Summer 2014: The Top 10 Hits and More

In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).

Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.

Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.

10. How to Train Your Dragon 2

Domestic Gross: $177 million

While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.

9. Teenage Mutant Ninja Turtles

Domestic Gross: $191 million

With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.

8. 22 Jump Street

Domestic Gross: $191 million

Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.

7. Godzilla

Domestic Gross: $200 million

It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick

6. The Amazing Spider-Man 2

Domestic Gross: $202 million

While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.

5. Dawn of the Planet of the Apes

Domestic Gross: $208 million

The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.

4. X-Men: Days of Future Past

Domestic Gross: $233 million

This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.

3. Maleficent

Domestic Gross: $241 million

After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.

2. Transformers: Age of Extinction

Domestic Gross: $245 million

Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.

1. Guardians of the Galaxy

Domestic Gross: $233 million

This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.

And now let’s cover some other flicks from ’14 that had crowds and critics chatting.

Neighbors

Domestic Gross: $150 million

The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.

Lucy

Domestic Gross: $126 million

Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.

The Fault in Our Stars

Domestic Gross: $124 million

John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.

Edge of Tomorrow

Domestic Gross: $100 million

Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.

Let’s Be Cops

Domestic Gross: $82 million

This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.

Chef

Domestic Gross: $31 million

After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.

Boyhood

Domestic Gross: $25 million

Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.

Snowpiercer

Domestic Gross: $4 million

Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.

OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.

Hercules

Domestic Gross: $72 million

Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?

Jersey Boys

Domestic Gross: $47 million

The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.

Blended

Domestic Gross: $46 million

The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.

A Million Ways to Die in the West

Domestic Gross: $43 million

Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.

The Expendables 3

Predicted Gross: $39 million

The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.

Sex Tape

Predicted Gross: $38 million

Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.

Sin City: A Dame to Kill For

Domestic Gross: $13 million

The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.

And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!

February 16-19 Box Office Predictions

As for the trailer for prequel A Quiet Place: Day One debuted this week, multiplexes themselves were even quieter over the Super Bowl weekend. With the Valentine and President’s Day holiday hitting, studios are hoping business gets louder. We have Spider-Man Universe flick Madame Web starring Dakota Johnson and musical biopic Bob Marley: One Love looking to place 1-2 when they open on February 14th. You can peruse my detailed prediction posts on them here:

The top 3 should all be newbies with faith-based The Chosen Season 4: Episodes 4-6 beginning on Thursday. On the day before, Madame Web hopes to break a recent run of so-so starts for comic book adaptations. That could be a tall order. I have it opening in the low 20s over the 4-day with low30s when counting the six-day output.

Marley might be close behind with low 20s from Friday to Monday and high 20s when counting Wednesday and Thursday. If it manages to over perform (which could be tricky considering the lackluster reviews), it might contend for the top spot if Web doesn’t match its fairly meager expectations.

Episodes 1-3 of The Chosen‘s fourth season made nearly $6 million from Friday to Sunday in the first weekend of February. Grosses could be about the same even with the extra day thrown in.

Holdovers Argylle and The Beekeeper are likely to populate the remainder of the high five with last weekend’s newcomer Lisa Frankenstein dropping out altogether (more on that below).

Here’s how I think it’ll look and keep in mind that these projections are for Friday thru Monday:

1. Madame Web

Predicted Gross: $21.5 million (Friday to Monday estimate); $30.7 million (Wednesday to Monday estimate)

2. Bob Marley: One Love

Predicted Gross: $19.2 million (Friday to Monday estimate); $28.9 million (Wednesday to Monday estimate)

3. The Chosen Season 4: Episodes 1-3

Predicted Gross: $6.1 million

4. Argylle

Predicted Gross: $4.5 million

5. The Beekeeper

Predicted Gross: $2.6 million

Box Office Results (February 9-11)

It was the weakest frame since early December 2022 as spy action comedy Argylle plummeted 64% and still managed to stay #1. It made $6.2 million and was right on target with my $6.1 million prediction. The subpar two-week take is $28 million.

