Matthew McConaughey packed on some pounds for next weekend’s Gold, but whether it manages to be a heavyweight at the box office is very much in question. The pic casts the Oscar winner as a hapless businessman who strikes you know what in the jungles of Indonesia. Stephen Gaghan makes his first directorial effort since 2005’s Syriana and costars include Bryce Dallas Howard, Edgar Ramirez, Corey Stoll, Stacy Keach, Toby Kebbell, Craig T. Nelson, and Bruce Greenwood.
The early 90s set adventure comedy/drama faces some obstacles in breaking through. First, while it received a very late 2016 limited release for Academy consideration, that didn’t bear fruit. Gold stands at only 43% currently on Rotten Tomatoes. While McConaughey has been a draw in various genres, this may not stand out enough to strike… you get it.
I believe a decent comp for this could be the star’s previous headlining role – last summer’s Free State of Jones, which managed only $7.5 million in its premiere. Bottom line: I don’t see audiences rushing to it and I’m not totally convinced it even reaches the Jones number.
The sixth (and apparently last judging by the title) franchise entry in a nearly decade and a half series, Resident Evil: The Final Chapter opens next weekend. Stemming from the Capcom video game which premiered nearly 20 years ago, Evil brings back Milla Jovovich as heroine Alice with a supporting cast that includes Ali Larter, Shawn Roberts, Ruby Rose (she’s costarring in another just out sequel xXx: Return of Xander Cage), and Iain Glen. Paul W.S. Anderson (not as you may suspect, the guy who did Boogie Nights and There Will Be Blood), directs his fourth Resident feature.
The latest blend of action and horror in this franchise has seen its longest lay-off in between pictures. That’s a trait recently shared by Underworld: Blood Wars, which came out earlier this month and posted a series low. The Evil pics have all opened in the high teens to mid 20s range. Let’s take a trip down memory lane, shall we?
Resident Evil (2002): $17.7 million opening
Resident Evil: Apocalypse (2004): $23 million
Resident Evil: Extinction (2007): $23.6 million
Resident Evil: Afterlife (2010): $26.6 million
Resident Evil: Retribution (2012): $21 million
As you can see, the previous longest gap was three years and this one has been five. As with the aforementioned Underworld, that might mean a lower opening than the series has witnessed thus far. Blood Wars managed just $13.6 million out of the gate while the four preceding it all made over $20M.
My guess is that this will suffer a very similar final fate and a gross in the low to mid teens range.
Resident Evil: The Final Chapter opening weekend prediction: $14.6 million
Blogger’s Update (Saturday, 01/21, 4:56pm): As mentioned below, I have decided to reconsider and revise my opening weekend prediction for ADog’sPurpose due to the swirling controversy regarding it. I am revising down from $17.9 million to just $10.3 million now.
Blogger’s Update (Wednesday, 01/18, 6:24pm): The prediction below for ADog’sPurpose was written prior to the Wednesday, January 18th allegations in the media involving animal mistreatment on set. Obviously, this story could alter my estimate and I will be monitoring the story as it progresses. I will keep my current projection for the time being, but it is likely to change. I will post further updates as needed.
A Dog’s Purpose is based on a very successful 2010 bestseller by W. Bruce Cameron and the film version hits theaters next weekend. Chronicling the existence of one of man’s best friends through various incarnations, Purpose comes from director Lasse Hallstrom, who was nominated for an Oscar over 30 years ago for Swedish pic My Life as a Dog (he also made The Cider House Rules and Chocolat). Human stars here include Britt Robertson, Dennis Quaid, Josh Gad, and Peggy Lipton (yep, the one from TV’s “The Mod Squad”!).
This adaptation could be rather successful in bringing in a female audience (and dog lovers for that matter). The well-known source material should help and I even think it will likely surpass the opening weekend of its main competitor, Resident Evil: The Final Chapter.
I’ll estimate that Purpose reaches in the mid to high teens for a decent debut. That’s only about half of what Marley and Me made in 2008, but it’s still pretty doggone good.
