How important is the Venice Film Festival when it comes to premiering Oscar hopefuls? In the past decade, nearly half of the Best Picture winners got their rollout in Italy. That would be Birdman, Spotlight, The Shape of Water, and Nomadland. It’s tough to find a recent Venice fest where there’s not at least 2 eventual nominees for the Academy’s biggest race.
This year’s competition kicks off tomorrow and you can anticipate plenty of individualized Oscar prediction posts coming your way. Telluride follows this weekend (with the lineup announcement on Thursday) and Toronto starts next Thursday (I’ll be there!).
Let’s take a look at ten Venice entries looking to create their Oscar buzz over the next few days…
All the Beauty and the Bloodshed
Laura Poitras, who won an Academy Award for her 2014 Edward Snowden documentary Citizenfour, turns her eye to activist Nan Goldin and her fight against the opioid epidemic. This could certainly be a player in the Doc competition.
The Banshees of Inisherin
The last time filmmaker Martin McDonagh, Colin Farrell, and Brendan Gleeson collaborated, the result was the acclaimed 2008 black comedy In Bruges. They’re playing in the same genre here with McDonagh’s follow-up to 2017’s Three Billboards Outside Ebbing, Missouri, which earned acting Oscars for Frances McDormand and Sam Rockwell.
Bardo
3 out of Alejandro Gonzalez Inarritu’s last four films were nominated for Best Picture. Birdman took gold with Babel and The Revenant contending. Expectations are that his latest drama (available on Netflix in December) could be the streamer’s most serious contender and it could immediately become a frontrunner for International Feature Film.
Blonde
Andrew Dominik’s Marilyn Monroe biopic starring Ana de Armas (another Netflix offering) comes with an NC-17 rating and lots of prognosticators wondering if it’s too risqué to get awards attention. We’ll know soon.
Bones & All
Luca Guadagnino had a pic in the BP derby five years ago with Call Me by Your Name and then followed with the confounding Suspiria remake. This horror romance with cannibalistic themes stars Timothee Chalamet and Taylor Russell. I have’t really had this as much of a threat for the Oscar race so let’s see if that narrative shifts.
Don’t Worry Darling
Olivia Wilde’s follow-up to Booksmart is a tale of marital and suburban strife headlined by Florence Pugh and Harry Styles. The thriller has been generating headlines for some wrong reasons lately, but great reviews could turn that buzz around.
The Son
Florian Zeller took home a Screenplay Oscar for 2020’s The Father while Anthony Hopkins won Best Actor. The Father is next and Hugh Jackman is seeking his first statue. The supporting cast includes Laura Dern, Vanessa Kirby, Zen McGrath, and Hopkins. Any and all could be in the mix for acting honors.
Tar
Cate Blanchett could be lined up for a third Oscar win in Todd Field’s latest in which the acclaimed actress plays a composer. It’s the director’s first feature in over 15 years after both In the Bedroom and Little Children received Academy nods.
The Whale
Darren Aronofsky directed Natalie Portman to the podium in 2010’s Black Swan. There’s chatter he could do the same and assist in mounting a significant career comeback for Brendan Fraser (something he did for Mickey Rourke with 2008’s The Wrestler). The Mummy star plays a 600 pound man reconnecting with his daughter (Sadie Sink).
White Noise
Noah Baumbach’s last Netflix film was the BP contending Marriage Story from 2019. His Marriage star Adam Driver is back in this adaptation of a 1980s sci-fi dark comedy. It will open Venice tomorrow and it will be my first Oscar Predictions post. Stay tuned!
My final Oscar predictions for the month of August could rightfully be called the calm before the storm. That’s because Venice, Telluride, and Toronto are about to blow in screenings for several legitimate contenders. And there’s no doubt it will change the forecasts below.
My plan is to do the next update on Labor Day (ten days from now). By that point, there should be reviews and awards buzz out for Venice pics like White Noise, Tar, Bardo, Bones and All, The Banshees of Inisherin, and Don’t Worry Darling, among others. There’s also anything that plays Telluride over the holiday weekend (expect that to potentially include The Son and Women Talking). My next update should be about a week later.
