Heroes from the MCU and DCEU join the large Furious family when Fast X speeds into multiplexes on May 19th. The tenth official feature in the franchise (11th counting spin-off Hobbs & Shaw) arrives less than two years behind F9. Those newcomers to the fold are Captain Marvel Brie Larson and Aquaman Jason Momoa. Another fresh face to the series is director Louis Letterier, best known for The Transporter and Now You See Me. The many returnees include Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Jordana Brewster, John Cena, Jason Statham, Sung Kang, Scott Eastwood, and Charlize Theron. Rita Moreno also joins the party.
Fast X is the penultimate pic with the (allegedly) final installment hitting in 2025. In 2015, Furious 7 had the high dollar peak when it premiered with $147 million and an eventual $353 domestic gross. Part of that franchise best performance was because it paid tribute to the late Paul Walker (who co-headlined with Diesel in four previous entries). In 2017, The Fate of the Furious started with $98 million and ended with $225 million. Predecessor F9 from 2021 managed $70 million out of the gate and $173 million overall.
One could argue that F9 was hindered two summers ago by the COVID pandemic. That could be proven if X is marked by a larger opening. My hunch is that it’ll kick off on pace with it and maybe even a little behind. That would give it the lowest series beginning (excluding the $60 million from Hobbs & Shaw) since 2006’s The Fast and the Furious: Toyko Drift.
Ghostface terrorizes NYC in Scream VI, Adam Driver fights dinosaurs in 65, and Woody Harrelson is ordered to coach a basketball team with intellectual disabilities in Champions. They are the newcomers hitting screens this Friday and my detailed prediction posts on the trio can be accessed here:
Just as Creed III smashed its franchise best record this past weekend (more on that below), Scream VI could be poised for the same. To do so, it would need to slash past the $34 million achieved by Scream 3 in 2000. I’m projecting it will do so with room to spare.
Creed III should fall to second in round 2. A mid to high 50s decline could give it a clean $25 million after its fantastic start.
65 appears likely for a third place start. Yet I’ve got the dino action pic barely topping $10 million. Considering its reported $90 million price tag, that would be a troubling premiere for the Sony property.
I’m not anticipating much out of Champions and my estimate ties it with the third frame of Jesus Revolution. That would mean holdovers Ant-Man and the Wasp: Quantumania and Cocaine Bear would be in a close contest for the four and five spots.
Here’s how I envision it looking:
1. Scream VI
Predicted Gross: $42.6 million
2. Creed III
Predicted Gross: $25 million
3. 65
Predicted Gross: $10.7 million
4. Ant-Man and the Wasp: Quantumania
Predicted Gross: $6.5 million
5. Cocaine Bear
Predicted Gross: $6.2 million
6. Jesus Revolution
Predicted Gross: $5.1 million
7. Champions
Predicted Gross: $5.1 million
Box Office Results (March 3-5)
The month of March began with a potent punch at multiplexes as Creed III amassed $58.3 million. I way lowballed it at $39.2 million. Marking the directorial debut of its star Michael B. Jordan, it easily outpaced its predecessors. For context – Creed II, over the five-day Thanksgiving frame in 2018, made $55 million. In a month filled with potential blockbusters, the return of Adonis a promising pace.
Ant-Man and the Wasp: Quantumania fell to second after two weeks on top with $12.8 million. I was more generous at $14.6 million. The 60% drop was another troubling development for the threequel. Its total is $187 million.
Cocaine Bear was third with $11.1 million in its sophomore outing compared to my $13.2 million take. The 52% decline isn’t too shabby for its genre as the ten-day tally is $41 million.
Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village started in line with expectations in fourth with $10.1 million. I was close with $9.8 million. Expect a hefty dip in the range of 70% or more coming up.
Jesus Revolution rounded out the top five in weekend #2 with $8.4 million. I had it raised higher at $11.3 million. The $30 million two-week gross remains rock solid.
Finally, Operation Fortune: Ruse de Guerre re-teaming Guy Ritchie and Jason Statham meekly rolled out in seventh with $3.1 million (I said $4 million).
Creed III looks to KO all competitors as the Japanese animated episodic effort Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village and Guy Ritchie’s action comedy Operation Fortune: Ruse de Guerre also debut. You can peruse my detailed prediction posts on the trio here:
Michael B. Jordan makes his directorial debut in the third feature in the Creed franchise and ninth in the Rocky cinematic universe. It is the first not to feature Rocky himself Sylvester Stallone. However, reviews are strong and I see no reason why this wouldn’t continue the muscular grosses. The first two Creed flicks opened over long Thanksgiving frames. Part III could manage the highest three-day start at just under $40 million.
