We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:
Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.
So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.
Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.
While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.
There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.
Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.
Elvis has left the top ten predicted nominees in my Best Picture rankings and it’s Park Chan-wook’s Decision to Leave back in the mix. The good news continues for Leave as it returns to #1 in International Feature Film over its close competitor All Quiet on the Western Front.
While the directing and lead acting derbies remain the same, there are changes in both supporting races. Stephanie Hsu (Everything Everywhere All at Once) is back in Supporting Actress over Dolly de Leon (Triangle of Sadness). Judd Hirsch (The Fabelmans) falls out of the Supporting Actor quintet with Barry Keoghan (The Banshees of Inisherin) moving up.
Another picture increasing its nomination count is Living. I already had Bill Nighy in the Best Actor five and I’m now putting it in Adapted Screenplay while removing White Noise. Living also makes its debut in Costume Design for a total of three nods.
Later this week, I’ll have State of the Race detailed posts on the six major competitions (Picture, Director, the 4 acting contests).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
6. Top Gun: Maverick (PR: 7) (+1)
7. Tár (PR: 6) (-1)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 10) (+1)
10. Decision to Leave (PR: 14) (+4)
Other Possibilities:
11. All Quiet on the Western Front (PR: 11) (E)
12. She Said (PR: 12) (E)
13. Elvis (PR: 9) (-3)
14. Avatar: The Way of Water (PR: 13) (-1)
15. Glass Onion: A Knives Out Mystery (PR: 15) (E)
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 4) (+1)
4. Sarah Polley, Women Talking (PR: 3) (-1)
5. Todd Field, Tár (PR: 5) (E)
Other Possibilities:
6. Park Chan-wook, Decision to Leave (PR: 8) (+2)
7. Edward Berger, All Quiet on the Western Front (PR: 7) (E)
8. Martin McDonagh, The Banshees of Inisherin (PR: 6) (-2)
9. Ruben Ostlund, Triangle of Sadness (PR: 10) (+1)
10. James Cameron, Avatar: The Way of Water (PR: 9) (-1)
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Viola Davis, The Woman King (PR: 7) (E)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (+1)
9. Jennifer Lawrence, Causeway (PR: 10) (+1)
10. Rooney Mara, Women Talking (PR: Not Ranked)
Dropped Out:
Ana de Armas, Blonde
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 3) (+1)
3. Austin Butler, Elvis (PR: 2) (-1)
4. Bill Nighy, Living (PR: 5) (+1)
5. Hugh Jackman, The Son (PR: 4) (-1)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)
8. Jeremy Pope, The Inspection (PR: 10) (+2)
9. Adam Driver, White Noise (PR: 9) (E)
10. Song Kang-ho, Broker (PR: 8) (-2)
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Jessie Buckley, Women Talking (PR: 2) (E)
3. Kerry Condon, The Banshees of Inisherin (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Dolly de Leon, Triangle of Sadness (PR: 5) (-1)
7. Carey Mulligan, She Said (PR: Not Ranked)
8. Nina Hoss, Tár (PR: 7) (-1)
9. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 8) (-1)
10. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 10) (E)
Dropped Out:
Thuso Mbedu, The Woman King
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Paul Dano, The Fabelmans (PR: 3) (E)
4. Ben Whishaw, Women Talking (PR: 4) (E)
5. Barry Keoghan, The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Judd Hirsch, The Fabelmans (PR: 5) (-1)
7. Brad Pitt, Babylon (PR: 7) (E)
8. Woody Harrelson, Triangle of Sadness (PR: 8) (E)
9. Brian Tyree Henry, Causeway (PR: 10) (+1)
10. Tom Hanks, Elvis (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. The Banshees of Inisherin (PR: 3) (E)
4. Triangle of Sadness (PR: 4) (E)
5. Tár (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. Decision to Leave (PR: 7) (E)
8. Armageddon Time (PR: 8) (E)
