Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.
That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.
Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.
Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.
Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…
30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.
Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.
I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.
Toy Story 5 opening weekend prediction: $166.8 million
For my The Death of Robin Hood prediction, click here:
Nominations for the 79th BAFTAs (the British equivalent of the Oscars) are out tomorrow prior to the February 22nd ceremony hosted by Alan Cumming. Unlike previous years, BAFTA nods are hitting after the Academy’s picks which were out last week.
For a blogger who concentrates primarily on the Oscar derby, it makes this announcement a tad anticlimactic since I’m not weighing them against what I anticipate will occur on Oscar nom morning. Nevertheless I’m giving you my forecast for all feature-length races with an alternate named in each. For the directing and acting competitions, BAFTA goes with six nominees. For Outstanding British Film, it is ten. There are four in Animated Film and Children’s & Family Film. In all others (including Best Film), we’re talking five. Got all that? Good. Let’s get to it!
Best Film
Hamnet
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Alternate – Bugonia
Best Director
Paul Thomas Anderson, One Battle After Another
Ryan Coogler, Sinners
Yorgos Lanthimos, Bugonia
Josh Safdie, Marty Supreme
Joachim Trier, Sentimental Value
Chloé Zhao, Hamnet
Alternate – Kaouther Ben Hania, The Voice of Hind Rajab
Best Actress
Jessie Buckley, Hamnet
Rose Byrne, If I Had Legs I’d Kick You
Chase Infiniti, One Battle After Another
Renate Reinsve, Sentimental Value
Andrea Riseborough, Dragonfly
Emma Stone, Bugonia
Alternate – Kate Hudson, Song Sung Blue
Best Actor
Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Ethan Hawke, Blue Moon
Michael B. Jordan, Sinners
Harry Melling, Pillion
Jesse Plemons, Bugonia
Alternate – Joel Edgerton, Train Dreams
Best Supporting Actress
Odessa A’Zion, Marty Supreme
Inga Ibsdotter Lilleass. Sentimental Value
Amy Madigan, Weapons
Wunmi Mosaku, Sinners
Teyana Taylor, One Battle After Another
Emily Watson, Hamnet
Alternate – Brenda Blethyn, Dragonfly
Best Supporting Actor
Benicio del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Paul Mescal, Hamnet
Sean Penn, One Battle After Another
Alexander Skarsgård, Pillion
Stellan Skarsgård, Sentimental Value
Alternate – Andrew Scott, Blue Moon
Best Original Screenplay
Blue Moon
I Swear
Marty Supreme
Sentimental Value
Sinners
Alternate – It Was Just an Accident
Best Adapted Screenplay
Bugonia
Frankenstein
Hamnet
One Battle After Another
Pillion
Alternate – Train Dreams
Best Animated Film
Arco
Demon Slayer: Kimetsu no Yaiba– The Movie: Infinity Castle
KPop Demon Hunters
Zootopia 2
Alternate – Elio
Best Documentary
Apocalypse in the Tropics
Mr. Nobody Against Putin
Ocean with David Attenborough
The Perfect Neighbor
2000 Meters to Andrivka
Alternate – Becoming Led Zeppelin
Best Film Not in the English Language
It Was Just an Accident
The Secret Agent
Sentimental Value
Sirāt
The Voice of Hind Rajab
Alternate – No Other Choice
Best Casting
Hamnet
One Battle After Another
Sentimental Value
Sinners
Sirāt
Alternate – Marty Supreme
Best Cinematography
Hamnet
Marty Supreme
One Battle After Another
Sinners
Train Dreams
Alternate – Frankenstein
Best Costume Design
Downton Abbey: The Grand Finale
Frankenstein
Hamnet
Sinners
Wicked: For Good
Alternate – Marty Supreme
Best Editing
Bugonia
Hamnet
Marty Supreme
One Battle After Another
Sinners
Alternate – F1
Best Make Up & Hair
Frankenstein
One Battle After Another
Sinners
The Smashing Machine
Wicked: For Good
Alternate – Bugonia
Best Original Score
Bugonia
Frankenstein
Hamnet
One Battle After Another
Sinners
Alternate – Marty Supreme
Best Production Design
Bugonia
Frankenstein
Hamnet
Sinners
Wicked: For Good
Alternate – One Battle After Another
Best Sound
Avatar: Fire and Ash
F1
One Battle After Another
Sinners
Wicked: For Good
Alternate – Mission: Impossible – The Final Reckoning
Best Special Visual Effects
Avatar: Fire and Ash
F1
Frankenstein
The Lost Bus
Superman
Alternate – Wicked: For Good
Outstanding British Film
28 Years Later
Ballad of a Small Player
The Ballad of Wallis Island
The Choral
Die, My Love
Hamnet
H is for Hawk
I Swear
Pillion
Warfare
Alternate – Steve
Outstanding Debut by a British Writer, Director, or Producer
My Father’s Shadow
Ocean with David Attenborough
Pillion
Urchin
Wasteman
Alternate – The Ceremony
Best Children’s & Family Film
Arco
Grow
How to Train Your Dragon
Zootopia 2
