A few years back, George Clooney revealed a list of his top 100 films released between 1964 and 1976. It’s an era he considers the best in the history of the medium and that’s certainly a valid hypothesis. In his impressive career, Clooney has appeared in movies that could have come out in that time frame. GoodNight, andGoodLuck and TheIdes of March deal with themes of corporate corruption and dirty politics in ways that entries on his list did more often forty to fifty years ago. Titles like 1976’s Network and George’s all-time #1 AllthePresident’sMen. Both of those features also deal with the positive and negative aspects of journalism and so does MoneyMonster. In 1976, 24 hour cable news didn’t exist yet. There were no programs like the one in the title where over-the-top host Lee Gates (Clooney) tells viewers how to invest their cash. Think Jim Cramer… except he looks like George Clooney.
Lee is set to tape his Friday show with his trusty director Patty (Julia Roberts) in his ear. Shortly after the cameras roll, Kyle (Jack O’Connell) crashes the set with a gun and explosive laden vest for Lee to don. His beef? He lost his life savings in a company that his now bomb strapped captive heartily endorsed. As millions of ciewees watch the situation live on TV, Monster becomes a rumination on the themes mentioned earlier.
That list Clooney made also correctly included 1975’s DogDayAfternoon. Like that excellent effort, this is a real-time New York City hostage drama with humor frequently injected. Al Pacino gave one of his richest performances of his filmography in Afternoon and his riveting character made the tension substantial in it. That’s a problem here as the character of Kyle is neither fleshed out enough or believable enough to create any significant suspense. It’s not O’Connell’s fault really. He’s just written that way. And therein lies the film’s biggest drawback.
Often, Monster manages to coast on the considerable charms of its two leads and their nice rapport. We’ve seen plenty of pictures with this one’s “Wall Street is bad” theme but few with the star wattage. The quick running time (99 minutes) is a plus. This is never boring, though it’s credibility does dip in the third act.
The director, by the way, is an actress you may have heard of named Jodie Foster. She appeared in 1974’s AliceDoesn’tLiveHereAnymore and 1976’s TaxiDriver. They both also made that Clooney list. MoneyMonster probably won’t be listed on anyone’s all-time top 100 of anything. You may not regret investing a short amount of time in it, but there’s lists of similarly themed fare that’s far superior. Even this movie’s star did one.
George Clooney and Julia Roberts headline Money Monster, out next weekend, as this Jodie Foster directed thriller attempts to lure in adults for some early summer counter programming. I’m not confident it’ll work out too well.
The TriStar release, budgeted at a reasonable $30 million, stars Clooney as a financial TV guru held hostage live on air with Roberts as his exec producer. Jack O’Connell and Dominic West costar.
This pic is a rather odd choice for the second weekend in May and might’ve been better suited for a spring or early fall release. If it doesn’t perform well, it won’t be for lack of marketing as the TV spots have been featured heavily on the money monsters we call cable news networks. It could struggle to reach the opening weekends of the two leads lesser performers such as Clooney’s The American ($13.1 million) or Julia’s Duplicity ($13.9 million). And even though Foster has received two Oscars for her acting, her directorial efforts Little Man Tate, Home for the Holidays, and The Beaver have yet to yield a dam hit (get it?).
I’ll predict Money Monster doesn’t reach the teens out of the gate.
Money Monster opening weekend prediction: $12.7 million
At one time, Angelina Jolie’s Unbroken was looked at as a potential juggernaut for Oscar season. Based on the 2010 Laura Hillenbrand bestseller focused on the life of Olympic medalist Louis Zamperini during World War II, the picture seemed tailor made for awards attention. Reviews have changed that dynamic drastically. It sits at only 50% on Rotten Tomatoes and has been subject to numerous negative reviews.
Unbroken still has a decent shot at a Best Picture nomination, though a win is out of the question. This will likely alter its box office take when it opens Christmas Day. Starring Jack O’Connell, Domhnall Gleeson, and Miyavi, the film should still be poised for relatively respectable results out of the gate.
The source material is well-known and it could fit the bill for adult moviegoers looking for something this holiday weekend (Into the Woods should do that too). Its performance should actually be quite similar to Woods premiere out of the gate.
Unbroken opening weekend prediction:
$20.5 million (Friday to Sunday), $28.6 million (Thursday to Sunday)
In the 2014 Oscar race, one major question has been out there for several months: where will Unbroken fit in? It’s based on a huge bestseller by Lauren Hillenbrand. It’s directed by Angelina Jolie. The screenplay was written by Joel and Ethan Coen. The true story of Olympic track star Louis Zamperini, who was stranded in the Pacific and then held captive at Japanese POW camps during World War II, seems right up Oscar’s alley. Conventional wisdom is that if Unbroken was a critical darling, it would be a force to be reckoned with during awards season.