Those next updates will incorporate the lengthy list of Toronto screenings and late Venice leftovers. That list includes Blonde, The Fabelmans, Glass Onion: A Knives Out Mystery, The Greatest Beer Run Ever, Empire of Light, The Good Nurse, The Menu, The Lost King, The Woman King, Bros, Chevalier, and more. In other words… buckle up because the Oscar picture is going to be in much sharper focus over the next three weeks!
My Best Picture ten remains the same, but I’ve made a change in Director with Ruben Ostlund (Triangle of Sadness) in over Sarah Polley for Women Talking.
In Best Actress, there’s a new #1 as I’ve vaulted Cate Blanchett (Tar) to the top spot over Michelle Yeoh (Everything Everywhere All at Once). Yeoh spent only a week in first after she replaced Babylon‘s Margot Robbie, who’s now in third position. We will know in a matter of days whether Blanchett’s promotion is warranted courtesy of Venice.
I’ve switched Micheal Ward’s performance in Empire of Light from supporting to lead. Toronto’s fest should shed light on whether that’s the right call. Due to this, Bill Nighy (Living) falls out of my actor quintet. In Supporting Actor, Babylon‘s Brad Pitt is back in the mix since I’ve taken Ward out. In Original Screenplay, I’m switching in Bardo with The Banshees of Inisherin out.
You can read all the movement below and keep an eye out for lots of individualized prediction posts for the pictures playing in Italy, Colorado, and Canada in the coming weeks!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Bardo (PR: 4) (E)
5. The Son (PR: 6) (+1)
6. Women Talking (PR: 5) (-1)
7. Empire of Light (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 10) (+1)
10. Top Gun: Maverick (PR: 9) (-1)
Other Possibilities:
11. Tar (PR: 13) (+2)
12. Decision to Leave (PR: 14) (+2)
13. White Noise (PR: 12) (-1)
14. She Said (PR: 11) (-3)
15. Elvis (PR: 15) (E)
16. Avatar: The Way of Water (PR: 16) (E)
17. Broker (PR: 20) (+3)
18. The Banshees of Inisherin (PR: 17) (-1)
19. Black Panther: Wakanda Forever (PR: 21) (+2)
20. Till (PR: 18) (-2)
21. The Menu (PR: 22) (+1)
22. Bones and All (PR: 19) (-3)
23. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
24. The Greatest Beer Run Ever (PR: 25) (+1)
25. Living (PR: 24) (-1)
Dropped Out:
The Woman King
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Alejandro Gonzalez Inarritu, Bardo (PR: 4) (E)
5. Ruben Ostlund, Triangle of Sadness (PR: 6) (+1)
Other Possibilities:
6. Sarah Polley, Women Talking (PR: 5) (-1)
7. Sam Mendes, Empire of Light (PR: 7) (E)
8. Park Chan-wook, Decision to Leave (PR: 8) (E)
9. Florian Zeller, The Son (PR: 9) (E)
10. Darren Aronofsky, The Whale (PR: 10) (E)
11. Todd Field, Tar (PR: 13) (+2)
12. James Cameron, Avatar: The Way of Water (PR: 11) (-1)
13. Noah Baumbach, White Noise (PR: 12) (-1)
14. Baz Luhrmann, Elvis (PR: 14) (E)
15. Maria Schrader, She Said (PR: 15) (E)
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 3) (+2)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 1) (-1)
3. Margot Robbie, Babylon (PR: 2) (-1)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 8) (+2)
7. Viola Davis, The Woman King (PR: 7) (E)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (+1)
9. Regina King, Shirley (PR: 6) (-3)
10. Carey Mulligan, She Said (PR: 10) (E)
11. Frances McDormand, Women Talking (PR: 11) (E)
12. Tang Wei, Decision to Leave (PR: 14) (+2)
13. Florence Pugh, Don’t Worry Darling (PR: Not Ranked)
14. Florence Pugh, The Wonder (PR: 12) (-2)
15. Jessica Chastain, The Good Nurse (PR: 15) (E)
Dropped Out:
Helen Mirren, Golda (moved to 2023)
Best Actor
Predicted Nominees:
1. Hugh Jackman, The Son (PR: 1) (E)