Swordsmith is a head scratcher. In 2021, Demon Slayer – Kimetsu No Yaiba the Movie: Mugen Train astonished forecasters with $21 million in its first weekend. Swordsmith is not a sequel. Instead it combines episodes from a TV show related to the franchise. I’ve yet to see a theater count so that could alter my take. If it manages close to half of what Train accomplished, it would place in the top five.
Operation Fortune: Ruse de Guerre, the latest collaboration between Ritchie and Jason Statham, seems like it is being dumped into multiplexes and my meager $4 million projection leaves it in sixth.
As for holdovers, Ant-Man and the Wasp: Quantumania experienced a massive second weekend dip (more on that below). The third frame drop-off shouldn’t be as disastrous (perhaps a bit over 50%). Cocaine Bear and Jesus Revolution both over performed in their premieres. The Revolution sophomore decline may only be in the high 20s with Cocaine being cut in the low to mid 40s.
Here’s how I envision the top six looking:
1. Creed III
Predicted Gross: $39.2 million
2. Ant-Man and the Wasp: Quantumania
Predicted Gross: $14.6 million
3. Cocaine Bear
Predicted Gross: $13.2 million
4. Jesus Revolution
Predicted Gross: $11.3 million
5. Demon Slayer: Kimetsu No Yaiba– To the Swordsmith Village
Predicted Gross: $9.8 million
6. Operation Fortune: Ruse de Guerre
Predicted Gross: $4 million
Box Office Results (February 24-26)
The #1 spot came without bragging rights as Ant-Man and the Wasp: Quantumania suffered the largest second frame fall of all the 31 MCU entries. At 70%, the Paul Rudd threequel made $31.9 million. I was slightly more generous at $34.2 million. The ten-day tally is $167 million and it will be the best earner of the Ant-Man trilogy. It still scored a record that Disney/MCU can’t be thrilled about.
Universal, on the other hand, can celebrate their marketing campaign for Cocaine Bear as it paid off with $23.2 million for second place. That’s well above the rosiest predictions and considerably beyond my call of $14.3 million.
Faith-based drama Jesus Revolution continued over performances for the genre at $15.8 million in third. I was more skeptical with only $8.7 million. With an A+ Cinemascore, this could be blessed with smallish declines in the coming weeks.
Avatar: The Way of Water was fourth with $4.8 million (I said $5.4 million) to bring the eleven week gross to $665 million.
Puss in Boots: The Last Wish rounded out the top five with $4.1 million. I went with $4.6 million and the animated sequel has amassed $173 million.
Guy Ritchie and Jason Statham’s violently comedic cinematic partnership continues on March 3rd with Operation Fortune: Ruse de Guerre. The spy pic reunites the director and lead nearly two years after their fourth collaboration Wrath of Man. Costars include Aubrey Plaza, Josh Hartnett, Cary Elwes, Bugsy Malone, and Hugh Grant (who has appeared in Ritchie’s The Man from U.N.C.L.E. and The Gentlemen).
Fortune has not been paved with a smooth road to domestic release. It was first slated for stateside distribution in early 2022. However, the film’s depiction of Ukrainian baddies scuttled the premiere due to the nation’s conflict with Russia. Lionsgate picked up the rights and recently announced the early March output. It has already been out in numerous territories with $30 million in the bank. Reviews are so-so with 65% on Rotten Tomatoes.
This hasn’t had much time for a spirited marketing campaign. In May of 2021, Wrath of Man managed just over $8 million when theaters were deep in the midst of the pandemic. However, it debuted on nearly 3000 screens while Fortune is pegged for around 2000.
There’s also Creed III which should siphon away plenty of potential moviegoers. I believe the tale of Fortune‘s gross will be a mid single digits start.
Operation Fortune: Ruse de Guerre opening weekend prediction: $4 million
Make no mistake. We don’t watch the Fast and Furious movies because they have any resemblance to the real world. For a franchise that I cannot imagine was envisioned to reach nine entries deep, we can park our logic immediately and settle in for a thrill ride. Surprisingly it’s a formula that’s usually worked (certainly at the box office and often with the quality of the product). In F9, the luster has gathered rust. This is the first Fast feature since part 4 that I wouldn’t recommend as a guilty pleasure. We’ve reached the long-lost brother stage of the storyline. We also have characters blasting into outer space. So it’s time to stop being polite about what’s going on in this fading fantasy world.
