There’s plenty of belly laughs amidst the bullets in Deadpool & Wolverine and some fleeting emotional moments as well. That’s no shocker as this sub-franchise from Ryan Reynolds has mixed with the bawdy with the blubbery since 2016. Dropping Wolverine into the equation is an example of corporate synergy thanks to Disney’s acquisition of Fox five years ago. You’ll recall that Hugh Jackman’s signature clawed character met a bloody yet dignified end in 2017’s Logan. For those who believe his chapter closed appropriately (and it did), the multiverse machinations of the MCU may seem cash grab inappropriate. I didn’t mind so much because it’s Jackman’s chemistry with Reynolds that provide the high points.
Deadpool’s life is kinda dead in the water in 2024. He’s living full-time as Wade Wilson having retired the mask after being rejected during a job interview for The Avengers. He wants to make a difference on a Tony Stark/Captain America sized scale, but the universe seems to feel otherwise. Broken up with Vanessa (Morena Baccarin) and rooming with Blind Al (Leslie Uggams), his mundane existence in the used car biz is jolted by the Time Variance Authority (TVA).
As exposited by one of their agents Mr. Paradox (a game Matthew MacFadyen), Wade’s “Sacred Timeline” is at risk of crumbling. That’s due to Logan’s aforementioned fate from years earlier since he served as the Timeline’s stalwart anchor. The TVA offers Mr. Pool a way out while his small group of loved ones will perish. His solution is to find another Logan across the multiverses to save the world as he knows it. Naturally he ends up with a boozy, guilt ridden, and reluctant hero version of the once proud X-Man.
The duo end up in the Void which houses outcast varieties of familiar and more unfamiliar superheroes. This wasteland is ruled by Cassandra Nova (Emma Corrin), as X-Men adjacent telepathic with designs on dominating all the dimensions. The Void concept allows for plenty of cameos from the preeminent genre of the 21st century. I wouldn’t dare spoil them, but I’d recommend seeing this quick before X gives it to you. The appearances of these known quantities is good for a few chuckles. Yet I would argue that the dependence on them (especially during the middle section) dulls the sharp humor for a stretch.
D & W could have used more of the two leads just marinating in their beloved personas. With Shawn Levy handling the direction after teaming with Reynolds on Free Guy and The Adam Project, the pic occasionally seems too busy and eager to please. One quibble is that when Pool and Wolvie fight each other, the screenplay (from five writers including Reynolds and Levy) tells us just how awesome it’s about to be!! The truth is that the action sequences are your typical Marvel level mayhem, no more or less. Speaking of eager to please, I do have to shoutout the hideous and simultaneously adorable Mary Puppins aka Dogpool character.
Due to the demerits listed above, I’d rank this third among the three Deadpool movies. I cannot deny that it still manages to the tickle the funny bone with some precision targets uproariously skewered. That includes Disney’s recent misfortunes in its not always marvelous franchise. This won’t be looked at as one of them courtesy of the headliners.
*** (out of four)
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