9. Broker (PR: Not Ranked)
10. The Menu (PR: 10) (E)
Dropped Out:
Empire of Light
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. Living (PR: 6) (+1)
Other Possibilities:
6. White Noise (PR: 5) (-1)
7. Bones and All (PR: 8) (+1)
8. Top Gun: Maverick (PR: 9) (+1)
9. All Quiet on the Western Front (PR: Not Ranked)
10. The Son (PR: 10) (E)
Dropped Out:
Till
Best Animated Feature
Predicted Nominees:
1 . Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Wendell and Wild (PR: 4) (+1)
4. Strange World (PR: 3) (-1)
5. Marcel the Shell with Shoes On (PR: 5) (E)
Other Possibilities:
6. The Sea Beast (PR: 7) (+1)
7. The Bad Guys (PR: 6) (-1)
8. My Father’s Dragon (PR: 8) (E)
9. Minions: The Rise of Gru (PR: 9) (E)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 2) (+1)
2. All Quiet on the Western Front (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Bardo (PR: 4) (E)
5. Saint Omer (PR: 5) (E)
Other Possibilities:
6. Argentina, 1985 (PR: 9) (+3)
7. Holy Spider (PR: 7) (E)
8. Alcarras (PR: 8) (E)
9. Klondike (PR: 6) (-3)
10. EO (PR: Not Ranked)
Dropped Out:
Corsage
Best Documentary Feature
Predicted Nominees:
1 . All the Beautyand the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Fire of Love (PR: 5) (E)
Other Possibilities:
6. Last Flight Home (PR: 9) (+3)
7. The Territory (PR: 6) (-1)
8. Moonage Daydream (PR: 8) (E)
9. Good Night Oppy (PR: 7) (-2)
10. Aftershock (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 3) (+1)
3. Empire of Light (PR: 2) (-1)
4. Bardo (PR: 4) (E)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Avatar: The Way of Water (PR: 6) (E)
7. The Banshees of Inisherin (PR: 8) (+1)
8. Top Gun: Maverick (PR: 7) (-1)
9. Tár (PR: Not Ranked)
10. Everything Everywhere All at Once (PR: 9) (-1)
Dropped Out:
Emancipation
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. Mrs. Harris Goes to Paris (PR: 4) (E)
5. Living (PR: 8) (+3)
Other Possibilities:
6. The Fabelmans (PR: 7) (+1)
7. The Woman King (PR: 6) (-1)
8. Corsage (PR: 5) (-3)
9. Three Thousand Years of Longing (PR: Not Ranked)
10. Everything Everywhere All at Once (PR: 9) (-1)
Dropped Out:
Blonde
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Babylon (PR: 4) (+1)
4. The Fabelmans (PR: 3) (-1)
5. Elvis (PR: 6) (+1)
Other Possibilities:
6. Tár (PR: 7) (+1)
7. Women Talking (PR: 5) (-2)
8. Avatar: The Way of Water (PR: 9) (+1)
9. All Quiet on the Western Front (PR: 8) (-1)
10. Decision to Leave (PR: Not Ranked)
Dropped Out:
Bardo
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. The Batman (PR: 4) (E)
5. Everything Everywhere All at Once (PR: 5) (E)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. All Quiet on the Western Front (PR: Not Ranked)
8. Three Thousand Years of Longing (PR: 10) (+2)
9. The Woman King (PR: 7) (-2)
10. X (PR: 8) (-2)
Dropped Out:
Blonde
Best Original Score
Predicted Nominees:
1. The Fabelmans (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Empire of Light (PR: 3) (E)
4. Women Talking (PR: 7) (+3)
5. Guillermo del Toro’s Pinocchio (PR: 6) (+1)
Other Possibilities:
6. Tár (PR: 4) (-2)
7. The Banshees of Inisherin (PR: 5) (-2)
8. Avatar: The Way of Water (PR: 10) (+2)
9. The Batman (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 9) (-1)
Dropped Out:
Bardo
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Naatu Naatu” from RRR (PR: 3) (+1)
3. “Nobody Like U” from Turning Red (PR: 2) (-1)
4.“Applause” from Tell It Like a Woman (PR: 4) (E)
5. “Carolina” from Where the Crawdads Sing (PR: 6) (+1)
Other Possibilities:
6. “This Is a Life” from Everything Everywhere All at Once (PR: 7) (+1)
7. “Stand Up” from Till (PR: 5) (-2)
8. “New Body Rhumba” from White Noise (PR: 8) (E)
9. “On My Way” from Marry Me (PR: 9) (E)
10. “At the Automat” from The Automat (PR: Not Ranked)
Dropped Out:
“Love Is Not Love” from Bros
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Avatar: The Way of Water (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 4) (E)
5. The Fabelmans (PR: 6) (+1)
Other Possibilities:
6. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