2. Brendan Fraser, The Whale (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Daniel Gimenez Cacho, Bardo (PR: 4) (E)
5. Micheal Ward, Empire of Light (PR: Not Ranked) – moved from Supporting
Other Possibilities:
6. Bill Nighy, Living (PR: 5) (-1)
7. Song Kang-ho, Broker (PR: 9) (+2)
8. Diego Calva, Babylon (PR: 8) (E)
9. Adam Driver, White Noise (PR: 6) (-3)
10. Colin Farrell, The Banshees of Inisherin (PR: 7) (-3)
11. Tom Cruise, Top Gun: Maverick (PR: 10) (-1)
12. Paul Mescal, Aftersun (PR: Not Ranked)
13. Kelvin Harrison, Jr., Chevalier (PR: 14) (+1)
14. Gabriel LaBelle, The Fabelmans (PR: 13) (-1)
15. Park Hae-il, Decision to Leave (PR: Not Ranked)
Dropped Out:
Christian Bale, The Pale Blue Eye
Timothee Chalamet, Bones and All
Harry Styles, My Policeman
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Vanessa Kirby, The Son (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Stephanie Hsu, Everything Everywhere All at Once (PR: 4) (E)
5. Griselda Sicillani, Bardo (PR: 5) (E)
Other Possibilities:
6. Laura Dern, The Son (PR: 7) (+1)
7. Hong Chau, The Whale (PR: 6) (-1)
8. Jean Smart, Babylon (PR: 9) (+1)
9. Sadie Sink, The Whale (PR: 8) (-1)
10. Dolly De Leon, Triangle of Sadness (PR: 12) (+2)
11. Samantha Morton, She Said (PR: 11) (E)
12. Zoe Kazan, She Said (PR: 10) (-2)
13. Dakota Johnson, Cha Cha Real Smooth (PR: 13) (E)
14. Claire Foy, Women Talking (PR: 15) (+1)
15. Nina Hoss, Tar (PR: 14) (-1)
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 2) (E)
3. Zen McGrath, The Son (PR: 4) (+1)
4. Brad Pitt, Babylon (PR: 6) (+2)
5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Colin Firth, Empire of Light (PR: 9) (+3)
7. Ben Whishaw, Women Talking (PR: 8) (+1)
8. Brendan Gleeson, The Banshees of Inisherin (PR: 7) (-1)
9. Judd Hirsch, The Fabelmans (PR: 14) (+5)
10. Toby Jones, Empire of Light (PR: Not Ranked)
11. Anthony Hopkins, The Son (PR: Not Ranked)
12. Tom Hanks, Elvis (PR: 11) (-1)
13. Seth Rogen, The Fabelmans (PR: 10) (-3)
14. Ralph Fiennes, The Menu (PR: 12) (-2)
15. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (E)
Dropped Out:
Micheal Ward, Empire of Light (moved to Best Actor)
Anthony Hopkins, Armageddon Time
Best Original Screenplay
Predicted Nominees:
Everything Everywhere All at Once (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Triangle of Sadness (PR: 4) (+1)
4. Babylon (PR: 3) (-1)
5. Bardo (PR: 7) (+2)
Other Possibilities:
6. Empire of Light (PR: 6) (E)
7. The Banshees of Inisherin (PR: 5) (-2)
8. Tar (PR: 9) (+1)
9. Decision to Leave (PR: 8) (-1)
10. The Menu (PR: 10) (E)
11. Broker (PR: 11) (E)
12. Bros (PR: 13) (+1)
13. Cha Cha Real Smooth (PR: 12) (-1)
14. Don’t Worry Darling (PR: 14) (E)
15. Chevalier (PR: 15) (E)
Best Adapted Screenplay
Predicted Nominees:
1. The Son (PR: 1) (E)
2. Women Talking (PR: 2) (E)
3. The Whale (PR: 3) (E)
4. She Said (PR: 5) (+1)
5. White Noise (PR: 4) (-1)
Other Possibilities:
6. Living (PR: 8) (+2)
7. Top Gun: Maverick (PR: 7) (E)
8. Bones and All (PR: 6) (-2)
9. Glass Onion: A Knives Out Mystery (PR: 10) (+1)
My blog series continues with speculation on what a Best Picture lineup of five would have looked like in the years since the format changed to up to 10 nominees. That began in 2009 and if you missed my previous posts covering 2009-2012, you can peruse them here:
In our year of 2013, the magic number was 9 contenders. We know that Steve McQueen’s 12 Years a Slave would have been included since a win in Best Picture was among its nine nominations. It also took Director, Supporting Actress (Lupita Nyong’o), and Adapted Screenplay. So what else would’ve made the cut? Let’s speculate, shall we?
