Live by Night marks Ben Affleck’s fourth time behind the camera in a directorial career that has been quite impressive thus far. The crime drama, in which he also stars, is his first effort since 2012’s Oscar winning Argo. Costars include Elle Fanning, Brendan Gleeson, Sienna Miller, Zoe Saldana, and Chris Cooper. Based on his filmography, Night was once seen as a potential awards contender around the Hollywood town. Yet since its critical screenings, that notion appears to be gone, baby, gone. The pic has not garnered praise by reviewers and it currently holds a Rotten Tomatoes score of 35%.
Will that hurt its box office potency? My feeling is that it will. Like his directorial debut Gone Baby Gone (mentioned in the aforementioned bad pun), this is based on a novel by Dennis Lehane and comes with a reported $65 million budget. The chances of Night coming in below expectations could be due to more factors than mediocre reviews. It opens on a packed weekend where Patriots Day will going for a similar audience (as will Sleepless with Jamie Foxx). On the other hand, Affleck’s latest starring vehicle The Accountant exceeded expectations three months ago with an opening weekend of nearly $25 million.
So where will this land? I believe it’ll debut over the four-day MLK weekend with far less than Patriots Day (which I’ve got pegged at $23M) and in the low double digits to mid teens neighborhood.
Live by Night opening weekend prediction: $13.2 million
Patriots Day, out next weekend, marks the third collaboration between Mark Wahlberg and director Peter Berg recounting real-life dramatic events. It arrives only four months after their second. In January 2014, the duo teamed up for Lone Survivor, the war tale which grossed over $37 million in its first weekend of wide release with an eventual $125M domestic haul. In September of last year, they followed up with Deepwater Horizon (recounting the BP Oil Spill). It debuted to a less impressive $20 million and overall $66M gross.
Their latest focuses on events surrounding the 2013 Boston Marathon bombing. Besides the aforementioned personnel, costars include John Goodman, J.K. Simmons, Michelle Monaghan, and Kevin Bacon. Patriots opened in limited release in December, likely in order to merit Oscar consideration (of which it’ll probably receive little). Still, reviews have been mostly strong at 78% currently on Rotten Tomatoes.
So where will this fall numbers wise compared to Wahlberg and Berg’s previous efforts? I don’t believe it will match what Survivor accomplished but suspect it could eclipse Horizon. Debuting over the four-day MLK weekend, Day stands a very good chance at posting the highest opening of the six pictures coming out. That means I have it outpacing Ben Affleck’s Live by Night, which should serve as its most direct competition.
I’ll say it manages low to mid-20s out of the gate.
Patriots Day opening weekend prediction: $23.6 million
The first full weekend of the new year kicks off with three pictures opening wide: Oscar hopeful HiddenFigures, sci-fi franchise entry Underworld: BloodWars, and sci-fi drama AMonsterCalls. You can peruse my detailed prediction posts on that trio of newcomers here:
Even with the infusion of fresh product, I do not anticipate the two-week old first and second place combo of RogueOne and Sing to change. That said, I do believe Figures stands the best chance at outperforming my estimate.
As for BloodWars, I expect it may be the first Underworld pic of the five to open under $20 million and that puts it in fourth.
LaLaLand is getting a large theater expansion and should hit the top five with Passengers in sixth. The rest of the top ten could be rather tightly clustered with Monster likelyoutsideofthetopten. And with that, a top ten predictions for the weekend:
1. RogueOne: AStarWarsStory
Predicted Gross: $28.2 million
2. Sing
Predicted Gross: $25.3 million
3. HiddenFigures
Predicted Gross: $19.3 million
4. Underworld: BloodWars
Predicted Gross: $17.6 million
5. La La Land
Predicted Gross: $12.8 million
6. Passengers
Predicted Gross: $9 million
7. Fences
Predicted Gross: $6.7 million
8. Moana
Predicted Gross: $6.6 million
9. WhyHim?
Predicted Gross: $6 million
10. Assassin’s Creed
Predicted Gross: $4.2 million
Box Office Results (December 30-January 2)
The four-day New Years weekend gave RogueOne its third weekend atop the charts, though it didn’t quite match my expectations. The spin-off took in $65.5 million (under my generous $79.9M forecast) for a still eye-popping $440M total.