A Dog’s Purpose opening weekend prediction: $10.3 million
**REVISED NUMBER BASED ON EVENTS
For my Resident Evil: The Final Chapter prediction, click here:
Maybe there’s something to the notion that the passage of time when it comes to Oliver Stone’s political dramas is an asset. After all, JFK and Nixon are two of his most riveting and they took place a couple of decades beyond the events. Whether or not you agreed with the director’s conspiracy theories or characterizations, they both flourished on separate terms. The former crackled with energy as a legal and courtroom procedural. The latter felt like a glorious Shakespearean tragedy.
In these more recent years, Stone’s films of the genre have been concerned with issues in the fierce urgency of now. His third picture named after a President – 2008’s W. – was released while Bush 43 was still sitting in the Oval and it was unimpressive. His newest is Snowden, centering on the man who turned the American intelligence universe on its axis in 2013 and beyond. The common feeling I had for both? That a solid documentary about both stories would’ve been more effective. In this case, it actually was. The director’s visual flourishes and creative editing are here in spots, just as they were in his finest works. They’re welcome on occasion, yet 2014’s Oscar winning documentary Citizenfour essentially told the same story and didn’t need Stone’s talents to tell it in an interesting way.
Joseph Gordon Levitt is Edward Snowden, who worked for both the CIA and NSA and very famously grew disillusioned with their data mining practices. His disclosures of their content and of agency practice have given him both hero and traitor status, depending on who you’re talking to. The film opens in 2013 as he’s holed up in a Hong Kong hotel with three journalists as he prepares to reveal his secrets.
Snowden then traces about a decade of his journey through government employment, government frustration, and, finally, fleeing from the government. His relationship with girlfriend Lindsay (Shailene Woodley) is also explored, from the happy times to difficult ones as he can’t really talk about what happened at the office, ever. There are also a host of familiar actors playing reporters and federal employees, though the lens is firmly trained on the title character.
Stone’s biopic presents its subject as whip smart, patriotic, and determined to right perceived wrongs. That Mr. Snowden himself makes an appearance towards the conclusion stamps his approval. Levitt does a fine job mimicking his cadence and mannerisms and his low-key persona. For those who didn’t catch watching the real man in Citizenfour, this could serve as an OK telling of the tale as Stone sees it. Yet I could not completely escape the thought of that filmmaker who’s done much better dramatically when longer political seasons passed between their happenings.
As if the six films crowding the MLK four-day weekend wasn’t enough this past frame, there are now five more hitting theaters in wide release on Friday. They are: Vin Diesel action sequel xXx: Return of Xander Cage, M. Night Shyamalan horror thriller Split, Michael Keaton led Ray Kroc biopic The Founder, comedic drama 20th Century Women with Annette Bening, and faith-based pic The Resurrection of Gavin Stone. You can find my detailed prediction posts on each of them here:
As I see it, Mr. Diesel is likely to rule the weekend, though a higher than expected gross for Split would not surprise me (reviews are good and so are the TV spots). The three and four spots should be filled with two awards hopefuls already doing brisk business: two-week champ Hidden Figures and Best Picture front runner La La Land.
As for The Founder, it’s only debuting on 1100 screens which should hinder its potential. My $4.1 million estimate puts it just outside the top 10. I anticipate both 20th Century Women ($2.8M forecast) and Gavin Stone ($1.6M prediction) to be pretty far outside my projected 10.
And here is that top 10 from where I see it:
1. xXx: Return of Xander Cage
Predicted Gross: $25.4 million
2. Split
Predicted Gross: $19.6 million
3. Hidden Figures
Predicted Gross: $13.7 million (representing a drop of 34%)
4. La La Land
Predicted Gross: $11.4 million (representing a drop of 22%)
5. Sing
Predicted Gross: $8.4 million (representing a drop of 41%)
6. Rogue One: A Star Wars Story
Predicted Gross: $7.8 million (representing a drop of 42%)
7. Patriots Day
Predicted Gross: $7.2 million (representing a drop of 39%)
8. Monster Trucks
Predicted Gross: $6.2 million (representing a drop of 43%)
9. The Bye Bye Man
Predicted Gross: $5.9 million (representing a drop of 57%)
10. Sleepless
Predicted Gross: $4.3 million
Box Office Results (January 13-16)
Those ladies from NASA held onto the top spot for the second weekend in a row as Hidden Figures topped the Martin Luther King, Jr. holiday weekend with earnings of $27.5 million. This is a bit above my predicted figure of $24.1M and brings its tally to $61 million.