Today marked the day when reviews trickled out. The verdict? Mixed. Very mixed. It currently sits at just 50% on Rotten Tomatoes (a number that will probably rise). Industry Bible Variety wasn’t impressed. Add that up and I’ll make a declarative statement I couldn’t make until now:
Unbroken is not going to win Best Picture.
Whether it gets nominated is another story. It could still be a big hit at the box office, which wouldn’t hurt. And its source material is well-regarded which could sway voters to at least include it among the eight to ten likely Best Picture nominees. It’s no guarantee anymore, but I’ll still predict Unbroken manages a nod.
Angelina Jolie’s inclusion in the Director race is now very questionable. She would appear behind Richard Linklater (Boyhood), Alejandro Gonzalez Inarritu (Birdman), Ava DuVernay (Selma), and Morten Tyldum (The Imitation Game), as well as other potentials like Christopher Nolan (Interstellar), David Fincher (Gone Girl), James Marsh (The Theory of Everything), and Rob Marshall (Into the Woods). She could still sneak in, but it won’t be as easy as once thought.
The Best Actor race is seen as four-way competition between Michael Keaton (Birdman), Benedict Cumberbatch (Imitation Game), Eddie Redmayne (Theory of Everything), and David Oyelowo (Selma). Jack O’Connell, who plays Zamperini, is receiving positive notices and could nab the fifth slot, but his serious competition includes Steve Carell (Foxcatcher), Oscar Isaac (A Most Violent Year), Timothy Spall (Mr. Turner), and Bradley Cooper (American Sniper).
I have included Japanese singer Miyavi in my Supporting Actor predictions over the past couple of months. He plays the role of a sadistic Japanese army sergeant and I still believe he stands the best shot at a nomination (reviews have singled him out).
Luckily for Unbroken, the Best Adapted Screenplay race is pretty weak this year and it could still earn recognition for the Coen Brothers screenplay.
However, beyond its seemingly now non-existent chances of a Picture win, Unbroken is unlikely to win any of the categories mentioned above. What a difference a day makes.
November brings us my third edition of my Oscar predictions in the eight major categories. Since October’s round of predictions, a few important things have happened. First and foremost, Ana DuVernay’s Martin Luther King Civil Rights pic Selma has screened for critics and vaulted itself into a major contender… and not just for nominations. Disney’s Into the Woods screened just last night and it too has entered the fray. The only film left unseen is Angelina Jolie’s Unbroken, but it remains a potential force to be reckoned with.
Let’s go through the categories one by one and I’ll point out what changes have transpired in the last few weeks!
Best Adapted Screenplay
Only one change here as I’ve taken out American Sniper and subbed in Into the Woods. The other four nominees seem like sure things for the most part. If Woods or Sniper don’t get in, Inherent Vice, Still Alice, or Wild are other possibles.
Predicted Nominees
Gone Girl
The Imitation Game
Into the Woods
The Theory of Everything
Unbroken
Best Original Screenplay
I had Interstellar in a month ago, but this seems unlikely after the main complaints of critics was the script. Foxcatcher is out as well as it seems to be losing momentum in the Academy derby. I’ve put it Selma and Whiplash in their place. I’m still keeping in The Grand Budapest Hotel, though many prognosticators have it out of competition. A Most Violent Year and Mr. Turner could get in, too.
Predicted Nominees
Birdman
Boyhood
The Grand Budapest Hotel
Selma
Whiplash
Best Supporting Actress
We have a couple changes here as Meryl Streep (Into the Woods) and Carmen Ejogo (Selma) join the mix, supplanting Laura Dern (Wild) and Kristen Stewart (Still Alice). Other possibles include Carrie Coon (Gone Girl) and Jessica Chastain (A Most Violent Year).
Predicted Nominees
Patricia Arquette, Boyhood
Carmen Ejogo, Selma
Keira Knightley, The Imitation Game
Emma Stone, Birdman
Meryl Streep, Into the Woods
Best Supporting Actor
We’ll make this simple – this is the one race where nothing has changed prediction wise! If any of my predictions falter – keep an eye out for Tom Wilkinson and Tim Roth (both for Selma), Josh Brolin (Inherent Vice), or Robert Duvall (The Judge).
Predicted Nominees
Ethan Hawke, Boyhood
Miyavi, Unbroken
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash
Best Actress
Just one alteration here as I’ve taken out Amy Adams for Big Eyes and substituted Emily Blunt for Into the Woods. Others with surprise nomination shots are Marion Cotillard (Two Days, One Night), Hilary Swank (The Homesman), and Jennifer Aniston (Cake).