7. Empire of Light (PR: 8) (+1)
8. Everything Everywhere All at Once (PR: 7) (-1)
9. Glass Onion: A Knives Out Mystery (PR: 9) (E)
10. Bardo (PR: 5) (-5)
Dropped Out:
The Batman
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Babylon (PR: 4) (+1)
4. The Batman (PR: 6) (+2)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Elvis (PR: 3) (-3)
7. Black Panther: Wakanda Forever (PR: 7) (E)
8. Everything Everywhere All at Once (PR: Not Ranked)
9. Tár (PR: Not Ranked)
10. Nope (PR: 8) (-2)
Dropped Out:
The Fabelmans
Bardo
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 6) (+2)
5. Doctor Strange in the Multiverse of Madness (PR: 4) (-1)
Other Possibilities:
6. The Batman (PR: 5) (-1)
7. Black Panther : Wakanda Forever (PR: 7) (E)
8. RRR (PR: 8) (E)
9. All Quiet on the Western Front (PR: 10) (+1)
10. Good Night Oppy (PR: 9) (-1)
And that equates to these pictures garnering these numbers of nominations:
10 Nominations
Babylon
9 Nominations
Everything Everywhere All at Once, The Fabelmans
7 Nominations
Women Talking
6 Nominations
The Banshees of Inisherin
5 Nominations
Elvis, Top Gun: Maverick, The Whale
4 Nominations
Tár
3 Nominations
All Quiet on the Western Front, Avatar: The Way of Water, Guillermo del Toro’s Pinocchio, Living
2 Nominations
Bardo, The Batman, Black Panther: Wakanda Forever, Decision to Leave, Empire of Light, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, Close, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, She Said, The Son, Strange World, Tell It Like a Woman, Till, Wendell and Wild, Where the Crawdads Sing
After its debut at Telluride, Sarah Polley’s Women Talking has awards pundits talking about its solid reception. Based on a 2018 novel by Miriam Toews, it focuses on a group of Mennonite women who are subject to sexual abuse. The powerhouse cast includes Rooney Mara, Claire Foy, Jessie Buckley, Ben Whishaw, and Frances McDormand.
Based on a small number of reviews, critics are positive across the board with a Rotten Tomatoes score of 100%. There wasn’t much doubt that Women could be a contender at the Oscars. A better question was which performers would stand out. First things first. McDormand (who serves as a producer) apparently has a small role so she will not vie for a fourth acting statue. If any of the cast goes lead, it sounds like Mara would be the choice and her inclusion in Best Actress could come down to competition. A likelier scenario is Buckley or Foy (or both) in Supporting Actress and Whishaw in Supporting Actor. That would mark the second nomination for Buckley after last year’s The Lost Daughter and the first for Foy (who was surprisingly snubbed in 2018 for First Man). This would also be Whishaw’s first trip to the dance. Early chatter has praised Judith Ivey and Sheila McCarthy as well, but I wouldn’t be surprised if United Artists focuses on the higher profile thespians.
I’ve had Women Talking in my ten BP hopefuls for weeks and Telluride confirms its placement there. Polley could make the final five for her direction and her inclusion for Adapted Screenplay seems assured. Hildur Guðnadóttir’s score (she’s a past winner for Joker) and Cinematography are tech possibilities.
Bottom line: Women. Talking is showing itself to be worthy of chatter in the months to come. My Oscar Prediction posts will continue…
As May comes to a close and the Cannes Film Festival wraps up, I’m giving you a fresh update in the six major Oscar categories!
In Best Picture, I’m elevating Empire of Light from Sam Mendes into the top ten and that takes Rustin out. The Daniels from Everything Everywhere All at Once vault into Director to the detriment of Sarah Polley for Women Talking.
Empire of Light also benefits in Best Actress with Olivia Colman in over Carey Mulligan from She Said. While Actor and Supporting Actress remain unchanged, there’s two alterations in Supporting Actor with Ke Huy Quan (Everything Everywhere…) and Jesse Plemons (Killers of the Flower Moon) in over John David Washington (Amsterdam) and Tom Hanks (Elvis).
