Blogger’s Update (06/17): It is being reported that The Death of Robin Hood is only hitting around 1000 screens so I revising my estimate down from $8 million to a mere $3.8 million. That would put it in outside of the top 5
Toy Story 5 should dominate the upcoming weekend as the franchise enters its fourth decade of existence. The other premiere is Michael Sarnoski’s The Death of Robin Hood with Hugh Jackman in the title role. You can peruse my detailed prediction posts on the newcomers here:
In order to set the series record for highest opening, Disney/Pixar’s fifth round of Woody and Buzz needs to top the $120 million earned by part 4 in 2019. I’ve got it doing that with plenty of room to spare. My prediction also gives it 2026’s largest out of the gate haul currently held by The Super Mario Galaxy Movie with $131 million.
I’m not expecting much from Robin Hood and my fourth place forecast could decrease if the screen count is lower than the 2000-2500 venues I’m assuming. The A24 title seemingly hasn’t picked up much buzz though it’ll hope for some Father’s Day traffic.
Disclosure Day from Steven Spielberg got off to a decent if unspectacular beginning (more on that below). The sci-fi adventure hopes for a somewhat meager sophomore frame drop though I’ve got it falling in the low to mid 50s.
Obsession should be third while holdovers Scary Movie and Backrooms should duke it out for fifth place with the latter perhaps having a slight edge.
Here’s how I see the top 6 shaking out:
1. Toy Story 5
Predicted Gross: $166.8 million
2. Disclosure Day
Predicted Gross: $21.5 million
3. Obsession
Predicted Gross: $15.2 million
4. Backrooms
Predicted Gross: $6.6 million
5. Scary Movie
Predicted Gross: $6.1 million
Box Office Results (June 12-14)
In short, everything made less than I projected over the weekend. In more detail, Disclosure Day kicked off in the middle of its anticipated range with $44.5 million. I thought Spielberg’s return to the alien genre would fare better at $51.6 million. The B Cinemascore grade, not encouraging for a blockbuster, suggests a heftier drop than I might’ve originally thought could be coming.
Obsession, in its fifth frame, at last saw it grosses go down. That said, the 25% decline to $19 million gave the horror smash (and now Oscar contender in my view) a total of $188 million thus far.
Scary Movie had a massive 74% fall in weekend #2 with $14.2 million compared to my far more generous $22 million take. The sixth edition in the spoof series sits at $84 million.
Backrooms was fourth with $11.5 million, just under my $12.4 million call. This scary movie has amassed $160 million after three weeks.
Finally, Masters of the Universe solidified placement as a summer flop with a 70% plummet in its sophomore outing with $8.9 million. Once again, my benefit doubting forecast of $13.5 million proved false. The two-week tally is a weak $46 million.
It’s been two weeks since my last round of predictions in Best Picture, Director, and the four acting competitions. With mid-June upon us, I am now adding my first takes on the two screenplay derbies.
What’s changed in the last two weeks? In my estimation, Obsession has picked up considerable momentum with its astonishing box office performance. I am now vaulting the low-budget horror smash from #25 all the way into the BP lineup. Additionally, I am now thinking that Focus Features will slot Inde Navarrette and her buzzy performance to Supporting Actress and I’m placing her in my quintet all the way in second position.
While Obsession‘s fortunes have risen, I would say Disclosure Day from Steven Spielberg has taken a slight downturn. The sci-fi saga which debuted this weekend in line with financial expectations (though certainly not over them) will have to battle other blockbusters (Project Hail Mary, The Odyssey, Dune: Part Three) over the next several months for awards viability. It could still get in (and so could Emily Blunt in Actress). However, the non-gushing critical response and mixed audience reaction is a potential roadblock.