Predicted Nominees
Emily Blunt, Into the Woods
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild
Best Actor
The most competitive category of all appears to have four shoo-ins now: Benedict Cumberbatch, Michael Keaton, David Oyelowo, and Eddie Redmayne. This is actually the first time I’ve included Oyelowo after Selma screened, so I’ve removed Jack O’Connell in Unbroken. The fifth slot is tough – it could be O’Connell, Timothy Spall (Mr. Turner), Oscar Isaac (A Most Violent Year), Bradley Cooper (American Sniper), or even Jake Gyllenhall (Nightcrawler) or Ralph Fiennes (The Grand Budapest Hotel). For now, though, I’m sticking with Steve Carell in Foxcatcher, despite its downgrading among many for possible nominations.
Predicted Nominees
Steve Carell, Foxcatcher
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman
David Oyelowo, Selma
Eddie Redmayne, The Theory of Everything
Best Director
Last month, I included high profile auteurs David Fincher (Gone Girl) and Christopher Nolan (Interstellar). They’re out and Ana DuVernay (Selma) and Morten Tyldum (The Imitation Game) are in. Oscar could make some history if DuVernay makes it in. She’d be the first African American woman to be recognized in this category. Additionally, my current estimates that include her and Angelina Jolie would mark the first time two women are up for the award.
Predicted Nominees
Ana DuVernay, Selma
Alejandro Gonzalez Inarritu, Birdman
Angelina Jolie, Unbroken
Richard Linklater, Boyhood
Morten Tyldum, The Imitation Game
Best Picture
I’m still sticking with nine predicted nominees yet a third of them have changed. Gone are Gone Girl, Foxcatcher, and American Sniper. They all have decent shots still, along with A Most Violent Year, Mr. Turner, and The Grand Budapest Hotel. Joining the mix are Selma (a no brainer now) and less sure things Into the Woods and Whiplash. I’m still including Interstellar, though that’s an iffy proposition.
Predicted Nominees
Birdman
Boyhood
The Imitation Game
Interstellar
Into the Woods
Selma
The Theory of Everything
Unbroken
Whiplash
We’ll have a fourth round of December predictions soon enough, friends! Until then…
This evening on the blog, we arrive at round two of my Oscar Predictions for the 2014 race, which will air in early 2015 with Neil Patrick Harris handling hosting duties. In late August, I made my initial round of predictions and two months later, much has changed and much has stayed the same. Unlike my first round, my second go round will include the races of Best Adapted Screenplay and Best Original Screenplay.
Let’s get to it, shall we? Here’s where I see the Oscar race right now in the eight major categories:
Best Adapted Screenplay
For my first crack at the Adapted Screenplay race, it’s probably safe to assume Gillian Flynn’s adaptation of her own bestseller Gone Girl will make the cut, as well as festival favorites The Imitation Game and The Theory of Everything. I’m also safely (at the moment) including Angelina Jolie’s Unbroken, even though no one has seen it yet. The fifth slot includes several contenders: Still Alice, Inherent Vice, Wild, Into the Woods, and American Sniper. No one has viewed Sniper yet, but its recently released trailer inspires hope.
Todd’s Current Predictions for BEST ADAPTED SCREENPLAY
American Sniper
Gone Girl
The Imitation Game
The Theory of Everything
Unbroken
Best Original Screenplay
Richard Linklater’s Boyhood and Alejandro Gonzalez Inarritu’s Birdman appear to be shoo-ins for inclusion. I’m also thinking Wes Anderson’s work for The Grand Budapest Hotel stands it best chance at a nod here. For the remaining two slots – I’m saying Foxcatcher and Christopher Nolan’s Interstellar, for now. Other contenders include Mr. Turner, Top Five, Whiplash, A Most Violent Year, Selma, and Big Eyes.
Todd’s Current Predictions for BEST ORIGINAL SCREENPLAY
Birdman
Boyhood
Foxcatcher
The Grand Budapest Hotel
Interstellar
Best Supporting Actress
This race has changed quite a bit since my first round of predictions. I originally had both Emily Blunt for Into the Woods and Felicity Jones for The Theory of Everything listed here, but it’s since been announced their performances will fall into the Best Actress race. They’re out – along with Carmen Ejogo as Coretta Scott King in Selma. The only two actresses from my initial predictions are Patricia Arquette in Boyhood (who’s a front runner) and Laura Dern in Wild. Added to the mix are Emma Stone in Birdman and Keira Knightley in The Imitation Game. Other possibilities for the fifth slot include Meryl Streep in Into the Woods, Jessica Chastain in Interstellar, Carrie Coon for Gone Girl, Sienna Miller in American Sniper, Julianne Moore in A Map to the Stars, Anna Kendrick in Into the Woods, Katherine Waterson in Inherent Vice, and Jessica Lange in The Gambler. I’ll go with Kristen Stewart as a surprise nominee for the acclaimed Still Alice.