Sing was second with $57.2 million, in line with my $56.6M projection for a two-week $180M take.
Passengers was third at $21 million, above my $18.3M prediction for a $66M overall gross.
Moana made $15.1 million for fourth place (higher than my $12.7M prognosis). It’s made $214M.
Rounding out the top five was WhyHim? with $13.1 million, under my $16.1M estimate for a $37M tally.
In sixth, Fences also made $13.1 million (above my $9.8M prediction) for a $32M total.
Oscar favorite LaLaLand expanded its theater count and earned a scorching $12.5 million for seventh (I said $10M). It’s danced to $37M thus far.
Eighth place: Assassin’sCreed with $11.3 million, in range with my $12.2M take for a $42M gross.
The pictures in ninth and tenth were ones I incorrectly had outside my predicted top 10. FantasticBeastsandWheretoFindThem made $5.6 million (overall earnings: $225M) and ManchesterbytheSea took in $5.4 million ($29M total).
CollateralBeauty was 11th with $5.4 million (I said $5.2M) for a weak $27M gross. OfficeChristmasParty was 12th with $4.5 million (I was a touch higher at $5.8M) for a total of $52M.
In a way, WarDogs is a bit of a companion piece to TheBigShort. We have a director (Todd Phillips) known for humorous material making a more serious and based on true events effort about controversial policies during the Bush/Cheney era. We have a mix of dramatic and comedic actors telling the tale. However, whereas Adam McKay’s aforementioned 2014 picture was a big success, Dogs falls short.
Its failings are certainly not due to lack of an interesting story. We begin in 2005 when the Iraq conflict is at its height. While the war is dividing a nation, David (Miles Teller) is living a carefree existence in Miami as a massage therapist. His major conflict is making enough cash to support him and his pregnant girlfriend (Ana de Armas). David’s financial issues are provided a boost when he runs into his junior high best bud Efraim (Jonah Hill). He seems to be doing just fine and David soon discovers his old friend is making a killing as an arms dealer selling product to the U.S. government. Efraim soon cuts David in as a partner and their deals bring them to the Middle East, including drab Albania. It is that deal, involving selling 100 million rounds of ammo to the military, that will provide their windfall payload. It also provides all sorts of dangerous problems.
Dogs wags an understandable critical finger at the ease in which these twentysomethings with zero government or defense experience managed their exploits. As Efraim and David become richer than they ever could have envisioned, their trappings of wealth storyline feels awfully familiar. David’s relationship suffers, Efraim’s already diabolical personality grows out of control, etc… Yes, this may be a true story, but all this material felt truly well-worn.
As for performances, Hill has shown himself to be adept at both funny stuff and less funny stuff (Moneyball and TheWolfofWallStreet as the prime examples). His performance here isn’t near as effective and I couldn’t escape the notion that he seemed to be trying a bit too hard to pull off his bad guy role. Teller is a talent as well (Whiplash as prime example), but his work here is a couple notches above bland. Bradley Cooper turns up for a few minutes as a shady dealer whose character is just interesting enough that I would’ve liked to see him more.
The source material (based on a RollingStone article) should have garnered a richer experience than what Phillips gives us. WarDogs has plenty in common with TheBigShort in terms of personnel involved, but little in common with it as to lasting impression.
Happy New Year y’all and hope you’re enjoying your first day of 2017!
For my inaugural post of the year, I’m giving you 17 of my eagerly awaited pictures hitting screens this year. They’re listed alphabetically and represent some circles on the calendar for yours truly.
Here’s to a great year at the movies!h
Alien: Covenant
Release Date: May 19
The sixth installment of the Alien franchise is a sequel to 2013’s Prometheus, which received a deserved mixed reaction. Ridley Scott is back behind the director’s chair with Michael Fassbender returning and Katherine Waterston, Billy Crudup, and Danny McBride among the supporting players. There is also expected to be an alien involved.