American Hustle
David O. Russell’s disco era crime pic tied for the most nods with 10, including Director and four acting mentions for Christian Bale, Amy Adams, Bradley Cooper, and Jennifer Lawrence. Despite the double digit nomination haul, it ended the night with zero victories.
Does It Make the Final Five?
Yes. Even with the goose egg, the sheer number of nods indicates making the quintet.
Captain Phillips
With Tom Hanks as the title character in the true life Somali pirate drama, Paul Greengrass’s tense thriller scored 6 overall nods. In addition to Pic, Supporting Actor (Barkhad Abdi), Adapted Screenplay, both Sound races, and Film Editing were in the mix. Like Hustle, there were no wins.
Does It Make the Final Five?
No. With no nods for directing or Hanks’s performance (which was a huge snub), I think this would’ve been on the outside looking in.
Dallas Buyers Club
While our first two selections went 0 for 16, this mid 80s set AIDS drama won half of its six nominations – Actor (Matthew McConaughey), Supporting Actor (Jared Leto), and Makeup and Hairstyling. The other two mentions were Original Screenplay and Film Editing.
Does It Make the Final Five?
Yes, but it’s a close call. The three gold statues put it over the edge in my opinion despite not landing a directing slot for the late Jean-Marc Vallee.
Gravity
Alfonso Cuaron’s space thriller tied Hustle with 10 nominations. Unlike Hustle, it won 70% of its possibilities: Director, Score, Sound Editing, Sound Mixing, Cinematography, Film Editing, and Visual Effects. Sandra Bullock was nominated for Best Actress and it got a Production Design nod.
Does It Make the Final Five?
Yes. Even without a screenplay nom, this would’ve been in contention and it was probably the runner-up to Slave considering the Cuaron win.
Her
Spike Jonze’s quirky romantic drama won Original Screenplay and was up for Score, Song, and Production Design.
Does It Make the Final Five?
No because it missed out on key precursors including Director, Actor (Joaquin Phoenix), and Film Editing.
Nebraska
Alexander Payne’s B&W road dramedy nabbed five other nods for direction, Actor (Bruce Dern), Supporting Actress (June Squibb), Original Screenplay, and Cinematography. It didn’t emerge victorious for any.
Does It Make the Final Five?
No, but I struggled with this one (it’s sixth). Film Editing is often the biggest indicator of a BP nom and that’s part of the reason I gave Dallas Buyers Club a slight edge.
Philomena
Judi Dench received a Best Actress nod for this adoption drama. Adapted Screenplay and Score were the other mentions as its four overall are the least of the BP hopefuls.
Does It Make the Final Five?
No. The Academy loves Dench. However, that wouldn’t have been enough for this to survive a cut to five.
The Wolf of Wall Street
Martin Scorsese’s raunchy tale of 80s excess landed Leonardo DiCaprio and Jonah Hill acting spots. The direction and Adapted Screenplay were up as well. It won none.
Does It Make the Final Five?
Yes though I will say I don’t think it’s automatic. Wolf‘s complete lack of nominations in the tech categories is a bit of a surprise, but ultimately I don’t think the voters would’ve ignored this.
With the Venice Film Festival less than two weeks away and Toronto and Telluride on its heels, the Oscar races are poised to become clearer quite soon. We are mostly in speculation mode at this juncture, but there’s change afoot in the Actor and Supporting Actor with this latest update.
I have vaulted Bill Nighy (Living) into the top 5 for Best Actor and that removes Adam Driver in White Noise. I’ve struggled with Brad Pitt’s placement in Supporting Actor for Babylon. At this point, it’s not certain whether he’ll be campaigned for in lead or supporting. Therefore I have Pitt on the outside looking in for Supporting Actor and that allows The Son‘s Zen McGrath to enter the projected quintet.
While no changes were made in the Picture, Director, the Actress derbies, or screenplay – there’s a new #1 for Best Actress. Since I started my estimates back in April, I’ve had Margot Robbie (Babylon) perched atop the charts. I’m now switching that to Michelle Yeoh in Everything Everywhere All at Once.