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 6) (+2)
5. The Son (PR: 5) (E)
6. Women Talking (PR: 4) (-2)
7. Bardo (PR: 8) (+1)
8. She Said (PR: 7) (-1)
9. Empire of Light (PR: 16) (+7)
10. The Whale (PR: 9) (-1)
Other Possibilities:
11. Rustin (PR: 10) (-1)
12. Broker (PR: Not Ranked)
13. Decision to Leave (PR: 12) (-1)
14. Amsterdam (PR: 11) (-3)
15. White Noise (PR: 13) (-2)
16. Thirteen Lives (PR: 21) (+5)
17. Elvis (PR: 20) (+3)
18. Poor Things (PR: 14) (-4)
19. Avatar: The Way of Water (PR: 15) (-4)
20. Top Gun: Maverick (PR: Not Ranked)
21. Armageddon Time (PR: 19) (-2)
22. Till (PR: 18) (-4)
23. Next Goal Wins (PR: 25) (+2)
24. Tar (PR: 17) (-7)
25. Aftersun (PR: Not Ranked)
Dropped Out:
The Woman King
Three Thousand Years of Longing
Don’t Worry Darling
Best Director
Predicted Nominees:
Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
4. Dan Kwan & Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (+2)
5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)
Other Possibilities:
6. Sarah Polley, Women Talking (PR: 4) (-2)
7. Florian Zeller, The Son (PR: 7) (E)
8. Park Chan-wook, Decision to Leave (PR: 9) (+1)
9. Sam Mendes, Empire of Light (PR: 15) (+6)
10. Hirokazu Kore’eda, Broker (PR: Not Ranked)
11. Darren Aronofsky, The Whale (PR: 10) (-1)
12. Maria Schrader, She Said (PR: 8) (-4)
13. David O. Russell, Amsterdam (PR: 13) (E)
14. James Cameron, Avatar: The Way of Water (PR: 12) (-2)
15. Yorgos Lanthimos, Poor Things (PR: 14) (-1)
Dropped Out:
George C. Wolfe, Rustin
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon (PR: 1) (E)
2. Regina King, Shirley (PR: 2) (E)
3. Michelle Yeoh, Everything Everywhere All at Once (PR: 4) (+1)
4. Olivia Colman, Empire of Light (PR: 9) (+5)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 3) (-3)
7. Cate Blanchett, Tar (PR: 6) (-1)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)
9. Emma Stone, Poor Things (PR: 7) (-2)
10. Laura Dern, The Son (PR: 11) (+1)
11. Viola Davis, The Woman King (PR: 10) (-1)
12. Michelle Williams, Showing Up (PR: Not Ranked)
13. Helen Mirren, Golda (PR: Not Ranked)
14. Ana de Armas, Blonde (PR: 14) (E)
15. Saoirse Ronan, See How They Run (PR: 13) (-2)
Dropped Out:
Florence Pugh, Don’t Worry Darling
Tilda Swinton, Three Thousand Years of Longing
Best Actor
Predicted Nominees:
1. Hugh Jackman, The Son (PR: 1) (E)
2. Brendan Fraser, The Whale (PR: 2) (E)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (+1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Austin Butler, Elvis (PR: 5) (E)
Other Possibilities:
6. Song Kang-Ho, Broker (PR: Not Ranked)
7. Christian Bale, Amsterdam (PR: 6) (-1)
8. Adam Driver, White Noise (PR: 9) (+1)
9. Daniel Gimenez Cacho, Bardo (PR: 10) (+1)
10. Diego Calva, Babylon (PR: 7 (-3)
11. Michael Fassbender, Next Goal Wins (PR: 12) (+1)
12. Viggo Mortensen, Thirteen Lives (PR: 11) (-1)
13. Gabriel LaBelle, The Fabelmans (PR: 8) (-5)
14. Paul Mescal, Aftersun (PR: Not Ranked)
15. Colin Farrell, The Banshees of Inisherin (PR: 13) (-2)
Dropped Out:
Joaquin Phoenix, Disappointment Blvd.
Idris Elba, Three Thousand Years of Longing
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 2) (+1)
2. Lily Gladstone, Killers of the Flower Moon (PR: 1) (-1)
3. Vanessa Kirby, The Son (PR: 4) (+1)
4. Jessie Buckley, Women Talking (PR: 5) (+1)
5. Zoe Kazan, She Said (PR: 3) (-2)
Other Possibilities:
6. Hong Chau, The Whale (PR: 6) (E)
7. Jean Smart, Babylon (PR: 7) (E)
8. Audra McDonald, Rustin (PR: 13) (+5)
9. Stephanie Hsu, Everything Everywhere All at Once (PR: 10) (+1)
10. Patricia Clarkson, She Said (PR: 12) (+2)
11. Whoopi Goldberg, Till (PR: 8) (-3)
12. Margot Robbie, Amsterdam (PR: 9) (-3)
13. Dakota Johnson, Cha Cha Real Smooth (PR: Not Ranked)
14. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)
15. Anne Hathaway, Armageddon Time (PR: Not Ranked)
Dropped Out:
Rooney Mara, Women Talking
Margaret Qualley, Poor Things
Thuso Mbedu, The Woman King
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 3) (+1)
3. Brad Pitt, Babylon (PR: 2) (-1)
4. Ke Huy Quan, Everything Everywhere All at Once (PR: 6) (+2)
5. Jesse Plemons, Killers of the Flower Moon (PR: 9) (+4)
My second round of Oscar predictions in the six biggest races are before you. When I update them next, we’ll be in the midst of the Cannes Film Festival where some of these hopefuls are screening.