Horror comedy Lisa Frankenstein was the only newcomer and it was DOA in second with a putrid $3.6 million. That’s well below my $6.8 million forecast and it should experience a hefty decline in subsequent frames.

The Beekeeper was third at $3.3 million (I said $3.5 million) as Jason Statham’s steady grosser hit $54 million after five weeks.

Holiday holdover Wonka was fourth with $3 million, a shade under my $3.4 million projection. The total is $205 million in its ninth go-round.

Finally, animated Migration rounded out the top five in weekend #8 with $2.9 million compared to my $3.2 million guesstimate. It’s up to $110 million.

And that does it for now, folks! Until next time…

January 26-28 Box Office Predictions

The month of January seems destined to go out with a whimper as thriller Miller’s Girl with Martin Freeman and Jenna Ortega is the sole wide release. You can peruse my detailed prediction post on it here:

The top five may look very similar to this previous frame except the earnings will be even smaller. Mean Girls could manage a third weekend at #1 with a drop close to 50%. If it drops more precipitously, that could open the door for Wonka or The Beekeeper to vault over it.

Migration and Anyone but You are likely to stay put in fourth and fifth.

You’ll notice I haven’t discussed Miller’s Girl yet and that’s because my $2.2 million leaves it on the outside looking in.

Here’s my top 5 forecast:

1. Mean Girls

Predicted Gross: $6 million

2. Wonka

Predicted Gross: $5.3 million

3. The Beekeeper

Predicted Gross: $5.1 million

4. Migration

Predicted Gross: $4.5 million

5. Anyone but You

Predicted Gross: $4.2 million

Box Office Results (January 19-21)

Mean Girls, despite a hefty 59% drop, was perched in 1st for the second weekend with $11.6 million. That’s just under my $12.6 million prediction as the ten-day gross reached $50 million.

Jason Statham’s The Beekeeper was the runner-up again with $8.6 million (right on target with my $8.7 million projection) for $31 million thus far.

Wonka was third with an additional $6.7 million (I said $6 million) to bring its haul to $187 million with $200 million approaching.

Migration made $5.4 million for fourth. I went with $4.9 million as the animated feature is getting to nine digits with $94 million.

Anyone but You continued its impressive run in fifth with $5.4 million, on pace with my $5.5 million call. The tally is $64 million.

Lastly, sci-fi thriller I.S.S. was a dud. It started off in seventh with $3 million, in range with my $2.6 million take.

And that does it for now, folks! Until next time…

January 19-21 Box Office Predictions

The space station set sci-fi thriller I.S.S. is the only wide release debut in what should be a sluggish weekend at the box office. Our newcomer may struggle to make the top five and you can peruse my detailed prediction post on it here:

After a fetching start (more on that below), Mean Girls should remain #1 for the second weekend. However, with a weak B Cinemascore grade, a drop in the mid to high 50s is possible. It still might be the only title to get beyond $10 million as the typical January slowdown commences.

Jason Statham’s action thriller The Beekeeper, after its stronger than anticipated premiere, should be keeping its spot at #2 with a mid to high 40s decline.

The rest of the top five should consist of holiday leftovers with Wonka, Anyone but You, and Migration all experiencing meager dips.

Back to I.S.S. I’m just not seeing a launch of any magnitude and my $2.6 million forecast does indeed mean a showing outside the high five.

Here’s how I do see it:

1. Mean Girls

Predicted Gross: $12.6 million

2. The Beekeeper

Predicted Gross: $8.7 million

3. Wonka

Predicted Gross: $6 million

4. Anyone but You

Predicted Gross: $5.5 million

5. Migration

Predicted Gross: $4.9 million

Box Office Results (January 12-15)

It was a robust premiere for the latest take on Mean Girls as the musical comedy scored $33.6 million over the four-day MLK weekend. That’s over my $27.6 million prediction and at the peak end of its anticipated range.

The Beekeeper also exceeded expectations with $18.7 million, well over my $10.6 million projection. It proved to be a viable option for action fans despite bad weather and playoff football. P.S. – now that my Browns are out, go Texans (Buckeye CJ Stroud) or Lions (long suffering fanbase).