Trailers can be deceiving when evaluating a picture’s Oscar chances. Yet I have to admit that I found our first look at The Social Reckoning underwhelming and I dropped it from my BP lineup, putting it just on the outside looking in.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. Project Hail Mary (PR: 2) (E)
3. The Black Ball (PR: 5) (+2)
4. Digger (PR: 3) (-1)
5. Wild Horse Nine (PR: 4) (-1)
6. Fjord (PR: 6) (E)
7. No One Cares (PR: 8) (+1)
8. Dune: Part Three (PR: 7) (-1)
9. Cry to Heaven (PR: 10) (+1)
10. Obsession (PR: 25) (+15)
Other Possibilities:
11. The Social Reckoning (PR: 9) (-2)
12. All of a Sudden (PR: 12) (E)
13. A Place in Hell (PR: 15) (+2)
14. Disclosure Day (PR: 11) (-2)
15. Sense and Sensibility (PR: 14) (-1)
16. Fatherland (PR: 13) (-3)
17. Behemoth! (PR: 19) (+2)
18. Werwulf (PR: 16) (-2)
19. Jack of Spades (PR: 18) (-1)
20. The Adventures of Cliff Booth (PR: 17) (-3)
21. Josephine (PR: 23) (+2)
22. Saturn Return (PR: 24) (+2)
23. Michael (PR: 22) (-1)
24. Being Heumann (PR: 20) (-4)
25. Club Kid (PR: Not Ranked)
Dropped Out:
The Entertainment System is Down
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 4) (+2)
3. Alejandro G. Iñárritu, Digger (PR: 2) (-1)
4. Martin McDonagh, Wild Horse Nine (PR: 3) (-1)
5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (E)
Other Possibilities:
6. Cristian Mingiu, Fjord (PR: 6) (E)
7. Tom Ford, Cry to Heaven (PR: 7) (E)
8. Denis Villeneuve, Dune: Part Three (PR: 8) (E)
9. Curry Barker, Obsession (PR: Not Ranked)
10. Pawel Pawlikowski, Fatherland (PR: 9) (-1)
11. Jesse Eisenberg, No One Cares (PR: 12) (+1)
12. Ryusuke Hamaguchi, All of a Sudden (PR: 11) (-1)
13. Chloe Domont, A Place in Hell (PR: Not Ranked)
14. Georgia Oakley, Sense and Sensibility (PR: 14) (E)
15. Robert Eggers, Werwulf (PR: 15) (E)
Dropped Out:
Steven Spielberg, Disclosure Day
Aaron Sorkin, The Social Reckoning
Best Actress
Predicted Nominees:
1. Renate Reinsve, Fjord (PR: 1) (E)
2. Julianne Moore, No One Cares (PR: 2) (E)
3. Michelle Williams, A Place in Hell (PR: 4) (+1)
4. Virginie Efira, All of a Sudden (PR: 5) (+1)
5. Mikey Madison, The Social Reckoning (PR: 3) (-2)
Other Possibilities:
6. Sandra Hüller, Fatherland (PR: 6) (E)
7. Emily Blunt, Disclosure Day (PR: 7) (E)
8. Daisy Edgar-Jones, Sense and Sensibility (PR: 11) (+3)
9. Sandra Hüller, Rose (PR: 10) (+1)
10. Cynthia Erivo, Prima Facie (PR: 8) (-2)
11. Ruth Madeley, Being Heumann (PR: 12) (+1)
12. Mason Reeves, Josephine (PR: 14) (+2)
13. Sophie Okonedo, Clarissa (PR: 13) (E)
14. Penélope Cruz, Bunker (PR: Not Ranked)
15. Léa Seydoux, Gentle Monster (PR: Not Ranked)
Dropped Out:
Inde Navarrette, Obsession (moved to Supporting Actress)
Rachel Brosnahan, Saturn Return
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. Sebastian Stan, Fjord (PR: 3) (E)
4. John Malkovich, Wild Horse Nine (PR: 4) (E)
5. Matt Damon, The Odyssey (PR: 5) (E)
Other Possibilities:
6. John Turturro, The Only Living Pickpocket in New York (PR: 13) (+7)
7. Pedro Pascal, Behemoth! (PR: 9) (+2)
8. Nicholas Hoult, Cry to Heaven (PR: 6) (-2)
9. Jaafar Jackson, Michael (PR: 7) (-2)
10. Dominic Sessa, Tony (PR: 8) (-2)
11. Robert Pattinson, Primetime (PR: 11) (E)
12. Timothée Chalamet, Dune: Part Three (PR: 12) (E)
13. Hanns Zischler, Fatherland (PR: 14) (+1)
14. Rami Malek, The Man I Love (PR: 10 (-4)
15. Jordan Firstman, Club Kid (PR: Not Ranked)
Dropped Out:
Javier Bardem, The Beloved
Best Supporting Actress
Predicted Nominees:
1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Inde Navarrette, Obsession (PR: Not Ranked – moved from lead Actress)
3. Sandra Hüller, Digger (PR: 2) (-1)
4. Penélope Cruz, The Black Ball (PR: 5) (+1)
5. Tao Okamoto, All of a Sudden (PR: 4) (-1)
Other Possibilities:
6. Anne Hathaway, The Odyssey (PR: 3) (-3)
7. Parker Posey, Wild Horse Nine (PR: 6) (-1)
8. Sandra Hüller, Project Hail Mary (PR: 7) (-1)
9. Daisy Edgar-Jones, A Place in Hell (PR: 8) (-1)
