Todd’s Early 2017 Oscar Predictions: Best Picture

And here we are! After my first round of predictions covering the acting categories and Best Director, we arrive at Best Picture. The Telluride and Venice Film Festivals have shed light on some potentials heavyweights (Darkest Hour,  Battle of the Sexes, The Shape of Water, MAYBE Downsizing) while others (Suburbicon, Victoria and Abdul, Film Stars Don’t Die in Liverpool) have mostly fallen by the wayside. Obviously there’s many pictures left to screen, but here’s my first blush round of Best Picture nominees.

As you may know, the number of nominated movies can be anywhere from 5-10, but nine has seemed to be the magic number in most years so we’ll go with that. On Thursday, I’ll post my first weekly column where potential nominees in Picture, Director, all four acting races, and both screenplay categories are ranked as to possibility of nomination in this blogger’s mind.

Here goes –

TODD’S EARLY OSCAR PREDICTIONS – BEST PICTURE

Battle of the Sexes

Call My by Your Name

Darkest Hour

Downsizing

Dunkirk

The Greatest Showman

Mudbound

The Post

The Shape of Water

Other Possibilities:

The Big Sick

Blade Runner 2049

Coco

Detroit

Get Out

Goodbye Christopher Robin

Lady Bird

Last Flag Flying

mother!

Phantom Thread

Star Wars: The Last Jedi

Three Billboards Outside Ebbing, Missouri

Wind River

Wonderstruck

Wonder Wheel

Wonder Woman

Oscar Watch: Lady Bird

The Telluride Film Festival over the weekend has showcased yet another Best Actress hopeful. This time it’s Lady Bird with Saoirse Ronan and the buzz is loud enough that she looks like a real contender for her third nomination.

The coming-of-age drama marks the directorial debut of actress Greta Gerwig. Reviews from Telluride suggest it’s a winner. If Ronan can emerge from an increasingly crowded field in Best Actress, it would come a decade after her first nod for Supporting Actress in Atonement and two years following her lead nomination in Brooklyn. Critics were also quick to praise the supporting work of veteran performer Laurie Metcalf, who could find herself in the Supporting Actress derby. Gerwig also wrote the screenplay and may have a better shot at Original Screenplay recognition over her direction.

If Lady Bird‘s distributor A24 mounts a major campaign, it could even be a long shot player for a Picture nom. One thing seems certain, though. Ronan is once again in the mix for three nominations at just the age of 23.

My Oscar Watch posts will continue…

Todd’s Early 2017 Oscar Predictions: Best Director

Continuing on with my earliest Oscar predictions, we are at Best Director before my initial Best Picture estimates. At this juncture, it’s safe to assume that the five directors I’ve selected will all see their movies on my list for Picture when that’s posted.

Obviously we are early in the Oscar predictin’ game, but here goes with the directors!

Here’s my quick tale – the Telluride and Venice Festivals over the weekend increased the chances for several directors, including Joe Wright (Darkest Hour), Jonathan Dayton and Valerie Faris (Battle of the Sexes), and Guillermo del Toro (The Shape of Water). Same goes for Alexander Payne in Downsizing, but the reaction for it has been slightly more split.

I’m reserving a predicted spot for Steven Spielberg for his Nixon era tale The Post (formerly known as The Papers). The rest of my predicted nominees are from films already out or screened. As always, lots could change but here goes for now!

TODD’S EARLY OSCAR PREDICTIONS – BEST DIRECTOR

Luca Guadagnino, Call Me by Your Name

Christopher Nolan, Dunkirk

Dee Rees, Mudbound

Steven Spielberg, The Post

Joe Wright, Darkest Hour

Other Possibilities:

Paul Thomas Anderson, Phantom Thread

Darren Aronofsky, mother!

Kathryn Bigelow, Detroit

Jonathan Dayton and Valerie Faris, Battle of the Sexes

Guillermo del Toro, The Shape of Water

Michael Gracey, The Greatest Showman

Patty Jenkins, Wonder Woman

Richard Linklater, Last Flag Flying

Alexander Payne, Downsizing

Denis Villeneuve, Blade Runner 2049

Best Picture is next, my friends!

