Ant-Man and the Wasp: Quantumania hopes to score commanding grosses over the long President’s Day weekend starting February 17th. The 31st entry in the Marvel Cinematic Universe and third in this particular franchise features Paul Rudd and Evangeline Lilly reprising their roles as the title heroes. Michelle Pfeiffer and Michael Douglas are back with Jonathan Majors being introduced as villain Kang the Conqueror. Peyton Reed (who helmed the first two) is back directing. Other cast members include Kathryn Newton, David Dastmalchian, William Jackson Harper, Katy O’Brian, and Bill Murray.
The initial movie in the MCU’s Phase Five (with Guardians of the Galaxy Vol. 3 and The Marvels up next), Ant-Man looks to expand on the opening earnings of its predecessors. In the summer of 2015, Ant-Man made $57 million for its start (the second smallest MCU debut with The Incredible Hulk being lowest at $55 million). It ended up with $180 million domestically. Three years later, Ant-Man and the Wasp reached higher with $75 million and an eventual stateside tally of $216 million.
When it comes to the MCU, sequels typically outperform their originals (Black Panther: Wakanda Forever was a recent exception to the rule). Thor: Love and Thunder, on the other hand, built upon its three predecessors. Quantumania should follow that trend.
As far as President’s Day weekend, it shouldn’t come close to approaching the record. That was five years ago with Black Panther when it scored $202 million from Friday to Sunday and $242 million when factoring Monday. The runner-up is 2016’s Deadpool with respective three and four-day takes of $132 million and $152 million. Third place belongs to 2015’s Fifty Shades of Grey ($85 million Friday to Sunday, $93 million four-day).
This should manage a third place all-time haul. I’ll say the three-day falls a tad short of $100 million and just shy of $110 million with Monday’s inclusion.
Ant-Man and the Wasp: Quantumania opening weekend prediction: $96.8 million (Friday to Sunday); $109.1 million (Friday to Monday)
For my Winnie-the-Pooh: Blood and Honey prediction, click here:
It was a glorious performance for Everything Everywhere All at Once and The Banshees of Inisherin with this morning’s Oscar nominations. Both pics were up everywhere they needed to be for everything to potentially win the big prize on March 12th.
There were also strong showings for All Quiet on the Western Front, Elvis, The Fabelmans, and Top Gun: Maverick. However, it’s fair to say that each missed a key race or two that would’ve helped for their Best Picture viability.
As far as my own showing, I went 79 for 105 in my projections. I’ll take it though it’s slightly under my 82/105 performance from the previous year. One bright spot: no 2 for 5’s as I’d experienced a couple of times in preceding years.
Let’s walk through each race one by one with initial thoughts, shall we?
Best Picture
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking
How I Did: 8/10
No real shockers. The movies that I had listed 11th and 12th (Avatar and Women Talking) made it over my selections of Babylon and The Whale. I went a little bold omitting Water in the first place.
As hinted at, I’m seeing this as between Everything and Banshees with Fabelmans as a potential spoiler (and maybe Maverick if I’m feeling bold).
Best Director
The Nominees: Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Ruben Ostlund (Triangle of Sadness), Steven Spielberg (The Fabelmans)
How I Did: 4/5
The Daniels v. Spielberg is where this may come down to. All Quiet had a solid morning, but Edward Berger missing (I predicted him) likely eliminates it as a BP winner. Ostlund gets in instead.
Best Actress
The Nominees: Cate Blanchett (Tár), Ana de Armas (Blonde), Andrea Riseborough (To Leslie), Michelle Williams (The Fabelmans), Michelle Yeoh (Everything Everywhere All at Once)
How I Did: 3/5
In just the last few days, there was an organic (?) campaign launched for Riseborough by plenty of famous faces. She was nowhere near the radar for the bulk of the season. Her inclusion might alter how campaigns look in the future. Williams (who was looking shaky) and Riseborough make it over my predictions of Viola Davis (The Woman King) and Danielle Deadwyler (Till). Both of their pics were shutout completely. As for who makes the podium trip, it’s either Blanchett or Yeoh.
Best Actor
The Nominees: Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), Bill Nighy (Living)
How I Did: 5/5 (!)
For most prognosticators, this came down to Tom Cruise in Top Gun: Maverick vs. Mescal for the fifth slot. It wasn’t to be for a fourth Cruise nod. For Mescal and Nighy, it’s an honor to be in the quintet. The race is between Butler and Farrell and Fraser (who have all nabbed key precursors). FYI – this entire lineup is first-time nominees and 16 of the acting nominees are newbies (which is very high).