AllEyezonMe
Release Date: June 16
Benny Boom is known for directing many well-known hip hop videos, but this feature tells the tale of one of America’s finest rappers – Tupac Shakur. Newcomer Demetrius Shipp, Jr. plays the late performer.
BeautyandtheBeast
Release Date: March 17
Disney has found tremendous success with their live-action remakes of animated classics and this reworking of the 1991 Best Picture nominee is likely to follow suit. Bill Condon directs with Emma Watson as Belle and Dan Stevens as the Beast.
BladeRunner2049
Release Date: October 6
Arriving 35 years after Ridley Scott’s heralded science fiction experience, Arrival director Denis Villeneuve brings back this noirish world with Harrison Ford back as Deckard alongside Ryan Gosling.
ACureforWellness
Release Date: February 17
Talented director Gore Verbinski has made some impressive pics – TheRing and the first PiratesoftheCaribbean among them. He’s also had some not so impressive ones, including the Pirates sequels and TheLoneRanger. This psychological horror thriller looks like it could be a return to form.
TheDarkTower
Release Date: July 28
For many years, a number of filmmakers have attempted to bring Stephen King’s novel to the screen. It’s finally happened with Matthew McConaughey and Idris Elba starring.
NO TRAILER AT PRESS TIME
Dunkirk
Release Date: July 21
Anything from Christopher Nolan has earned our anticipation and so it goes with this World War II effort featuring Tom Hardy and Kenneth Branagh.
GhostintheShell
Release Date: March 31
Based on the wildly popular Japanese comic book series, Scarlett Johansson headlines the sci-fi action thriller.
GuardiansoftheGalaxyVol. 2
Release Date: May 5
Summer ’17 kicks off with Star Lord, Rocket, and Lil Groot back on screen after their acclaimed first foray into the Marvel Cinematic Universe in 2014.
JusticeLeague
Release Date: November 17
Speaking of superheroes, DC has Batman (Ben Affleck), Superman (Henry Cavill), Wonder Woman (Gal Gadot – who has her own stand-alone pic this summer), Aquaman (Jason Momoa), and the Flash (Ezra Miller) joining forces.
Kong: SkullIsland
Release Date: March 10
The giant ape is back for the first time in 12 years in this 1970s set blockbuster hopeful boasting a first-rate cast that includes Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman and John C. Reilly.
Logan
Release Date: March 3
17 years after first creating his signature role, Hugh Jackman is Wolverine for (apparently) the final time.
TheMummy
Release Date: June 9
The Universal monsters reassemble in this reboot that stars Tom Cruise, Russell Crowe, and lotsa hopefully cool CG.
MurderontheOrientExpress
Release Date: November 22
This property based on the Agatha Christie Book was adapted successfully in the mid 70s by director Sidney Lumet. This time around, Kenneth Branagh is behind the camera with an all-star cast that includes Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Josh Gad, Michael Pena and Michelle Pfeiffer.
NO TRAILER AT PRESS TIME
Spider–Man: Homecoming
Release Date: July 7
After making a nice impression in CaptainAmerica: CivilWar, Tom Holland is the third actor to portray the title superhero. Michael Keaton, Marisa Tomei, and Robert Downey Jr.’s Tony Stark costar.
StarWars: EpisodeVIII
Release Date: December 15
The still untitled follow-up to TheForceAwakens is pretty much unquestionably going to be 2017’s highest earner. Expect considerably more screen time for Mark Hamill’s Luke and sadly, Carrie Fisher’s final screen appearance as Leia.
NO TRAILER AT PRESS TIME
WarforthePlanetoftheApes
Release Date: July 14
Kong isn’t the only big-budget monkey business happening onscreen as the third installment of this franchise finds Andy Serkis’s Caesar returning and Woody Harrelson joining the mix.