Todd’s Current Predictions for BEST SUPPORTING ACTRESS
Patricia Arquette, Boyhood
Laura Dern, Wild
Keira Knightley, The Imitation Game
Kristen Stewart, Still Alice
Emma Stone, Birdman
Best Supporting Actor
My first predictions didn’t include J.K. Simmons for his lauded work in Whiplash, but he could be considered the favorite at this juncture. Staying in are Edward Norton in Birdman and Mark Ruffalo in Foxcatcher and it’s tough to imagine them not being recognized. For the other two slots, I’m including Miyavi for his villainous role in Unbroken and Ethan Hawke for Boyhood. Left out from my first round: Domhall Gleeson (Unbroken), Logan Lerman (Fury), and Tim Roth (Selma). Other contenders: John Goodman for The Gambler, Tom Wilkinson for Selma, Albert Brooks for A Most Violent Year, Christoph Waltz for Big Eyes, Josh Brolin in Inherent Vice, Robert Duvall in The Judge, and Johnny Depp for Into the Woods.
Todd’s Current Predictions for BEST SUPPORTING ACTOR
Ethan Hawke, Boyhood
Miyavi, Unbroken
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash
Best Actress
Following my August estimates, the festival circuit anointed Julianne Moore as a likely front runner for playing an Alzheimer’s patient in Still Alice. I’m also sticking with initial predictions Amy Adams (Big Eyes), Rosamund Pike (Gone Girl), and Reese Witherspoon (Wild). Since the announcement of her inclusion in this race and not Supporting Actress, Felicity Jones joins the fray for The Theory of Everything. Other possibilities: Jessica Chastain in A Most Violent Year (who made the cut in August), Emily Blunt for Into the Woods, Shailene Woodley in The Fault in Our Stars, and Hilary Swank for The Homesman.
Todd’s Current Predictions for BEST ACTRESS:
Amy Adams, Big Eyes
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild
Best Actor
Just like last year, what a crowded field we have! The following quartet seem virtual locks for nominations: Benedict Cumberbatch (The Imitation Game), Eddie Redmayne (The Theory of Everything), Michael Keaton (Birdman), and Steve Carell (Foxcatcher). The fifth slot is the real mystery. I originally had Joaquin Phoenix here for Inherent Vice, but I’m skeptical now. For now, I’ll replace him with Jack O’Connell in Unbroken. Other possibilities include Timothy Spall for Mr. Turner (who could easily find a way in), Bradley Cooper in American Sniper (same), Ralph Fiennes for The Grand Budapest Hotel, Ben Affleck in Gone Girl, Bill Murray for St. Vincent, David Oyelowo in Selma (depends on film’s success and critical reception), Oscar Isaac in A Most Violent Year, Matthew McConaughey for Interstellar (fact that he won last year hurts), Jake Gyllenhall for Nightcrawler (pic is probably too quirky and small), and Channing Tatum for Foxcatcher (Carell likely to steal his thunder).
Todd’s Current Predictions for BEST ACTOR:
Steve Carell, Foxcatcher
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman
Jack O’Connell, Unbroken
Eddie Redmayne, The Theory of Everything
Best Director
Only one change here as I’m taking Bennett Miller’s direction for Foxcatcher out and putting David Fincher’s work in Gone Girl in. I think the commercial and critical success of it and Fincher’s reputation as one of Hollywood’s best filmmakers gets him in (at press time). Those who could spoil my predictions: Clint Eastwood (American Sniper), Ana DuVernay (Selma), Morten Tyldum (The Imitation Game), Wes Anderson (The Grand Budapest Hotel), Mike Leigh (Mr. Turner), James Marsh (The Theory of Everything), JC Chandor (A Most Violent Year), and Rob Marshall (Into the Woods).
Todd’s Current Predictions for BEST DIRECTOR
David Fincher, Gone Girl
Alejandro Gonzalez Inarritu, Birdman
Angelina Jolie, Unbroken
Richard Linklater, Boyhood
Christopher Nolan, Interstellar
Best Picture
As you may know, anywhere from 5-10 films can be nominated in the biggest category of them all. Since that system has been in place, nine pictures have been recognized every time. In August’s predictions, I predicted eight. And now – I’m going with nine. The MLK biopic Selma is the one I’ve removed. Don’t get me wrong – it could still easily make the cut, but no one’s seen it yet and it’s a question mark. Gone Girl and American Sniper enter the race in my opinion and this marks their first inclusion. Other films that could potentially make the cut (even though I say no at the moment): Mr. Turner, Whiplash, The Grand Budapest Hotel, A Most Violent Year, and Into the Woods.
Day 4 is here with my initial round of Oscar predictions and we’re at Best Actor. Interestingly, the seventeen actors I have listed as possibilities have never won the award previously. As with the other categories, I am listing my five predicted nominees along with others who could find themselves in the mix. To peruse my other posts covering the Supporting races and Actress, you can find them here:
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