Finally, I’ve dropped David O. Russell’s Amsterdam from contention in all races. The studio’s decision to move it up a month from November to October is something I look at as a bad sign. That’s in addition to it getting no festival screenings, a trailer that didn’t impress, and lingering personal issues and bad press for Mr. Russell.
A final note: at this pre-festival juncture in mid-August of 2021, my predictions yielded seven of the eventual 10 BP contenders.
You can read all the movement below and I’ll likely have one more update prior to August 30th before the festival season is upon us!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Bardo (PR: 4) (E)
5. Women Talking (PR: 5) (E)
6. The Son (PR: 6) (E)
7. Empire of Light (PR: 7) (E)
8. The Whale (PR: 9) (+1)
9. Top Gun: Maverick (PR: 8) (-1)
10. Triangle of Sadness (PR: 10) (E)
Other Possibilities:
11. She Said (PR: 12) (+1)
12. White Noise (PR: 11) (-1)
13. Tar (PR: 13) (E)
14. Decision to Leave (PR: 16) (+2)
15. Elvis (PR: 14) (-1)
16. Avatar: The Way of Water (PR: 15) (-1)
17. The Banshees of Inisherin (PR: 17) (E)
18. Till (PR: 19) (+1)
19. Bones and All (PR: 18) (-1)
20. Broker (PR: 20) (E)
21. Black Panther: Wakanda Forever (PR: 21) (E)
22. The Menu (PR: 23) (+1)
23. The Woman King (PR: 24) (+1)
24. Living (PR: Not Ranked)
25. The Greatest Beer Run Ever (PR: 22) (-3)
Dropped Out:
Amsterdam
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Alejandro Gonzalez Inarritu, Bardo (PR: 4) (E)
5. Sarah Polley, Women Talking (PR: 5) (E)
Other Possibilities:
6. Ruben Ostlund, Triangle of Sadness (PR: 6) (E)
7. Sam Mendes, Empire of Light (PR: 7) (E)
8. Park Chan-wook, Decision to Leave (PR: 10) (+2)
9. Florian Zeller, The Son (PR: 8) (-1)
10. Darren Aronofsky, The Whale (PR: 9) (-1)
11. James Cameron, Avatar: The Way of Water (PR: 11) (E)
12. Noah Baumbach, White Noise (PR: 12) (E)
13. Todd Field, Tar (PR: 13) (E)
14. Baz Luhrmann, Elvis (PR: 15) (+1)
15. Maris Schrader, She Said (PR: 14) (-1)
Best Actress
Predicted Nominees:
1. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (+1)
2. Margot Robbie, Babylon (PR: 1) (-1)
3. Cate Blanchett, Tar (PR: 3) (E)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Regina King, Shirley (PR: 8) (+2)
7. Viola Davis, The Woman King (PR: 7) (E)
8. Ana de Armas, Blonde (PR: 6) (-2)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (E)
10. Carey Mulligan, She Said (PR: 10) (E)
11. Frances McDormand, Women Talking (PR: 13) (+2)
12. Florence Pugh, The Wonder (PR: 15) (+3)
13. Helen Mirren, Golda (PR: 11) (-2)
14. Tang Wei, Decision to Leave (PR: Not Ranked)
15. Jessica Chastain, The Good Nurse (PR: 12) (-3)
Dropped Out:
Jennifer Lawrence, Causeway
Best Actor
Predicted Nominees:
1. Hugh Jackman, The Son (PR: 1) (E)
2. Brendan Fraser, The Whale (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Daniel Gimenez Cacho, Bardo (PR: 4) (E)
5. Bill Nighy, Living (PR: 6) (+1)
Other Possibilities:
6. Adam Driver, White Noise (PR: 5) (-1)
7. Colin Farrell, The Banshees of Inisherin (PR: 9) (+2)
8. Diego Calva, Babylon (PR: 8) (E)
9. Song Kang-ho, Broker (PR: 7) (-2)
10. Tom Cruise, Top Gun: Maverick (PR: 10) (E)
11. Christian Bale, The Pale Blue Eye (PR: 13) (+2)
12. Timothee Chalamet, Bones and All (PR: 12) (E)
13. Gabriel LaBelle, The Fabelmans (PR: 11) (-2)
14. Kelvin Harrison, Jr., Chevalier (PR: Not Ranked)
15. Harry Styles, My Policeman (PR: 15) (E)
Dropped Out:
Paul Mescal, Aftersun