Damien Chazelle has figured out innovative ways to marry music with film in a way that no other director has dared try in the 21st century and it permeates every frame of his sophomore feature La LaLand. Let’s go back for a moment to the final scene of his masterful debut Whiplash. It culminated in a virtuoso drum performance from Miles Teller showing his skills from his dictatorial instructor J.K. Simmons that left a collective smile on the audience’s faces. That frown upside down feeling is immediately resurrected in the opening sequence here, as dozens of citizens stuck in L.A. traffic burst into a gleeful song and dance number. The message is loud and clear: writer/director Chazelle has been given the freedom to make a full-on old Hollywood style musical and he doesn’t shy away from the leeway.
Mia (Emma Stone) is an aspiring actress who works on the Warner Bros lot as a barista as she hustles from one despairing audition to the next. Sebastian (Ryan Gosling) is a jazz pianist who’s playing restaurants and pining to open his own club as he laments the demise of the genre he adores. The two meet briefly and not romantically on that aforementioned Southern California freeway and keep bumping into each other. It takes them awhile to recognize that they adore one another. In Chazelle’s world, that elevation of their courtship involves some amazingly choreographed numbers. A particular highlight is one that occurs at the famed Griffith Observatory.
LaLaLand tracks the couple as their professional lives rise and fall. Mia is determined to get her one woman play off the ground. Sebastian joins a jazz fusion band led by John Legend and even though he’s not wild with their sound, it’s a steady paycheck. The picture coasts for a good portion of its running time on its harmonious relationship of the leads.
Yet real life eventually causes the needle to skip on their joyous record of happiness. It is then that those issues Mia and Sebastian experience allow the two actors playing them to stretch their dramatic chords. This is the third time Gosling and Stone have been together on screen (the others being Crazy, Stupid, Love and GangsterSquad) and their chemistry is already well established and rock solid. There’s a final audition scene involving Stone in which she left the crowd silent with her voice.
When we reach the third act, the decades old Hollywood rules in this genre of happily ever after don’t necessarily apply. Chazelle fashions a what if segment that is both inspiring and a bit heartbreaking, all while keeping us in tune with the boldness of taking something old and making it new. And you’ll be smiling again when the fade out occurs.
We have reached my final Oscar predictions post of 2016! There will be likely be four more posts: 3 Thursday editions (January 5, 12, 19) and a final one on Monday, January 23rd before the nominations are revealed on Tuesday, January 24th.
Per usual, I’m listing 20 Best Picture possibilities and ten in all the other categories.
Let’s get to it, shall we?
Best Picture
Predicted Nominees
1. La La Land (PR: 1)
2. Manchester by the Sea (PR: 3)
