It’s not often that the seventh feature in a franchise is considered to be the strongest (sorry Diamonds Are Forever and Saw: The Final Chapter). However, plenty of critics are claiming that to be the case for Minions & Monsters. Out today and prepared to rule the Fourth of July holiday weekend, this is Illumination Entertainment’s latest entry in their blockbuster animated comedic adventures. Pierre Coffin directs and voices the adorable little yellow creatures once again. Familiar faces providing behind the mic contributions include Trey Parker, Allison Janney, Christoph Waltz, Jesse Eisenberg, Jeff Bridges, Zoey Deutch, and Bobby Moynihan.
This is the third feature with the Minions moniker after the 2015 original and 2022 sequel Minions: The Rise of Gru. The series got started sixteen summers ago with Despicable Me and its three follow-ups. An ode to Hollywood in the 1920s, Monsters stands at 90% on Rotten Tomatoes. That’s the freshest RT score of the septet, topping Despicable Me‘s 80% and well ahead of Minions (55%) and Rise of Gru (70%). The 67 Metacritic lags only behind the first Despicable at 72.
The franchise’s Oscar track record got off to a promising start and then leveled off. In 2010, Despicable Me landed a Best Animated Feature nod. In 2013, the sequel was up in that race and also for the inescapable ditty “Happy” from Pharrell Williams in Original Song. None of those nominations resulted in victories and the four pics since haven’t received any recognition.
Monsters has the potential to change that with its better than expected reviews. A Best Animated Feature slot in the quintet is not out of the question. That said, competition is a factor. I’d put it behind Disney’s Hoppers and Toy Story 5 and upcoming releases like Wildwood, Ray Gunn, and Tangles are anticipated to contend. Time will tell if there’s room for the Minions and it might be an uphill battle. My Oscar Prediction posts will continue…
Animation domination looks to be in order over the holiday weekend with Minions & Monsters debuting and Toy Story 5 sliding to the runner-up slot. Angel Studios is also releasing Young Washington focused on the formative years of America’s 1st POTUS. You can peruse my detailed prediction posts on the newcomers here:
The seventh feature in Illumination Entertainment’s Despicable Me/Minions franchise, Monsters is unleashed on Wednesday. The Fourth of July falls on a Saturday where many families will opt for literal fireworks instead of causing financial ones at the multiplex. I’ll project mid 60s for Friday to Sunday while topping nine digits over the five-day rollout.
Young Washington‘s projections are all over the map with some as low as $10 million and others in the $30 million range. The timing of release is hopefully shrewd for its studio. I’m basically splitting the difference with a high teens gross and that should be good for third.
Toy Story 5 may lose around 50% of its audience (especially with the Minions competition) for second place. The sophomore frame decline for Supergirl should be far more significant after a weak opening (more on that below). I have it plummeting in the mid 60s for low teens while Obsession should round out the top five.
Here’s how I envision it shaking out:
1. Minions & Monsters
Predicted Gross: $66.4 million (Friday to Sunday); $106.5 million (Wednesday to Sunday)
2. Toy Story5
Predicted Gross: $35.4 million
3. Young Washington
Predicted Gross: $18.5 million
4. Supergirl
Predicted Gross: $13.2 million
5. Obsession
Predicted Gross: $6.8 million
Box Office Results (June 26-28)
Toy Story 5 fell an understandable 56% in weekend #2 to $70.8 million after a franchise best start. I had it holding stronger at $80.6 million though Disney/Pixar is perfectly happy with the $298 million in its domestic coffers.
The story of the week was the collective meh that audiences and critics greeted Supergirl with. The second pic in the newly configured DC Universe after last summer’s Superman, the stand-alone effort for the Man of Steel’s cousin brought in only $37.1 million compared to my $44.5 million call. To put that in perspective, Superman from last summer started off with $125 million.
Obsession was third with $9.7 million, a touch more than my $9 million forecast. The horror sensation has amassed $233 million after seven weeks.
No previous Jackass flick has earned less than $20 million out of the gate before now. However, series finale Jackass: Best and Last ensured it probably will be the swan song. It opened in fourth with a disappointing $8.4 million, under my $11.3 million projection.
Disclosure Day was fifth with $8.2 million (I said $8.4 million) for an underwhelming three-week take of $94 million.
