My Case Of posts covering the nominees for Best Picture continues with Emerald Fennell’s directorial debut Promising Young Woman. This is my sixth write-up for the 8 nominated films. If you missed any of the previous entries, you may find them here:
https://toddmthatcher.com/2021/03/16/oscars-2020-the-case-of-the-father/
https://toddmthatcher.com/2021/03/17/oscars-2020-the-case-of-judas-and-the-black-messiah/
https://toddmthatcher.com/2021/03/18/oscars-2020-the-case-of-mank/
https://toddmthatcher.com/2021/03/21/oscars-2020-the-case-of-minari/
https://toddmthatcher.com/2021/03/21/oscars-2020-the-case-of-nomadland/
The Case for Promising Young Woman
Like The Father and Minari, this jet black revenge dramedy premiered over a year ago at the Sundance Film Festival where it earned rave reviews. It landed five Oscar nods and that includes its director, Carey Mulligan in Actress (where she’s considered a soft frontrunner), Original Screenplay, and Film Editing. The screenplay and editing nods are precisely the nominations a picture needs to be considered a threat to win it all. Furthermore, Fennell’s script just took the Writers Guild of America honor. Promising Young Woman has done what it needs to do to establish itself a genuine threat to the favored Nomadland.
The Case Against Promising Young Woman
While it’s come on strong lately, Nomadland still enjoys its status as the movie to beat this season. If the PGA goes for an upset this week and picks this (or Minari or anything else for that matter), look for that narrative to shift. As of today, however, a Promising victory would be a pretty major upset.
The Verdict
Promising Young Woman could be assisted by its movie of the moment feel. That said, victories in Actress and Original Screenplay are more likely than the grand prize.
My Case Of posts will continue with Sound of Metal…