Alternate – Little Amélie or the Character of Rain
That works out to these movies nabbing these numbers in terms of nominations:
14 Nominations
One Battle After Another
13 Nominations
Hamnet, Sinners
8 Nominations
Sentimental Value
7 Nominations
Bugonia, Frankenstein, Marty Supreme
5 Nominations
Pillion
4 Nominations
Wicked: For Good
2 Nominations
Arco, Avatar: Fire and Ash, Blue Moon, F1, I Swear, Ocean with David Attenborough, Sirāt, Zootopia 2
1 Nomination
Apocalypse in the Tropics, Ballad of a Small Player, The Ballad of Wallis Island, The Choral, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, Die, My Love, Downton Abbey: The Grand Finale, Dragonfly, Grow, H is for Hawk, How to Train Your Dragon, If I Had Legs I’d Kick You, It Was Just an Accident, KPop Demon Hunters, The Lost Bus, Mr. Nobody Against Putin, My Father’s Shadow, The Perfect Neighbor, The Secret Agent, The Smashing Machine, Superman, Train Dreams, 28 Years Later, 2000 Meters to Andrivka, Urchin, The Voice of Hind Rajab, Warfare, Wasteman, Weapons
Liam Neeson has a reprieve from interchangeable action flicks this weekend with Marlowe. The neo-noir crime pic reunites the lead (playing the title character detective created by Raymond Chandler) with his Michael Collins director Neil Jordan (Oscar winner for his screenplay for The Crying Game 30 years ago). William Monahan, himself an Academy recipient for his The Departed script, handles writing duties. The supporting cast includes Diane Kruger, Jessica Lange, Adewale Akinnuoye-Agbaje, Alan Cumming, Danny Huston, and Colm Meaney.
Despite the pedigree, Marlowe isn’t turning up many positive reviews. The Rotten Tomatoes score is an underwhelming 24% and early box office returns are meager. Set in 1939 L.A., it was feasible that categories such as Production Design or Costume Design would be in the mix. However, based on initial reactions, this should be long forgotten come nominations time. My Oscar Predictions posts will continue…
It could be time to admit that I’ve slept on My Father’s Dragon when it comes to Oscar consideration. Based on the 1948 children’s book by Ruth Stiles Gannett, the 2-D fantasy makes its way to Netflix on November 11th. It had its unveiling at the London Film Festival. Dragon is the fifth animated feature from Cartoon Saloon and their track record is, shall we say, fire.
The Irish outlet is 4 for 4 when it comes to getting their pics nominated for Best Animated Feature: 2010’s The Secret of Kells, 2014’s Song of the Sea, The Breadwinner from 2017, and 2020’s Wolfwalkers. Despite their success rate getting their product in the final quintet, they’ve yet to win.
Dragon is directed by Nora Twomey, who co-directed Kells and solo helmed The Breadwinner. The sprawling voice cast includes Jacob Tremblay, Gaten Matarazzo, Golshifteh Farahani, Jackie Earle Haley, Whoopi Goldberg, Dianne Wiest, Rita Moreno, Chris O’Dowd, Judy Greer, Alan Cumming, Yara Shahidi, Mary Kay Place, Leighton Meester, and Ian McShane.
Reviews are just beginning to trickle out of London and so far so good. The initial buzz indicates this should be a contender. Like its earlier efforts, I’d say it’s a viable film for nomination and not a victory. My last estimates had it ranked seventh… pretty low for a production company with the aforementioned history.
Yet there could be roadblocks on the Saloon’s road to five in a row. The main one is internal competition from Netflix itself. Most prognosticators (myself included) have Guillermo del Toro’s Pinocchio from the streamer listed in first place. Even though that’s sight unseen, the pedigree would suggest it’ll be Netflix’s biggest push for the gold statue. Others that the company could be focused on include this summer’s acclaimed The Sea Beast and Wendell and Wild from Jordan Peele, which debuts later this month and nabbed positive feedback at the Toronto Film Festival.
That’s four legit contenders from Netflix and Disney (for one) will have something to say about them achieving four nominations (they won’t). Something’s gotta give and we’ll see how the next few weeks play out to determine which movies from the quartet don’t make the dance. My Oscar Prediction posts will continue…
Global Road Entertainment is hoping family audiences turn out for next weekend’s Show Dogs. The live-action comedy exists in a world where humans and canines communicate verbally. That means the voice-over cast includes Ludacris, Jordin Sparks, RuPaul, Gabriel Iglesias, Shaquille O’Neal, Stanley Tucci, and Alan Cumming alongside real cast members Will Arnett and Natasha Lyonne. The pic is directed by Raja Gosnell, who has experience with pup flicks including Scooby-Doo and Beverly Hills Chihuahua (as well as the first two Smurfs entries).