As we move closer to knowing whether Christopher Nolan’s The Odyssey deserves its placeholder #1 rankings in Best Picture and Director, we have seen some new trailers for consideration in the two weeks since my last update. I have said that you can’t judge a movie by its trailer, but we can look for clues about who the studio will focus on.
Jesse Eisenberg’s follow-up to A Real Pain (which won Kieran Culkin a Supporting Actor Oscar) is not titled No One Cares (which was rumored to be a working name). The first preview reveals it is called The Debut with hints that it’s a somewhat of two-hander between Julianne Moore and Paul Giamatti. That said, I still have Halle Bailey listed as a possibility in Supporting Actress.
We got our first glimpse of Georgia Oakley’s Sense and Sensibility with Daisy Edgar-Jones and Esmé Creed-Miles vying for noms. And we witnessed a Digger promotional ad that certainly indicated the studio will be all in on Tom Cruise.
Also in the past two weeks, Steven Spielberg’s Disclosure Day has proven to be a box office disappointment. In my estimation, its chances in BP and Emily Blunt in Best Actress have gone down.
Toy Story 5 also opened and while reviews were fine, many critics deemed it the weakest of the quintet. Unlike Toy Story 3 and like Toy Story 4, it should reserve a slot in Best Animated Feature but not Best Picture.
Finally, The Invite from Olivia Wilde opened in limited fashion before a nationwide rollout in July. Word-of-mouth is strong and I’m beginning to think it could at least manage an Adapted Screenplay nod… if not more.
You can read all the movement below including a new #1 in Best Actress and some serious shifts in Supporting Actress!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. The Black Ball (PR: 3) (+1)
3. Project Hail Mary (PR: 2) (-1)
4. Digger (PR: 4) (E)
5. Wild Horse Nine (PR: 5) (E)
6. Fjord (PR: 6) (E)
7. The Debut (PR: 7) (E)
8. Dune: Part Three (PR: 8) (E)
9. Obsession (PR: 10) (+1)
10. Cry to Heaven (PR: 9) (-1)
Other Possibilities:
11. A Place in Hell (PR: !3) (+2)
12. The Social Reckoning (PR: 11) (-1)
13. Sense and Sensibility (PR: 15) (+2)
14. All of a Sudden (PR: 12) (-2)
15. Fatherland (PR: 16) (+1)
16. Behemoth! (PR: 17) (+1)
17. The Invite (PR: Not Ranked)
18. Werwulf (PR: 18) (E)
19. The Adventures of Cliff Booth (PR: 20) (+1)
20. Disclosure Day (PR: 14) (-6)
21. Josephine (PR: 21) (E)
22. Jack of Spades (PR: 19) (-3)
23. Saturn Return (PR: 22) (-1)
24. Michael (PR: 23) (-1)
25. Club Kid (PR: 25) (E)
Dropped Out:
Being Heumann
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 2) (E)
3. Alejandro G. Iñárritu, Digger (PR: 3) (E)
4. Martin McDonagh, Wild Horse Nine (PR: 4) (E)
5. Cristian Mungiu, Fjord (PR: 6) (+1)
Other Possibilities:
6. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (-1)
7. Curry Barker, Obsession (PR: 9) (+2)
8. Tom Ford, Cry to Heaven (PR: 7) (-1)
9. Denis Villeneuve, Dune: Part Three (PR: 8) (-1)
10. Ryusuke Hamaguchi, All of a Sudden (PR: 12) (+2)
11. Pawel Pawlikowski, Fatherland (PR: 10) (-1)
12. Jesse Eisenberg, The Debut (PR: 11) (-1)
13. Chloe Domont, A Place in Hell (PR: 13) (E)
14. Georgia Oakley, Sense and Sensibility (PR: 14) (E)
15. Tony Gilroy, Behemoth! (PR: Not Ranked)
Dropped Out:
Robert Eggers, Werwulf
Best Actress
Predicted Nominees:
1. Michelle Williams, A Place in Hell (PR: 3) (+2)
2. Julianne Moore, The Debut (PR: 2) (E)
3. Renate Reinsve, Fjord (PR: 1) (-2)
4. Mikey Madison, The Social Reckoning (PR: 5) (+1)
5. Sandra Hüller, Rose (PR: 9) (+4)
Other Possibilities:
6. Virginie Efira, All of a Sudden (PR: 4) (-2)
7. Daisy Edgar-Jones, Sense and Sensibility (PR 8) (+1)
8. Sandra Hüller, Fatherland (PR: 6) (-2)