The animated Sing was second with $19 million (past my $16.4M estimate) as it stands at a pleasing $238 million total.
LaLaLand sang and danced its way to third place one weekend after cleaning up at the Golden Globes. It earned $17.7 million (I was lower with $13.7M) and its total is at $77 million, barreling towards $100M as Oscar nominations are due next week.
RogueOne: AStarWarsStory was fourth with $16.8 million (I was close with $16.4M). The highest grosser of 2015 padded its gross to $501 million.
The top four did not include a single one of the six newbies that entered the marketplace. The biggest grosser of that group was surprisingly low-budget horror pic TheByeByeMan. It earned an impressive $15.2 million, well beyond my $8.8M projection.
Kiddie flick MonsterTrucks opened in sixth with $14.1 million. The good news? That was better than my $10.1M guesstimate. The bad news? It still had an inexplicable $115M budget and is a sizable flop.
PatriotsDay with Mark Wahlberg posted an unimpressive debut in seventh with $13.7 million, nearly $10M under my $23.6M prediction. It did garner an A+ Cinemascore so its best hope is for low drop-offs in the coming weekends.
The Jamie Foxx action thriller Sleepless premiered in eighth with a rather sleepy $9.7 million, on pace with my $10.3M take.
Underworld: BloodWars dropped to ninth in its sophomore frame with $7.2 million, just above my $6.6M projection. It’s made $25 million thus far.
Passengers rounded out the top ten with $6.4 million and I incorrectly didn’t have it there. The total is $90 million as it looks to top the century club.
Perhaps the biggest stunner of the weekend was the dismal performance of Ben Affleck’s LivebyNight. The gangster drama which received middling reviews bombed in 12th place with just $6 million, less than half of my $13.2M prediction.
Finally, Martin Scorsese’s Silence also flopped as it widened its release. The faith centered passion project for the celebrated director made just $2.3 million in 16th place, not quite reaching my $3M forecast.
JC Chandor’s AMostViolentYear finds our central character succeeding and struggling to achieve the American dream. It is a journey hampered by time, place, and competition. It is one helped by his own drive and tireless ambition and a genuine belief that he is always attempting to do the right thing.
That person is Abel Morales (Oscar Isaac) circa New York City 1981. He owns Standard Heating Oil Company and he’s already taken it from a small operation to a growing one. The time and place troubles he faces is a metropolis plagued by high crime rates. His trucks are frequently being hijacked. The competition troubles comes from his suspicions that his rivals are responsible. And that attempting to always do the right thing business doesn’t mean an ambitious District Attorney (David Oyelowo) isn’t breathing down his neck.
Abel’s professional endeavors are assisted by two key individuals: his wife Anna (Jessica Chastain) and his attorney (Albert Brooks) who seems to rarely give him good news. Anna is a fascinating character and Chastain’s performance only accentuates her. We are told she comes from a known family with a Brooklyn gangster father. We see flashes of ruthlessness in her that likely came from that upbringing. There are times when you wonder if Abel’s burgeoning yet troubled enterprise would run more smoothly (and probably with more bloodshed involved) if she were CEO.
We’ve seen plenty of crime dramas where our subject is a bad guy attempting to go good. Abel is more of a protagonist trying not to turn antagonist. Isaac is terrific. There are absolutely times where his acting reminds us of Pacino in the first Godfather. He’s a man surrounded by corruption, but with a moral compass that allows him to sleep at night.
For a movie called AMostViolentYear, we see little of it. A subplot involving one of Abel’s drivers (Elyes Gabel) provides some suspenseful and unexpected moments. There is thematically nothing very new here, but I welcomed this Sidney Lumet influenced character study and the first rate acting. Its early 80s NYC vibe doesn’t feel retro. More pleasingly, Year just feels like it could have made in 1981 when we would have watched it in old school VHS glory.
Faith based comedic drama The Resurrection of Gavin Stone debuts next weekend and it hopes to over perform like several other Christian themed pics have in recent years. Co-produced in part by Blumhouse Tilt and WWE Studios, it stars Brett Dalton, Anjelah Johnson, Neil Flynn, Shawn Michaels (yep, the wrestler), and D.B. Sweeney (yep, one half of the ice skating duo in early 90s flick The Cutting Edge).