Oscar Watch: Film Stars Don’t Die in Liverpool

Annette Bening is an actress that some might be surprised to find has never won an Oscar. She’s been nominated for four – as Supporting Actress in 1990’s The Grifters and in the lead race for 1999’s American Beauty, 2004’s Being Julia, and 2010’s The Kids Are All Right. In 1999 and 2004, she was considered a front runner for much of the season and was defeated by Hilary Swank both years.

Ms. Bening will not be “swanked” in 2017, but she may have trouble getting into the mix altogether. Paul McGuigan’s Film Stars Don’t Die in Liverpool premiered at the Telluride Film Festival. The May-December romance casts its lead as old school Hollywood actress Gloria Grahame and focuses on her relationship with a younger man portrayed by Jamie Bell.

Much like another festival screening this weekend – Three Billboards Outside Ebbing, Missouri – the early awards chatter focused solely on the female lead. With Ebbing, the new buzz has also centered on costar Sam Rockwell. With Liverpool, some reviews have singled out Bell as the real revelation and a possibility for Supporting Actor.

Critical reaction has been mixed and even with Best Actress looking extremely competitive, Bening could still manage to get in. However, that looks less likely now than it did before the long weekend began. And despite the Bell praise, I don’t envision him getting in if his counterpart doesn’t.

My Oscar Watch posts will continue…

Oscar Watch: Three Billboards Outside Ebbing, Missouri

Another day, another entry in the Best Actress derby as Three Billboards Outside Ebbing, Missouri has premiered at the Venice Film Festival. This time it’s Frances McDormand, starring in Martin McDonagh’s pic about a mother going to great lengths to find her daughter’s killers.

Early reviews suggest a strong and nuanced performance from McDormand, who won Best Actress 21 years ago for Fargo. She’s also been nominated three other times in Supporting for 1988’s Mississippi Burning, 2000’s Almost Famous, and 2005’s North Country. While Missouri could feasibly nab McDormand her fifth nod, it’s no slam dunk and that’s due to competition that has been discussed on the blog all weekend.

An interesting nugget from the Venice buzz surrounds Sam Rockwell, whose performance seems to be generating more word-of-mouth than Woody Harrelson’s in Supporting Actor. If Rockwell manages to land a nomination, it would be his first and looked at as long overdue by many.

My Oscar Watch posts will continue…

Oscar Watch: Victoria and Abdul

Victoria & Abdul has screened at the Venice Film Festival and the late 19th century period piece has been looked at as potentially scoring Judi Dench her eighth Oscar nomination. Why? Well, pretty simple: 1) it’s Judi Dench; 2) it casts her once again as Queen Victoria, whom she played in 1997’s Mrs. Brown where she landed her first nod; 3) it reunites her with her Philomena director Stephen Frears where she received her seventh nomination; and 4) it’s Judi Dench, people.

Predictably, the Dame has garnered solid notices for her return to the role two decades later. That said, competition is becoming fierce in the Actress race. Both the Venice and Telluride Festivals have showcased potential nominees such as Emma Stone in Battle of the Sexes, Sally Hawkins in The Shape of Water, Saoirse Ronan in Lady Bird, and Annette Bening in Film Stars Don’t Die in Liverpool. That’s in addition to some performances with promise like Frances McDormand in Three Billboards Outside Ebbing, Missouri and Jennifer Lawrence in Mother!, as well as pics to be screened later showcasing Jessica Chastain (Molly’s Game) and Meryl Streep (The Post).

There’s only five nominations to go around and Dench could find herself on the outside looking in. It’s also highly unlikely costar Ali Fazal or the Picture or Director will find themselves in contention.

Bottom line: it’s Judi Dench (once again), so there’s a chance but competition could provide some difficulties for nod #8.

Oscar Watch: Battle of the Sexes

Another widely anticipated Oscar hopeful was served up at the Telluride Film Festival as Battle of the Sexes has screened. The film is centered on the 1973 tennis match between Billie Jean King (Emma Stone) and Bobby Riggs (Steve Carell) and comes from Little Miss Sunshine makers Jonathan Dayton and Valerie Faris.

Early buzz out of Telluride suggests this is a major crowd pleaser and also a timely tale about gender that is being compared to the 2016 presidential election. If Sexes manages to score with audiences (and it likely will), that momentum could carry it to Best Picture recognition (I’m not quite as sold yet on a nomination for its directors).