Wonka was third with $11 million, not matching my $12.9 million call. The hit of the holidays has amassed $178 million after five weeks with $200 million domestic in its sights.

Migration was fourth with $8.5 million (I said $8.3 million) as it approaches the century mark with $88 million in four weekends.

Anyone but You rounded out the top five and also grossed $8.5 million for its impressive four-week haul of $56 million. A went with a little more at $9.5 million.

Aquaman and the Lost Kingdom was sixth with $6.3 million, under my $7.6 million guesstimate, for $109 million overall since its Christmas weekend bow.

Badly reviewed horror flick Night Swim plummeted from 2nd to 7th with $5.4 million (I said $6.1 million) for two-week earnings of $20 million.

Finally, Biblical dramedy The Book of Clarence couldn’t find an audience. It was ninth with a mere $3 million compared to my projection of $5.5 million.

And that does it for now, folks! Until next time…

January 12-15 Box Office Predictions

The four-day MLK weekend finds three new ride release entries with Mean Girls (based on the Broadway play that’s based on the 2004 comedy), action thriller The Beekeeper with Jason Statham, and Biblical dramedy The Book of Clarence. You can peruse my detailed prediction posts on the trio here:

Mean Girls should easily manage to be first #1 title released from 2024. That’s something Night Swim couldn’t do this weekend (more on that below). With an anticipated sizable female audience, Girls may take in low to high 20s over the Friday to Monday portion of the extended frame.

The Beekeeper could certainly exceed my expectations, but I have it barely clearing $10 million. That should put it in third behind the fifth weekend of Wonka.

If you look at previous MLK four-days, holiday leftovers can often have slight decreases or even small increases. That could be the case with rom com Anyone but You which has proven to be impressively durable since its Christmas bow. That said, Girls does serve as direct competition. I have it rising from fifth to fourth with Migration rounding out the top five.

I’m not expecting much out of The Book of Clarence and a mid single digits premiere puts it in eighth in my estimation.

The largest drop should belong to Night Swim. Sizable horror dips are common and it doesn’t help that reviews and word-of-mouth is underwater. A fall from 2nd to 8th is possible.

And with that, we will do a top 8 this time around. Keep in mind that all estimates are for Friday thru Monday…

1. Mean Girls

Predicted Gross: $27.6 million

2. Wonka

Predicted Gross: $12.9 million

3. The Beekeeper

Predicted Gross: $10.6 million

4. Anyone but You

Predicted Gross: $9.5 million

5. Migration

Predicted Gross: $8.3 million

6. Aquaman and the Lost Kingdom

Predicted Gross: $7.6 million

7. Night Swim

Predicted Gross: $6.1 million

8. The Book of Clarence

Predicted Gross: $5.5 million

Box Office Results (January 5-7)

Box office 2024 kicked off with Wonka wrapping up a third weekend atop the charts with $14 million, a bit below my $16.3 million take. In four weeks, the holiday hit has amassed $164 million with $200 million domestic in its sights.

As mentioned, Night Swim was a second place finisher with $11.7 million. That’s under my $14.1 million forecast, but still a fair showing considering the reported $15 million price tag. It is, however, well under what M3GAN accomplished for Universal/Blumhouse in the same frame last year.

Aquaman and the Lost Kingdom was third with $10.6 million, rising above my $8.3 million prediction. The DCU sequel finally hit $100 million after three weeks.

Migration was fourth with $9.9 million (I was higher at $12.8 million) as the animated offering has grossed $77 million since its Yuletide start.

Anyone but You continues to confound expectations with an 11% increase in its third go-round. With $9.7 million (exceeding my $6.7 million call), the total is $43 million and climbing.

And that does it for now, folks! Until next time…

The Beekeeper Box Office Prediction

Amazon MGM is hoping for solid buzz when The Beekeeper debuts on January 12th. It comes from Fury and Suicide Squad maker David Ayer with Jason Statham headlining the revenge tale. Costars include Emmy Raver-Lampman, Josh Hutcherson, Bobby Naderi, Minnie Driver, Phylicia Rashad, and Jeremy Irons.