As for category placement changes, I’ve moved Jesse Plemons in Killers of the Flower Moon to Supporting Actor from lead. It remains to be seen which contest he’s placed in. If it is supporting, we shall see if it’s him or Robert De Niro that gets the buzz. I’m betting on the latter at press time.
Let’s get into it!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 3) (+1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Women Talking (PR: 5) (+1)
5. The Son (PR: 4) (-1)
6. Everything Everywhere All at Once (PR: 8) (+2)
7. She Said (PR: 6) (-1)
8. Bardo (PR: 7) (-1)
9. The Whale (PR: 9) (E)
10. Rustin (PR: 10) (E)
Other Possibilities:
11. Amsterdam (PR: 11) (E)
12. Decision to Leave (PR: Not Ranked)
13. White Noise (PR: 12) (-1)
14. Poor Things (PR: 13) (-1)
15. Avatar: The Way of Water (PR: 17) (+2)
16. Empire of Light (PR: 16) (E)
17. Tar (PR: 14) (-3)
18. Till (PR: 15) (-3)
19. Armageddon Time (PR: 25) (+6)
20. Elvis (PR: 22) (+2)
21. Thirteen Lives (PR: 20) (-1)
22. The Woman King (PR: 23) (+1)
23. Three Thousand Years of Longing (PR: 24) (+1)
24. Don’t Worry Darling (PR: 18) (-6)
25. Next Goal Wins (PR: 19) (-6)
Dropped Out:
The Banshees of Inisherin
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 3) (+1)
3. Martin Scorsese, Killers of the Flower Moon (PR: 2) (-1)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)
Other Possibilities:
6. Dan Kwan and Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (E)
7. Florian Zeller, The Son (PR: 7) (E)
8. Maria Schrader, She Said (PR: 9) (+1)
9. Park Chan-wook, Decision to Leave (PR: Not Ranked)
10. Darren Aronofsky, The Whale (PR: 8) (-2)
11. George C. Wolfe, Rustin (PR: 10) (-1)
12. James Cameron, Avatar: The Way of Water (PR: 12) (E)
13. David O. Russell, Amsterdam (PR: 14) (+1)
14. Yorgos Lanthimos, Poor Things (PR: 11) (-3)
15. Sam Mendes, Empire of Light (PR: 15) (E)
Dropped Out:
Noah Baumbach, White Noise
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon (PR: 1) (E)
2. Regina King, Shirley (PR: 2) (E)
3. Carey Mulligan, She Said (PR: 4) (+1)
4. Michelle Yeoh, Everything Everywhere All at Once (PR: 3) (-1)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Cate Blanchett, Tar (PR: 6) (E)
7. Emma Stone, Poor Things (PR: 9) (+2)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)
My first glance at who and what I think could be on the Oscar’s radar screen for next year continues with Best Supporting Actress. If you missed my post for Supporting Actor, it’s right here:
At this early stage, there’s obviously plenty of mystery for category placements. For instance – Women Talking could have its whole cast (that includes Frances McDormand, Claire Foy, Rooney Mara, and Jessie Buckley) in this race. I’m putting McDormand in lead at this juncture with the rest here and only Buckley making the top five. The same applies for Carey Mulligan and Zoe Kazan in She Said. They could both be lead or supporting (as of now I’m going with the former in Actress and the latter in supporting).
Let’s get to it and I’ll have Best Actor up next!
TODD’S APRIL 2022 OSCAR PREDICTIONS: BEST SUPPORTING ACTRESS
It’s been an entire week since The Slap… check that, the 94th Academy Awards where CODA parlayed its Sundance buzz from January 2021 all the way to a Best Picture victory.
That also means I’ve managed to wait a whole week without speculation for the next Academy Awards which will hopefully be a slap free zone. So what are some titles that could be vying for attention?
On May 27th and after numerous delays, Top Gun: Maverick will find Tom Cruise returning to his iconic role some 36 years after the original. There’s a decent chance it could be up for similar prizes that its predecessor landed like Sound, Film Editing, and Song (courtesy of Lady Gaga apparently). Visual Effects is a possibility as well.
My weekly Oscar prediction posts won’t begin until mid to late August. In the meantime, you’ll get individualized write-ups for pics that open or screen at festivals.
Yet for today – I feel the need. The need to identify 21 other 2022 titles that might end up on the Academy’s radar. Enjoy!
