The cinematic horror stylings of M. Night Shyamalan returns to theaters next weekend when Split debuts. His latest fright fest stars James McAvoy as a man with multiple personalities who kidnaps three teen girls. Anya Taylor-Joy and Betty Buckley are among the costars acting alongside all of McAvoy’s characters.
Split screened at a couple of film festivals during the fall and early word suggests a return to form for the auteur. The current Rotten Tomatoes score stands at 82%. Of course, Shyamalan’s filmography is a checkered one. He sprinted out of the gate with commercial and critical hits such as TheSixthSense, Unbreakable, and Signs. Disappointments from critics and audiences would come with LadyintheWater, TheHappening, and AfterEarth. His previous effort, 2015’s TheVisit, drew mixed reaction from reviewers and crowds yet it debuted with a better than anticipated $25 million weekend and $65M overall domestic take.
In fact, the smallest first weekend from the director since he’s become a celebrity in his own right remains LadyintheWater at $18 million. I incorrectly predicted TheVisit would open under that over one year ago and was proven wrong.
With solid reviews and effective TV spots and trailers, I’ll predict Split gets over that $18 million figure and just shy of $20M.
Split opening weekend prediction: $19.6 million
For my xXx: ReturnofXanderCage prediction, click here:
Lest ye forget, the Fast and Furious series isn’t the only franchise that Vin Diesel has been a part of and I’m not talking about Riddick or Guardians of the Galaxy. Next weekend, Mr. Diesel returns in the title role of xXx: Return of Xander Cage.
In 2002, the star (hot off the first Fast feature) headlined summer action blockbuster xXx, which opened to $44 million with an eventual $142M domestic haul. Yet, just like the first Furious sequel, he decided to sit out the follow-up, xXx: State of the Union which featured Ice Cube instead. That one didn’t fare so well with just a $12 million debut and $26M overall gross.
Cage finds D.J. Caruso taking over the directorial duties with a supporting cast that includes Samuel L. Jackson, Donnie Yen, Toni Collette, Ruby Rose, Deepika Padukone, Nina Dobrev, and Tony Jaa. The question is: will moviegoers return to the super spy action series nearly 15 years after the original?
The answer: to an extent. Diesel has obviously gotten max exposure in recent years with the well-received Furious extravaganzas. There is the cautionary tale of 2015’s The Last Witch Hunter, which he hoped would turn into a franchise but sputtered with just $27 million domestically. xXx may earn that and then some in its first weekend of release. I’ve got it pegged in the mid to high 20s and even though that’s not reaching what the first Cage opus made a decade and a half ago, it’s OK.
xXx: Return of Xander Cage opening weekend prediction: $25.4 million
Well, folks, it’s the third four-day holiday box office frame in four weekends as MLK Day is Monday and there’s a total of six (yes six) pictures debuting or rolling out in wide release. They are: the Peter Berg directed Boston Marathon dramatic thriller Patriots Day, Ben Affleck’s gangster pic Live by Night, Jamie Foxx action flick Sleepless, inexplicably huge budget and long delayed family pic Monster Trucks, horror entry The Bye Bye Man, and Martin Scorsese’s historical epic Silence. You can experience my detailed prediction posts on each one of them here:
With this infusion of new product invading the marketplace, it could create a lot of intrigue as to what comes out on top. The four-day frame should mean rather small drops for returnees (Underworld could be the exception) and in some cases, we could see increases.
Hidden Figures got off to a terrific start in wide release. With an A+ Cinemascore grade and rapturous word of mouth, I see a slight increase for it that might be enough to keep it #1, ever so slightly ahead of Patriots Day. I believe that it will have the highest debut of the newbies.
My estimates put Live by Night in sixth with a disappointing debut with Sing and Rogue One in third and fourth. Other newcomers (Sleepless, Trucks, Bye Bye) will be in the 7-8-9 spots as I believe La La Land will post a fifth place showing. This is due to its huge success at the Golden Globes and an expected significant increase in screens next weekend.
Finally, Silence is only debuting on 750 screens and I expect it to fall outside of the top ten.
And with that, my top ten predictions for the long and bustling weekend:
1. Hidden Figures
Predicted Gross: $24.1 million (representing an increase of 6%)
2. Patriots Day
Predicted Gross: $23.6 million
3. Sing
Predicted Gross: $16.4 million (representing a drop of 21%)
4. Rogue One: A Star Wars Story
Predicted Gross: $16.1 million (representing a drop of 27%)
5. La La Land
Predicted Gross: $13.7 million (representing an increase of 36%)
6. LivebyNight
Predicted Gross: $13.2 million
7. Sleepless
Predicted Gross: $10.3 million
8. Monster Trucks
Predicted Gross: $10.1 million
9. The Bye Bye Man
Predicted Gross: $8.8 million
10. Underworld: Blood Wars
Predicted Gross: $6.6 million (representing a drop of 51%)
Box Office Results (January 6-8)
In a rather surprising result, Hidden Figures dislodged Rogue One from the top spot with a better than expected $22.8 million. This tops my $19.3M projection. As mentioned, its encouraging audience reaction bodes well for this weekend and beyond.