10. Esmé Creed-Miles, Sense and Sensibility (PR: 10) (E)
11. Penélope Cruz, The Invite (PR: 13) (+2)
12. Halle Bailey, No One Cares (PR: 9) (-3)
13. Scarlet Johansson, Paper Tiger (PR: 15) (+2)
14. Elizabeth Debicki, The Adventures of Cliff Booth (PR: 11) (-3)
15. Lesley Manville, Jack of Spades (PR: 14) (-1)
Dropped Out:
Adele, Cry to Heaven
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, No One Cares (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Robert Pattinson, The Odyssey (PR: 4) (E)
5. Steve Buscemi, Wild Horse Nine (PR: 5) (E)
Other Possibilities:
6. Jeremy Strong, The Social Reckoning (PR: 6) (E)
7. Jesse Plemons, Digger (PR: 8) (+1)
8. Colman Domingo, Michael (PR: 9) (+1)
9. Andrew Scott, A Place in Hell (PR: 13) (+4)
10. Riz Ahmed, Digger (PR: Not Ranked)
11. Channing Tatum, Josephine (PR: 12) (+1)
12. James Ortiz, Project Hail Mary (PR: Not Ranked)
13. Tom Holland, The Odyssey (PR: 10) (-3)
14. Aaron Taylor-Johnson, Cry to Heaven (PR: 7) (-7)
Steven Spielberg’s latest alien tale Disclosure Day looks to open impressively as the only new release in the top 5. You can peruse my detailed prediction post on the legendary filmmaker’s latest here:
With solid reviews and a robust marketing campaign, Spielberg’s return to the extraterrestrial genre will have no trouble topping the charts. I do not, however, think it’ll surpass the anticipated premiere range in the mid 40s to mid 50s. I’m putting it smack dab in the middle of those figures.
The last three Scary Movie flicks have all fallen in the high 50s during their sophomore outings. After a terrific opening (more on that below), I don’t see why the sixth installment wouldn’t do the same and it might even approach 60%.
That could mean Obsession, the little horror movie that could, rises from 4th to 2nd in its fifth weekend assuming it only drops around 10% with current champ Scary Movie dropping to third. I’m estimating that Masters of the Universe and Backrooms see declines in the mid 50s and place fourth and fifth.
Here’s how I see it shaking out:
1. Disclosure Day
Predicted Gross: $51.6 million
2. Obsession
Predicted Gross: $22.8 million
3. Scary Movie
Predicted Gross: $22 million
4. Masters of the Universe
Predicted Gross: $13.5 million
4. Backrooms
Predicted Gross: $12.4 million
Box Office Results (June 5-7)
Scary Movie reenergized a franchise that had been dormant for 13 years and set a series best start with $54.3 million, besting my $47.5 million projection. The spoof flicks that have been around since the beginning of the 21st century looks good to go for an eventual seventh entry and I doubt a decade plus wait will occur.
Masters of the Universe did not have the power of box office potency in second with $29.4 million, on target with my $29.8 million call. Considering the reported budget approaching $200 million, that’s a weak debut for the second big screen adaptation of the 80s Saturday morning animated show.
Backrooms was third with a considerable but understandable 68% sophomore slide. The low-budget horror hit took in $26.2 million compared to my $30.6 million forecast. The two-week tally is a fantastic $135 million.
Obsession continued its historic run in weekend #4 in fourth with $25.3 million, surpassing my $23.4 million estimate. The really low-budget horror hit grew to $151 million.
The Amazing Digital Circus: The Last Act, featuring episodes of the hit web series, rounded out the top five with $12.3 million, in line with my $13.1 million take. Since its Thursday start, the gross is $20.2 million.
The Mandalorian and Grogu, the summer’s most notable disappointment (more than He-Man), was sixth with $9.6 million (I said $11 million). The three-week earnings of $155 million is low for its storied franchise.
Finally, Power Ballad with Paul Rudd and Nick Jonas (despite decent critical reaction) bombed in 12th with only $1.2 million. I thought it might strike a higher chord at $4.2 million.