Armageddon Time
Despite acclaimed movies like The Lost City of Z and Ad Astra, James Gray has yet to connect with awards voters. This drama, rumored to be centered on his Queens upbringing, is the next hopeful and features a stellar cast including Anne Hathaway, Anthony Hopkins, and Jeremy Strong. Release Date: TBD
Avatar 2
The 2009 original amassed nine nominations and won took home three. The first sequel (there’s three more on the way) arrives in December from James Cameron. Will it capture the critical and box office magic of part one? That’s impossible to know at this juncture, but one can safely assume it’ll be up for some tech categories like Sound and Visual Effects. Release Date: December 16th
Babylon
Damien Chazelle is no stranger to the big dance. Whiplash was a BP nominee and J.K. Simmons won Supporting Actor. Chazelle took Director for his follow-up La La Land along with Emma Stone’s Actress victory and it almost famously took BP. First Man nabbed four nominations, but missed the top of the line races. Babylon is a period drama focused on Hollywood’s Golden Age and should be right up the Academy’s alley. The cast includes Brad Pitt, Margot Robbie, and Tobey Maguire. Release Date: December 25th
Canterbury Glass
Robbie also turns up in David O. Russell’s latest ensemble piece. Anytime he’s behind the camera, Oscar nods typically follow (think The Fighter, Silver Linings Playbook, American Hustle). Slated for November, the dramedy also features Christian Bale, John David Washington, Rami Malek, Zoe Saldana, Robert De Niro, Mike Myers, and… Chris Rock. Release Date: November 4th
Elvis
Arriving in June but with a Cannes unveiling in May, Baz Luhrmann’s musical bio of The King stars Austin Butler in the title role and Tom Hanks as The Colonel. If this doesn’t contend for the major awards, I would still anticipate potential tech recognition (Production Design, Sound, etc…). Release Date: June 24th
Empire of Light
Sam Mendes was likely in the runner-up position in 2019 for Picture and Director (behind Parasite) with 1917. His follow-up is an English set romance starring Olivia Colman (who would be going for her fourth nomination in five years), Michael Ward, and Colin Firth. Release Date: TBD
Everything Everywhere All at Once
From two filmmakers known collectively as Daniels, Once is already out in limited release with spectacular reviews (97% on RT). The sci-fi action comedy might be too bizarre for the Academy, but I wouldn’t count it out as its admirers are vocal. Picture, Director, Actress (Michelle Yeoh), and Original Screenplay are all on the table. Release Date: out in limited release, opens wide April 8th
The Fabelmans
Steven Spielberg directs a semi-autobiographical tale and cowrites with his Lincoln and West Side Story scribe Tony Kushner. The cast includes Michelle Williams, Seth Rogen, and Paul Dano. Needless to say, this is a major contender on paper. Release Date: November 23rd
Killers of the Flower Moon
Alongside The Fabelmans, this might be the most obvious nominee from a personnel standpoint. Martin Scorsese helms this western crime drama featuring Jesse Plemons, Lily Gladstone, and his two frequent collaborators Leonardo DiCaprio and Robert De Niro. Apple TV just became the first streamer to get a BP victory with CODA. This could be the second in a row. Release Date: November
Poor Things
In 2018, The Favourite scored a whopping ten nominations. Based on an acclaimed 1992 novel, Poor Things is Yorgos Lanthimos’s follow-up and it reunites him with Emma Stone along with Willem Dafoe, Ramy Youssef, and Mark Ruffalo. The plot sounds bizarre but it could also be an Oscar bait role for Stone and others. Release Date: TBD
Rustin
One of Netflix’s contenders is George C. Wolfe’s profile of gay civil rights activist Bayard Rustin (played by Colman Domingo). In 2020, Wolfe directed Viola Davis and Chadwick Boseman to nods for Ma Rainey’s Black Bottom. Look for Domingo to be a competitor and the supporting cast includes Chris Rock (maybe he will be back at the show), Glynn Turman, and Audra McDonald. Release Date: TBD
See How They Run
The 1950s set murder mystery could provide 27-year-old Saoirse Ronan with an opportunity to land her fifth nomination. Sam Rockwell, David Oyelowo, Adrien Brody, and Ruth Wilson are among the supporting players. Tom George directs. Release Date: TBD
She Said
Five years after the scandal rocked Hollywood, She Said from Maria Schrader recounts the New York Times sexual misconduct investigation into Harvey Weinstein. Zoe Kazan, Carey Mulligan, and Patricia Clarkson lead the cast. Release Date: November 18th
The Son
Florian Zeller won Best Adapted Screenplay in 2020 for The Father along with Anthony Hopkins taking Best Actor. This follow-up (based on the director’s play) finds Hopkins reprising his Oscar-winning part in supporting fashion. Other cast members seeking awards attention include Hugh Jackman, Laura Dern, and Vanessa Kirby. Release Date: TBD
TAR