Focusing on a washed up child star who pretends to be a person of faith to play Jesus in a megachurch production, Stone comes with just a teeny $2 million budget. Profitability shouldn’t be a tall order.
That said, I expect it to fall just under its budget in the opening frame with the caveat that it could surprise a bit.
The Resurrection of Gavin Stone opening weekend prediction: $1.6 million
For my xXx: Return of Xander Cage prediction, click here:
20th Century Women first screened at the New York Film Festival in the fall and quickly became mentioned for awards attention. The 1970s set comedic drama is directed by Mike Mills and stars Annette Bening, Greta Gerwig, Elle Fanning, and Billy Crudup. Reviews have been strong and it stands at 93% on Rotten Tomatoes.
Yet it can’t be denied that its Oscar hopes have appeared to dim significantly. Its Best Picture prospects appear gone and even Annette Bening (once looked at as a sure fire Actress nominee) could be on the outside looking in. This is important because the lack of buzz could greatly hurt its box office abilities when it opens wide next weekend.
Women has performed decently in limited release, but I’m not convinced that will hold true for its roll out. I’ll say this manages just under $3 million.
20th Century Women opening weekend prediction: $2.8 million
For my xXx: Return of Xander Cage prediction, click here:
Well, hello everyone! It’s Thursday and my first Oscar predictions of the new year have rolled in…
In the past two weeks we’ve seen the Golden Globes occur, which showered its love upon La La Land. We’ve had BAFTA and Producers Guild nominations (that one produced a surprise nod for Deadpool and puts the comic book pic in the top 20 for the firs time). And the Director Guild announced their five nominees this morning, which exactly matches my picks here. We’ve seen pictures (in my estimation) increase their chances (Arrival, Hidden Figures) and others fall a bit (Silence).
On Thursday the 19th, I will make my final round of Thursday predictions and on Sunday the 22nd – my “final” final predictions prior to the announcement on January 24th.
Here’s how I see it all right now…
Best Picture
Predicted Nominees
1. La La Land (Previous Ranking: 1)
2. Moonlight (PR: 3)
3. Manchester by the Sea (PR: 2)
4. Arrival (PR: 7)
5. Lion (PR: 5)
6. Fences (PR: 4)
7. Hidden Figures (PR: 8)
8. Hacksaw Ridge (PR: 9)
9. Hell or High Water (PR: 10)
Other Possibilities:
10. Silence (PR: 6)
11. Loving (PR: 11)
12. Nocturnal Animals (PR: 12)
13. Sully (PR: 13)
14. Jackie (PR: 14)
15. Deadpool (PR: Not Ranked)
16. 20th Century Women (PR: 15)
17. Florence Foster Jenkins (PR: 16)
18. Patriots Day (PR: 17)
19. Captain Fantastic (PR: 19)
20. Zootopia (PR: 20)
Dropped Out:
The Jungle Book
Best Director
Predicted Nominees
1. Damien Chazelle, La La Land (PR: 1)
2. Barry Jenkins, Moonlight (PR: 2)
3. Kenneth Lonergan, Manchester by the Sea (PR: 3)
4. Denis Villeneuve, Arrival (PR: 6)
5. Garth Davis, Lion (PR: 5)
Other Possibilities
6. Mel Gibson, Hacksaw Ridge (PR: 7)
7. Martin Scorsese, Silence (PR: 4)
8. David Mackenzie, Hell or High Water (PR: 9)
9. Denzel Washington, Fences (PR: 8)
10. Theodore Melfi, Hidden Figures (PR: Not Ranked)