Best Supporting Actress
The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
How I Did: 4/5
Hsu, who was my alternate, is in over Triangle‘s Dolly De Leon. If you’d told me De Leon’s movie would get Picture, Director, and Original Screenplay – I would’ve been even more confident she’d make it. With victories already at the Globes and Critics Choice, Bassett is the frontrunner.
Best Supporting Actor
The Nominees: Brendan Gleeson (The Banshees of Inisherin), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once)
How I Did: 4/5
Henry gets the unanticipated nod over my pick of Paul Dano in The Fabelmans (many had Eddie Redmayne in The Good Nurse projected here). This is, frankly, the simplest acting derby to call and it is Quan.
Best Original Screenplay
The Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
How I Did: 5/5 (!)
The expected five as the Banshees v Everything showdown could be a clue during the night as to what wins BP at the end of it.
Best Adapted Screenplay
The Nominees: All Quiet on the Western Front, Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick, Women Talking
How I Did: 3/5
Maverick and All Quiet over She Said (which was shut out) and The Whale. Considering Women Talking made it in the BP ten, it could get the gold in this race and this one only since it received the least amount of nods (2) for the BP hopefuls. As an aside, there’s always a screenplay contender that gets no other noms anywhere else. This year it was Glass Onion.
Best Animated Feature
The Nominees: Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Sea Beast, Turning Red
How I Did: 4/5
Pinocchio should take this, but this marks its only nod (it was expected to contend for Song and some techs). I had gone with Netflix’s Wendell and Wild for the fifth spot over Netflix’s The Sea Beast.
Best International Feature Film
The Nominees: All Quiet on the Western Front, Argentina, 1985, Close, EO, The Quiet Girl
How I Did: 3/5
Here’s where there was a total surprise with Decision to Leave getting snubbed. I would’ve had it as the runner-up possibility to win over All Quiet (easily the favorite). I didn’t have Close or EO (though neither is unexpected). In addition to Decision, I also had Joyland.
Best Documentary Feature
The Nominees: All That Breathes, All the Beauty and the Bloodshed, Fire of Love, A House Made of Splinters, Navalny
How I Did: 4/5
Had Descendant instead of Splinters. There’s a path to victory for everything but Splinters in my view.
Best Cinematography
The Nominees: All Quiet on the Western Front, Bardo, Elvis, Empire of Light, Tár
How I Did: 3/5
Top Gun: Maverick missing is baffling considering it was a major threat to win. It misses along with The Batman in favor of Bardo and Tár. I wouldn’t discount Empire for the victory though Quiet could make noise in this one.
Best Costume Design
The Nominees: Babylon, Black Panther: Wakanda Forever, Elvis, Everything Everywhere All at Once, Mrs. Harris Goes to Paris
How I Did: 4/5
Everything‘s over performance is evident. I had The Woman King instead. The first three alphabetically are your possible winners.
Best Film Editing
The Nominees: The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár, Top Gun: Maverick
How I Did: 3/5
In years past, getting an editing nod is often needed if you want to take BP. So it’s bad news for All Quiet and The Fabelmans. Banshees and Tár join the lineup in their place. Elvis, Everything, and Maverick all possibilities.
Best Makeup and Hairstyling
The Nominees: All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Elvis, The Whale
How I Did: 4/5
Had Amsterdam and not Quiet. Elvis or The Whale are most likely.
Best Original Score
The Nominees: All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans
How I Did: 3/5
Considering it made BP, I didn’t think Women Talking would miss. I also had Pinocchio but it’s All Quiet and Everything. This could be the sole Oscar for Babylon.
Best Original Song
The Nominees: “Applause” from Tell It Like a Woman, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR, “This Is a Life” from Everything Everywhere All at Once
How I Did: 4/5
Had Pinocchio‘s “Ciao Papa” and not the Everything tune. Despite big names like Lady Gaga, Rihanna, and producer Diane Warren in the mix, “Naatu Naatu” has taken the precursors.
Best Production Design
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, Babylon, Elvis, The Fabelmans
How I Did: 4/5
A rare occurrence as I had Everything projected and it didn’t make it. All Quiet materializes instead. This could be Elvis or maybe a second shot for Babylon.
