribe. The elements of the time are their own enemy and so is the wildlife roaming free. This includes lions and bears of the somewhat unconvincing CG variety. There’s also a gruesome scene where buffaloes earn their wings.

Dan Trachtenberg’s film poses the question – what if we dropped one of those Predators in this unique cinematic universe? The answer is a clever spin on the franchise that marks its own territory. It limits the callbacks to the original so that when they surface, they’re appreciated. The screenplay isn’t muddied by burying itself in nostalgia and that’s something plenty of other series can’t claim as of late.

There are no semiautomatic weapons or choppas for Naru (Amber Midthunder), a young warrior who longs to be a hunter. Her brother Taabe (Dakota Beavers) is considered one of the best. It’s clear that her community simply doesn’t view her as capable of doing the same. She gets the chance when that extraterrestrial entity (still a triumph of creature design) makes a visit. Her trusty hound Sarii joins her. Camouflaging itself to attack at the right moments and still giving its potential victims a fighting chance, this is indeed Predator’s best vehicle since part 1.

Predator 2 certainly had its guilty pleasures back in 1990 while 2010’s Predators was a mixed bag. By 2018, Shane Black’s The Predator fell apart as it went along and marked a low point. Prey‘s concept of taking the iconic monster back 300 years is simple and effective. Midthunder’s determined heroine is a huge plus and she’s easily the most engaging protagonist since Arnold. Predator isn’t the only predator around as French colonists surface to torment the Comanches. This group’s encounters with Naru and the beast are violent highlights.

Besides some occasionally questionable CG, it’s fair to say that Prey works on every level imaginable. I found myself immersed in the striking landscapes that its unwelcome guest crashes. Trachtenberg stages his action sequences with precision and there’s no time wasted in its 100 minutes. This is how you do a prequel. With this crew involved, I’d eagerly sign up for more predatory journeys through history.

***1/2 (out of four)

The Predator Movie Review

There are moments in The Predator where it feels like the franchise went the route of 80s slasher series when Freddy, Jason, and Michael ruled the day. With the alien creatures roaming the suburbs for a brief stretch and with some deliriously gory bits and extreme profanity, I could imagine this is as the fifth installment when the well is running dry. This could maybe be Predator V following Predator In Harlem or something. It’s a time in the series when ridiculous and probably offensive characters like an autistic kid who’s actually deemed an enhancement in human evolution is introduced. The main protagonist would be dull and boring, not close to matching Arnold Schwarzenegger in the 1987 original or even Danny Glover’s overburdened LAPD officer in the 1990 sequel. And the one-liners would harken back to the rock solid first one but generally be lamer.

Strangely enough, it’s some of that which makes the 2018 edition mindless fun in the first half. This isn’t anything of quality, but it serves as an occasional guilty pleasure VHS throwback that would have filled the shelves of those defunct rental institutions. I think director Shane Black and co-writer Fred Dekker know that. Black has turned into a fine filmmaker with action comedies like Kiss Kiss Bang Bang and The Nice Guys. He’s known mostly for his behind the scenes work, but he memorably played the role of Hawkins in Predator’s big screen debut 31 years ago.

The screenplay makes some downright bizarre choices. Jacob Tremblay’s aforementioned autistic kid is one of them. His Special Forces dad Quinn (Boyd Holbrook) is that forgettable head alien battler. Holbrook discovers a title character on a mission and ships some evidence of its existence to his boy. That leads the extraterrestrial to the ‘burbs to retrieve his property. Quinn finds himself detained by the government led by shady Sterling K. Brown and in the company of a motley crew of PTSD soldiers. They include Trevante Rhodes (whose primary character trait is that he smokes), Thomas Jane (he has Tourette’s), and Keegan-Michael Key (yo mama jokes). They’re the guys, along with Olivia Munn’s biologist, who fight not only two Predators, but the space dogs that accompany them. That’s another odd visual choice.

I couldn’t help but be fascinated by Black and Dekker’s outright nuttiness with their take on The Predator. However, it doesn’t last. By the third act, the pic moves to a jungle looking setting with some dodgy effects. We’re hammered with familiarity. That’s what made famous predators like Freddy and Jason and Michael grow stale, but their countless sequels were punctuated with an inspired sequence here and there. We see that early in this reboot and then not really again.

** (out of four)

The Predator Box Office Prediction

Over three decades ago, Shane Black costarred in the classic sci-fi adventure tale Predator. Like most cast members, he didn’t manage to survive the proceedings like Arnold Schwarzenegger did. He did go on to an impressive writing and directing career that includes the screenplays for Lethal Weapon, The Last Boy Scout, and The Long Kiss Goodnight and serving double duty for Kiss Kiss Bang Bang, Iron Man 3, and The Nice Guys. Things come full circle next weekend for Black as he directs and co-writes The Predator, the latest iteration of the long running franchise.

Not counting the two Alien vs. Predator extravaganzas, this is the fourth traditional entry in the series behind the 1987’s original, its 1990 sequel, and the 2010 reboot Predators. Boyd Holbrook, Trevante Rhodes, Wonder star Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Sterling K. Brown, and Thomas Jane populate the human troupe battling the deadly creatures.

It’s actually the first teaming of this franchise with the Alien series that resulted in the largest debut featuring the title character in 2004 – to the tune of a $38.2 million. Predators set the high mark over parts 1 and 2 (due to inflation) with a $24.7 million start. Its overall gross was very front-loaded as it ended up with $52 million.

The eight year inflation should allow The Predator to exceed that, but I don’t see it coming close to the high 30s number that AVP achieved. I would say high 20s is the more reasonable expectation and that should allow it to place #1 at the box office (something Predators couldn’t manage in the heat of significant summer competition). As a comp for 2018, I’ve got this earning a similar debut to this spring’s Pacific Rim Uprising.

The Predator opening weekend prediction: $27.4 million