Returning director Justin Lin (who made parts III-VI) and his cowriter Daniel Casey have swapped out ex-wrestlers turned thespians. Gone is Dwayne Johnson (a result of a feud with Vin Diesel), who brought a jolt starting in Fast Five. Tagging in is John Cena as the aforementioned and previously never mentioned sibling Jakob Toretto. As we are told in overdramatic and overlong flashbacks, he played a role in the late 80s racing death of his father. This doesn’t sit well with brother Dom (Diesel) and the two haven’t been on speaking terms since. Jakob reacts as most would with the family estrangement by becoming an international mercenary and obtaining a deadly computer system that will wreak global havoc. His employer is the son of a dictator (Thue Erstad Rasmussen) who’s working with part 8’s hacker bad girl Cipher (Charlize Theron).
The return of the banished brother causes Dom to interrupt his farm life seclusion with wife Letty (Michelle Rodriguez) and their 5-year-old son. The band, including Roman (Tyrese Gibson), Tej (Chris Bridges), and Ramsey (Nathalie Emmanuel) reassemble for the forthcoming sequences where automobiles do things they have no earthly business doing. Also back are the thought to be dead Han (Sung Kang) and a trio of street racers from Tokyo Drift who are now (somehow) rocket scientists. Jordana Brewster (as Dom and Jakob’s sister Mia) hops a flight home. This is where I’ll address a sensitive issue. When Paul Walker died in 2013, the filmmakers were faced with the unenviable task of dealing with his character Brian who served as co-lead for the previous entries. They handled it deftly in Furious 7. However, in a saga that constantly beats the drum of helping your teammates, the explanation of Brian simply being retired and not taking part in the action strains credibility. We’re told he’s babysitting while wife Mia is away. I know it might seem silly to discuss credibility in a Fast flick, but it is an unfortunate minor distraction.
F9 takes too long to get its motor running. The 143 minute runtime (bogged down by those flashbacks of young Dom and Jakob) is a momentum stopper. Part of the intrigue involves a super powerful magnate (think more than fridge quality grade) that whips anything in its path towards it. It’s cool the first time we see the hurling. And then we witness it again and again. Cena has shown considerable comedic chops elsewhere. That magnetism is nowhere to be found here. Dwayne Johnson is missed as is Jason Statham as sparring partner Shaw. Theron, Kurt Russell as government agent Mr. Nobody, and Helen Mirren as Shaw’s mum are barely seen (though the latter’s brief appearance is kind of a hoot).
What we’re left with is a mopey family dynamic that the franchise didn’t need. Roman’s character brings self-reference to the screenplay, often commenting on the ridiculousness of everything – how come no one ever gets a scratch on them? As I said, that doesn’t matter much when we can mindlessly settle in and enjoy it. F9 doesn’t achieve that like the bulk of its predecessors. Put another way, my tank was half full for parts V-VIII and now it’s half empty. By the time Roman and Tej enter moonwalking territory, it should feel ludicrous in a positive way. Instead we’ve had to slog through over two hours of make it up as you go along nonsense to get there.
The first box office frame of June brings a battle of horror sequels as Hollywood basks in the glow of a profitable holiday weekend. With A Quiet Place Part II surpassing expectations, it should be poised for a loud sophomore frame. The competition comes from The Conjuring: The Devil Made Me Do It, the eighth picture in the billion dollar franchise’s cinematic universe. We also have DreamWorks Animation’s Spirit Untamed, a spinoff of the Netflix series and kinda sorta sequel to 2002’s Spirit: Stallion of the Cimarron. You can find peruse my detailed prediction posts on the newcomers here:
It feels a bit strange to predict Devil will experience the lowest overall opening of the entire series, but that’s where I’ve landed. I can’t help but wonder if Warner Bros would want a little more daylight between its debut and the sophomore frame of Quiet if they had a do-over. My forecast of just under $20 million should put it in second place unless Cruella has a remarkable hold.
As for Emily Blunt and company, it’s worth noting that the original Quiet Place fell only 34% in its follow-up outing. The sequel may dip a tad further, but a gross in the mid 20s to even low 30s is on the table. Cruella should be #3 in the lower teens range. I don’t have much faith in Spirit and my meager estimate has it in fourth. Raya and the Last Dragon should round out the top five.