Dropped Out:
Tom Ford, Nocturnal Animals
Best Actor
Predicted Nominees
1. Casey Affleck, Manchester by the Sea (PR: 1)
2. Denzel Washington, Fences (PR: 2)
3. Ryan Gosling, La La Land (PR: 3)
4. Andrew Garfield, Hacksaw Ridge (PR: 4)
5. Viggo Mortensen, Captain Fantastic (PR: 6)
Other Possibilities
6. Joel Edgerton, Loving (PR: 5)
7. Tom Hanks, Sully (PR: 7)
8. Michael Keaton, The Founder (PR: 8)
9. Jake Gyllenhaal, Nocturnal Animals (PR: Not Ranked)
10. Andrew Garfield, Silence (PR: 9)
Dropped Out:
Adam Driver, Paterson
Best Actress
Predicted Nominees
1. Emma Stone, La La Land (PR: 1)
2. Natalie Portman, Jackie (PR: 2)
3. Amy Adams, Arrival (PR: 3)
4. Meryl Streep, Florence Foster Jenkins (PR: 5)
5. Isabelle Huppert, Elle (PR: 6)
Other Possibilities
6. Annette Bening, 20th Century Women (PR: 4)
7. Emily Blunt, The Girl on the Train (PR: 9)
8. Ruth Negga, Loving (PR: 7)
9. Jessica Chastain, Miss Sloane (PR: 8)
10. Taraji P. Henson, Hidden Figures (PR: 10)
Best Supporting Actor
Predicted Nominees
1. Mahershala Ali, Moonlight (PR: 1)
2. Dev Patel, Lion (PR: 2)
3. Lucas Hedges, Manchester by the Sea (PR: 4)
4. Jeff Bridges, Hell or High Water (PR: 3)
5. Hugh Grant, Florence Foster Jenkins (PR: 6)
Other Possibilities
6. Michael Shannon, Nocturnal Animals (PR: 5)
7. Aaron Taylor-Johnson, Nocturnal Animals (PR: Not Ranked)
8. Ben Foster, Hell or High Water (PR: 7)
9. Issey Ogata, Silence (PR: 8)
10. Mykelti Williamson, Fences (PR: 9)
Dropped Out:
Kevin Costner, Hidden Figures
Best Supporting Actress
Predicted Nominees
1. Viola Davis, Fences (PR: 1)
2. Michelle Williams, Manchester by the Sea (PR: 3)
3. Naomie Harris, Moonlight (PR: 2)
4. Nicole Kidman, Lion (PR: 4)
5. Octavia Spencer, Hidden Figures (PR: 5)
Other Possibilities
6. Greta Gerwig, 20th Century Women (PR: 6)
7. Helen Mirren, Eye in the Sky (PR: 7)
8. Molly Shannon, Other People (PR: 10)
9. Janelle Monae, Hidden Figures (PR: 8)
10. Lupita Nyong’o, Queen of Katwe (PR: Not Ranked)
Dropped Out:
Felicity Jones, A Monster Calls
Best Adapted Screenplay
Predicted Nominees
1. Moonlight (PR: 1)
2. Arrival (PR: 4)
3. Lion (PR: 2)
4. Fences(PR: 3)
5. Nocturnal Animals (PR: 6)
Other Possibilities
6. Hidden Figures (PR: 9)
7. Loving (PR: 8)
8. Hacksaw Ridge (PR: 7)
9. Silence (PR: 5)
10. Elle (PR: Not Ranked)
Dropped Out:
Sully
Best Original Screenplay
Predicted Nominees
1. Manchester by the Sea (PR: 1)
2. La La Land (PR: 2)
3. Hell or High Water (PR: 3)
4. Captain Fantastic (PR: 4)
5. Toni Erdmann (PR: 8)
Other Possibilities
6. The Lobster (PR: 6)
7. 20th Century Women (PR: 5)
8. Jackie (PR: 7)
9. Zootopia (PR: 9)
10. Eye in the Sky (PR: Not Ranked)
Dropped Out:
I, Daniel Blake
Best Animated Feautre
Predicted Nominees
1. Zootopia (PR: 1)
2. Kubo and the Two Strings (PR: 2)
3. Moana (PR: 3)
4. The Red Turtle (PR: 4)
5. The Little Prince (PR: 7)
Other Possibilities
6. My Life as a Zucchini (PR: 5)
7. Finding Dory (PR: 6)
8. Your Name (PR: 9)
9. Sausage Party (PR: 10)
10. Sing (PR: Not Ranked)
Dropped Out:
April and the Extraordinary World
Best Documentary Feature
Predicted Nominees
1. I Am Not Your Negro (PR: 1)
2. Gleason (PR: 4)
3. O.J.: Made in America (PR: 2)
4. 13th (PR: 3)