Then there’s Emma Stone, who won just last year for La La Land. She looks poised to receive yet another nod and it would be her third in four years (she got a Supporting nomination for 2014’s Birdman). It was also confirmed this week that Carell will be campaigned for in lead Actor. His inclusion in that category should hinge on how potentially considerable competition shakes out in coming weeks and months.

Bottom line: Battle of the Sexes was expected to be in the conversation for Oscar attention and today solidified that.

My Oscar Watch posts will continue…

Oscar Watch: Suburbicon

George Clooney’s directorial career has one Oscar bright spot in the form of 2005’s Good Night, and Good Luck which received six nominations, including Picture and Director. His other work behind the camera (2002’s Confessions of a Dangerous Mind, 2008’s Leatherheads, 2011’s The Ides of March, 2014’s The Monuments Men) haven’t fared as well on the awards circuit. With its Venice Film Festival, Clooney’s latest Suburbicon is looking like it will belong in the latter category.

The 1950s set crime comedy was penned by acclaimed directors Joel and Ethan Coen and early critical reaction indicates it has the feel of one of their efforts. However, reviews thus far are mixed with a current 60% Rotten Tomatoes score. Matt Damon, Julianne Moore, and Oscar Isaac are among the cast. Mr. Damon could have more of a good night and good luck come Oscar time with Downsizing, but I don’t look for Suburbicon to receive much attention come nominations time (perhaps some Golden Globe in the Comedy categories could surface).

My Oscar Watch posts will continue…

Oscar Watch: Darkest Hour

My recent Oscar Watch posts have largely focused on the Venice Film Festival (and there’s more posts from that fest coming your way shortly), but the Telluride Film Festival is also underway and it premiered Joe Wright’s eagerly awaited Darkest Hour. 

The film casts Gary Oldman as British Prime Minister Winston Churchill during WWII and the actor has been considered a Best Actor front runner for some time already. The Telluride screening all but confirms that notion with Oldman drawing raves for his performance. Crazily enough, with the lead’s three decade long sterling career, he’s only managed one Academy nod for 2011’s Tinker Tailor Soldier Spy. It’s safe to say that this will land him his second as Variety deemed him the instant favorite.

While Oldman’s nomination has always seemed likely, initial reaction also puts Darkest in line for potential Picture, Director, and Original Screenplay (Anthony McCarten) nods and some down the line technical categories. Interestingly, it’s Ben Mendelsohn’s supporting work that’s garnered notice and not Kristin Scott Thomas, who now seems a bit of a long shot for Supporting Actress.

Bottom line: Darkest reaction sheds light on several potential nominations, but Oldman’s seems assured.

My Oscar Watch posts will continue…

 

Todd’s Early 2017 Oscar Predictions: Best Actor

We have now arrived at Best Actor for my earliest 2017 Oscar predictions! At first glance, this appears to be potentially loaded with heavy hitters. This includes Gary Oldman going for his first Oscar as Winston Churchill in Darkest Hour, Daniel Day-Lewis going for his fourth (!) in Phantom Thread, and Tom Hanks going for #3 in The Papers. We also have Hugh Jackman in what could be a show stopping role as P.T. Barnum in The Greatest Showman and Joaquin Phoenix in his already screened and acclaimed performance for You Were Never Really Here. 

This is addition to several other very recognizable names listed as possibilities. Bottom line: Best Actor looks packed in 2017 and here’s my initial projections:

TODD’S EARLY OSCAR PREDICTIONS – BEST ACTOR

Daniel Day-Lewis, Phantom Thread

Tom Hanks, The Papers

Hugh Jackman, The Greatest Showman

Gary Oldman, Darkest Hour

Joaquin Phoenix, You Were Never Really Here

Other Possibilities:

Chadwick Boseman, Marshall

Steve Carell, Battle of the Sexes

Timothee Chalamet, Call Me by Your Name

Matt Damon, Downsizing

Andrew Garfield, Breathe

Jake Gyllenhaal, Stronger

Domhnall Gleeson, Goodbye Christopher Robin

Liam Neeson, Mark Felt: The Man Who Brought Down the White House

Robert Redford, Our Souls at Night

Denzel Washington, Roman Israel Esq.

Best Director is next, folks!