After amassing over $800 million at the box office and becoming the third highest domestic grosser of all time, Disney and Marvel are looking to spin more bucks for Spidey on Labor Day weekend. That’s in the form of Spider-Man: No Way Home – The More Fun Stuff Edition. The revamped version contains 11 minutes of additional footage including more of Tobey Maguire and Andrew Garfield donning the spandex alongside Tom Holland.
Over Labor Day 2021, the MCU made a killing when Shang-Chi and the Legend of the Ten Rings took in $94 million over the Monday to Friday frame. In 2022, Hollywood seems to be taking the holiday off. This could allow Marvel to hit #1 again with our webbed heroes. Fun is out on approximately 3000 screens and that wide release could allow for a seventh non-consecutive weekend atop the charts.
That said, I don’t expect this to top $10 million. The, um, less fun (?) iteration is already streaming and has been for some time. I don’t imagine a large audience will turn out for 11 extra minutes.
Spider-Man: No Way Home – The More Fun Stuff Edition opening weekend prediction: $7 million (Friday to Monday estimate)
For my Honk for Jesus. Save Your Soul. prediction, click here:
Blogger’s Update (08/17): Two days before its premiere, I’m revising Beast down from $14.3M to $11.3M. That puts it in second place instead of first with Dragon Ball rising to first.
Survival thriller Beast with Idris Elba and the animated Japanese fantasy sequel Dragon Ball Super: Super Hero will compete for the #1 spot this weekend. It could be a close competition and you can peruse my detailed prediction posts on the newcomers here:
I’m projecting that both will manage a low teens opening and I’m giving Beast an ever so slight edge. Either could over perform, but both could also top out in low double digits. As long as neither falls significantly short of expectations, they should place 1-2.
Bullet Train, after two weeks in first, should fall to 3rd or 4th depending on how well Top Gun: Maverick holds. It’s a safe bet that the latter will hold quite solidly so it could be a stiff competition for third with DC League of Super-Pets rounding out the top five.
Here’s how I see it playing out:
1. Dragon Ball Super: Super Hero
Predicted Gross: $13.2 million
2. Beast
Predicted Gross: $11.3 million
3. Bullet Train
Predicted Gross: $7 million
4. Top Gun: Maverick
Predicted Gross: $6.7 million
5. DC League of Super-Pets
Predicted Gross: $5 million
Box Office Results (August 12-14)
Brad Pitt and the Bullet Train was #1 again with $13.4 million, just shy of my $14.1 million take. The two-week total is $55 million as it is tracking to come in under $100 million domestically when all is said and done.
In a photo finish for second, Top Gun: Maverick achieved another remarkable feat. Rising from sixth to the runner-up position, Tom Cruise’s biggest hit ever (and then some) earned $7 million in its 12th outing. I projected a tad lower at $6.2 million. Sitting at $673 million and #7 all-time stateside, it will eventually get to the #5 slot and overtake Black Panther and Avengers: Infinity War in the coming days.
DC League of Super-Pets was third and it also made $7 million, in line with my $7.2 million prediction. The animated tale has made $58 million in its three weeks of release.
It was a razor thin margin for 4th and 5th with Thor: Love and Thunder barely surpassing Nope. The former made $5.3 million (I was right there at $5.4 million) as the MCU sequel has rung up $325 million.
Nope was fifth and also did $5.3 million, outpacing my $4.2 million guesstimate. Jordan Peele’s effort has made $107 million.
Minions: The Rise of Gru was sixth with $5 million. I went with $5.2 million and it’s amassed $343 million.
#7 was Where the Crawdads Sing with $4 million (I said $4.1 million) with a $72 million overall haul.
Bodies Bodies Bodies couldn’t really capitalize on its impressive NY/LA limited rollout last weekend. Expanding wide, it took in $3.2 million for eighth place. I was a bit more optimistic at $4.4 million. While its per screen average was 2nd in the top 10 behind only Train, look for it to fade quickly.
Elvis was ninth with $2.5 million (I said $2.6 million) as the biopic has shook up $141 million.
The climbing thriller Fall debuted in 10th with $2.5 million. That’s nothing to brag about, but it did come in with better earnings than most prognoses. This includes my own at $1.2 million.
Easter Sunday fell outside of the top ten in 11th with $2.4 million in its sophomore frame (I was on target at $2.5 million). The meager total is $9 million.