Show Dogs doesn’t exactly seem to be generating much heat, but there isn’t much out there for kids who won’t be allowed to see Deadpool 2 (which opens against it). Family pics can always outdo projections, but I’ll say this falls a under double digits for its premiere. That would put it far from best in show and towards the bottom end of the top 5 for its weekend.
Show Dogs opening weekend prediction: $7.9 million
A glossy and often relevant retelling of one of the most famous matches ever, Valerie Faris and Jonathan Dayton’s Battle of the Sexes is centered on both the tennis court and the court of public opinion. Both matters are firmly on the focused mind of Billie Jean King (Emma Stone), the famed pro who was demanding equal pay for women in 1973 when the picture is set.
King and her fellow female players aren’t getting near that, so they start a league of their own, under the sponsorship of Virginia Slim cigarettes (it was a different time). Another player sees an opportunity to cash in on the publicity and that’s Bobby Riggs (Steve Carell), a former champion now in his mid 50s who spends most of his time as a compulsive gambler (though he doesn’t see it that way). His challenge to King to meet on the court generated a divide among the sexes and many eyeballs on the eventual event – apparently about 90 million.
The court of public opinion doesn’t extend to gender issues. King is married to Larry (Austin Stowell) who helps run her fledgling empire. Yet when she meets free spirit hairdresser Marilyn (Andrea Riseborough), a romance quickly develops. King is smitten, but she knows it must stay in the closet to protect her career.
Battle of the Sexes tells this tale entertainingly and somewhat superficially. The themes of gender equality are ones that render four decades later. Stone has the most material to work with in her nuanced and strong portrayal of King. There’s not much nuance to Carell’s Riggs, though he’s certainly fun to watch.
The screenplay doesn’t delve too deep into his story, but Carell plays it well enough to avoid him becoming a total caricature. King seems to know Bobby isn’t quite the chauvinist louse he purports to be. The same cannot be said for Bill Pullman’s Jack Kramer, a prominent former pro turned announcer who doesn’t understand anything about women’s liberation. The pic is peppered with familiar faces in smaller parts, including Elisabeth Shue as Bobby’s wealthy and frustrated wife and Alan Cumming as the team’s outfit designer who quickly figures out Billie’s affair.
King would eventually earn the Presidential Medal of Freedom due to her advocacy for gay rights and equal pay. Sexes sees her at the advent of that life’s work. We see her drive as she tirelessly practices to beat a man at his game when so few think it’s possible. In fact, hearing Howard Cosell’s actual play-by-play during the game is both a treat and a stark reminder that it was a different era. We know eventually that King’s relentless work ethic will be applied elsewhere and for an even greater cause. Battle doesn’t delve overly deep into how she got there, but it serves up its replay of history admirably enough.
He may not be involved in 2015’s most anticipated film that carries on the franchise he started, but George Lucas is credited with coming up with the story for Strange Magic, out Friday. The 3D animated musical fantasy comes from LucasFilm and features the voices of Alan Cumming, Evan Rachel Wood, Kristen Chenoweth (who also appears in this weekend’s The Boy Next Door), Maya Rudolph, and Alfred Molina.
Competition for family audiences is there with the well performing Paddington entering its sophomore frame. The marketing campaign for Strange Magic has been rather quiet and it doesn’t help that the story isn’t based on a well known property. Nor does it have the trusted Disney or Pixar moniker.
All that considered, I’ll predict this doesn’t even reach a double digit debut out of the gate.
Strange Magic opening weekend prediction: $8.6 million
Eight years ago Today in Movie History – as if you didn’t know – Martin Lawrence returned in Big Momma’s House 2, which easily topped the box office chart with a $27.7 million premiere. The sequel would end up with $70M domestic. It did not reach the heights of its 2000 predecessor which took in $117 million, but that didn’t prevent a third Momma helping in 2011 which managed only $37 million stateside. Lawrence’s creation predated Madea but was clearly influenced by Eddie Murphy’s success in The Nutty Professor which had opened a few years before.
As for birthdays, Alan Cumming is 49 today. Many may know him for his role on TV’s “The Good Wife”, but comic book fans know him as Nightcrawler in X2: X-Men United. Other notable appearances: GoldenEye, Eyes Wide Shut, and the Spy Kids and Smurfs franchises.
Rosamund Pike is 35 today. She also costarred in a Pierce Brosnan Bond film, 2002’s Die Another Day. Since then she’s appeared in Pride&Prejudice, An Education, Wrath of the Titans, Jack Reacher, and The World’s End. Ms. Pike will become much more high-profile when she costars alongside Ben Affleck in this fall’s eagerly awaited David Fincher thriller Gone Girl.
As for Six Degrees of Separation between them – well, they both were in Bond films with Pierce Brosnan. And Cumming was in Eyes Wide Shut with Tom Cruise who was in Jack Reacher with Pike.
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