Rogue One slipped to second after three weeks on top with $22 million, under my $28.2M estimate for a total of $477M.
Sing was third with $20.7 million (under my $25.3M prediction) for a $214 overall tally.
Underworld: Blood Wars, the first new 2017 wide release, posted lackluster results in fourth with just $13.6 million (I was higher at $17.6M). All four previous franchise entries had debuted to over $20M.
La La Land rounded out the top five with $10.1 million (I said $12.8M) to bring its gross to $51M.
The rest of the top ten were all holdovers and were as follows:
6. Passengers: $8.8 million ($80M total). My prediction: $9 million
7. Why Him?: $6.9 million ($48M total). My prediction: $6 million
8. Moana: $6.3 million ($225M total). My prediction: $6.6 million.
9. Fences: $4.8 million ($40M total). My prediction: $6.7 million.
10. Assassin’s Creed: $4.1 million ($49M total). My prediction: $4.2M.
Finally, the critically acclaimed A Monster Calls was ignored by audiences and made just $2 million out of the gate, lower than my $3.4M forecast.
Recounting the BP Oil Spill disaster of 2010 that was both a human and environmental tragedy, DeepwaterHorizon spends a good deal of its running time concentrating on the competence of those workers on the enormous rig. Peter Berg’s dramatization of the events off the Southern coast of Louisiana finds Mark Wahlberg’s engineer Mike and Kurt Russell’s supervisor Jimmy trying their best at their positions while dealing with cost cutting corporate elements. It’s something many in the audience are likely to relate to and the pic coasts for a bit on simply being a story about people working.
Yet it’s the elements that arrive later during that massive explosion that give Deepwater its disaster flick cred. Had this not been a true story, I’m not so certain the visual spectacle that pervades the third act would’ve been as meaningful. The action sequences are well rendered if not particularly anything new from a run of the mill summer blockbuster.
We get to know more than just Mike and Jimmy. There’s John Malkovich’s BP “company man”. He’s the guy cutting corners and the actor himself is given a pretty decent monologue about it. There’s Kate Hudson as Wahlberg’s wife, watching the drama unfold from afar and Gina Rodriguez as a fellow crew member.
Horizon also features a lot of technical jargon that those without an engineering degree or knowledge of the industry could be lost with. It doesn’t really matter. The script does a perfectly serviceable if unspectacular job letting us meet some people whose everyday occupations put them in previously unseen peril.
TheGirlontheTrain isn’t skillfully made enough to realize its own trashiness. This differs greatly from David Fincher’s GoneGirl, which embraced its pulpy source material and had lots of fun with it. Based on a huge bestseller by Paula Hawkins, Train takes itself too seriously to be the guilty pleasure it ought to be. That’s a shame because Emily Blunt’s central performance continues her fine work rolling along.
She plays Rachel, a divorced alcoholic who spends the bulk of her time on the titled mode of transportation. Her boozy travels send her past her old home, where her ex (Justin Theroux) lives with his new wife and old mistress (Rebecca Ferguson) and baby. It is two houses down, however, where Rachel’s chemically imbalanced imagination is running wild. This is where Megan (Haley Bennett) and her husband Scott (Luke Evans) reside and the passenger watching them envisions their relationship to be the one she pines for. Of course, there’s far more beneath the surface and that goes for all the characters involved.
When Rachel realizes there’s more to the facade she’s conjured for the couple, it leads to a mystery and a disappearance that involves Allison Janney’s detective. It leads to questioning Rachel’s whereabouts on a typical blackout drunken evening. I suppose, too, it eventually leads to a twist that is one you’re likely to pick up on earlier than you should. Whether this is designed that way is something I don’t know, but it’s a flaw nonetheless.
Our title character’s abuse of her own body and mind and other abuses I won’t reveal gives Blunt a chance to shine. Her performance is really the only one worthy of note, though Bennett does have a couple moments of her own. The story is told in a flashback style that gives all the women some backlog, but it’s Rachel who merits our attention. If only director Tate Taylor didn’t seem intent on pushing a dour vibe instead of recognizing this is vacation paperback material, this could’ve worked better. Blunt almost makes it worth the trip, but not quite.