3. Moonlight (PR: 2)
4. Fences (PR: 6)
5. Lion (PR: 4)
6. Silence (PR: 5)
7. Arrival (PR: 7)
8. Hidden Figures (PR: 9)
9. Hacksaw Ridge (PR: 8)
Other Possibilities
10. Hell or High Water (PR: 10)
11. Loving (PR: 11)
12. Nocturnal Animals (PR: 14)
13. Sully (PR: 12)
14. Jackie (PR: 13)
15. 20th Century Women (PR: 15)
16. Florence Foster Jenkins (PR: 17)
17. Patriots Day (PR: 16)
18. The Jungle Book (PR: 18)
19. Captain Fantastic (PR: 19)
20. Zootopia (PR: Not Ranked)
Dropped Out:
Gold
Best Director
Predicted Nominees
1. Damien Chazelle, La La Land (PR: 1)
2. Barry Jenkins, Moonlight (PR: 2)
3. Kenneth Lonergan, Manchester by the Sea (PR: 3)
4. Martin Scorsese, Silence (PR: 4)
5. Garth Davis, Lion (PR: 6)
Other Possibilities
6. Denis Villeneueve, Arrival (PR: 5)
7. Mel Gibson, Hacksaw Ridge (PR: 7)
8. Denzel Washington, Fences (PR: 8)
9. David Mackenzie, Hell or High Water (PR: 9)
10. Tom Ford, Nocturnal Animals (PR: 10)
Best Actor
Predicted Nominees
1. Casey Affleck, Manchester by the Sea (PR: 1)
2. Denzel Washington, Fences (PR: 2)
3. Ryan Gosling, La La Land (PR: 3)
4. Andrew Garfield, Hacksaw Ridge (PR: 4)
5. Joel Edgerton, Loving (PR: 7)
Other Possibilities
6. Viggo Mortensen, Captain Fantastic (PR: 6)
7. Tom Hanks, Sully (PR: 5)
8. Michael Keaton, The Founder (PR: 8)
9. Andrew Garfield, Silence (PR: 10)
10. Adam Driver, Paterson (PR: 9)
Best Actress
Predicted Nominees
1. Emma Stone, La La Land (PR: 1)
2. Natalie Portman, Jackie (PR: 2)
3. Amy Adams, Arrival (PR: 3)
4. Annette Bening, 20th Century Women (PR: 4)
5. Meryl Streep. Florence Foster Jenkins (PR: 6)
Other Possibilities
6. Isabelle Huppert, Elle (PR: 7)
7. Ruth Negga, Loving (PR: 5)
8. Jessica Chastain, Miss Sloane (PR: 8)
9. Emily Blunt, The Girl on the Train (PR: Not Ranked)
10. Taraji P. Henson, Hidden Figures (PR: 9)
Dropped Out:
Hailee Steinfeld, The Edge of Seventeen
Best Supporting Actor
Predicted Nominees
1. Mahershala Ali, Moonlight (PR: 1)
2. Dev Patel, Lion (PR: 2)
3. Jeff Bridges, Hell or High Water (PR: 4)
4. Lucas Hedges, Manchester by the Sea (PR: 3)
5. Michael Shannon, Nocturnal Animals (PR: 5)
Other Possibilities
6. Hugh Grant, Florence Foster Jenkins (PR: 7)
7. Ben Foster, Hell or High Water (PR: 6)
8. Issey Ogata, Silence (PR: 8)
9. Mykelti Williamson, Fences (PR: 9)
10. Kevin Costner, Hidden Figures (PR: 10)
Best Supporting Actress
Predicted Nominees
1. Viola Davis, Fences (PR: 1)
2. Naomie Harris, Moonlight (PR: 2)
3. Michelle Williams, Manchester by the Sea (PR: 3)
4. Nicole Kidman, Lion (PR: 4)
5. Octavia Spencer, Hidden Figures (PR: 5)
Other Possibilities
6. Greta Gerwig, 20th Century Women (PR: 7)
7. Helen Mirren, Eye in the Sky (PR: 8)
8. Janelle Monae, Hidden Figures (PR: 6)
9. Felicity Jones, A Monster Calls (PR: 10)
10. Molly Shannon, Other People (PR: 9)
Best Adapted Screenplay
Predicted Nominees
1. Moonlight (PR: 1)
2. Lion (PR: 3)
3. Fences (PR: 2)
4. Arrival (PR: 4)
5. Silence (PR: 5)
Other Possibilities
6. Nocturnal Animals (PR: 7)
7. Hacksaw Ridge (PR: 6)
8. Loving (PR: 9)
9. Hidden Figures (PR: 8)
10. Sully (PR: 10)
Best Original Screenplay
Predicted Nominees