Best Sound
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick
How I Did: 4/5
The sound you hear when the envelope opens might be Maverick‘s only victory (now that Cinematography is impossible). I had EEAAO and not The Batman.
Best Visual Effects
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick
How I Did: 3/5
Had the wrong MCU pic with Doctor Strange in the Multiverse of Madness and not Panther. All Quiet is also in and I had Thirteen Lives. This should be the Avatar trophy.
That means these movies ended up garnering these numbers in terms of nominations:
11 Nominations
Everything Everywhere All at Once
9 Nominations
All Quiet on the Western Front, The Banshees of Inisherin
8 Nominations
Elvis
7 Nominations
The Fabelmans
6 Nominations
Tár, Top Gun: Maverick
5 Nominations
Black Panther: Wakanda Forever
4 Nominations
Avatar: The Way of Water
3 Nominations
Babylon, The Batman, Triangle of Sadness, The Whale
2 Nominations
Living, Women Talking
1 Nomination
Aftersun, All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Bardo, Blonde, Causeway, Close, Empire of Light, EO, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, A House Made of Splinters, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, The Quiet Girl, RRR, The Sea Beast, Tell It Like a Woman, To Leslie, Turning Red
So what’s next? Followers of the blog may recall that I will soon begin my “Case Of” posts. That’s 35 separate write-ups making the case for and against all contenders in Picture, Director, and the four acting competitions. Stay tuned!
Jonathan Majors is about to have a high profile first quarter of 2023 and it begins at Sundance this weekend. The Lovecraft Country and Devotion star (who first captured the attention of reviewers in 2019’s The Last Black Man in San Francisco) will appear as the villainous Kang the Conquerer in February’s MCU sequel Ant-Man and the Wasp: Quantumania. Just two weeks later in early March, he will square off against Michael B. Jordan in Creed III.
At Sundance, audiences are getting their first look at him in Magazine Dreams. The sophomore effort from writer/director Elijah Bynum, Majors is a disturbed bodybuilder with roided out rage. Costars include Haley Bennett, Taylour Paige, Mike O’Hearn, Harrison Page, and Harriet Sansom Harris.
Early reaction is mostly positive though they’re not across the board raves. The praise for Majors exceeds that of the picture. Critics are applauding the lead’s commitment to the challenging role. With supporting roles in the aforementioned likely blockbusters, look for a distributor to snatch Magazine up quickly. Don’t be surprised if they issue a major campaign for Best Actor. Majors could be a factor a year down the road. My Oscar Prediction posts will continue…
My Year Of posts focusing on a half dozen performers who had us feeling ’22 continues with our second icon who turned the big 6-0 this year. The first was Tom Cruise and if you missed that post, you can find it here:
The next sexagenarian is Michelle Yeoh. For the past three decades, U.S. audiences have seen the Malaysian legend fighting alongside Jackie Chan in the Supercop pics, James Bond in Tomorrow Never Dies, and Chow Yun-fat in Ang Lee’s acclaimed Crouching Tiger, Hidden Dragon. In recent years, she probably came close to a Supporting Actress nomination as the overbearing mother in Crazy Rich Asians. Last year, she joined the MCU in Shang-Chi and the Legend of the Ten Rings.
There were plenty of projects in 2022. She lent her voice to Minions: The Rise of Gru and Paws of Fury: The Legend of Hank. A small role popped up in Netflix’s YA fantasy The School for Good and Evil. None of those projects are why Yeoh made this cut.
Everything Everywhere All at Once is. The sophomore effort of the Daniels (Dan Kwan and Daniel Scheinert) is the multi-genre rumination on life that casts Yeoh as frazzled laundromat owner Evelyn. She also (due to a seemingly infinite multiverse) plays the role in many other iterations including a movie star, a woman with hot dogs for fingers, and a rock. It’s a one-of-a-kind picture with the role of a lifetime for its lead.
An Oscar nomination is a near certainty and a win is quite possible. The box office was impressive with $70 million domestically against a considerably smaller budget. Costars Ke Huy Quan, Stephanie Hsu, and Jamie Lee Curtis could all be headed for their own awards nods. I currently have Everything listed in 1st to take Best Picture.
A busy 2023 and beyond awaits Yeoh. More voice work is on deck with Transformers: Rise of the Beasts and Kenneth Branagh has put her in the ensemble of his third Poirot mystery A Haunting in Venice. Her Crazy Rich Asians director Jon M. Chu will be collaborating with her again on the two planned Wicked films (slated for 2024 and 2025). James Cameron has her showing up (apparently in human form) in the third and fourth Avatar pics.