Last and least, Diane Keaton’s comedy Mack & Rita was a massive flop in 13th position with $1 million. I gave it too much leeway at $2.3 million. As if that start wasn’t bad enough, it earned a dreadful D+ Cinemascore grade.
There’s a trio of pics debuting or expanding this weekend, but they could all find themselves outside of the top five. A24’s slasher comedy Bodies Bodies Bodies hopes to build on its impressive NY/LA limited release while the Diane Keaton comedy Mack & Rita and survival thriller Fall premiere. You can peruse my detailed prediction posts on them here:
Both Bodies and Fall are expected to hit around 1200 screens. That’s low and limits their range. Let’s start with Fall as its lack of promotion could find it failing to even make $1 million. I’m projecting $1.2 million and that obviously leaves it well outside the high five (and ten for that matter).
Bodies is a bit tougher to figure out. In six venues in our nation’s two largest cities, it took in a robust per screen average of nearly $40k. Yet as I mentioned in my individual post, I’m skeptical that this plays well in the middle of the country. My $4.4 million estimate also leaves it on the outside looking in.
Mack & Rita also seems to be suffering from lack of awareness. I’m only going with $2.3 million as this should come and go in multiplexes quickly.
With the newcomers out of the way, that leaves holdovers to talk about. Sony’s Bullet Train with Brad Pitt opened right on track with reasonable expectations (more on that below) and it should have no trouble remaining in the top spot again. With minimal competition, it could slide in the mid 40s in the best case scenario. That said, if you look at action titles of early August past, a drop in the low 50s to mid 50s seems just as likely. DC League of Super-Pets should stay in second… with a caveat.
If Top Gun: Maverick continues percentage drops in the teens (and there’s no reason to think it won’t), it should re-enter the top 5. Nope could drop out altogether with Thor: Love and Thunder and Minions: The Rise of Gru battling it out for the 4 spot alongside Bodies Bodies Bodies. There’s even a chance Maverick could go from #6 to #2.
Here’s how I see the charts playing out and I’ll expand it to a top ten this time around:
1. Bullet Train
Predicted Gross: $14.1 million
2. DC League of Super-Pets
Predicted Gross: $7.2 million
3. Top Gun: Maverick
Predicted Gross: $6.2 million
4. Thor: Love and Thunder
Predicted Gross: $5.4 million
5. Minions: The Rise of Gru
Predicted Gross: $5.2 million
6. Bodies Bodies Bodies
Predicted Gross: $4.4 million
7. Nope
Predicted Gross: $4.2 million
8. Where the Crawdads Sing
Predicted Gross: $4.1 million
9. Elvis
Predicted Gross: $2.6 million
10. Easter Sunday
Predicted Gross: $2.5 million
11. Mack & Rita
Predicted Gross: $2.3 million
Box Office Results (August 5-7)
Bullet Train came in right where I thought it would with $30 million (my call was $29.7 million). While it certainly didn’t exceed expectations, it’s a perfectly decent opening and its overseas grosses are solid. The B+ Cinemascore indicates a somewhat fair-weather reaction so it’s worth monitoring how it holds up. As mentioned, the lack of competition should help.
DC League of Super-Pets had a stiffer sophomore fall than I anticipated with $11 million compared to my $13.6 million take. The two-week total is a muted $44 million.
Nope saw a drop of over 50% once again with $8.5 million, in range with my $8.1 million prediction. The three-week tally is approaching nine digits at $97 million.
Thor: Love and Thunder was fourth at $7.7 million (I said $8.3 million) as the MCU sequel became the highest pic in the franchise by eclipsing 2017’s Ragnarok. Total is $316 million.
Minions: The Rise of Gru rounded out the top five with $7.1 million (I went with $6.9 million) for a $334 million haul.
Finally, the Jo Koy comedy Easter Sunday struggled in its start in 8th place with $5.4 million, just under my $5.6 million estimate.
My look back at the cinematic summers of 30, 20, and 10 years ago culminates with 2012. A decade ago, the Marvel Cinematic Universe went from a successful franchise to the phenomenal juggernaut that it remains today. That’s due to the release of a little something called The Avengers. On a side note, it’s worth mentioning that the biggest grosser 30 years ago (Batman Returns), two decades ago (Spider-Man), and in this post all share comic book roots.