This Sunday evening, the Golden Globes (perhaps the most significant Oscar precursor) airs with Jimmy Fallon hosting. Unlike the Academy Awards, the Globes divide both Picture and the Lead Acting races in two categories: Drama and Musical/Comedy.
Here’s how I have each race playing out with the winners predicted. As a side note, I decided to not do my weekly Oscar predictions yesterday and will have an updated post on Thursday next week!
With that, let’s get to the races…
Best Drama
The Nominees: Hacksaw Ridge, Hell or High Water, Lion, Manchester by the Sea, Moonlight
Todd’s Prediction: Moonlight
Analysis: Not an easy prediction as this will probably boil down to Moonlight and Manchester, with both Hacksaw and Lion being potential spoilers (Water is only pic I see as having no shot). The winner of this category will likely vault into a two-way race with La La Land as to what comes out on top at Oscar time.
Best Musical/Comedy
The Nominees: 20th Century Women, Deadpool, Florence Foster Jenkins, La La Land, Sing Street
Todd’s Prediction: La La Land
Analysis: It would be pretty shocking if Damien Chazelle’s ode to Hollywood musicals didn’t win here. I suppose perhaps Jenkins has a dark horse shot, but this is the easiest pick of the bunch to make.
Best Director
The Nominees: Damien Chazelle (La La Land), Tom Ford (Nocturnal Animals), Mel Gibson (Hacksaw Ridge), Barry Jenkins (Moonlight), Kenneth Longergan (Manchester by the Sea)
Todd’s Prediction: Damien Chazelle
Analysis: Jenkins has racked up a slew of precursors and a win for Gibson would be seen as completing a remarkable comeback after multiple personal issues. However, at the end of the day, I believe the La La love will extend to its director.
Best Actor (Drama)
The Nominees: Casey Affleck (Manchester by the Sea), Joel Edgerton (Loving), Andrew Garfield (Hacksaw Ridge), Viggo Mortensen (Captain Fantastic), Denzel Washington (Fences).
Todd’s Prediction: Casey Affleck
Analysis: Like the Oscar race, this looks to be between Affleck and Washington. I’ll give the former the slight edge as he’s won more precursors and Manchester itself was nominated for Picture, whereas Fences was not.
Analysis: While I wouldn’t totally rule out an Adams or Huppert win, Portman has the edge in her acclaimed role of Mrs. Kennedy.
Best Actor (Musical/Comedy)
The Nominees: Colin Farrell (The Lobster), Ryan Gosling (La La Land), Hugh Grant (Florence Foster Jenkins), Jonah Hill (War Dogs), Ryan Reynolds (Deadpool)
Todd’s Prediction: Hugh Grant
Analysis: Conventional wisdom would point to a Gosling win, but I believe the Hollywood Foreign Press will provide a bit of an upset here and honor Grant. Also – don’t be too shocked if Reynolds manages to surprise.
Best Actress (Musical/Comedy)
The Nominees: Annette Bening (20th Century Women), Lily Collins (Rules Don’t Apply), Hailee Steinfeld (The Edge of Seventeen), Emma Stone (La La Land), Meryl Streep (Florence Foster Jenkins)
Todd’s Prediction: Emma Stone
Analysis: Bening and Streep are long shots, but it would be a rather large upset if Stone didn’t emerge victorious here.
Best Supporting Actor
The Nominees: Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Simon Helberg (Florence Foster Jenkins), Dev Patel (Lion), Aaron Taylor-Johnson (Nocturnal Animals)
Todd’s Prediction: Mahershala Ali
Analysis: Bridges or Patel are feasible, but Ali has received the bulk of precursor awards and I believe that will continue here.
Best Supporing Actress
The Nominees: Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), Michelle Williams (Manchester by the Sea)
Todd’s Prediction: Viola Davis
Analysis: Davis is the clear front runner here and at the Oscars. An upset win (possible for any of these actresses other than Spencer) could dispel that notion, but it probably won’t occur.
Best Screenplay
The Nominees: Hell or High Water, La La Land, Manchester by the Sea, Moonlight, Nocturnal Animals
Todd’s Prediction: Moonlight
Analysis: La La and Manchester are in the mix here, but this is probably where Barry Jenkins will get his win and not for direction.
Best Original Score
The Nominees: Arrival, Hidden Figures, La La Land, Lion, Moonlight
Todd’s Prediction: La La Land
Analysis: Tough one and it’s not out of the question to envision any of them winning. I’ll just go La La and see what happens.