**Blogger’s Update (06/03): A day after posting my top 5 predictions, we are making it a top 6. The Amazing Digital Circus: The Last Act wasn’t really on my radar screen. However, the combination of episodes for the adult web animated series opens Thursday and is expected to make some noise. My $13.1 million Friday to Sunday guesstimate gives it the 5 spot, knocking The Mandalorian to sixth.
While scary movies ruled the charts in the remarkable weekend that just happened, the franchise that spoofs them returns to theaters for the first time in 13 years and should place #1. In addition to Scary Movie, He-Man is back in multiplexes after nearly 40 years offscreen with Masters of the Universe. You can peruse my detailed prediction posts on the newcomers here:
Scary Movie looks to be arriving at an opportune time as horror flicks are dominating and posting previously unthought of grosses via Backrooms and Obsession. The sixth entry in the series began in 2000, it could absolutely break the franchise opening record held by Scary Movie 3 at $48 million. I’ve got it just under in what should be an uncomplicated path to the top slot.
The race for #2 is more open. Adapting the toy line and Saturday morning cartoon that began over 40 years ago (and led to a panned Dolph Lundgren live-action version in 1987), Masters needs family audiences to turn out as teens and adults will be preoccupied with Scary Movie and scary movies. My projection of just under $30 million would be considered a letdown. If Masters does my estimated figure, it opens the door for Backrooms to be second if it drops in the 60% range. That’s what I’m saying will happen in a photo finish.
Then there’s Obsession which has built its earnings from the first week to the second to the third. As mentioned before, that’s practically unheard of for any wide release movie (let alone a horror one). I have it finally easing in the mid teens in week #4, but we’re in uncharted territory here so who knows?
After a troubling second outing, The Mandalorian and Grogu should round out the top five. Finally, Power Ballad with Paul Rudd and Nick Jonas expands nationwide. I didn’t do an individual post for it. I’ll put its wide release at $4.2 million and that’s well outside the top five.
Here’s how I have it shaking out:
1. Scary Movie
Predicted Gross: $47.5 million
2. Backrooms
Predicted Gross: $30.6 million
3. Masters of the Universe
Predicted Gross: $29.8 million
4. Obsession
Predicted Gross: $23.4 million
5. The Amazing Digital Circus: The Last Act
Predicted Gross: $13.1 million
6. The Mandalorian and Grogu
Predicted Gross: $11 million
Box Office Results (May 29-31)
Before Backrooms came out, A24’s largest opening weekend belonged to Civil War at $25 million. I knew Backrooms would blast past that record and predicted that it would more than double that figure at $57 million. I couldn’t have been more wrong. Based on the hit found footage web series, it more than tripled A24’s previous best at $81.4 million. To say the least, young viewers turned out in droves and a new franchise is undoubtedly born.
Obsession stayed in second and increased its crowd by 14% at $27.3 million, falling just below my $29.5 million prediction. The phenomenon now has $105 million in the bank after three weeks.
A week after experiencing the worst Star Wars start in the Disney era, The Mandalorian and Grogu had the heftiest percentage drop of them all. Falling 70%, it made $24.4 million compared to my $25.6 million call. The less than anticipated total is $136 million.
Michael was fourth with $11.8 million (I said $13 million) as the musical biopic has amassed $340 million after six weeks.
Nate Bargatze is a bestselling stand-up, but it didn’t translate to box office bucks in his first starring vehicle The Breadwinner. It sputtered in fifth with only $7.3 million. I was more generous at $12.1 million.
Finally, Pressure opened in seventh with $5.8 million. The well-reviewed World War II drama got beyond my $4.9 million estimate with the fifth highest per theater average in the top 10.
It’s been over three weeks since I’ve updated my Oscar predictions in the six major categories of Picture, Director, and the four acting races. A little thing called the Cannes Film Festival happened in between. In the past few cycles, you can usually count on 2-3 films screened in the French Riviera to eventually make the Best Picture cut at the Academy Awards.
Some features like Na Hong-jin’s Hope and James Gray’s Paper Tiger saw their fortunes take a hit. I would say there are four titles that standing the best chance at finding themselves in the Oscar mix: Cristian Mingiu’s Fjord (which won the Palme d’Or), Ryusuke Hamaguchi’s All of a Sudden, Fatherland from Pawel Pawlkowski, and especially The Black Ball from Javier Calvo and Javier Ambrossi. You can read my detailed prediction posts on the those Cannes titles and more on the blog from the past few days. There’s others that could gain momentum including Minotaur, Coward, and Club Kid.