Before we get to Iron Man and company, I’ll recount the other features in the top ten moneymakers before covering additional notable titles and some flops. If you missed my write-ups about the seasons of 1992 and 2002, you can find them here:
Some three decades after Alien terrified audiences, Ridley Scott returned to the franchise. However, this was more of a mixed bag in terms of critical and audience reaction. The production design and Michael Fassbender’s performance were praised while the script drew its share of critics. Nevertheless Scott would be back in the mix five years later with Alien: Covenant.
9. Snow White and the Huntsman
Domestic Gross: $155 million
Hot off the Twilight franchise and hot off playing Thor in The Avengers, Kristen Stewart and Chris Hemsworth battled Prometheus costar Charlize Theron’s evil stepmom in this fantasy adventure. Reviews were so-so but it performed well enough to warrant a less appreciated prequel The Huntsman: Winter’s War in 2016.
8. Ice Age: Continental Drift
Domestic Gross: $161 million
The fourth entry in the animated franchise featuring the vocal stylings of Ray Romano and John Leguizamo kept the grosses hot. Sequel Collision Course would follow four years later.
7. Men in Black 3
Domestic Gross: $179 million
The third teaming of Will Smith and Tommy Lee Jones (with Josh Brolin playing a convincing younger version of him) earned $11 million less than 2002’s part II. That sequel made less than the 1997 original. The series was revamped in 2019 with Men in Black: International with none other than Chris Hemsworth, but audiences tuned out.
6. Madagascar 3: Europe’s Most Wanted
Domestic Gross: $216 million
Ben Stiller and Chris Rock returned for the third time voicing their respective lion and zebra. Spin-off Penguins of Madagascar came out two years later while a proper fourth entry never materialized from DreamWorks.
5. Ted
Domestic Gross: $218 million
Moving from Fox’s hugely successful animated sitcom Family Guy the big screen, Seth MacFarlane’s story of Mark Wahlberg and his crude talking bear Ted was the breakout comedy of the season. Follow-ups A Million Ways to Die in the West and the Ted sequel were not as well received.
4. Brave
Domestic Gross: $237 million
The first Pixar film led by a female hero is also the inaugural studio entry (co)directed by a woman. It would go on to win Best Animated Feature at the Oscars.
3. The Amazing Spider-Man
Domestic Gross: $262 million
After not moving forward with a fourth title directed by Sam Raimi and starring Tobey Maguire, the Spidey franchise was rebooted with Marc Webb behind the camera and Andrew Garfield donning the red. The dollars followed although reviews were mixed and a 2014 sequel was widely considered a disappointment.
2. The Dark Knight Rises
Domestic Gross: $448 million
While perhaps not quite reaching the heights of 2008’s The Dark Knight, the culmination to Christopher Nolan’s trilogy sent Christian Bale’s Caped Crusader off in stirring fashion and with hugely profitable earnings.
1. The Avengers
Domestic Gross: $623 million
Setting record after record upon release, the melding of Iron Man, Thor, Captain America, Hulk, Black Widow, and Hawkeye transfixed filmgoers. It’s been Marvel’s world and we’ve been living in it ever since.
And now for some other pics worthy of discussion:
Magic Mike
Domestic Gross: $113 million
Steven Soderbergh’s saga of male exotic dancers was based loosely on Channing Tatum’s real life experiences. It turned him into a superstar while giving Matthew McConaughey a memorable showcase. The micro budgeted pic (a reported $7 million) spawned a 2015 sequel and there’s a third scheduled to hit HBO Max next year.
The Bourne Legacy
Domestic Gross: $113 million
Audiences weren’t clamoring for Jeremy Renner to replace Matt Damon in this franchise, but the stateside and overseas grosses were still pretty acceptable. That said, Renner’s tenure lasted this pic and this pic only.
The Best Exotic Marigold Hotel
Domestic Gross: $46 million
While it performed even better overseas, this British import with Judi Dench was a sleeper hit stateside that begat a 2015 sequel.
Moonrise Kingdom
Domestic Gross: $45 million
Wes Anderson scored with critics and crowds with this coming-of-age dramedy that premiered at Cannes and then found an audience in the weeks that followed.
Beasts of the Southern Wild
Domestic Gross: $12 million
This indie drama from Benh Zeitlin was truly a little movie that could. Shot for under $2 million, it eventually nabbed Oscar nods for Picture, Director, Actress (Quvanzhane Wallis at age 9), and Adapted Screenplay.