Best Original Song
The Nominees: “Can’t Stop the Feeling!” from Trolls, “City of Stars” from La La Land, “Faith” from Sing, “Gold” from Gold, “How Far I’ll Go” from Moana
Todd’s Prediction: “City of Stars”
Analysis: There’s some real heavy hitters here: Justin Timberlake, Lin-Manuel Miranda, and Stevie Wonder with nominations. Yet I think the HFPA honors La La once again.
Best Animated Feature
The Nominees: Kubo and the Two Strings, Moana, My Life as a Zucchini, Sing, Zootopia
Todd’s Prediction: Zootopia
Analysis: Kubo has a shot and you can never dismiss Disney with Moana. However, there’s another acclaimed Mouse Factory title in the mix and I believe Zootopia gets in.
Best Foreign Language Film
The Nominees: Divines, Elle, Neruda, The Salesman, Toni Erdmann
Todd’s Prediction: Toni Erdmann
Analysis: Elle could absolutely win here (and perhaps The Salesman), but I’ll go with Academy favorite Erdmann.
And that does it, folks! I’ll have a post up Sunday night letting you know how well (or poorly) I did. Until then…
Horror fans get their first taste of the genre in 2017 as The Bye Bye Man hits theaters next weekend. The low-budget flick finds a group of college students tormented by the title character (Doug Jones). Costars include Douglas Smith, Cressida Bonas, Carrie-Anne Moss, and Faye Dunaway.
Made for just $6 million, Bye Bye is likely to turn a profit no matter what. Scary movies are notoriously tough to predict (they over perform more often than not), yet I’m not sure this will conjure up much business. It could perform similarly to last January’s The Boy, which opened to $10.8M. Bye Bye will have the four-day MLK weekend to try and reach double digits, but I’ll predict it falls just short of that (still managing to easily top its price tag out of the gate).
The Bye Bye Man opening weekend prediction: $8.8 million
Blogger’s Update: Silence prediction being revised down based on reported theater count on just 750 screens.
One of Martin Scorsese’s passion projects finally rolls out in wide release next weekend when Silence debuts. The historical epic was shot entirely in Taiwan and tells the story of two Jesuit priests in Japan during the 17th century. Andrew Garfield (fresh off his well received turn in Hacksaw Ridge), Adam Driver, Liam Neeson, Ciaran Hinds, and Issey Ogata (garnering some Oscar chatter) star.
Speaking of Oscar chatter, Silence has been the subject of it. However, its inclusion in the Best Picture race is not assured. If that chatter had been louder, it may have helped box office performance. Additionally, the pic is debuting on a packed weekend in which there’s plenty of other adult fare competing for attention, including Patriots Day and Live by Night.
The best hope for Silence may be a host of Academy Awards nods that will be announced nearly two weeks after its release. That could propel it to steady grosses over awards season. As for its opening, I believe low to mid single digits is the likely scenario.
Paramount Pictures may have an enormous flop on their hands when MonsterTrucks next weekend. And that’s not just me saying that, folks. The studio itself has reportedly taken a $115 million write down on the project due to its anticipated bad performance.
Made for an inexplicable $125 million, the 3D live-action/computer animated flick is hoping to appeal to young boys who may drag their parents simply based on its title. Chris Wedge, known for animated fare such as IceAge and Robots, directs. The cast includes Lucas Till, Jane Levy, Amy Ryan, Rob Lowe, Danny Glover, Barry Pepper, and lots of questionable looking CG based on the trailers. Trucks has been in the can for some time. It was originally scheduled to come out over a year and a half ago and then experienced multiple delays.
Coproduced by Nickelodeon Movies, the fact that a film of this budget has been relegated to a crowded January weekend tells you all you need to know. I believe Monster will just top double digits over the long MLK weekend and earn its expected status as a bomb.
MonsterTrucks opening weekend prediction: $10.1 million
Based on a 2011 French feature, Sleepless will attempt to bring audiences in when it debuts next weekend. The action thriller stars Jamie Foxx as a crooked cop embroiled in a kidnapping case. Michelle Monaghan (pulling double duty over MLK weekend with Patriots Day as well), T.I., Dermot Mulroney, David Harbour, and Gabrielle Union costar.
The Open Roads Films product could face a tough road attracting attention. For starters, competition is fierce with the aforementioned Patriots and Ben Affleck’s Live by Night looking to lure similar viewers. If it weren’t for that level of competition, my estimate here would probably be higher. There’s little doubt Sleepless will come in third among them.
Just how far in third is the real question. I don’t believe trailers and TV spots have done much to indicate this is anything more than a wait for On Demand experience. Foxx has his fans, but I suspect that will not be enough for anything other than a low double digits roll out.
Sleepless opening weekend prediction: $10.3 million
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