Yeoh’s part in Everything was originally considered for her old costar Jackie Chan. That’s hard to picture now given her fantastic portrayal. She easily earns a spot in this series. My Year Of posts will continue with an actor who might’ve lost a friend in his Oscar contender, but gained plenty of praise for his body work throughout the year.
Avatar: The Way of Water is both visually sparkling and narratively flat. In that sense, James Cameron’s sequel is much like the 2009 original (which happens to be worldwide highest grosser in history). The effects thirteen years ago were revolutionary and kicked off a mostly unfortunate trend of tentpoles getting the three-dimensional treatment. That sense of wonder from Avatar is present occasionally below the surface in a few astounding underwater sequences. Many blockbusters have competed with this franchise in visual splendor and come up short and that includes some shoddy MCU battles. Cameron and his crew can still wow, but subpar writing and a lack of tight editing remains a problem. If you loved the forests of Pandora in part 1 and didn’t want to leave, you’ll likely love lounging in the aquatic action of this follow-up. If your feelings were mixed like mine were, expect a similar reaction.
Former Marine Jake Sully (Sam Worthington) and Na’vi spiritual leader in waiting Neytiri (Zoe Saldana) are married with four kids as Water begins (it’s set a decade and a half plus post Avatar). Adopted teenage daughter Kiri (voiced by Sigourney Weaver) is miraculously spawned from Sigourney’s scientist in the original. We suspect she might have special powers if she can get over her Jan Brady lot in life. Older brother Neteyam (Jamie Flatters) is the responsible one while second born boy Lo’ak (Britain Dalton) is the rebel. Youngest girl Tuk (Trinity Jo-Li Bliss) is eight and precocious. The Sully tribe are living a peaceful existence until those mean corporate Earthlings return to Pandora. On their list of plays is total colonization as the home planet is dying.
Due to a memory implant system, Stephen Lang’s villainous Colonel is leading the charge in the guise of a Na’vi big blue boy. He has revenge on his mind since it was Neytiri who arrowed him to death years ago. There’s also a son he left behind that the Sully’s are raising who goes by Spider (Jack Champion). Clad in a loincloth, his character comes off as a cartoonish plot device. He’s got about as much depth as Bam Bam Rubble. The dynamic between Spider and his father is one of a few daddy issues happening. I half expected a sky complected Maury Povich to interrupt and start moderating.
Since Jake is being targeted for his skill in fighting off the Sky People, he relocates his brood to the tropical island of At’wa Attu. They feel out of place among the residents who spend much of their day submerged. The chief of their clan known as the Metkayina is Tonwari (Cliff Curtis). He and his pregnant wife Ronal (Kate Winslet) are skeptical about harboring their guests. It’s in and around the island where some memorable moments happen. The Metkayina share a spiritual connection with the giant mammals swimming below. Lo’ak befriends one of them and it’s a subplot that clicks.
Part 2 relegates Jake and Neytiri to the sidelines for much of its three hours and 12 minutes. A larger focus is on their offspring and how they feel like fish out of water. The filmmaker’s own well-documented fascination with the deep comes in handy with the whale tale portions and beyond. The bulk of its themes, on the other hand, are heavily borrowed from before. Cameron and his tech wizards can enthrall us and exasperate us in this new habitat that questions our humanity.
Theaters owners are counting on Avatar: The Way of Water to save them from drowning in red ink following the second lowest box office frame of 2022. James Cameron’s long in the making sequel is the only new release out and you can peruse my detailed prediction post on it here:
With Oscar buzz (like the 2009 original) and solid reviews, Water could potentially surface with the largest premiere of the year. To do so, it would need to surpass the $187 million that Doctor Strange in the Multiverse of Madness achieved in May. Considering the runtime of over three hours, it may fall a bit short of that. My projection has it behind Multiverse and Black Panther: Wakanda Forever for the third heftiest ’22 haul and the 18th highest debut of all time.
Speaking of Wakanda, it will finally fall to second after five weeks atop the charts. Fellow holdovers Violent Night, Strange World, and The Menu should all slide a spot as well. All of these returnees experienced small declines this weekend, but may dip a tad more due to Avatar overtaking multiplexes.