It may sound like a kiddie animated flick, but the action thriller hopes to get genre fans out over the long MLK frame. With its attention grabbing name, one comp could be Gerard Butler’s Plane from last year. That plainly titled pic made nearly $12 million over the Friday to Monday portion of MLK. Another comp (as far as generic action exercises go) is 2017’s Sleepless with Jamie Foxx. It came in with just under $10 million for the four-day.

I’ll say The Beekeeper makes off with a number barely over $10 million in line with the aforementioned features.

The Beekeeper opening weekend prediction: $10.6 million (Friday to Monday estimate)

For my Mean Girls prediction, click here:

For my The Book of Clarence prediction, click here:

September 29-October 1 Box Office Predictions

After the worst box office weekend of 2023, Hollywood hopes to rebound with a quartet of new releases. We have sci-fi action pic The Creator from Gareth Edwards, the return of Jigsaw in Saw X, animated canine sequel PAW Patrol: The Mighty Movie, and the wide expansion of the GameStop stock dramedy Dumb Money. My detailed prediction posts on all of them can be accessed here:

The newcomers should manage to populate the 1-4 slots. The Creator seems poised for #1 though I’m projecting it’ll fall under $20 million for a so-so high teens start.

As for the runner-up position, it could be either of the sequels. The Saw franchise seems to have run out of steam in recent years. My low double digits estimate means a third place start as I see PAW getting into the low teens.

Dumb Money has done fair business in limited release and the expansion might mean mid single digits for fourth position. The lone holdover in the top five should be unlikely three-week champ The Nun II.

Here’s how I see it shaking out:

1. The Creator

Predicted Gross: $17.9 million

2. PAW Patrol: The Mighty Movie

Predicted Gross: $16.3 million

3. Saw X

Predicted Gross: $15.7 million

4. Dumb Money

Predicted Gross: $5.5 million

5. The Nun II

Predicted Gross: $4.7 million

Box Office Results (September 22-24)

Neither Hercule Poirot last weekend nor Jason Statham and Sylvester Stallone could dethrone The Nun II from a third weekend atop the charts. The horror sequel edged Expend4bles with $8.5 million, a little above my $7.5 million take. The three-week total is $69 million.

Expend4bles was a huge disappointment in second with only $8 million compared to my $12.8 million prediction. The nine year break between sequels probably didn’t help, but I would’ve thought it could at least hit $10 million.

A Haunting in Venice had a scary 56% drop for third in its sophomore frame with $6.3 million. I was a bit more generous at $7.2 million. The ten-day tally is a weak $25 million.

The Equalizer 3 was fourth with $4.9 million, on target with my $4.7 million forecast for $81 million overall.

Barbie rounded out the top five with $3.2 million (I said $3.1 million) for a 2023 best $630 million in ten weeks.

My Big Fat Greek Wedding 3 was sixth with $3 million. I went with $2.6 million and the romantic comedy threequel has grossed $23 million after three weeks.

That’s all for now, folks! Until next time…

September 22-24 Box Office Predictions

Jason Statham and Sylvester Stallone look to top the charts as Expend4bles, the fourth entry in the action franchise, is the only new wide release this weekend. You can peruse my detailed prediction post on it here:

I have it just under the teens and that’s a far cry from the mid 30s/high 20s premieres that parts 1 and 2 achieved. It’s also below the $15.8 million that The Expendables 3 made in 2014. That said, given the weak box office frame happening, it should be enough for a #1 debut.

Just as the competition for #1 was a photo finish this past weekend (more on that below), The Nun II and A Haunting in Venice should duke it out for the runner-up spot.

Nos. 4 and 5 should go to holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3. However, Barbie might manage to stay fifth depending on the Greek drop and the fact that it’s playing on IMAX screens this weekend.