Steven Spielberg’s Disclosure Day didn’t screen at Cannes, but is readying release on June 12th. Influencers who’ve seen it are highly positive. That said, it is a wise practice to wait until the real review embargo lapses to get a clear picture of its awards viability. For now, I have the movie, Spielberg, and Emily Blunt just on the outside looking in.
The horror flick Obsession drew rave critical reactions and fantastic box office numbers that are continuing to grow. This has truly opened the door for Inde Navarrette to snag an acting nod and, in a best case scenario, BP inclusion (still seems like a long shot but you never know). It’s a legit question as to whether Navarrette competes in lead Actress or Supporting Actress. For now, I’m slotting her as a possibility (though not yet a nominee) in the former. Focus Features will clear it up as some point though it might be a while.
You can read all the movement below and I’ll have the next update available in mid-June!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. Project Hail Mary (PR: 2) (E)
3. Digger (PR: 4) (+1)
4. Wild Horse Nine (PR: 3) (-1)
5. The Black Ball (PR: Not Ranked)
6. Fjord (PR: 5) (-1)
7. Dune: Part Three (PR: 8) (+1)
8. No One Cares (PR: 6) (-2)
9. The Social Reckoning (PR: 9) (E)
10. Cry to Heaven (PR: 12) (+2)
Other Possibilities:
11. Disclosure Day (PR: Not Ranked)
12. All of a Sudden (PR: 10) (-2)
13. Fatherland (PR: 7) (-6)
14. Sense and Sensibility (PR: 17) (+2)
15. A Place in Hell (PR: 13) (-2)
16. Werwulf (PR: 15) (-1)
17. The Adventures of Cliff Booth (PR: 25) (+8)
18. Jack of Spades (PR: 20) (+2)
19. Behemoth! (PR: 23) (+4)
20. Being Heumann (PR: 21) (+1)
21. The Entertainment System is Down (PR: 19) (-2)
22. Michael (PR: 24) (+2)
23. Josephine (PR: 17) (-6)
24. Saturn Return (PR: 18) (-6)
25. Obsession (PR: Not Ranked)
Dropped Out:
Hope
Paper Tiger
A Long Winter
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Alejandro G. Iñárritu, Digger (PR: 2) (E)
3. Martin McDonagh, Wild Horse Nine (PR: 3) (E)
4. Javier Calva and Javier Ambrossi, The Black Ball (PR: Not Ranked)
5. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (E)
Other Possibilities:
6. Cristian Mingiu, Fjord (PR: 4) (-2)
7. Tom Ford, Cry to Heaven (PR: 11) (+4)
8. Denis Villeneuve, Dune: Part Three (PR: 8) (E)
9. Pawel Pawlikowski, Fatherland (PR: 6) (-3)
10. Steven Spielberg, Disclosure Day (PR: Not Ranked)
11. Ryusuke Hamaguchi, All of a Sudden (PR: 7) (-4)
12. Jesse Eisenberg, No One Cares (PR: 9) (-3)
13. Aaron Sorkin, The Social Reckoning (PR: 12) (-1)
14. Georgia Oakley, Sense and Sensibility (PR: Not Ranked)
15. Robert Eggers, Werwulf (PR: 13) (-2)
Dropped Out:
Na Hong-jin, Hope
James Gray, Paper Tiger
Greg Kwedar, Saturn Return
Best Actress
Predicted Nominees:
1. Renate Reinsve, Fjord (PR: 1) (E)
2. Julianne Moore, No One Cares (PR: 3) (+1)
3. Mikey Madison, The Social Reckoning (PR: 4) (+1)
4. Michelle Williams, A Place in Hell (PR: 5) (+1)
5. Virginie Efira, All of a Sudden (PR: 6) (+1)
Other Possibilities:
6. Sandra Hüller, Fatherland (PR: 2) (-4)
7. Emily Blunt, Disclosure Day (PR: Not Raked)
8. Cynthia Erivo, Prima Facie (PR: 7) (-1)
9. Inde Navarrette, Obsession (PR: Not Ranked)
10. Sandra Hüller, Rose (PR: 8) (-2)
11. Daisy Edgar-Jones, Sense and Sensibility (PR: 12) (+1)
12. Ruth Madeley, Being Heumann (PR: 9) (-3)
13. Sophie Okonedo, Clarissa (PR: 10) (-3)