Here’s how I see the top 5 shaking out:
1. Avatar: The Way of Water
Predicted Gross: $173.1 million
2. Black Panther: Wakanda Forever
Predicted Gross: $5.5 million
3. Violent Night
Predicted Gross: $4.9 million
4. Strange World
Predicted Gross: $2.6 million
5. The Menu
Predicted Gross: $1.9 million
Box Office Results (December 9-11)
As mentioned, it was a sluggish time in theaters as Avatar is on deck to make a splash. Black Panther: Wakanda Forever made it a handful of weekends in first place with $11.2 million. That’s on pace with my $10.6 million prediction as the MCU sequel is up to $409 million.
Violent Night remained in second with a sturdy 35% drop at $8.7 million, in line with my $8.5 million take. The Yuletide shoot-em-up has grossed $26 million in ten days.
Disney’s flop Strange World was third with $3.7 million compared to my $3.1 million estimate. Overall tally is just $30 million.
The Menu was fourth with $2.7 million (I said $2.8 million) for $29 million total.
Devotion rounded out the top five with $2 million. I went with $1.7 million and the aviation drama is at $17 million.
Finally, there was a bit of good news in a bad weekend. A24’s The Whale, in which Brendan Fraser is expected to vie for the Best Actor Oscar, achieved 2022’s best per screen performance. In only six venues, it earned approximately $360k. That $60k average tops Everything Everywhere All at Once, which previously had the year’s strongest average at $50k. It expands across wider on December 21st.
Audiences weren’t digging the leftovers in the first frame of December and it’ll get even worse this weekend. The top 5 could look awfully familiar with Black Panther: Wakanda Forever on top for a fifth time before Avatar: The Way of Water looks to liven up multiplexes beginning December 16th.
There are only two semi-wide newcomers to speak of and I didn’t do individual prediction posts on either. Father Stu: Reborn is a recut version of this spring’s true life drama with Mark Wahlberg and Mel Gibson. It earned a not so heavenly but not terrible $20 million a few months back. This version is PG-13 and not R. I don’t believe it’ll clear $1 million and that puts it outside the top five.
Spoiler Alert, another true life drama and this one featuring Jim Parsons, expands to approximately 600 venues after opening in six theaters this past weekend. It might be lucky to hit a million and that would leave it outside the top five too.
There’s a small chance that Violent Night, the Santa shoot-em-up with David Harbour, could elevate to 1st place after a decent debut (more on that below). However, Black Panther : Wakanda Forever should manage to make it five in a row before James Cameron’s sequel hits.
Meanwhile the battle for third could be close between the third weekend of Disney dud Strange World and the fourth helping of The Menu.
Here’s how I see the top 6 playing out:
1. Black Panther: Wakanda Forever
Predicted Gross: $10.6 million
2. Violent Night
Predicted Gross: $8.5 million
3. Strange World
Predicted Gross: $3.1 million
4. The Menu
Predicted Gross: $2.8 million
5. Devotion
Predicted Gross: $1.7 million
Box Office Results (December 2-4)
MCU sequel Black Panther: Wakanda Forever made it four in a row with $17.5 million. That’s under my projection of $21.3 million as the 62% fall was rather steep considering the lack of competition. The total did rise to $393 million.
Violent Night dropped at the higher end of its range with $13.4 million, outpacing my $9.4 million take. The grisly Yuletide tale could manage to play well over the coming holidays.
Strange World continued the embarrassing returns for the Mouse Factory with only $5 million in its sophomore weekend. I was close with $5.2 million. That’s a mere $25 million in its first 12 days.
The Menu was fourth with $3.4 million (I said $3.1 million) as it’s made $24 million thus far.
Devotion had a turbulent 54% plummet in weekend #2 with $2.7 million. I estimated a bit more at $3.3 million. Overall gross is $13 million.
We have reached 2018 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-17, they are linked at the bottom of the post.
2018 is a tricky year to winnow down. In fact, all 8 nominees have strong cases to make the final five. Only one thing is for sure. Peter Farrelly’s Green Book is one of the five considering it won Best Picture. It stands as one of the more surprising (and derided) victors in recent years. The race relations drama went an impressive 3/5 on its nominations – taking Picture, Supporting Actor (Mahershala Ali), and Original Screenplay and missing Actor (Viggo Mortensen) and Film Editing.
So what of the other seven hopefuls? Here’s my speculation:
Black Panther
The only MCU flick (and for that matter comic book adaptation) to score a BP nom was Ryan Coogler’s phenomenon with Chadwick Boseman as the title character. Its seven nominations included three wins for Score, Production Design, and Costume Design.