They’re not all winners so let’s get into some critical and/or commercial failures from the period:
Dark Shadows
Domestic Gross: $79 million
Johnny Depp’s box office happy days were beginning to fade as his 8th collaboration with Tim Burton was perhaps the least memorable. This horror comedy failed to enlighten viewers.
Battleship
Domestic Gross: $65 million
Action fans weren’t taken with this Peter Berg directed board game adaptation starring Liam Neeson and Rihanna with a bloated budget of over $200 million.
Total Recall
Domestic Gross: $58 million
And your action sci-fi fans weren’t signing up for Colin Farrell taking over for Arnold Schwarzenegger in this unneeded remake.
Rock of Ages
Domestic Gross: $38 million
Based on the Broadway musical, there was a deaf ear turned to this adaptation despite Tom Cruise getting solid notices for his performance. Lucky for him, he’d rule this current summer with Top Gun: Maverick.
That’s My Boy
Domestic Gross: $36 million
Adam Sandler and Andy Samberg’s comedic partnership drew a 20% Tomatoes meter and ambivalence from usually devoted Sandler fans.
The Watch
Domestic Gross: $35 million
That wasn’t the only high-profile comedic flop as this sci-fi mashup with Ben Stiller, Vince Vaughn, and Jonah Hill fared even worse in numbers and rotten reviews (17% RT).
And that’ll close it out, ladies and gents! It’s been a pleasure revising these cinematic seasons of days past.
Blogger’s Update (07/21): On the eve of its premiere, I’m revising my Nope prediction slightly from $49.2M to $53.2M
Jordan Peele’s Nope should make it a hat trick for the director’s titles opening at #1. The only newcomer arriving in multiplexes this weekend, you can peruse my detailed prediction post on it here:
Most estimates have the supernatural horror tale debuting between $40-60 million. I’m putting it right in the middle of that range, but reserving the right to revise when the buzz and reviews materialize throughout the week. If anything, I could see it moving up.
As for holdovers, Thor: Love and Thunder should drop to second after two weeks. The MCU fourquel experienced a significant tumble in its sophomore frame (more on that below). It should stabilize some in its third outing with a drop in the late 40s to low 50s.
Minions: The Rise of Gru is likely to fall one slot to third while the 4-5 could be interesting. It’s all about the second weekend percentage dip for Where the Crawdads Sing, which had a solid start. I’m projecting mid 40s and that could allow Top Gun: Maverick to narrowly remain in fourth if it only sees a 20% or lower decrease.
Here’s how I see the top five shaking out:
1. Nope
Predicted Gross: $53.2 million
2. Thor: Love and Thunder
Predicted Gross: $22.4 million
3. Minions: The Rise of Gru
Predicted Gross: $17 million
4. Top Gun: Maverick
Predicted Gross: $9.8 million
5. Where the Crawdads Sing
Predicted Gross: $9.5 million
Box Office Results (July 15-17)
As anticipated, Thor: Love and Thunder remained atop the charts for a second frame. It was hammered a bit with a precipitous sophomore drop. Grossing $46.6 million (under my $50.2 million estimate), that’s a 68% decline and that’s a touch more than the 67% of MCU predecessor Doctor Strange in the Multiverse of Madness. The ten-day earnings are $233 million.
Minions: The Rise of Gru was runner-up with $26.8 million, rising above my $23.1 million prediction. It’s up to an impressive $263 million with north of $300 million easily in its sights and then some.
Where the Crawdads Sing, based on a huge bestseller, satisfied an older and female crowd with $17.2 million out of the gate. While falling shy of my $18.7 million projection, it’s still a commendable start.
Top Gun: Maverick was fourth with $12.2 million (I said $10.9 million) as the phenomenon has reached $618 million in eight weeks.
Elvis was fifth and I incorrectly had it outside of the top five. The biopic added $8 million to its coffers as it passed the century mark with $106 million.
The animated Paws of Fury: The Legend of Hawk couldn’t find its family audience. Placing sixth with a piddly $6.3 million (well below my $10.5 million take), it got lost in the summer shuffle between Minions and the upcoming DC League of Super-Pets.