So it’s horror sequels and family entertainment and different kinds of spirits in the top five this weekend and here’s how I see it all transpiring:
1. A Quiet Place Part II
Predicted Gross: $28.4 million
2. The Conjuring: The Devil Made Me Do It
Predicted Gross: $19.8 million
3. Cruella
Predicted Gross: $13 million
4. Spirt Untamed
Predicted Gross: $4.4 million
5. Raya and the Last Dragon
Predicted Gross: $1.6 million
Box Office Results (May 28-31)
Originally slated for March 2020, moviegoers proved they were willing to wait for A Quiet Place Part II. John Krasinski’s critically heralded sequel posted a COVID era best Memorial Day weekend debut of $57 million. That easily outshines my $43.6 million projection. Studios must be rejoicing in this encouraging sign for the summer season ahead.
Disney’s Cruella with Emma Stone also opened to pleasing numbers with $26.5 million (ahead of my $22.7 million estimate). Despite being on Disney Plus as well for a premium price, parents and kids turned out for the Mouse Factory’s latest live-action update of an animated classic.
Holdovers populated the 3-5 slots and it was close. Raya and the Last Dragon was third at $2.8 million (I went lower at $1.6 million). Its total is $51 million. Jason Statham’s Wrath of Man took fourth with $2.7 million (I said $2.4 million) for $22 million overall. Spiral was fifth after two weeks at #1 with $2.6 million (under my $3.2 million prediction) for a $20 million tally.
In what is bound is to be the biggest box office weekend so far in the COVID-19 era, the Memorial Day frame marks the unofficial kickoff of the summer season at multiplexes. There are two genuinely high-profile debuts with John Krasinski’s horror sequel A Quiet Place Part II with Emily Blunt and Disney’s live-action remake Cruella with Emma Stone in the title role. My detailed prediction posts on the pair can be found here:
As I have said a lot recently, we are in unfamiliar territory. This is the first time in a long time where we have two major releases out in the same holiday weekend. Just as entities are opening up everywhere, the same can be said for theaters. I believe AQPII can top $40 million over its four day premiere with Cruella managing low to mid 20s. There is the lingering suspicion that either or both can outdo my estimates.
The rest of the top five will be filled with holdovers and they may experience smallish declines given the holiday. And with that, my top 5 projections from Friday to Monday for a weekend that Hollywood has been eagerly anticipating:
1. A Quiet Place Part II
Predicted Gross: $43.6 million
2. Cruella
Predicted Gross: $22.7 million
3. Spiral
Predicted Gross: $3.2 million
4. Wrath of Man
Predicted Gross: $2.4 million
5. Raya and the Last Dragon
Predicted Gross: $1.6 million
Box Office Results (May 14-16)
As anticipated, it was the calm before the potential storming back of big grosses over this past frame. Spiral repeated at #1 in its sophomore outing with $4.5 million. It held up rather well for its genre ahead of my $4 million prediction. The overall gross for the gross out Saw sequel is $15 million.
Jason Statham’s Wrath of Man remained in second with $2.9 million. My estimate? $2.9 million! Total is $18 million.
Third place belonged to Angelina Jolie’s Those Who Wish Me Dead at $1.9 million compared to my $1.7 million take. The two week tally is $5 million.
Raya and the Last Dragon was fourth with $1.6 million, just under my projection of $1.7 million for $48 million.
Godzilla vs. Kong rounded out the top five with $1.4 million. I incorrectly had it outside my top five. At $96 million, the monster mash is inching ever so close to becoming the first $100 million domestic earner in the COVID era.
Finally, Demon Slayer was sixth at $1.3 million (which was my estimate) and it’s at $43 million overall.
It’s been a minute since we have had four new releases to ponder, but that’s the situation this weekend as theaters continue to open their doors. The ninth pic in the Saw franchise Spiral, Angelina Jolie’s thriller Those Who Wish Me Dead, the Zack Snyder directed zombie fest Army of the Dead, and tech suspense flick Profile all open on Friday. My detailed prediction posts on the quartet can be found here:
Spiral should have no trouble scoring a #1 premiere. The question is: what kinda Saw bucks are we talking? I think this could certainly over perform (word of mouth is decent), but my estimate puts it in line with the last entry in the series – 2017’s Jigsaw.
The runner-up slot should go to Ms. Jolie and her joint venture with Warner Bros/HBO Max. However, unlike the recent Godzilla vs. Kong and Mortal Kombat, a start north of $10 million (and certainly $20 million) seems unlikely.