5. Cameraperson (PR: 6)
Other Possibilities
6. The Ivory Game (PR: 9)
7. Life, Animated (PR: 5)
8. The Eagle Huntress (PR: 8)
9. Weiner (PR: 10)
10. Fire at Sea (PR: 7)
Best Foreign Language Film
Predicted Nominees
1. Toni Erdmann (PR: 1)
2. The Salesman (PR: 2)
3. Land of Mine (PR: 3)
4. My Life as a Zucchini (PR: 6)
5. A Man Called Ove (PR: 4)
Other Possibilities
6. The King’s Choice (PR: 5)
7. Tanna (PR: 8)
8. It’s the Only the End of the World (PR: 9)
9. Paradise (PR: 7)
Best Cinematography
Predicted Nominees
1. La La Land (PR: 1)
2. Arrival (PR: 4)
3. Moonlight (PR: 2)
4. Nocturnal Animals (PR: 5)
5. Silence (PR: 3)
Other Possibilities
6. Lion (PR: 6)
7. Hacksaw Ridge (PR: 7)
8. Rogue One: A Star Wars Story (PR: 10)
9. Jackie (PR: 8)
10. Hell or High Water (PR: Not Ranked)
Dropped Out:
The Jungle Book
Best Costume Design
Predicted Nominees
1. Jackie (PR: 1)
2. La La Land (PR: 2)
3. Fantastic Beasts and Where to Find Them (PR: 7)
4. Allied (PR: 3)
5. Love & Friendship (PR: 4)
Other Possibilities
6. Florence Foster Jenkins (PR: 5)
7. Silence (PR: 6)
8. Rules Don’t Apply (PR: 8)
9. Rogue One: A Star Wars Story (PR: Not Ranked)
10. Live by Night (PR: 9)
Dropped Out:
Alice Through the Looking Glass
Best Editing
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 2)
3. Hacksaw Ridge (PR: 4)
4. Arrival (PR: 3)
5. Manchester by the Sea (PR: 6)
Other Possibilities
6. Rogue One: A Star Wars Story (PR: Not Ranked)
7. Silence (PR: 5)
8. Lion (PR: 7)
9. Hell or High Water (PR: 8)
10. Sully (PR: 9)
Dropped Out:
Jackie
Best Makeup and Hairstyling
Predicted Nominees
1. Florence Foster Jenkins (PR: 1)
2. Deadpool (PR: 3)
3. Star Trek Beyond (PR: 2)
Other Possibilities
4. A Man Called Ove (PR: 5)
5. Suicide Squad (PR: 4)
6. The Dressmaker (PR: 6)
7. Hail, Caesar! (PR: 7)
Best Original Score
Predicted Nominees
1. La La Land (PR: 1)
2. Lion (PR: 2)
3. Moonlight (PR: 3)
4. Rogue One: A Star Wars Story (PR: 6)
5. Florence Foster Jenkins (PR: 4)
Other Possibilities
6. Nocturnal Animals (PR: Not Ranked)
7. Jackie (PR: 5)
8. The BFG (PR: 9)
9. Hacksaw Ridge (PR: 8)
10. The Jungle Book (PR: 10)
Dropped Out:
Hidden Figures
Best Original Song
Predicted Nominees
1. “City of Stars” from La La Land (PR: 1)
2. “How Far I’ll Go” from Moana (PR: 2)
3. “Audition (The Fools Who Dream)” from La La Land (PR: 3)
4. “Runnin” from Hidden Figures (PR: 5)
5. “Can’t Stop The Feeling!” from Trolls (PR: 7)
Other Possibilities
6. “Letters to the Free” from 13th (PR: 6)
7. “Drive It Like You Stole It” from Sing Street (PR: 4)
8. “The Rules Don’t Apply” from Rules Don’t Apply (PR: 8)
9. “Faith” from Sing (PR: Not Ranked)
10. “The Great Beyond” from Sausage Party (PR: 9)
Dropped Out:
“I’m Still Here” from Miss Sharon Jones
Best Production Design
Predicted Nominees
1. La La Land (PR: 1)
2. Jackie (PR: 2)
3. Arrival (PR: 3)
4. Hacksaw Ridge (PR: 7)
5. Silence (PR: 4)
Other Possibilities
6. Rogue One: A Star Wars Story (PR: 10)
7. Fantastic Beasts and Where to Find Them (PR: 8)
8. Rules Don’t Apply (PR: 5)
9. Allied (PR: 6)
10. The Jungle Book (PR: Not Ranked)
Dropped Out:
Live by Night
Best Sound Editing
Predicted Nominees
1. Hacksaw Ridge (PR: 1)
2. La La Land (PR: 2)
3. Rogue One: A Star Wars Story (PR: 3)