Finally, critically appreciated Mrs. Harris Goes to Paris (on a low number of 980 screens) made a so-so $1.9 million for ninth place. Paris didn’t quite reach my prediction of $2.3 million.
With an eye popping budget of $200 million (a reported record for Netflix), spy thriller The Gray Man begins streaming tomorrow. Anthony and Joe Russo (no strangers to gargantuan price tags thanks to Avengers: Infinity War and Endgame) direct Ryan Gosling and Chris Evans. Costars include Ana de Armas, Jessica Henwick, Rege-Jean Page, Wagner Moura, Julia Butters, Dhanush, Alfre Woodard, and Billy Bob Thornton.
The high priced endeavor is garnering mixed reviews with the positive ones not exactly over the moon. Its Rotten Tomatoes score is 49%. Unlike the Russo’s MCU extravaganzas, the visual effects here shouldn’t attract the attention of Academy voters. Same goes for Sound or anything else. My Oscar Prediction posts will continue…
A trio of new titles populate the mid-July box office though Thor is unlikely to be dethroned in his second frame. We have rural drama Where the Crawdads Sing (based on the bestseller), animated martial arts family comedy Paws of Fury: The Legend of Hank, and the 1950s set dramedy Mrs. Harris Goes to Paris. You can peruse my detailed prediction posts on each of them here:
Despite solid reviews thus far, Paris won’t reach the top five and top ten could even be tricky. Part of that is due to its smallish output on roughly 900 screens. My estimate is $2.3 million.
The wild card could be Crawdads. The novel is recent (it was the top selling book of 2019) and has its ardent fans. A debut of over $20 million is possible and it could reach the runner-up position. I’m putting it a bit under that and that should mean third place.
As for Paws, my projection of just over $10 million would put it in a dead heat with Top Gun: Maverick in its 8th weekend. If anything, I could see my guesstimate for the animated pic being revised down.
Thor: Love and Thunder hammered out the third largest opening of 2022 (more on that below). Yet the B+ Cinemascore average (low for the MCU) could mean a hefty sophomore dip. Doctor Strange in the Multiverse of Madness had the same grade and tumbled 67%. A low mid 60s drop for the Asgardian king should mean a $50-55 million range.
Minions: The Rise of Gru should remain in second (unless Crawdads impresses) with a third weekend take of between $20-25 million.
Here’s how I envision the top five:
1. Thor: Love and Thunder
Predicted Gross: $50.2 million
2. Minions: The Rise of Gru
Predicted Gross: $23.1 million
3. Where the Crawdads Sing
Predicted Gross: $18.7 million
4. Top Gun: Maverick
Predicted Gross: $10.9 million
5. Paws of Fury: The Legend of Hank
Predicted Gross: $10.5 million
Box Office Results (July 8-10)
Thor: Love and Thunder easily set a personal best among the four Chris Hemsworth led pics with $144.1 million, besting predecessor Ragnarok by over $20 million. While a rock solid start, it’s on the lower end of expectations and I said $155.7 million. Out of the 29 MCU blockbusters, it ranks 12th as far as beginnings.
Minions: The Rise of Gru slipped to second with $46.1 million, just shy of my $48.8 million prediction. The Illumination smash is up to $210 million already.
Top Gun: Maverick was third with $15.5 million and I was more generous with $18.5 million. Tom Cruise’s phenomenon is flying high with $597 million.
Elvis was fourth with $11.1 million (I said $11.6 million) as the biopic has taken in a sturdy $91 million.
Jurassic World: Dominion rounded out the top five with $8.5 million. I went with $9.1 million. Total is $350 million.
Thor: Love and Thunder is the 29th entry in the Marvel Cinematic Universe and it will be the 29th to debut in first place when it opens Friday. My detailed prediction post on it can be accessed here:
The franchise is riding high off the success of Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness. The former King of Asgard’s fourth adventure is getting mixed reviews, but that didn’t hurt Multiverse and it shouldn’t matter much here. My projection in the mid 150s gives it a slightly better start than Guardians of the Galaxy Vol. 2 and Captain Marvel.
As for holdovers, Minions: The Rise of Gru blew away expectations (more on that below). It should lose around 50-55% of the Friday to Sunday portion of its opening holiday weekend. Top Gun: Maverick will land in third displaying the smallest dip of the bunch with Elvis and Jurassic World: Dominion rounding out the top five at 40% range falls.