9. Cynthia Erivo, Prima Facie (PR: 10) (+1)
10. Emily Blunt, Disclosure Day (PR: 7) (-3)
11. Ruth Madeley, Being Heumann (PR: 11) (E)
12. Mason Reeves, Josephine (PR: 12) (E)
13. Sophie Okonedo, Clarissa (PR: 13) (E)
14. Penélope Cruz, Bunker (PR: 14) (E)
15. Zendaya, The Drama (PR: Not Ranked)
Dropped Out:
Léa Seydoux, Gentle Monster
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. John Malkovich, Wild Horse Nine (PR: 4) (+1)
4. Sebastian Stan, Fjord (PR: 3) (-1)
5. John Turturro, The Only Living Pickpocket in New York (PR: 6) (+1)
Other Possibilities:
6. Matt Damon, The Odyssey (PR: 5) (-1)
7. Pedro Pascal, Behemoth! (PR: 7) (E)
8. Jaafar Jackson, Michael (PR: 9) (+1)
9. Nicholas Hoult, Cry to Heaven (PR: 8) (-1)
10. Robert Pattinson, Primetime (PR: 11) (+1)
11. Dominic Sessa, Tony (PR: 10) (-1)
12. Guitarricadelfuente, The Black Ball (PR: Not Ranked)
13. Rami Malek, The Man I Love (PR: 14) (+1)
14. Timothée Chalamet, Dune: Part Three (PR: 12) (-2)
15. Hanns Zischler, Fatherland (PR: 13) (-2)
Dropped Out:
Jordan Firstman, Club Kid
Best Supporting Actress
Predicted Nominees:
1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Inde Navarrette, Obsession (PR: 2) (E)
3. Penélope Cruz, The Black Ball (PR: 4) (+1)
4. Daisy Edgar-Jones, A Place in Hell (PR: 9) (+5)
5. Esmé Creed-Miles, Sense and Sensibility (PR: 10) (+5)
Other Possibilities:
6. Parker Posey, Wild Horse Nine (PR: 7) (+1)
7. Penélope Cruz, The Invite (PR: 11) (+4)
8. Anne Hathaway, The Odyssey (PR: 6) (-2)
9. Tao Okamato, All of a Sudden (PR: 5) (-4)
10. Sandra Hüller, Digger (PR: 3) (-7)
11. Sandra Hüller, Project Hail Mary (PR: 8) (-3)
12. Halle Bailey, The Debut (PR: 12) (E)
13. Lola Dueñas, The Black Ball (PR: Not Ranked)
14. Elizbeth Debicki, The Adventures of Cliff Booth (PR: 14) (E)
15. Gemma Chan, Josephine (PR: Not Ranked)
Dropped Out:
Scarlett Johansson, Paper Tiger
Lesley Manville, Jack of Spades
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, The Debut (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Robert Pattinson, The Odyssey (PR: 4) (E)
5. Steve Buscemi, Wild Horse Nine (PR: 5) (E)
Other Possibilities:
6. Riz Ahmed, Digger (PR: 10) (+4)
7. Jeremy Strong, The Social Reckoning (PR: 6) (-1)
8. Andrew Scott, A Place in Hell (PR: 9) (+1)
9. James Ortiz, Project Hail Mary (PR: 12) (+3)
10. Jesse Plemons, Digger (PR: 7) (-3)
11. Edward Norton, The Invite (PR: Not Ranked)
12. Channing Tatum, Josephine (PR: 11) (-1)
13. Colman Domingo, Michael (PR: 8) (-5)
14. Milo Quifes, The Black Ball (PR: Not Ranked)
15. Miguel Bernardeau, The Black Ball (PR: Not Ranked)
Dropped Out:
Tom Holland, The Odyssey
Aaron Taylor-Johnson, Cry to Heaven
Owen Cooper, Cry to Heaven
Best Original Screenplay
Predicted Nominees:
1. Wild Horse Nine (PR: 1) (E)
2. Digger (PR: 2) (E)
3. The Debut (PR: 4) (+1)
4. Fjord (PR: 3) (-1)
5. A Place in Hell (PR: 5) (E)
Other Possibilities:
6. Obsession (PR: 6) (E)
7. Behemoth! (PR: 8) (E)
8. Club Kid (PR: 9) (E)
9. The Only Living Pickpocket in New York City (PR: Not Ranked)
10. Jack of Spades (PR: 10) (E)
11. Josephine (PR: 12) (+1)
12. Fatherland (PR: 9) (-3)
13. Primetime (PR: 11) (-2)
14. Saturn Return (PR: 15) (+1)
15. Teenage Sex and Death at Camp Miasma (PR: Not Ranked)
Looking to set off fireworks over the long holiday weekend, Minions & Monsters attacks multiplexes on July 1st. The seventh overall feature in the Despicable Me/Minions sagas, the animated comedy finds creator Pierre Coffin directing and voicing the beloved animated yellow creatures. The Illumination Entertainment production also features vocal contributions from Allison Janney, Christoph Waltz, Jeff Bridges, Jesse Eisenberg, Zoey Deutch, Bobby Moynihan, and Trey Parker.