1. Manchester by the Sea (PR: 1)
2. La La Land (PR: 2)
3. Hell or High Water (PR: 3)
4. Captain Fantastic (PR: 4)
5. 20th Century Women (PR: 5)
Other Possibilities
6. The Lobster (PR: 6)
7. Jackie (PR: 7)
8. Toni Erdmann (PR: Not Ranked)
9. Zootopia (PR: 8)
10. I, Daniel Blake (PR: Not Ranked)
Dropped Out:
Eye in the Sky
Florence Foster Jenkins
Best Animated Feature
Predicted Nominees
1. Zootopia (PR: 1)
2. Kubo and the Two Strings (PR: 2)
3. Moana (PR: 3)
4. The Red Turtle (PR: 4)
5. My Life as a Zucchini (PR: 6)
Other Possibilties
6. Finding Dory (PR: 5)
7. The Little Prince (PR: 7)
8. April and the Extraordinary World (PR: 8)
9. Your Name (PR: 10)
10. Sausage Party (PR: 9)
Best Documentary Feature
Predicted Nominees
1. I Am Not Your Negro (PR: 1)
2. O.J.: Made in America (PR: 3)
3. 13th (PR: 2)
4. Gleason (PR: 5)
5. Life, Animated (PR: 6)
Other Possibilities
6. Cameraperson (PR: 4)
7. Fire at Sea (PR: 7)
8. The Eagle Huntress (PR: 8)
9. The Ivory Game (PR: 10)
10. Weiner (PR: 9)
Best Foreign Language Film
Predicted Nominees
1. Toni Erdmann (PR: 1)
2. The Salesman (PR: 2)
3. Land of Mine (PR: 3)
4. A Man Called Ove (PR: 5)
5. The King’s Choice (PR: 6)
Other Possibilities
6. My Life as a Zucchini (PR: 4)
7. Paradise (PR: 8)
8. Tanna (PR: 7)
9. It’s Only the End of the World (PR: 9)
Best Cinematography
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 2)
3. Silence (PR: 3)
4. Arrival (PR: 4)
5. Nocturnal Animals (PR: 7)
Other Possibilities
6. Lion (PR: 5)
7. Hacksaw Ridge (PR: 6)
8. Jackie (PR: 8)
9. The Jungle Book (PR: Not Ranked)
10. Rogue One: A Star Wars Story (PR: 10)
Dropped Out:
Hell or High Water
Best Costume Design
Predicted Nominees
1. Jackie (PR: 1)
2. La La Land (PR: 2)
3. Allied (PR: 4)
4. Love & Friendship (PR: 3)
5. Florence Foster Jenkins (PR: 5)
Other Possibilities
6. Silence (PR: 8)
7. Fantastic Beasts and Where to Find Them (PR: 7)
8. Rules Don’t Apply (PR: 9)
9. Live by Night (PR: 6)
10. Alice Through the Looking Glass (PR: Not Ranked)
Best Film Editing
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 2)
3. Arrival (PR: 3)
4. Hacksaw Ridge (PR: 4)
5. Silence (PR: 6)
Other Possibilities
6. Manchester by the Sea (PR: 10)
7. Lion (PR: 5)
8. Hell or High Water (PR: 8)
9. Sully (PR: 7)
10. Jackie (PR: 9)
Best Makeup and Hairstyling
Predicted Nominees
1. Florence Foster Jenkins (PR: 1)
2. Star Trek Beyond (PR: 2)
3. Deadpool (PR: 4)
Other Possibilities
4. Suicide Squad (PR: 3)
5. A Man Called Ove (PR: 7)
6. The Dressmaker (PR: 5)
7. Hail, Caesar! (PR: 6)
Best Original Score
Predicted Nominees
1. La La Land (PR: 1)
2. Lion (PR: 4)
3. Moonlight (PR: 2)
4. Florence Foster Jenkins (PR: 3)
5. Jackie (PR: 6)
Other Possibilities
6. Rogue One: A Star Wars Story (PR: 5)
7. Hidden Figures (PR: Not Ranked)
8. Hacksaw Ridge (PR: 7)
9. The BFG (PR: 9)
10. The Jungle Book (PR: 10)
Dropped Out:
Moana
Best Original Song
Predicted Nominees
1. “City of Stars” from La La Land (PR: 1)
2. “How Far I’ll Go” from Moana (PR: 2)
3. “Audition (The Fools Who Dream)” from La La Land (PR: 4)
4. “Drive It Like You Stole It” from Sing Street (PR: 8)
5. “Runnin” from Hidden Figures (PR: 5)