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Vanessa Kirby, The Son (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Stephanie Hsu, Everything Everywhere All at Once (PR: 4) (E)
5. Griselda Sicillani, Bardo (PR: 5) (E)
Other Possibilities:
6. Hong Chau, The Whale (PR: 6) (E)
7. Laura Dern, The Son (PR: 7) (E)
8. Sadie Sink, The Whale (PR: 9) (+1)
9. Jean Smart, Babylon (PR: 10) (+1)
10. Zoe Kazan, She Said (PR: 8) (-2)
11. Samantha Morton, She Said (PR: 13) (+2)
12. Dolly De Leon, Triangle of Sadness (PR: 14) (+2)
13. Dakota Johnson, Cha Cha Real Smooth (PR: 12) (-1)
14. Nina Hoss, Tar (PR: 11) (-3)
15. Claire Foy, Women Talking (PR: Not Ranked)
Dropped Out:
Angela Bassett, Black Panther: Wakanda Forever
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 2) (E)
3. Michael Ward, Empire of Light (PR: 4) (+1)
4. Zen McGrath, The Son (PR: 7) (+3)
5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 3) (-3)
7. Brendan Gleeson, The Banshees of Inisherin (PR: 8) (+1)
8. Ben Whishaw, Women Talking (PR: 9) (+1)
9. Colin Firth, Empire of Light (PR: 6) (-3)
10. Seth Rogen, The Fabelmans (PR: 10) (E)
11. Tom Hanks, Elvis (PR: 12) (+1)
12. Ralph Fiennes, The Menu (PR: 11) (-1)
13. Anthony Hopkins, Armageddon Time (PR: 13) (E)
14. Judd Hirsch, The Fabelmans (PR: Not Ranked)
15. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (E)
Dropped Out:
Don Cheadle, White Noise
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Triangle of Sadness (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Empire of Light (PR: 6) (E)
7. Bardo (PR: 8) (+1)
8. Decision to Leave (PR: 7) (-1)
9. Tar (PR: 9) (E)
10. The Menu (PR: 10) (E)
11. Broker (PR: 11) (E)
12. Cha Cha Real Smooth (PR: 12) (E)
13. Bros (PR: 13) (E)
14. Don’t Worry Darling (PR: 15) (+1)
15. Chevalier (PR: Not Ranked)
Dropped Out:
Amsterdam
Best Adapted Screenplay
Predicted Nominees:
1. The Son (PR: 1) (E)
2. Women Talking (PR: 2) (E)
3. The Whale (PR: 3) (E)
4. White Noise (PR: 4) (E)
5. She Said (PR: 5) (E)
Other Possibilities:
6. Bones and All (PR: 6) (E)
7. Top Gun: Maverick (PR: 9) (+2)
8. Living (PR: 11) (+3)
9. Till (PR: 7) (-2)
10. Glass Onion: A Knives Out Mystery (PR: 8) (-2)
1994’s 1-2-3 comedic punch of Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber vaulted Jim Carrey from In Living Color small screen MVP to one of the biggest movie stars on the planet. $20 million paydays followed and, four years later, the Canadian phenom entered the awards conversation.
For Peter Weir’s prescient satire The Truman Show, Carrey’s performance mixed the funny with the dramatic for the first time in a major role. Solid box office numbers and impressive reviews followed. Ed Harris was nominated for a Supporting Actor Oscar in addition to Weir’s direction and the original screenplay.
Yet a nod for its headliner was inexplicably left on the cutting room floor. This was even after he won Best Actor (Drama) at the Golden Globes. To be fair, other nominations in the main acting derby featured heavy hitters: Tom Hanks (Saving Private Ryan), Ian McKellen (Gods and Monsters), Nick Nolte (Affliction), and Edward Norton (American History X).
If I had a magic wand, I probably would put Carrey in over the somewhat surprise winner – Roberto Benigni for Life is Beautiful. Nearly a quarter century ago, Carrey’s omission stands as another example of actors known more for laughs coming up short. He still has not managed to get on the Oscar radar and lately his cinematic output has been Sonic the Hedgehog related. The Truman Show, in all reality, should’ve been his contender.