A prequel set in the 1920s (nearly a half century before 2015’s Minions), Monsters should stay the course for a remarkably durable franchise. Early critical response is thumbing up as kids and parents should turn out in droves. That said, the seventh offering (behind four Despicable Me entries and two Minions flicks) is unlikely to threaten series best figures. There’s also Toy Story 5 in its third outing and it should still be performing well.
Illumination has made it a habit to open these pics in the 4th of July corridor or a tad later in the month. Minions hold the highest overall 3-day debut at $115 million right after the holiday. 2022’s Minions: The Rise of Gru opened on July 1 with a three-day take of $107 million. For this one, a Wednesday beginning is occurring. The Fourth of July is landing on a Saturday. Based on historical precedence, that should mean a dip in earnings on that date since plenty of families will be preoccupied with the 250th celebration. It also means the Wednesday and Thursday numbers should play like a traditional weekend date.
I’ll project a mid 60s gross from Friday to Sunday while it gets above nine digits for the five-day.
Minions & Monsters opening weekend prediction: $66.4 million (Friday to Sunday); $106.5 million (Wednesday to Sunday)
Supergirl will attempt to fly high and challenge Toy Story 5 for box office bragging rights as June closes out, but it faces considerable odds. The DC Studios adventure opens alongside Johnny Knoxville and his band of pranksters in Jackass: Best and Last. You can peruse my detailed prediction posts on the newcomers here:
The rosiest estimates have Supergirl approaching $60 million. Even if that occurs, it’s probably not enough to catch Toy Story 5 which should ease in the mid 40s-50 percent range. I’m taking the under with Supergirl and projecting mid 40s. That would leave it well behind in the runner-up position.
Jackass: Best and Last should the first of the five big screen franchise entries to open under $20 million. My low teens forecast would mean a third place showing as the series may be running out of steam with the alleged final edition.
Holdovers Obsession and Disclosure Day may flip spots as the former should have a smaller decline.
Here’s how I see the top 5 shaking out:
1. Toy Story 5
Predicted Gross: $80.6 million
2. Supergirl
Predicted Gross: $44.5 million
3. Jackass: Best and Last
Predicted Gross: $11.3 million
4. Obsession
Predicted Gross: $9 million
5. Disclosure Day
Predicted Gross: $8.4 million
Box Office Results (June 19-21)
Toy Story 5 had the second best Disney/Pixar sequel opening in history. That also means it had the second strongest beginning for any animated feature behind Incredibles 2. The return of Woody and Buzz kicked off in line with expectations at $159.6 million. I was a bit more generous with $166.8 million, but this is still a massively pleasing result for the Mouse House.
Steven Spielberg’s Disclosure Day, after a premiere at the bottom end of its anticipated range, fell a troubling 60% in its sophomore outing to $17.7 million. I figured it would hold a bit better at $21.5 million. That B Cinemascore grade is evidenced by the performance.
Obsession made $13.3 million in third as it’s finally starting to drop from week to week. I had it at $15.2 million and the horror phenomenon has hauled in $215 million after six weeks.
A24 smash Backrooms was fourth with $7.1 million (I said $6.6 million) for a four-week tally of $175 million. The news wasn’t good for A24 everywhere (more on that in a second).
Scary Movie rounded out the top five with $6.3 million, on target with my $6.1 million call. The spoof sequel is near nine digits with $97 million in three weeks.
That aforementioned A24 bad news came from The Death of Robin Hood with Hugh Jackman. With middling reviews and non-existent buzz, it bombed in 8th place with $2.8 million compared to my $3.8 million prediction.