Here’s how I see it looking:
1. Thor: Love and Thunder
Predicted Gross: $155.7 million
2. Minions: The Rise of Gru
Predicted Gross: $48.8 million
3. Top Gun: Maverick
Predicted Gross: $18.5 million
4. Elvis
Predicted Gross: $11.6 million
5. Jurassic World: Dominion
Predicted Gross: $9.1 million
Box Office Results (July 1-4)
Minions: The Rise of Gru set a pandemic era record for animated features with a bountiful $107 million. The fifth entry in the Despicable Me/Minions tales, Steve Carell and company soared past my (and everyone else’s) expectations. I had it making $86.4 million over the four-day Independence Day weekend. With an A Cinemascore grade, it should perform well into the future and keep the series chugging along (the next one is slated for summer 2024 already).
Top Gun: Maverick remained in second with $32.2 million – above my $29.8 million take. On the weekend of his 60th birthday, Tom Cruise’s biggest hit ever is up to $570 million.
Elvis shimmied down to third after premiering in first with $22.7 million, right in line with my $23.2 million projection. Baz Luhrmann’s musical biopic is at an impressive $71 million with $100 million firmly in its sights.
Jurassic World: Dominion was fourth with $19.6 million compared to my guesstimate of $17.3 million. The sixth dino flick’s tally roared to $335 million.
The Black Phone rounded out the top five with $14.1 million (I said $14.5 million) as the low budget horror pic has rung up a pleasing $49 million.
Finally, Pixar’s Lightyear continued its uninspiring run with $7.6 million for a $106 million tally. I was more generous at $10.2 million.
The Thor entries of the Marvel Cinematic Universe have yet to receive any attention at the Oscars. While that may not seem terribly surprising, it’s important to remember that 12 of the MCU blockbusters have nabbed Visual Effects nods. None have won.
Love and Thunder opens Friday and it’s the fourth adventure centered on Chris Hemworth’s Asgardian former King. Taika Waititi returns to direct after helming 2017’s Ragnarok. It was easily the most acclaimed of the series with a 93% Rotten Tomatoes score. It didn’t make the cut for its visuals though while fellow MCU entry Guardians of the Galaxy Vol. 2 did. Thunder‘s reviews don’t match its predecessor as it currently stands at 71%.
The MCU should get a 13th VE mention for Doctor Strange in the Multiverse of Madness. If Ragnarok couldn’t manage the final five for the visuals or Makeup or Hairstyling or Costume Design, I’m skeptical this follow-up will. My Oscar Prediction posts will continue…
Each Thor pic has outdone the last and Disney hopes that trend continues when Thor: Love and Thunder hits theaters on July 8th. The sixth MCU entry in the past 14 months, the franchise shows no signs of slowing down as this follows juggernauts Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness.
This particular series is only the second to have a fourth feature (the other being Avengers). Taika Waititi, who made 2017’s predecessor Ragnarok, returns behind the camera with Chris Hemsworth once again hammering away as the title character. Natalie Portman’s Jane is back after sitting out part 3 and other familiar faces include Tessa Thompson, Jaimie Alexander, and Jeff Goldblum. The Guardians of the Galaxy are also in the mix. Newcomers to the fold are Christian Bale as main villain Gorr the God Butcher and Russell Crowe as Zeus. Expect plenty of cameos as well.
The first Thor (only the 4th of now 29 MCU flicks) grossed $65 million out of the gate with an overall gross of $181 million. Two and a half years later, The Dark World improved upon that with $85 and $206 million, respectively. Ragnarok easily surpassed that with $122 million and $315 million eventually.
Love and Thunder should continue the trend. Since the character’s last stand-alone effort, Thor was prominently placed in the massive Avengers sagas Infinity War and Endgame. That said, Multiverse from early May was a direct benefactor of following No Way Home when it premiered with $187 million. Its Spidey predecessor swung the second largest domestic opening of all time behind Endgame.
I don’t believe Thunder will reach the stratosphere of Multiverse. Somewhere between $140-$160 million seems doable. If buzz continues to grow louder in the coming days, I reserve the right to revise up. My current take puts it in the range of Guardians of the Galaxy Vol. 2 ($146 million) and Captain Marvel ($153 million). I’ll put it slightly over both.
Thor: Love and Thunder opening weekend prediction: $155.7 million