14. Mason Reeves, Josephine (PR: 11) (-3)
15. Rachel Brosnahan, Saturn Return (PR: 13) (-2)
Dropped Out:
Penélope Cruz, Bunker
Lily Gladstone, The Memory Police
Best Actor
Predicted Nominees:
1. Tom Cruise, Digger (PR: 1) (E)
2. Ryan Gosling, Project Hail Mary (PR: 2) (E)
3. Sebastian Stan, Fjord (PR: 3) (E)
4. John Malkovich, Wild Horse Nine (PR: 4) (E)
5. Matt Damon, The Odyssey (PR: 6) (+1)
Other Possibilities:
6. Nicholas Hoult, Cry to Heaven (PR: 9) (+3)
7. Jaafar Jackson, Michael (PR: 8) (+1)
8. Dominic Sessa, Tony (PR: 7) (-1)
9. Pedro Pascal, Behemoth! (PR: Not Ranked)
10. Rami Malek, The Man I Love (PR: 14) (+4)
11. Robert Pattinson, Primetime (PR: Not Ranked)
12. Timothée Chalamet, Dune: Part Three (PR: 15) (+3)
13. John Turturro, The Only Living Pickpocket in New York City (PR: 10) (-3)
14. Hanns Zischler, Fatherland (PR: 5) (-9)
15. Javier Bardem, The Beloved (PR: Not Ranked)
Dropped Out:
Jeremy Allen White, The Social Reckoning
Adam Driver, Paper Tiger
Josh O’Connor, Jack of Spades
Best Supporting Actress
Predicted Nominees:
1. Mariana Di Girolamo, Wild Horse Nine (PR: 1) (E)
2. Sandra Hüller, Digger (PR: 2) (E)
3. Anne Hathaway, The Odyssey (PR: 7) (+4)
4. Tao Okamoto, All of a Sudden (PR: 6) (+2)
5. Penélope Cruz, The Black Ball (PR: Not Ranked)
Other Possibilities:
6. Parker Posey, Wild Horse Nine (PR: 3) (-3)
7. Sandra Hüller, Project Hail Mary (PR: 8) (+1)
8. Daisy Edgar-Jones, A Place in Hell (PR: 5) (-3)
9. Halle Bailey, No One Cares (PR: 4) (-5)
10. Esmé Creed-Miles, Sense and Sensibility (PR: 11) (+1)
11. Elizabeth Debicki, The Adventures of Cliff Booth (PR: Not Ranked)
12. Adele, Cry to Heaven (PR: Not Ranked)
13. Penélope Cruz, The Invite (PR: 14) (+1)
14. Lesley Manville, Jack of Spades (PR: 10) (-4)
15. Scarlett Johansson, Paper Tiger (PR: 9) (-6)
Dropped Out:
Kirsten Dunst, The Entertainment System is Down
Caitriona Balfe, A Long Winter
Gemma Chan, Josephine
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, No One Cares (PR: 1) (E)
2. John Goodman, Digger (PR: 2) (E)
3. Sam Rockwell, Wild Horse Nine (PR: 3) (E)
4. Robert Pattinson, The Odyssey (PR: 5) (+1)
5. Steve Buscemi, Wild Horse Nine (PR: 4) (-1)
Other Possibilities:
6. Jeremy Strong, The Social Reckoning (PR: 6) (E)
7. Aaron Taylor-Johnson, Cry to Heaven (PR: 15) (+8)
As scary movies are doing blockbuster business at the box office lately, the franchise spoofing them is back in multiplexes after a lengthy break. Scary Movie, the sixth installment in the series that began in 2000, premieres June 5th with some familiar faces from past entries. This includes the Wayans family’s involvement for the first time since #2 in 2001 with Marlon and Shawn starring and Keenan Ivory cowriting and coproducing. Damon Wayans Jr. and Kim Wayans join as do Anna Faris, Regina Hall, Kenan Thompson, Dave Sheridan, Lochlyn Munro, Cheri Oteri, Chris Elliot, and Heidi Gardner. Michael Tiddes, maker of A Haunted House and its sequel with the Wayans brothers, directs.
Twenty six years ago, Scary Movie was primarily a sendup of the Scream flicks and it was a massive hit with a $42 million opening and $157 million overall domestic haul (still the best of the previous quintet). The all-time strongest debut belongs to 2003’s Scary Movie 3 at $48 million. By 2013, the franchise had run out of steam with Scary Movie V posting $14 million out of the gate and $32 million total (both lows).
