Country star Joel Smallbone cowrites, co-directs, and plays his own father in Unsung Hero. The faith and factually based drama is out April 26th as the musician shares screenwriting and filmmaking duties with Richard Ramsey. Smallbone is a member of the Christian pop band For King & Country as this recounts his upbringing in Tennessee after moving from Australia. Daisy Betts, Kirrilee Berger, Jonathan Jackson, Lucas Black, and Cameron Cameron Buge are among the supporting cast.
The Lionsgate release is out stateside a month before the Australian premiere. Lionsgate hopes fans of the band make the theatrical trek and that brings us to my usual caveat. Faith-based pics are tough to project. They can easily exceed expectations, but they’ve been known to underwhelm from time to time (for instance Ordinary Angels didn’t match my prediction a few weeks ago).
I’ve yet to see a theater count so my projection could change when I see that figure. A high single digits start (or even low double digits) would easily put it in the runner-up spot. Mid single digits is what I’m forecasting and that might put it anywhere from 2-6 depending on how holdovers perform as April closes out. My current number has it rounding out the high five or being 6th instead of being 2nd.
Unsung Hero opening weekend prediction: $4.7 million
Make no mistake. We don’t watch the Fast and Furious movies because they have any resemblance to the real world. For a franchise that I cannot imagine was envisioned to reach nine entries deep, we can park our logic immediately and settle in for a thrill ride. Surprisingly it’s a formula that’s usually worked (certainly at the box office and often with the quality of the product). In F9, the luster has gathered rust. This is the first Fast feature since part 4 that I wouldn’t recommend as a guilty pleasure. We’ve reached the long-lost brother stage of the storyline. We also have characters blasting into outer space. So it’s time to stop being polite about what’s going on in this fading fantasy world.
Returning director Justin Lin (who made parts III-VI) and his cowriter Daniel Casey have swapped out ex-wrestlers turned thespians. Gone is Dwayne Johnson (a result of a feud with Vin Diesel), who brought a jolt starting in Fast Five. Tagging in is John Cena as the aforementioned and previously never mentioned sibling Jakob Toretto. As we are told in overdramatic and overlong flashbacks, he played a role in the late 80s racing death of his father. This doesn’t sit well with brother Dom (Diesel) and the two haven’t been on speaking terms since. Jakob reacts as most would with the family estrangement by becoming an international mercenary and obtaining a deadly computer system that will wreak global havoc. His employer is the son of a dictator (Thue Erstad Rasmussen) who’s working with part 8’s hacker bad girl Cipher (Charlize Theron).
The return of the banished brother causes Dom to interrupt his farm life seclusion with wife Letty (Michelle Rodriguez) and their 5-year-old son. The band, including Roman (Tyrese Gibson), Tej (Chris Bridges), and Ramsey (Nathalie Emmanuel) reassemble for the forthcoming sequences where automobiles do things they have no earthly business doing. Also back are the thought to be dead Han (Sung Kang) and a trio of street racers from Tokyo Drift who are now (somehow) rocket scientists. Jordana Brewster (as Dom and Jakob’s sister Mia) hops a flight home. This is where I’ll address a sensitive issue. When Paul Walker died in 2013, the filmmakers were faced with the unenviable task of dealing with his character Brian who served as co-lead for the previous entries. They handled it deftly in Furious 7. However, in a saga that constantly beats the drum of helping your teammates, the explanation of Brian simply being retired and not taking part in the action strains credibility. We’re told he’s babysitting while wife Mia is away. I know it might seem silly to discuss credibility in a Fast flick, but it is an unfortunate minor distraction.
F9 takes too long to get its motor running. The 143 minute runtime (bogged down by those flashbacks of young Dom and Jakob) is a momentum stopper. Part of the intrigue involves a super powerful magnate (think more than fridge quality grade) that whips anything in its path towards it. It’s cool the first time we see the hurling. And then we witness it again and again. Cena has shown considerable comedic chops elsewhere. That magnetism is nowhere to be found here. Dwayne Johnson is missed as is Jason Statham as sparring partner Shaw. Theron, Kurt Russell as government agent Mr. Nobody, and Helen Mirren as Shaw’s mum are barely seen (though the latter’s brief appearance is kind of a hoot).
What we’re left with is a mopey family dynamic that the franchise didn’t need. Roman’s character brings self-reference to the screenplay, often commenting on the ridiculousness of everything – how come no one ever gets a scratch on them? As I said, that doesn’t matter much when we can mindlessly settle in and enjoy it. F9 doesn’t achieve that like the bulk of its predecessors. Put another way, my tank was half full for parts V-VIII and now it’s half empty. By the time Roman and Tej enter moonwalking territory, it should feel ludicrous in a positive way. Instead we’ve had to slog through over two hours of make it up as you go along nonsense to get there.
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