Blogger’s Note: Dead prediction downgraded to $3.8 million
Jason Statham’s Wrath of Man should fall to third after its opening met expectations (more on that below). I anticipate his latest action tale to lose a bit more than half its audience.
Here’s where things get a little interesting. Army of the Dead is the first Netflix release to open on a fairly wide screen count (at least 600). If that holds, the potential for a $2-$3 million haul is feasible. It could even do more. What’s unknown at this juncture is whether the streaming giant will actually report its grosses. They haven’t in the past in their limited theatrical runs, but we are venturing into new territory. With this question unanswered, I’ll be doing a top five that includes Army and one that does not.
As for Profile, it’s hitting a large 2000 screens. Yet I suspect its low profile and my predicted $1.2 million forecast could prevent it from making the top five in either scenario.
And with that, here’s my two versions of this weekend’s top five:
1. Spiral
Predicted Gross: $16.1 million
2. Wrath of Man
Predicted Gross: $3.9 million
3. Those Who Wish Me Dead
Predicted Gross: $3.8 million
4. Army of the Dead
Predicted Gross: $2.5 million
5. Raya and the Last Dragon
Predicted Gross: $1.4 million
***If no Army grosses, Raya would move up to #4 and I’ll say Demon Slayer is fifth with $1.3 million
Box Office Results (May 7-9)
As mentioned, Wrath of Man took the pole position and met expectations with $8.3 million. How much did it meet them? It certainly met mine as my projection was $8.3 million!
Demon Slayer dropped to second with $2.7 million, on par with my $2.9 million estimate. Its three-week tally is $39 million.
Also in its third frame, Mortal Kombat was third with $2.4 million compared to my $2.7 million take. Overall gross stands at $37 million.
Godzilla vs. Kong was fourth with $1.9 million (I said $2 million). The monster mash continues to inch toward the century mark at $93 million.
Disney’s Raya and the Last Dragon flew off with another $1.9 million. I incorrectly had it outside the top five. It has earned $43 million.
Finally, the Billy Crystal/Tiffany Haddish dramedy Here Today showed zero staying power as it opened in seventh with $1 million. I was a bit more generous at $1.5 million.
Jason Statham stomps back into multiplexes on May 7th with Wrath of Man. The revenge action thriller marks his fourth collaboration with Guy Ritchie who directed him in Lock, Stock, and Two Smoking Barrels, Snatch, and Revolver. Costars include Holt McCallany, Jeffrey Donovan, Josh Hartnett, and Scott Eastwood.
The MGM release finds Statham trying to carry a picture to solid grosses. In recent years, he’s mostly been seen in the role of Shaw in the Fast and Furious franchise and its spin-off. If you go back to 2013’s Homefront that primarily relied on his star power, it resulted in an opening weekend just south of $7 million. Wrath could manage to exceed that.
Wrath could post grosses in the range of recent Liam Neeson genre fare like Honest Thief and The Marksman, which both started with earnings in the $4 million range. I’ll give it a fairly significant bump from that since venues are in a better spot than when those flicks premiered.
Wrath of Man opening weekend prediction: $8.3 million
Blogger’s Note (07/31): My estimate has dropped from $82.6 million to $72.6 million
Two of the most popular characters from the venerable FastandFurious franchise get their own spin-off (the first of the long running series) with Hobbs&Shaw next weekend. The action extravaganza comes with a reported $200 million budget and is headlined by the title characters respectively portrayed by Dwayne Johnson and Jason Statham. David Leitch (co-director of JohnWick and sole director of AtomicBlonde and Deadpool2) is behind the camera. Costars include Idris Elba, Vanessa Kirby, and Helen Mirren (reprising her maternal role from 2017’s last entry TheFateoftheFurious).
Despite the absence of Vin Diesel and other actors associated with the franchise that started 18 years ago, Hobbs&Shaw is likely to perform similarly to other pics in the canon. The largest opening was accomplished in 2015 with Furious7 with a gross of $147 million. Tragically, part of the reason its start was significantly more than the others was due to the untimely death of Paul Walker and that picture representing his swan song. Follow-up FateoftheFurious two years later landed the second highest start of the eight features at $98 million.
This might fall a bit under those gaudy numbers and I think low to mid 80s is most feasible. That would put it in line or a just bit below the $86 million accomplished by FastFive in 2011.
Hobbs&Shaw opening weekend prediction: $72.6 million