From director Alex Pritz (making his directorial debut after serving as cinematographer on The First Wave) comes the documentary The Territory. Focused on an indigenous leader attempting to protect a region of the Brazilian Amazon, the Nat Geo effort first screened at Sundance to general acclaim.
With a 95% Rotten Tomatoes score, it’s scheduled to be released August 19th. Darren Aronfosky serves as one of the producers. I’ve discussed many times on this blog about how Best Documentary Feature is always a tricky category to project. For example, last year’s lauded The Rescue (also from Nat Geo) was surprisingly ignored by the Academy.
The reviews are certainly there for The Territory to mark its space among the contenders. It remains to be seen whether it’s on the minds of voters a few months from now.
For my first Oscar analysis in the 8 major categories for the month of August, the ten BP contenders remain the same. However, Everything Everywhere All at Once moves to #2 with Babylon slipping a spot to third. I truly do believe there’s a path for Once to take the top prize next year depending on how the next five months of releases play out.
At the end of July, I vaulted Steven Spielberg’s The Fabelmans to #1 in BP. Today I’m putting the filmmaker in first with Babylon‘s Damien Chazelle now in second.
While my lead actress and actor picks remain unaltered, there is movement in both supporting derbies. In Supporting Actress, Stephanie Hsu (Everything Everywhere All at Once) and Griselda Sicillani (Bardo) are in my projected quintet with Hong Chau (The Whale) and Zoe Kazan (She Said) falling out. In Supporting Actor, I’m switching Empire of Light costars with Michael Ward making the cut over Colin Firth.
Finally, I’ve taken Ron Howard’s Thirteen Lives out of contention in all categories where I previously had it listed as a possibility. If Amazon Prime mounts a campaign later this year, it could find itself back in the mix. I wouldn’t count on it despite its solid reviews.
Expect another update in the next week or two! You can peruse all the movement below:
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. Bardo (PR: 4) (E)
5. Women Talking (PR: 5) (E)
6. The Son (PR: 6) (E)
7. Empire of Light (PR: 7) (E)
8. Top Gun: Maverick (PR: 9) (+1)
9. The Whale (PR: 8) (-1)
10. Triangle of Sadness (PR: 10) (E)
Other Possibilities:
11. White Noise (PR: 12) (+1)
12. She Said (PR: 11) (-1)
13. Tar (PR: 13) (E)
14. Elvis (PR: 15) (+1)
15. Avatar: The Way of Water (PR: 14) (-1)
16. Decision to Leave (PR: 16) (E)
17. The Banshees of Inisherin (PR: 18) (+1)
18. Bones and All (PR: 20) (+2)
19. Till (PR: 19) (E)
20. Broker (PR: 17) (-3)
21. Black Panther: Wakanda Forever (PR: 22) (+1)
22. The Greatest Beer Run Ever (PR: 23) (+1)
23. The Menu (PR: Not Ranked)
24. The Woman King (PR: 24) (E)
25. Amsterdam (PR: 21) (-4)
Dropped Out:
Thirteen Lives
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 2) (+1)
2. Damien Chazelle, Babylon (PR: 1) (-1)
3. Daniels, Everything Everywhere All at Once (PR: 4) (+1)
My latest Final Five post brings us to 2012 and the Oscars that occurred nearly a decade ago. If you’re reading this series for the first time, this is where I whittle the 8-10 Best Picture nominees from every year since 2009 to five. As you may know, it was in 2009 that the Academy stopped listing a quintet of movies for the big prize and expanded it upwards. If you missed my write-ups about 2009, 2010, and 2011 – you can access them here:
As we do with each year, we start with the obvious. Ben Affleck’s Argo certainly would have made the cut since it won BP. 2012 was a strange year with the Academy’s voters. Argo emerged as the first film since 1989’s Driving Miss Daisy where the BP recipient’s director wasn’t nominated in that category. It’s happened twice since with 2018’s Green Book and last year’s CODA. I will admit that picking a fifth entry was challenging. The other 3 besides Argo seem pretty clear. Let’s get into it!
Amour
Michael Haneke’s French drama was the easy winner of Foreign Language Film and nabbed 3 other nods: Director, Actress (Emmanuelle Riva), and Original Screenplay.
Does It Make the Final Five?
No, though an argument can certainly be made. I would venture that with only five, the narrative would’ve been that it had no trouble in the foreign race and that would be the reward.