It’s been a while since we’ve seen Todd Field behind the camera. Previous efforts In the Bedroom and Little Children received 8 nominations between them. A decade and a half following Children comes this Berlin set drama with Cate Blanchett, Noemie Merlant, and Mark Strong. Release Date: October 7th
Three Thousand Years of Longing
Scheduled for a Cannes bow in May, Longing is a fantasy romance from the legendary mind of George Miller (who last made Mad Max: Fury Road which won six tech Oscars). Idris Elba and Tilda Swinton star. Release Date: TBD
The Whale
Darren Aronofsky directed Mickey Rourke to a comeback narrative nod for 2008’s The Wrestler. Two years later, his follow-up Black Swan earned Natalie Portman a statue. Brendan Fraser is hoping for the same treatment with The Whale as he plays a 600 pound man attempting to reconnect with his daughter. Costars include Sadie Sink, Hong Chau, and Samantha Morton. I’d expect Makeup and Hairstyling could also be in play with this. Release Date: TBD
White Noise
Not a remake of the Michael Keaton supernatural thriller from 2005, this is Noah Baumbach’s follow-up to Marriage Story. Based on a 1985 novel, it’s the filmmaker’s first picture based on other source material. Marriage landed three acting nods (with Laura Dern winning Supporting Actress). The cast here includes frequent Baumbach collaborator Adam Driver, real-life partner Greta Gerwig, Raffey Cassidy, Andre Benjamin, Alessandro Nivola, and Don Cheadle. This could be Netflix’s strongest contender. Release Date: TBD
The Woman King
Expect this West Afrian set historical epic from Gina Prince-Bythewood to be heavily touted by Sony with awards bait roles for leads Viola Davis and Thuso Mbedu. The supporting cast includes John Boyega and Lashana Lynch. Release Date: September 16th
Women Talking
Based on a 2018 novel, Sarah Polley writes and directs this drama focused on eight Mennonite women and their story of abuse. The sterling cast includes Frances McDormand, Jessie Buckley, Ben Whishaw, Claire Foy, and Rooney Mara. Release Date: TBD
And that’s just a small preview of the features that could materialize for the 95th Academy Awards! As always, the speculation on this site will continue throughout the year and into the next. Stay tuned…
Guillermo del Toro has been making geek shows geared to movie geeks for years. In Nightmare Alley, based on a 1946 novel and the picture that followed it a year later, he gorgeously opens up his stylistic bag of tricks to give us a film noir where the scariest creatures are of the human sort. Geek shows take on a different meaning as the traveling carnivals where we spend the first act features one. That’s where spectators with jaws agape watch a drug addled performer (“geeks” in the show’s vocabulary) bite the heads off of chickens. All for the price of a quarter or two!
We meet Stan Carlisle (Bradley Cooper) in 1939 as he happens upon the larger road show filled with psychics, strongmen, and beautiful ladies with electrical currents running through them. He’s destitute and jobless and picks up menial duties from Clem (Willem Dafoe), who runs the demented circus. Stan is an audacious fellow who’s not fearful of romancing good-natured performer Molly (Rooney Mara) or picking up mentalist tips from the alcoholic Pete (David Strathairn) or his clairvoyant (with help from cue cards) wife Zeena (Toni Collette). He occasionally takes pity on the resident geek (Paul Anderson) but it’s clear Stan is mostly looking out for himself. An opening flashback sequence shows a strained relationship with his deceased father who was also a fan of the drink. While dad, mentor Pete, and that poor chicken feeder suffer from substance abuse, Stan’s vices are hubris and power.
The opening scenes of Alley explore this fascinating world with the exquisite production design, cinematography, and impeccable lighting that we would anticipate from its maker. This is constantly a visually striking experience. When we flash forward two years later, Stan has used the teachings of his colleagues to move up to the big city (Buffalo) and deem himself a psychic. With Molly as his assistant and companion, his dinner theater act attracts the attention of the city’s elite. Dr. Lilith Ritter (Cate Blanchett), a psychologist, tries to unmask Stan’s schemes during such a performance. It only serves to fool more of the attendees. The two decide to team up and swindle movers and shakers like a judge (Peter MacNeill) mourning a son and his devastated wife (Mary Steenburgen). For a price, Stan will convince them that their loved one is with them in spirit. The doctor provides the backstory from such grieving former patients.
Stan and Ritter also engage in therapeutic sessions that occasionally crackle with intensity. The two actors are up to the task with Blanchett picture perfect as the femme fatale and Cooper’s aw shucks Southern drawl cloaking his wild ambitions. Mara’s Molly gets lost in the shuffle as Stan’s pining is not just for a quick buck, but for the bad doc as well.