Here’s how I think it’ll shake out from 1-6:

1. Expend4bles

Predicted Gross: $12.8 million

2. The Nun II

Predicted Gross: $7.5 million

3. A Haunting in Venice

Predicted Gross: $7.2 million

4. The Equalizer 3

Predicted Gross: $4.9 million

5. Barbie

Predicted Gross: $3.1 million

6. My Big Fat Greek Wedding 3

Predicted Gross: $2.6 million

Box Office Results (September 15-17)

In a minor upset, The Nun II managed to remain #1 for a second weekend. That upends the conventional wisdom that A Haunting in Venice would claim the top slot. With a better than expected 55% fall (decent for the horror genre), The Nun II made $14.5 million compared to my $10.9 million projection. The scary sequel has made $56 million in two weeks.

A Haunting in Venice, the third Kenneth Branagh entry in his Hercule Poirot series, was a close second with $14.2 million. That’s right on track with my $14.6 million take. Considering last year’s Death on the Nile struggled as well, I wouldn’t anticipate seeing the mustachioed detective for a fourth mystery.

The Equalizer 3 was third with $7.2 million, in line with my $7 million call. Denzel Washington’s alleged capper to his franchise has made $73 million in three weeks.

My Big Fat Greek Wedding 3 saw a sophomore frame decline above 50% with $4.7 million (I was more generous at $5.9 million). Total is just $18 million.

Barbie rounded out the top five with $3.8 million (I said $3.6 million) to bring its nine-week haul to $625 million.

And that does it for now, folks! Until next time…

Expend4bles Box Office Prediction

Over nine years have passed since the seasoned action stars of The Expendables franchise have been onscreen. That changes on September 22nd with the rather strangely titled Expend4bles. It is the fourth entry of the series that’s seen diminishing returns with each release. Scott Waugh directs and cast members reprising their roles are Jason Statham, Sylvester Stallone, Dolph Lundgren, and Randy Couture. New players to the mix include Curtis “50 Cent” Jackson, Megan Fox, Tony Jaa, Iko Uwais, Jacob Scipio, Levy Tran, and Andy Garcia.

In 2010, the original feature exceeded expectations with a nearly $35 million opening weekend and $103 million overall domestic tally. Two years later, part 2 ebbed slightly with a $28 million start and $85 million total. By 2014, audiences were growing weary and it didn’t help that part 3 had a PG-13 rating. The Expendables 3 made just over $15 million in its premiere and only $39 million when all was said and done.

It’s a little surprising that the franchise is coming back at all. The R rating from the first two is back, but the grosses should still be rocky. Expend4bles may be lucky to make what its predecessor did out of the gate. I think it will probably fall short.

Expend4bles opening weekend prediction: $12.8 million

Meg 2: The Trench Box Office Prediction

Keeping up with the summer 2023 traditions of dropping the The from its title (Haunted Mansion) and being a follow-up to a 2018 predecessor (Transformers: Rise of the Beasts, Insidious: The Red Door, Mission: Impossible – Dead Reckoning Part One), Meg 2: The Trench is in theaters on August 4th. Ben Wheatley takes over directorial duties from Jon Turteltaub with Jason Statham reprising his role as a battler of giant ocean creatures. Costars include Wu Jing, Sophia Cai, Page Kennedy, Sergio Peris-Mencheta, Skyler Samuels, and Cliff Curtis.

Five summers ago, The Meg premiered in August and easily exceeded expectations. Despite so-so reviews, audiences were ready for a shark fix. It opened with $45 million and an eventual $145 million domestic haul. When factoring in bountiful international earnings, The Meg made more than half a billion.

Warner Bros is probably banking on overseas cash for profitability. I’m not sure stateside crowds are exactly chomping at the bit for this sequel. While it should do respectable biz, it may lose some of its demographic to Teenage Mutant Ninja Turtles: Mutant Mayhem. I’m expecting that to have a stronger opening than this. The Trench might be lucky to take in $30 or even $25 million.

Meg 2: The Trench opening weekend prediction: $24.5 million

For my Teenage Mutant Ninja Turtles: Mutant Mayhem prediction, click here: