Disney’s live-action version of their acclaimed 1991 animated tale (as old as time) Beauty and the Beast is out next weekend. It’s a safe bet that it makes a killing at the box office. It could approach the $364 million territory that The Jungle Book achieved last year and will almost certainly post 2017’s biggest opening thus far, overtaking Logan.
Let’s not forget: the quarter century plus version of Belle and her Beastly beau was the first animated feature to be nominated for Best Picture. Any chance that this rendering of the classic story could follow suit?
Short answer: no. Beast currently sits at 71% on Rotten Tomatoes. That’s a decent score but way under the 95% reached by Jungle and that couldn’t get a Picture nod. That said, Beauty could be a factor in some down the line categories. Production Design, Visual Effects, and Makeup and Hairstyling are all possibilities. Where it’s most likely to show up is in Costume Design, where the studio’s recent remakes of Cinderella and Maleficent both scored nominations.
Towards the end of each calendar year, I’ve put up posts honoring the people who have captured our movie going attention during that time period. 2015 was the first year that I honored a feeling in one post as opposed to an individual. Last year, it was Nostalgia and it fit due to the box office potency of titles like Star Wars: The Force Awakens and Jurassic World, among others.
In 2016, the initial posting is again not a human, but a studio. And it’s Disney. The Mouse Factory has set the all-time record for studio grosses in a calendar year and its list of blockbusters is something to behold.
Currently, Disney is responsible for half of the top ten grossing pictures of the year and that list will grow to six very shortly with Rogue One: A Star Wars Story.
Let’s break it down: Finding Dory ($486 million) is #1 with Captain America: Civil War ($408M) at second. Rogue is likely to join the top three for a Disney trifecta atop the year.
#4 is The Jungle Book ($364M). #6 is Zootopia ($341M) and #9 is Doctor Strange ($226M). Moana is sitting at #11 right now with $162M.
In short, the studio is making a killing on their three most valued properties: animation and the live-action adaptations of them, Marvel Studios, and the Star Wars franchise. That is bound to continue in 2017 with animated features like Cars 3 and Coco. As for the live-action remakes, expect March’s Beauty and the Beast to do boffo business. On the Marvel side, we have Guardians of the Galaxy Vol. 2 and Thor: Ragnorak. And of the Star Wars juggernaut,we have Episode VIII (still untitled) invading theaters in December.
Of course, not everything Disney released this year was a smash. There were high-profile flops like Alice Through the Looking Glass and The BFG. Also, Pete’s Dragon did decent business, but nothing compared to its other renderings of the animated classics. In 2017, a big question mark is whether or not they can successfully reinvigorate another once popular series with Pirates of the Caribbean: Dead Men Tell No Tales.
Those few disappointments aside, it was a watershed year for Disney and they deservedly get the first mention in my year end honors.
The saga continues in the most powerful franchise force in movie history when RogueOne: AStarWarsStory hits theaters next weekend. It’s been one year since StarWars: The ForceAwakens broke a slew of box office records when Disney took over the series, including best opening of all time and highest grossing domestic earner ever.
All seven pictures that have populated the science fiction tales have been classified as Episodes as part of an ongoing story featuring some of the most beloved and feared characters (plus Jar Jar) on the silver screen. Rogue is our first spin-off and it takes place between Episodes III (2005’s RevengeoftheSith) and IV (the 1977 original ANewHope). That means it focuses on the team tasked with stealing plans for the Death Star. Felicity Jones headlines a new cast of characters that includes Forest Whitaker, Diego Luna, Ben Mendelsohn, Mads Mikkelsen, Donnie Yen and Alan Tudyk. It also means the return of Darth Freakin’ Vader complete with James Earl Jones voicing him. Gareth Edwards (who lasted 2014’s successful Godzilla reboot) directs.
Simply put, the return of the franchise a year ago after ten years of dormancy couldn’t have gone much better financially. Awakens took in an astonishing $247 million out of the gate and reached a $936 million eventual domestic haul. The eagerly awaited Episode VIII will be out in the same mid-December weekend next year. RogueOne is not expected to take in what Force did last year or VIII will next year due to its spin-off status. That said, expectations are still very high.
So the question is: just how high can this go? Some reports have suggested a number between $130-$150 million and that’s certainly a feasible estimate. Yet I can’t shake a feeling that it’ll manage to get a bit more. Rogue is in the enviable position of being the first spin-off and arriving just a calendar year behind the franchise’s return to global domination. In order to accomplish 2016’s largest opening, it would need to top another huge Disney property, CaptainAmerica: CivilWar which made $179 million to kick summer off.
I don’t think it quite gets there, but generating $160-$170 million seems within reach. My estimate would give it the eighth biggest debut of all time between the final HarryPotter at $169 million and this spring’s BatmanvSuperman: DawnofJustice at $166 million. Yes, my projection is a bit higher than what I’ve seen thus far. Yet it’s StarWars, folks.
RogueOne: AStarWarsStory opening weekend prediction: $168.3 million
Disney’s back at it again over Thanksgiving weekend as their animated adventure Moana hits screens. The musical fantasy comes from directors John Musker and Ron Clements, the duo responsible for now classics The Little Mermaid and Aladdin. Lin-Manuel Miranda (who started a little Broadway show called Hamilton) co-writes songs and voice over work is provided by Auli’i Cravalho (as the title character) and Dwayne Johnson.
Reviews for the pic have been quite solid so far – it stands at 100% on Rotten Tomatoes and Moana looks to continue what has been a record-breaking year for the Mouse Factory. It was over Turkey Day in 2015 that the studio experienced a rare animated misfire when The Good Dinosaur debuted to a middling $39 million over the Friday to Sunday portion of the weekend and $55 million for the five-day frame.
With stronger critical notices and Disney on a hot streak, Moana looks poised to improve upon that performance rather significantly. I’ll peg this at mid 50s and mid to high 70s for the respective 3 and 5 day grosses.
Moana opening weekend prediction: $56.4 million (Friday to Sunday), $77.2 million (Wednesday to Sunday)
The review embargo lapsed today on Disney newest animated creation, Moana, which hits screens November 23rd. The musical comedy comes from the studio’s acclaimed directors John Musker and Ron Clements, the men responsible for Mouse Factory classics like The Little Mermaid and Aladdin. The film’s songs were co-written by Lin-Manuel Miranda, the man responsible for a little Broadway show called Hamilton.
Not too surprisingly, early reviews suggest this is another Disney triumph. The girl power tale (a staple of the studio as of late – think Brave and Frozen) stands at 100% on the Tomato Meter. It’s been long thought that Moana could be a major player in the Best Animated Feature category at the Oscars and today’s buzz certainly solidifies that.
That said, Moana is not a slam dunk when it comes to winning the race and that’s due to competition from (you guessed it!)… Disney. This spring, the studio put out the critically heralded mega-hit Zootopia and it definitely stands a chance at the big prize.
Either way, expect to see at least two of the studio’s pics among the five to be nominated with Finding Dory possibly swimming its way into the mix as well.
Marvel’s DoctorStrange is their latest superhero origin story and it focuses on a brilliant yet arrogant protagonist who learns that his real purpose is to help humanity and not just use his powers for his own personal glorification. If that sounds a bit like IronMan, the first entry in the Marvel Cinematic Universe, you wouldn’t be wrong. The challenge for Disney’s multi-billion dollar franchise after 14 films is to inject enough newness and other positive aspects to support its existence. In that sense, the sometimes visually stunning and very well-cast Strange passes the test.
Our newest fella to join the caped club (and it’s a pushy and sometimes humorous cape we eventually discover) is first seen as genius neurosurgeon Dr. Stephen Strange (Benedict Cumberbatch). He’s an egotistical NYC doc who’s a wizard with his hands. His two most prized possessions are irreparably injured in a wreck that serves as the most expensive anti-distracted driving commercial ever shot. The doc’s colleague and former flame Christine (Rachel McAdams) tries to help, but his desperate search to cure his idle hands leads him to Nepal. That is where he finds a mystical compound led by the Ancient One (Tilda Swinton), who informs him that true healing comes from a lot more than surgery.
Together with her trusty sidekick Mordo (Chiwetel Ejiofor), they show the doctor a whole new universe that involves plenty of training and plenty of other crazy dimensions that are packed with some pretty sweet visual effects. Scott Derrickson, known primarily for horror titles like TheExorcismofEmilyRose and Sinister, directs his biggest budget several times over and assures himself future tent poles.
There’s a main villain and he’s Kaecilius, played by a game Mads Mikkelsen. MCU movies have often seen the bad guy be the weakest link and that holds true somewhat here. The character is a former Ancient One protege gone astray and there’s nothing too memorable about him. It’s not a major hindrance at all, however, as Strange is a genuine origin story that needs some time to establish this part of the MCU (The Avengers are only referenced in passing). Plus, don’t we know at this point that the primary villain in these origin stories rarely end up being the chief nemesis anyway?
Casting is key. This series of movies we now see at least two of per year may have never gotten off the ground without the impeccable casting of Robert Downey Jr. as Tony Stark. And Cumberbatch is a fine choice in this title role, effortlessly balancing the drama and humor of the screenplay. Swinton and Ejiofor add some heft as well. The slight romantic subplot between Strange and Christine is typical and unremarkable, though their interaction does provide a couple of solid operating room laughs.
The aforementioned newness here is the effects, including various scenes of Inception-like architectural bravura that may leave Nolan proud. That, coupled with the performers, elevate Strange to a level well worthy of recommendation. It may not be until after the credits (and mid and post credit bonus sequences) roll, that you realize how familiar its story actually is. And I suppose that’s a credit to the franchise makers of how strong and steady their hand actually is.
The Marvel Cinematic Universe’s mega billion dollar alliance with Disney rolls along as Doctor Strange opens in theaters next weekend. Based on the character created by Steve Ditko over a half century ago, this is the 14th entry in the MCU that began with Iron Man in 2008.
And that first Tony Stark pic over eight years ago is the film many critics are comparing the Doctor to. Benedict Cumberbatch is the title character with a stellar supporting cast that includes Chiwetel Ejiofor, Rachel McAdams, Tilda Swinton, Benedict Wong, Michael Stuhlbarg, Benjamin Bratt, and Mads Mikkelsen. Scott Derrickson (most known for horror flicks such as The Exorcism of Emily Rose and Sinister) directs. Advance word of mouth for the reported $165 million has been quite encouraging, with reviewers praising Cumberbatch’s performance, the striking visuals, and an origin story said to be satisfying in the way that Iron Man’s was. It stands at 97% currently on Rotten Tomatoes.
This is only the second MCU feature to open in the autumn season. 2013’s sequel Thor: The Dark World premiered to $85.7 million in early November. That’s probably the range that Strange is looking to debut at, but I’m not sure it’ll quite get there. I certainly don’t see it reaching the $94 million accomplished by Star Lord and his Guardians of the Galaxy or the $98 million that Robert Downey Jr.’s signature character got the first time out of the gate. Yet I see it outpacing the $65 million that Thor opened to in his first solo saga and $57 million from Ant-Man in summer 2015. The buzz for this one seems stronger.
Ultimately, I think this manages a mid to high 70s opening weekend. Low 80s is reachable. Regardless, this should be a new franchise for the Mouse Factory’s comic book division.
Doctor Strange opening weekend prediction: $77.3 million
Most biographical sports films focus on football or boxing in recent years, but Disney changes it up next weekend with The Queen of Katwe. The pic tells the true-life tale of Ugandan chess master Phiona Mutesi (Madina Nalwanga). Mira Nair directs with a cast including David Oyelowo and recent Oscar winner Lupita Nyong’o.
Katwe screened at the Toronto Film Festival to positive critical reaction (it’s at 88% currently on Rotten Tomatoes). At one time, this was looked at as a potential awards hopeful yet that has been tampered down a bit (Nyong’o could be a factor in Supporting Actress, but probably not). The film comes with a rather minor $15 million budget.
Disney’s best hope is for a decent opening followed by long legs if audiences love what they see. Opening on a relatively small 1252 screens, expectations aren’t too high and I’ll predict this manages to reach $5 million for its start.
Queen of Katwe opening weekend prediction: $5 million
Nearly four decades after Disney told the tale of Mowgli’s adventures in animated form, the studio continues its retellings of their catalogue in mostly CG form with TheJungleBook. The result is a satisfying effort that doesn’t reach the level of a true classic – just as the 1967 effort didn’t either. Still, it’s an unquestionable triumph of what technology can accomplish these days. In an age where talking animals have stampeded multiplexes, these ones look pretty darn amazing.
Jon Favreau has been tasked with bringing back Mowgli (Neel Sethi in an adequate child performance) and his story of being raised in the jungle. He’s part of a wolf pack that has nothing to do with Zach Galifianakis as he’s actually been raised by wolves. There’s also his panther mentor Bagheera (voiced by Ben Kingsley) who encourages our young protagonist to find others like him (you know, people) after his life is threatened by the fierce tiger Shere Khan (Idris Elba, enunciating menace expertly).
This, of course, sets our hero off on an adventure where he comes into contact with many of the inhabitants of the vast wild lands he calls home. He partners up with honey grubbing bear Baloo (Bill Murray), has a frightening encounter with snake Kaa (Scarlett Johansson), and is taunted by apish thug King Louie (Christopher Walken).
The voiceover casting here is impeccable and adds a lot to these proceedings. Song and dance man Walker gets a solo take on “I Wan’na Be Like You” and “The Bare Necessities” is figured in. Truthfully, the musical numbers seem a little tacked on, but they’re not around long enough to really complain about. Plus the kids should dig them.
TheJungleBook and its message of the dangers of man vs. wild is a familiar one, but we’ve yet to witness it with special effects like these. We are aware Mowgli and the boy playing him probably spent months in front of a green screen. However, we forget it quickly with these ultra photo realistic creatures in front of us and their well cast actors voicing them. This is the biggest accomplishment that Favreau and his team pull off and it’s certainly enough to make this a worthy addition to the Mouse Factory’s long list of verbal beast experiences.
The Disney live-action remake train keep rolling along next weekend as Pete’s Dragon debuts in theaters. The Mouse Factory has found great success in the past couple of years taking their storied animated hits of decades past and repackaging and re-imagining them with real actors and tons of CG effects.
Pete’s Dragon, however, is a slightly different story. Unlike Maleficent, Cinderella, and The Jungle Book (and next year’s Beauty and the Beast for that matter), the pic this is based on is not considered a classic. The Disney Dragon ‘toon opened in 1977 at a time when the studio was in a downturn in their animation department. It was only a mild box office performer and reviews weren’t too strong.
The fact that Disney has been on a roll lately should help Pete and his magical dragon change the narrative somewhat with this property. David Lowery (best known for directing the low budget indie drama Ain’t Them Bodies Saints) is behind the camera. Oakes Fegley plays the title character (the Pete part) while the dragon is handled by Weta Digital. Costars include Bryce Dallas Howard, Robert Redford, Wes Bentley, and Karl Urban. Early reviews have been mostly positive with an 81% on Rotten Tomatoes.
Let’s start here: this has no real chance of reaching the heights of the live action reboots before it. 2014’s Maleficent made $69 million for its start. Last year’s Cinderella earned $67 million. This spring’s The Jungle Book made $103 million. Dragon may be lucky to make half of any of those titles in its opening. Disney should be pretty happy if this manages to top $35 million, but my prediction reflects a belief that just over/under $30 million is the more likely scenario.
Pete’s Dragon opening weekend prediction: $29.8 million
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