4. Deepwater Horizon (PR: 5)
5. Sully (PR: 4)
Other Possibilities
6. Arrival (PR: 6)
7. The Jungle Book (PR: 9)
8. Patriots Day (PR: 7)
9. Deadpool (PR: Not Ranked)
10. Allied (PR: 8)
Dropped Out:
Captain America: Civil War
Best Sound Mixing
Predicted Nominees
1. La La Land (PR: 1)
2. Hacksaw Ridge (PR: 2)
3. Rogue One: A Star Wars Story (PR: 3)
4. Arrival (PR: 4)
5. Deepwater Horizon (PR: 5)
Other Possibilties
6. Patriots Day (PR: 8)
7. Sully (PR: 6)
8. The Jungle Book (PR: 9)
9. Deadpool (PR: 10)
10. Passengers (PR: Not Ranked)
Dropped Out:
Allied
Best Visual Effects
Predicted Nominees
1. The Jungle Book (PR: 1)
2. Rogue One: A Star Wars Story (PR: 2)
3. Arrival (PR: 3)
4. Doctor Strange (PR: 4)
5. Fantastic Beasts and Where to Find Them (PR: 6)
Other Possibilities
6. The BFG (PR: 5)
7. Deepwater Horizon (PR: 10)
8. Kubo and the Two Strings (PR: 8)
9. Captain America: Civil War (PR: 7)
10. Passengers (PR: 9)
That equates to the following number of nominations for each film:
14 Nominations
La La Land
9 Nominations
Arrival
8 Nominations
Moonlight
7 Nominations
Manchester by the Sea
6 Nominations
Lion, Hacksaw Ridge
4 Nominations
Fences, Florence Foster Jenkins, Rogue One: A Star Wars Story
3 Nominations
Hidden Figures, Hell or High Water, Jackie
2 Nominations
Captain Fantastic, Nocturnal Animals, Toni Erdmann, Moana, Silence, Fantastic Beasts and Where to Find Them, Deepwater Horizon
1 Nomination
Elle, Zootopia, Kubo and the Two Strings, The Red Turtle, The Little Prince, I Am Not Your Negro, Gleason, O.J.: Made in America, 13th, Cameraperson, The Salesman, Land of Mine, My Life as a Zucchini, A Man Called Ove, Allied, Love & Friendship, Deadpool, Star Trek Beyond, Trolls, Sully, The Jungle Book, Doctor Strange.
Michael Keaton has had the rare feat of appearing in the last two Best Picture Oscar winners with 2014’s Birdman and 2015’s Spotlight. For awhile, TheFounder (out next weekend) was looked at as potential awards bait. Keaton headlines the biographical drama playing Ray Kroc, the man who acquired what would become the multi billion dollar McDonald’s franchise. John Lee Hancock directs and his previous efforts include TheBlindSide and SavingMr. Banks. Laura Dern, Nick Offerman, John Carroll Lynch, Linda Cardellini, Patrick Wilson, and B.J. Novak costar.
TheFounder has had a shifty journey to the big screen. It was originally tapped to debut in November before being pushed up to August before being pushed back to January. It had a very limited release in December to qualify for Academy consideration, but that probably won’t matter much. While reviews so far have been decent (81% on Rotten Tomatoes), it’s likely to receive zero nominations. This won’t be a Keaton trifecta for Best Picture.
What does it all mean for the box office? While any moviegoer is certainly familiar with the subject matter, I don’t that see that translating to much business. That said, the pic comes with just a tiny reported $7 million budget. I’ll predict it mkea under that in its first weekend for a mid single digits start.
TheFounder opening weekend prediction: $4.1 million
For my xXx: ReturnofXanderCage prediction, click here:
All My Life... I Wanted To Be A Blogster 