Other Possibilities
6. “Letters to the Free” from 13th (PR: 3)
7. “Can’t Stop the Feeling!” from Trolls (PR: 7)
8. “The Rules Don’t Apply” from Rules Don’t Apply (PR: 6)
9. “The Great Beyond” from Sausage Party (PR: 10)
10. “I’m Still Here” from Miss Sharon Jones
Best Production Design
Predicted Nominees
1. La La Land (PR: 1)
2. Jackie (PR: 2)
3. Arrival (PR: 3)
4. Silence (PR: 4)
5. Rules Don’t Apply (PR: 9)
Other Possibilities
6. Allied (PR: Not Ranked)
7. Hacksaw Ridge (PR: 5)
8. Fantastic Beasts and Where to Find Them (PR: 7)
9. Live by Night (PR: 6)
10. Rogue One: A Star Wars Story (PR: 10)
Dropped Out:
The Jungle Book
Best Sound Editing
Predicted Nominees
1. Hacksaw Ridge (PR: 1)
2. La La Land (PR: 3)
3. Rogue One: A Star Wars Story (PR: 2)
4. Sully (PR: 4)
5. Deepwater Horizon (PR: 6)
Other Possibilities
6. Arrival (PR: 7)
7. Patriots Day (PR: 8)
8. Allied (PR: Not Ranked)
9. The Jungle Book (PR: 5)
10. Captain America: Civil War (PR: Not Ranked)
Dropped Out:
Deadpool
Doctor Strange
Best Sound Mixing
Predicted Nominees
1. La La Land (PR: 1)
2. Hacksaw Ridge (PR: 2)
3. Rogue One: A Star Wars Story (PR: 3)
4. Arrival (PR: 5)
5. Deepwater Horizon (PR: 4)
Other Possibilities
6. Sully (PR: 7)
7. Allied (PR: 8)
8. Patriots Day (PR: 9)
9. The Jungle Book (PR: 6)
10. Deadpool (PR: 10)
Best Visual Effects
Predicted Nominees
1. The Jungle Book (PR: 1)
2. Rogue One: A Star Wars Story (PR: 2)
3. Arrival (PR: 3)
4. Doctor Strange (PR: 4)
5. The BFG (PR: 6)
Other Possibilities
6. Fantastic Beasts and Where to Find Them (PR: 5)
7. Captain America: Civil War (PR: 8)
8. Kubo and the Two Strings (PR: 7)
9. Passengers (PR: 10)
10. Deepwater Horizon (PR: 9)
That leaves us with the following nomination breakdown:
14 Nominations
La La Land
8 Nominations
Moonlight, Arrival
6 Nominations
Manchester by the Sea, Lion, Silence
5 Nominations
Hacksaw Ridge
4 Nominations
Fences, Jackie, Florence Foster Jenkins
3 Nominations
Hidden Figures, Rogue One: A Star Wars Story
2 Nominations
20th Century Women, Hell or High Water, Nocturnal Animals, Moana, Deepwater Horizon
1 Nomination
Loving, Captain Fantastic, Zootopia, Kubo and the Two Strings, The Red Turtle, My Life as a Zucchini, I Am Not Your Negro, O.J.: Made in America, 13th, Gleason, Life, Animated, Toni Erdmann, The Salesman, Land of Mine, A Man Called Ove, The King’s Choice, Allied, Love & Friendship, Star Trek Beyond, Deadpool, Sing Street, Rules Don’t Apply, Sully, The Jungle Book, Doctor Strange, The BFG.
That’ll do it for now. See ya with the predictions next year!
When J.A. Bayona’s A Monster Calls debuted in September at the Toronto Film Festival, it did so to solid buzz and even some awards chatter. Much of that talk seems to have dissipated from nearly four months ago and the pic may struggle to find an audience when it opens wide next weekend.
Based on an acclaimed 2011 novel by Patrick Ness, Calls mixes science fiction elements with tearjerker family drama in this tale of a monstrous creature helping a young boy deal with his grief. Sigourney Weaver, Felicity Jones, Lewis MacDougall, and Liam Neeson (voicing the title character) star.