Disney/Pixar’s Toy Story franchise has had a storied history at the Oscars and it would be more impressive had the Best Animated Feature category existed prior to 2001. The original from 1995 and its 1999 sequel would have been near certainties for that statue (even with part two facing serious competition from The Iron Giant, South Park: Bigger, Longer & Uncut, and Princess Mononoke). In 2010, Toy Story 3 not only won the animated race, but was up for Best Picture. Nine years later, the fourth feature didn’t nab a BP slot but did take the animation prize.
That brings us to Toy Story 5, out this weekend. Andrew Stanton, who’s already taken Best Animated Feature twice for Finding Nemo and Wall-E, finally takes over directorial duties after co-creating the series over 30 years ago. Tom Hanks and Tim Allen are back voicing the iconic characters of Woody and Buzz along with returnees Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Ernie Hudson, Bad Bunny, and Alan Cumming.
Unsurprisingly, reviews for Toy Story 5 are just fine… with a caveat. While the Rotten Tomatoes meter is 94%, Metacritic is at 74. That’s easily the lowest of the quintet with second lowest being #4 at 84. For that matter, that RT score is the “lowest” as well with the next being the fourth again at 97%.
Why is this important? I think it tells us that, like #4, a Best Picture nomination isn’t happening. Nor is this in the mix for Adapted Screenplay where #3 competed. It also opens the door to #5 not being a shoo-in to win Animated Feature though we’ll see what competition arises in the months to come. Recent examples of Mouse House sequels not taking that trophy are Incredibles 2, Inside Out 2 and Zootopia 2.
Every previous Toy Story flick has seen an Original Song nominated with Randy Newman’s “We Belong Together” victorious for #3. It’s hard to imagine Taylor Swift’s “I Knew It, I Knew You” not getting one of the five spots. It’s already a radio mainstay and would mark the pop star’s first Oscar nod. This is a golden opportunity for the Academy to have her perform at the 99th ceremony. My Oscar Prediction posts will continue…
Blogger’s Update (06/17): It is being reported that The Death of Robin Hood is only hitting around 1000 screens so I revising my estimate down from $8 million to a mere $3.8 million. That would put it in outside of the top 5
Toy Story 5 should dominate the upcoming weekend as the franchise enters its fourth decade of existence. The other premiere is Michael Sarnoski’s The Death of Robin Hood with Hugh Jackman in the title role. You can peruse my detailed prediction posts on the newcomers here:
In order to set the series record for highest opening, Disney/Pixar’s fifth round of Woody and Buzz needs to top the $120 million earned by part 4 in 2019. I’ve got it doing that with plenty of room to spare. My prediction also gives it 2026’s largest out of the gate haul currently held by The Super Mario Galaxy Movie with $131 million.
I’m not expecting much from Robin Hood and my fourth place forecast could decrease if the screen count is lower than the 2000-2500 venues I’m assuming. The A24 title seemingly hasn’t picked up much buzz though it’ll hope for some Father’s Day traffic.
Disclosure Day from Steven Spielberg got off to a decent if unspectacular beginning (more on that below). The sci-fi adventure hopes for a somewhat meager sophomore frame drop though I’ve got it falling in the low to mid 50s.
Obsession should be third while holdovers Scary Movie and Backrooms should duke it out for fifth place with the latter perhaps having a slight edge.
Here’s how I see the top 6 shaking out:
1. Toy Story 5
Predicted Gross: $166.8 million
2. Disclosure Day
Predicted Gross: $21.5 million
3. Obsession
Predicted Gross: $15.2 million
4. Backrooms
Predicted Gross: $6.6 million
5. Scary Movie
Predicted Gross: $6.1 million
Box Office Results (June 12-14)
In short, everything made less than I projected over the weekend. In more detail, Disclosure Day kicked off in the middle of its anticipated range with $44.5 million. I thought Spielberg’s return to the alien genre would fare better at $51.6 million. The B Cinemascore grade, not encouraging for a blockbuster, suggests a heftier drop than I might’ve originally thought could be coming.
Obsession, in its fifth frame, at last saw it grosses go down. That said, the 25% decline to $19 million gave the horror smash (and now Oscar contender in my view) a total of $188 million thus far.