Beasts of the Southern Wild
This micro-budgeted indie fantasy from Benh Zeitlin scored a surprise directing nod as well as Actress (Quvanzhane Wallis) and Adapted Screenplay.
Does It Make the Final Five?
No. It received the least amount of nominations of the nine nominees and won none of its four mentions. That said, it’s not entirely out of the question that it could have snuck in.
Django Unchained
Quentin Tarantino scored the biggest hit of his career with this Western which won Original Screenplay and Supporting Actor (Christoph Waltz). It also received nods for Cinematography and Sound Editing.
Does It Make the Final Five?
No, though an argument can be made yet again (especially with the Original Screenplay victory). That said, misses for directing and editing are indications that it might have just missed.
Les Miserables
With 8 nominations and wins for Supporting Actress (Anne Hathaway), Sound Mixing, and Makeup and Hairstyling, the adaptation of the famed musical was one of the biggest box office performers of the bunch.
Does It Make the Final Five?
No… and stop me if you’ve heard this before… but an argument could be made. Like Django, the directing and editing omissions prevent me from saying it is top five.
Life of Pi
Ang Lee’s visually striking adaptation of a bestseller tied with most nominations (11). Lee would win for his behind the camera work and it would pick up gold statues for Score, Cinematography, and Visual Effects. Unlike our last two contenders, it did receive an editing nod.
Does It Make the Final Five?
Yes. Furthermore, it was probably the runner-up for the win.
Lincoln
Steven Spielberg’s historical tale was the other movie to receive 11 nominations. The sole win was for Daniel Day-Lewis’s embodiment of the 16th POTUS in Best Actor.
Does It Make the Final Five?
Yes. Despite the 1 for 11 showing, the sheer number of nods strongly suggest its inclusion.
Silver Linings Playbook
With 8 nominations and Jennifer Lawrence taking Best Actress, this was the rare pic that scored nominations in all 4 acting derbies. Unlike Lawrence – Bradley Cooper, Robert De Niro, and Jacki Weaver didn’t win their respective races. This was also up for David O. Russell’s direction, Adapted Screenplay, and Editing.
Does It Make the Final Five?
Yes – based on where else it landed attention.
Zero Dark Thirty
Kathryn Bigelow’s follow-up to her Oscar winning The Hurt Locker won Sound Editing. Jessica Chastain was up for Actress with Original Screenplay and Editing nods making it five overall. Bigelow’s snub in the directing race was unexpected.
Does It Make the Final Five?
Yes, but this is the one I’m most unsure about. One could easily make the case for Amour or Beasts or Django or Les Miserables. The fact that this had the screenplay nod and editing made me pick it.
So in my view your abbreviated 2012 BP lineup would be:
At first glance, even writing an Oscar predictions post for They/Them might seem a little silly. The slasher pic set at a conversion camp premieres on Peacock tomorrow and reunites Kevin Bacon with the bloody genre 42 years after Friday the 13th.
It doesn’t seem as silly considering it’s the directorial debut of John Logan. He also serves as sole writer for the project and he’s a three-time Academy nominee for his penned works: 2000’s Gladiator, 2004’s The Aviator, and 2011’s Hugo.
Yet despite his scripting a trio of Best Picture nominees, reviews for this Blumhouse produced offering are mixed at best. The Rotten Tomatoes meter is currently at 50%. That makes this equation simple as They/Them will nab as many Academy mentions as Friday the 13th. My Oscar Prediction posts will continue…
A24’s Bodies Bodies Bodies premiered at South by Southwest in March and the theatrical release comes in limited fashion tomorrow. Marking the English directorial debut of Danish filmmaker Halina Reijn, the slasher comedy is drawing some kudos from critics. The Rotten Tomatoes score stands at an impressive 94%.
Amandla Stenberg, Maria Bakalova (recent Supporting Actress nominee for Borat Subsequent Moviefilm). Myha’la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, and Pete Davidson lead the cast in this tale of a hurricane themed party goes awry. Numerous reviews have praised the screenplay’s twist on a well-worn genre.
Even with the solid notices, I would guess that A24 will be far more focused on campaigning for Everything Everywhere All at Once (which could win Original Screenplay) and not this. My Oscar Prediction posts will continue…