Paramount hopes the 13-year pause breeds nostalgia. The notion could pan out. There are plenty of newer horror titles to parody including Weapons, Sinners, The Substance, and the recent Scream tales. It also doesn’t hurt that Backrooms and Obsession are currently doing amazing business and keeping the genre in the forefront. A best case scenario is an overperformance and series best kickoff at $50 million or more. I think it’ll open similarly to the franchise high, but fall just under.
Scary Movie opening weekend prediction: $47.5 million
For my Masters of the Universe prediction, click here:
Marking the directorial debut of Kane Parsons and based on his viral creepypasta phenomenon, horror pic Backrooms is expected to dominate the box office charts this weekend. Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, Finn Bennett, and Lukita Maxwell fill out the cast.
With 86% on Rotten Tomatoes and a 76 Metacritic, reviews are generally being kind. Unlike other recent genre titles (hello unexpected box office juggernaut and critical darling Obsession), this is not expected to be talked about for major awards. On the other hand, the plot revolves around the sets and that’s where Academy voters could consider this for a Production Design nomination. My Oscar Prediction posts will continue…
Blogger’s Update (05/28): Some revisions asweekday numbers for Obsession now have me thinking it will gain from its sophomore frame and place second with Mandalorian now dipping to third. Additionally, my projection for Backrooms continues to rise and I’m now putting it at $57 million, up from $54 million.
Horror flick Backrooms looks to open at the front of the charts while Nate Bargatze’s comedy The Breadwinner and World War II drama Pressure with Andrew Scott and Brendan Fraser seek impressive earnings. You can peruse my detailed prediction posts on the trio of newcomers here:
Based on a popular YouTube web series, Backrooms from Kane Parsons has a wide range of possibility. A worst case scenario could put it in second place behind the second frame of The Mandalorian and Grogu. There’s also the potential for an overperformance topping approaching $60 million. My mid 50s projection puts it in first with ease.
That’s because The Mandalorian got off to a so-so start (more on that below) and I suspect it’s headed for a precipitous fall in the high 60s.
Obsession, after a remarkable sophomore weekend hold, may only slide slightly for a third place showing. That could leave The Breadwinner well behind in fourth in the low teens though Bargatze’s fanbase may turn out enough for a better than anticipated premiere. Comedies are tricky. It might also struggle to make $10 million.
As for Pressure, with a reported theater count of around 1800, my $4.9 million forecast would put it outside of the top five.
Here’s how I have that high five shaking out:
1. Backrooms
Predicted Gross: $57 million
2. Obsession
Predicted Gross: $29.5 million
3. The Mandalorian and Grogu
Predicted Gross: $25.6 million
4. Michael
Predicted Gross: $13 million
5. The Breadwinner
Predicted Gross: $12.1 million
Box Office Results (May 22-25)
The Mandalorian and Grogu never appeared to have the excitement that greets Star Wars series entries and the numbers proved that over Memorial Day weekend. The continuation of the Disney+ show landed with the lowest opening of any franchise pic since the Mouse House took over distribution beginning in 2015 with Star Wars: The Force Awakens. Opening slightly under 2018’s Solo: A Star Wars Story, the Friday to Sunday three-day take was $81.6 million, just over my $80.3 million prediction. When counting Monday, it grew to $98 million and that managed to top my $94.7 million take. While those grosses would be pleasing for most summer titles, that’s simply not the case here.
Obsession was arguably a bigger story this weekend as it grew 39% over its first frame. This is pretty much unheard of for any picture and especially in the horror genre. The Friday to Sunday earnings of $23.9 million and $31.9 million over the four-day easily surpassed my respective projections of $17.5 million and $22.9 million and the two-week total rose to $62 million.
Michael went from to 1st to 3rd with $20.6 million (three-day) and $27.1 million (four-day), ahead of my $18.8 million and $23.9 million guesstimates. The music biopic has now amassed $321 million in five weeks.
The Devil Wears Prada 2 was fourth with $12.7 million over the traditional weekend and $16.2 million with Monday added. The comedy sequel took in more than my $9.7 million and $12.6 million estimates and it has $199 million in the bank after four weeks,.
The Sheep Detectives held impressively in fifth with $9.2 million from Friday to Sunday (I said $7 million) and $12.3 million counting Monday (I went with $8.9 million). The three-week gross is $46 million for the summer sleeper.
Scary movie Passenger managed to outdo my predictions with $8.7 million (Fri-Sun) and $10.3 million (Fri-Mon). While I went lower respectively with $6.3 million and $7.3 million, the 6th place newcomer was overshadowed by Obsession. Unlike that movie, a hefty sophomore drop is probably coming.