Scary Movie had a massive 74% fall in weekend #2 with $14.2 million compared to my far more generous $22 million take. The sixth edition in the spoof series sits at $84 million.
Backrooms was fourth with $11.5 million, just under my $12.4 million call. This scary movie has amassed $160 million after three weeks.
Finally, Masters of the Universe solidified placement as a summer flop with a 70% plummet in its sophomore outing with $8.9 million. Once again, my benefit doubting forecast of $13.5 million proved false. The two-week tally is a weak $46 million.
30 plus years after kicking off the Pixar craze for parent company Disney, Woody and Buzz are back in theaters with Toy Story 5 on June 19th. The beloved franchise arrives seven years after the fourth entry which set a series best in terms of domestic earnings at $434 million. Andrew Stanton, maker of Pixar smashes Finding Nemo and Wall-E, directs his first Toy tale (he had screenwriter or story credit on the previous ones). Tom Hanks and Tim Allen are back voicing their iconic characters as are Joan Cusack, Tony Hale, John Ratzenberger, Wallace Shawn, Blake Clark, Annie Potts, Bonnie Hunt, Melissa Villaseñor, Kristen Schaal, Keanu Reeves, and Ally Maki. Newcomers behind the mic include Greta Lee, Conan O’Brien, Craig Robinson, Bad Bunny, Ernie Hudson, and Alan Cumming.
Each Story since 1995 has topped the grosses of its predecessor (non adjusted for inflation). Toy Story 4 also had the largest opening of the quartet at $120 million (the third did $110 million). Early word-of-mouth suggests this is an improvement over part 4. That should mean this has no trouble setting a new series debut record. It it doesn’t, that would be considered a letdown.
I think the floor is $130 million. While not out of the question that this could surpass it, Pixar’s all-time largest premiere held by Incredibles 2 at $182 million should stay intact. Toy Story 5 should, however, challenge Inside Out 2 at #2 and its $154 million. I’ll say it gets beyond that for the highest 2026 start, besting The Super Mario Galaxy Movie‘s $131 million.
Toy Story 5 opening weekend prediction: $166.8 million
For my The Death of Robin Hood prediction, click here:
And we are off to the races with my first Oscar predictions for the 99th Academy Awards.
We are not a month removed from the 98th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They have been unfolding on the blog over the last few days. I already posted my takes for the acting races and director and they can be accessed here:
That brings us to the biggest race of all – Best Picture. When I did my first projections for BP for the 98th ceremony back in April of 2025, I correctly named 80% of the eventual contenders among the five nominated pics or in other possibilities. Hamnet, Marty Supreme, and Sentimental Value were rightly projected to make the cut. Eventual winner One Battle After Another along with Bugonia, F1, Frankenstein, and Sinners were listed in other possibilities. The Secret Agent and Train Dreams were not mentioned at that early juncture.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system at Cannes, Telluride, Toronto, and Venice.
This premiere post assumes that one pic already in release has reserved a spot and that’s box office juggernaut Project Hail Mary. It could be joined by another likely mega earner in Christopher Nolan’s The Odyssey. Foreign fare such as All of a Sudden, Fatherland, and Fjord (all premiering at Cannes) are also on my radar.
My initial ranked predictions in the six major races (as well as the screenplay competitions) will be posted soon. In the meantime, here’s the first glimpse at BP.
TODD’S FIRST OSCAR PREDICTIONS FOR BEST PICTURE AT THE 99TH ACADEMY AWARDS
We are less than two weeks away from KPop Demon Hunters likely giving Netflix a Best Animated Feature victory at the Oscars for the 98th Academy Awards. This Friday, Disney/Pixar is releasing a sci-fi comedy that could easily make the quintet at the 99th. Daniel Chong’s Hoppers features a voice cast including Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco.
With 96% on Rotten Tomatoes and a 77 Metacritic, reviews are strong enough that it should become the 21st Pixar title to nab a spot among the contending five. It should have competition from its own studio in the form of this summer’s Toy Story 4. Parts 3 and 4 won the prize and the first two probably would’ve had the category existed when they were released.
Hoppers also features an original song titled “Save the Day” from SZA and the Mouse House will probably mount a campaign for it in Original Song. Besides the fifth edition of Woody and Buzz, there will be other animated fare vying for the votes of Academy members in the coming months. Pixar’s first 2026 offering has already staked its claim for attention. My Oscar Prediction posts will continue…
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