The ladder climbing of his consultations leads to Ezra Grindle (Richard Jenkins) and, at last, Stan may have bitten off more of an assignment than he can chew. Not a typical crime boss type of figure, the calm but firm Grindle looks for otherworldly messages from a former love. If Stan doesn’t produce, he may lose more than the fee.
Nightmare Alley is worth seeing for its look alone. Mr. del Toro is known for his onscreen creatures (from Cronos to Pan’s Labyrinth to his Oscar-winning The Shape of Water). We don’t see those types in his latest, but there’s monsters around and Stan is among them. Their habits are often just as frightening. When Dafoe’s Clem explains how the geeks are hired, it’s a tad hair raising.
Not all is as pleasing as the aesthetics. del Toro is clearly having a blast playing in the noir sandbox. So much so that he doesn’t seem to realize that these genre excursions should be lean and mean in their running time. Alley plods along for 150 minutes. Plenty of the characters are mean though it’s not so lean in execution. There are sequences that land effectively after the carnivorous first act but plenty that don’t match their potency. On the plus side, it’s got a humdinger of an ending with its darkly appealing beginnings and that makes it worth the price of admission.
The last time Guillermo del Toro was behind the camera, 13 Oscar nominations came his way with 2017’s The Shape of Water (including wins in Picture and Director). His follow-up is Nightmare Alley, a remake of a 1947 pic which was based on a 1946 William Lindsay Gresham novel. The noirish thriller boasts an impressive cast led by Bradley Coper (in his first starring role since 2018’s A Star Is Born). Costars include Rooney Mara, Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins, Ron Perlman, Mary Steenburgen, and David Strathairn.
Long looked at as an Oscar contender, the recent review embargo lapse made the situation a bit murkier. The 83% Rotten Tomatoes score is decent, but some critics are griping that it’s a disappointment. Its standing in the Best Picture race is questionable.
Stronger awards buzz could have pushed this to higher numbers, but that’s not the only challenge. Plenty of moviegoers will be distracted with the release of Spider-Man: No Way Home, which looks to blow away pandemic era records. Alley is only opening on about 2000 screens (about half of Spidey’s). It’s normal for projects in the December time frame to open relatively small and hope to play well in subsequent frames. That is likely to be the case here and low to mid single digits is my forecast.
Nightmare Alley opening weekend prediction: $3.3 million
For my Spider-Man: No Way Home prediction, click here:
Guillermo del Toro’s Nightmare Alley is likely to be the final film screened that could contend for Best Picture at the 2021 Oscars. That happened tonight and its social media embargo has lifted. This is the filmmaker’s follow-up to 2017’s The Shape of Water, which won four gold statues including Picture and Director. A remake of a 1947 noir thriller, Alley has a cast filled with familiar faces led by Bradley Cooper and Rooney Mara (who are slated to contend in the lead races). The supporting cast includes Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins, Ron Perlman, Mary Steenburgen, and David Strathairn.
Reaction out tonight offers plenty of praise. Unsurprisingly, this is being lauded for its technical aspects. Production Design and Cinematography sound like shoo-ins (and might challenge Dune for the victories). Other down the line derbies such as Sound, Costume Design, Editing, Makeup and Hairstyling, and Score (though that’s gotten awfully crowded) are feasible.
How about the big dances? Early word solidifies its opportunity to get a Best Picture nomination and for del Toro’s behind the camera work. I had it ranked 8th yesterday and my early hunch says that’s about right. There’s enough mixed buzz in reaction tweets to make me think it’s not a threat to win. Adapted Screenplay is probable.
As for the actors, Cooper and Blanchett are the recipients of the most acclaim. The former’s path will be fascinating to track. I had him ranked #1 in Supporting Actor for weeks before Licorice Pizza was unveiled. That race, as has been discussed on the blog, is wide open. His limited screen time in Pizza could cause him to miss there. The question is whether Best Actor is already too packed (Will Smith as King Richard, Benedict Cumberbatch in The Power of the Dog, Andrew Garfield for Tick Tick… Boom!, Denzel Washington in The Tragedy of Macbeth, Peter Dinklage in Cyrano, Leonardo DiCaprio for Don’t Look Up). Is there enough space for Cooper? Precursors will tell. Supporting Actress is also filled with hopefuls and Blanchett will also need some early love from either critics groups or SAG or the Globes. Best Actress is also overflowing and I don’t see enough Mara talk for her to be viable.
Bottom line: Alley helped itself. It might be the “last in” but I feel decent about a Picture nod and definitely tech competitions. Cooper and Blanchett are more of a mystery. My Oscar Predictions posts for the films of 2021 will continue…
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