Mortal Kombat II was seventh with $6 million over the three-day. My guess? $6 million! Its $7.6 million four-day slightly edged my $7.2 million call and the three-week total is $74 million.
Finally, absurdist comedy I Love Boosters from Boots Riley kicked off in 8th with $3.7 million from Friday to Sunday. My guess? $3.7 million! Like Kombat, the $4.7 million four-day barely exceeded my $4.5 million prediction.
A24 looks to achieve its largest opening weekend yet when Backrooms arrives on May 29th. Based on his own highly popular web series, Kane Parsons directs the sci-fi horror flick. Chiwetel Ejiofor leads a cast that includes Renate Reinsve, Mark Duplass, Finn Bennett, and Lukita Maxwell.
With James Wan, Shawn Levy, and Osgood Perkins among the producers, this looks to capitalize on its YouTube source material which boasts nearly 80 millions views. In order to set a record premiere for its distributor, Backrooms would need to top the $27 million that last December’s Marty Supreme started with.
Even though its earnings might be front-loaded, my hunch is that this has a better shot at exceeding expectations than going under them. I think mid to high 50s is doable and that would give it the #1 spot over The Mandalorian and Grogu and Obsession.
The Mandalorian and Grogu marks the first Star Wars theatrical entry in six years and it should easily rule the Memorial Day weekend charts. We also have horror flick Passenger and Boots Riley’s absurdist comedy I Love Boosters premiering. You can peruse my detailed prediction posts on the trio here:
While Mandolarian will certainly have no trouble placing first, the opening could be rather weak by Star Wars standards. I am forecasting that the continuation of the Disney Plus series will fall under $100 million for the four-day and that would be considered an unimpressive start.
Passenger could fall victim to the buzz surrounding fellow scary movie Obsession in its sophomore outing (more on its debut below). I have it outside of the top five.
Same goes for Boosters which could be looking at eighth place in the lower to mid single digits. I’m not convinced that mostly solid reviews will cause it to exceed expectations.
As for holdovers, there could be a close race for second. Current champ Michael might be the safe bet. However, Obsession may not see much of a drop at all in weekend #2 thanks to word-of-mouth and an A- Cinemascore (very high for its genre). In fact, I have it slightly increasing.
The Devil Wears Prada 2, The Sheep Detectives, and Mortal Kombat II should be 4-6 and here’s how I see the 3-day and 4-day grosses shaking out:
1. The Mandalorian and Grogu
Predicted Gross: $80.3 million (Fri-Sun); $94.7 million (Fri-Mon)
2. Michael
Predicted Gross: $18.8 million (Fri-Sun); $23.9 million (Fri-Mon)
3. Obsession
Predicted Gross: $17.5 million (Fri-Sun); $22.9 million (Fri-Mon)
4. The Devil Wears Prada 2
Predicted Gross: $9.7 million (Fri-Sun); $12.6 million (Fri-Mon)
5. The Sheep Detectives
Predicted Gross: $7 million (Fri-Sun); $8.9 million (Fri-Mon)
6. Passenger
Predicted Gross: $6.3 million (Fri-Sun); $7.3 million (Fri-Mon)
7. Mortal Kombat II
Predicted Gross: $6 million (Fri-Sun); $7.2 million (Fri-Mon)
8. I Love Boosters
Predicted Gross: $3.7 million (Fri-Sun); $4.5 million (Fri-Mon)
Box Office Results (May 15-17)
Michael made a return to the top spot in its fourth week with $26.1 million, right on target with my $25.8 million call. The King of Pop biopic has (moon)walked away with $282 million in domestic dollars thus far.
The Devil Wears Prada 2, after two weeks in first, fell to second with $17.8 million. That 57% decline is steeper than my $23 million estimate though it’s grown to $175 million total.
Obsession is the story of the weekend. Budgeted at a reported $1 million and purchased by Focus Features for approximately $15 million, it slayed in third with $17.1 million. That’s well beyond my meager $9.6 million projection as it looks to play well throughout the season.
In fourth, Mortal Kombat II plummeted 65% in weekend #2 to $13.4 million. My prediction? $13.4 million! The martial arts sequel stands at $62 million.
The Sheep Detectives was fifth with $9.5 million (I said $10.2 million) for a decent two-week tally of $29 million.
Finally, Guy Ritchie’s In the Grey starring Henry Cavill and Jake Gyllenhaal was a dud in ninth with $2.9 million. I was generous at $5.9 million.
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