As mentioned, most reviews have been encouraging (it’s at 89% on Rotten Tomatoes). Yet I wonder what segment of the movie going public will turn out for this. The film was originally scheduled for an October stateside debut before being pushed back. Sci-fi genre fans have had plenty to feast on lately and Underworld: Blood Wars opens against it. A female crowd that might get drawn in by the family drama angle could be put off with the mystical elements. The early January release date doesn’t inspire much hope that Focus Features has tremendous confidence in it.
Festival word-of-mouth aside, I’ll predict A Monster Calls struggles to reach a mid single digits reception. At least director Bayona can take comfort that his next feature, 2018’s Jurassic World sequel, will likely gross at least 50 times what this might in its opening weekend.
A Monster Calls opening weekend prediction: $3.4 million
For my Underworld: Blood Wars prediction, click here:
An Oscar hopeful expands to wide release next Friday when Hidden Figures rolls out across the country. The true tale of three women (Taraji P. Henson, Octavia Spencer, Janelle Monae) who were instrumental in the NASA space program in the 1960s has garnered critical praise (92% on Rotten Tomatoes) and is said to be quite the crowd pleaser. Theodore Melfi directs with Kevin Costner, Kirsten Dunst, Jim Parsons, and Mahershala Ali in the supporting cast.
Over the Christmas weekend, Figures figured an impressive $838,000 gross on just 25 screens. That’s a strong $33K per screen average. The pic stands a decent shot at a Best Picture nomination come Oscar announcement time and Octavia Spencer could also receive a Supporting Actress nod.
As I see it, the chances for this to over perform are mathematically greater than the alternative. 20th Century Fox is hoping to attract a sizable female and African American audience and they’ll likely be successful. I believe Figures could even outdo Underworld: Blood Wars, which opens the same day. I’ve got that one pegged at $17.6M. I’ll put this one over it for what would be a #2 debut.
Hidden Figures opening weekend prediction: $19.3 million
For my Underworld: Blood Wars prediction, click here:
Tom Ford’s NocturnalAnimals is centered on a woman living in a fancy world surrounded by her own boredom and regret at certain life choices. The film is an often fascinating mash-up of Hitchcock, a little De Palma inspired Hitchcock, and most surprisingly, a West Texas crime tale that looks and feels like this year’s earlier HellorHighWater. We also have a more conventional tale of a romance gone astray and the emotions involved with that. It’s a concoction that sometimes is a little messy, a tad campy at moments, veers in tone shifts, and is also directed a fashion designer who seems to know exactly what he wishes to fashion.
L.A. art gallery owner Susan Morrow (Amy Adams) is living a wealthy life in an unhappy marriage and a career she’s grown to believe is purposeless. One day, she receives a manuscript. It’s from her ex-husband Edward (Jake Gyllenhaal) that she was only married to for a couple years around college. The novel grabs her. It’s the aforementioned HighWater looking story of a remarried Edward on a West Texas road trip with his wife and daughter when they are terrorized by bad guys led by a disheveled and effectively menacing Aaron Taylor-Johnson. Their encounter takes a dark and tragic turn and soon Edward is teaming up with a ranger (Michael Shannon, in a terrific performance) to deal with its aftermath.
The story cuts back and forth between the actions of Susan’s ex-flame’s West Texas narrative (is it real or not?) and her unhappy life on the West Coast. We also witness the courtship of them in college. This juxtaposition creates an often dream like quality (a little David Lynch thrown in for good measure) and it’s rather intoxicating. We basically get to know everything we need to know about Susan’s character in a great short scene with Laura Linney as her debutante mom. Other key characters and their motivations don’t become clear until later.
NocturnalAnimals looks gorgeous as you might expect from a designer that Jay-Z made a song about. The cinematography is stunning and the musical score is often reminiscent of something we’d hear in an old Hitch pic or perhaps De Palma homage. There are moments that recall Nicolas Winding Refn’s TheNeonDemon in plot had that movie actually succeeded. Tom Ford wears his influences proudly and unabashedly in his sophomore effort. It’s anything but boring.
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