Does It Make the Final Five?
No. Besides BP, the other six mentions were all technical. It missed directing, any acting inclusions, screenplay, and even editing. It’s hard to leave this out though that’s the case with everything here.
BlacKkKlansman
Spike Lee received his first and only Oscar for his adapted screenplay. That’s the only victory of the night among its six total nods as Lee did make the quintet for direction. The others were Supporting Actor (Adam Driver), Score, and Film Editing.
Does It Make the Final Five?
Had this not taken Adapted Screenplay, I’d leave this off. Yet that win has me (somewhat reluctantly) leaving it in.
Bohemian Rhapsody
Rami Malek was crowned Best Actor for his performance as Queen frontman Freddie Mercury in the biopic. Despite mixed reviews, Rhapsody was successful in four of its five noms. Picture is the only race it didn’t win as it took Actor, Sound Editing, Sound Mixing, and Film Editing.
Does It Make the Final Five?
Yes. That 80% ratio solidifies it even without attention for the direction or screenplay.
The Favourite
The period piece from Yorgos Lanthimos tied all nominees with 10. The lone victory was an unexpected one as Olivia Colman took Best Actress over the favored Glenn Close (The Wife).
Does It Make the Final Five?
Yes. Despite the 10% ratio, it still led all contenders with key placements in Director, two Supporting Actress bids (Emma Stone and Rachel Weisz), Original Screenplay, and Editing.
Roma
Alfonso Cuaron was your Best Director in the Mexican drama that was the other picture with 10 nods. It also won Foreign Language Film and Cinematography while contending in Actress (Yalitza Aparicio), Supporting Actress (Marina de Tavira), Original Screenplay, both Sound competitions, and Production Design.
Does It Make the Final Five?
Yes and easily. The Netflix property was supposed to be the streamer’s first BP (they’re still waiting) and was favored before that Book upset.
A Star Is Born
Bradley Cooper’s version of the frequently remade melodrama achieved 8 nominations and one win for the director’s duet with costar Lady Gaga “Shallow” in Original Song. Both Cooper and Gaga were up for their acting as was Sam Elliot in Supporting Actor, Adapted Screenplay, Sound Mixing, and Cinematography.
Does It Make the Final Five?
No, but another tough call. Star‘s shine with voters seemed to dim as the season wore on. This is evidenced by it missing directing and editing.
Vice
This is a good time to point out that all 8 BP hopefuls won at least one statue. Adam McKay’s biopic of former Vice President Cheney (played by Christian Bale) took home the Makeup and Hairstyling award. Other noms were for the direction, Bale, Supporting Actor (Sam Rockwell), Supporting Actress (Amy Adams), Original Screenplay, and Film Editing.
Does It Make the Final Five?
No and I really struggled here. Vice landed mentions everywhere it needed to. The so-so critical reaction made it a tad easier to leave it out. Simply put, this could’ve been in over BlacKkKlansman or Bohemian, but I had to make the judgment call.
So that means my 2018 final five is:
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
I’ll have my post for 2019 up soon! The 2009-17 write-ups are here:
After a historically weak Thanksgiving frame that left moviegoers hungry for other options, the first weekend of December should be rather quiet at multiplexes as well. The lone wide release is Violent Night with David Harbour as a gun toting Santa. You can peruse my detailed prediction post on it here:
Night, even though I have it falling under $10 million, should slide into the runner-up position behind Black Panther: Wakanda Forever. The MCU sequel looks to four-peat and should have no trouble doing so. A low to mid 50s drop would put it over $20 million. It’s likely to be #1 for five weekends until Avatar: The Way of Water arrives on December 16th.
After a disastrous opening (more on that below), Strange World should fall to third. With a weak B Cinemascore grade, the Disney animated flop could experience a plummet in the mid to high 50s. Who knows? Maybe even higher.
The four and five spots could be close between the second and third frames of Devotion and The Menu. Both should see dips in the mid 40s.
Here’s how I see the top 5 looking:
1. Black Panther: Wakanda Forever
Predicted Gross: $21.3 million
2. Violent Night
Predicted Gross: $9.4 million
3. Strange World
Predicted Gross: $5.2 million
4. Devotion
Predicted Gross: $3.3 million
5. The Menu
Predicted Gross: $3.1 million
Box Office Results (Thanksgiving Weekend)
The Turkey Day holiday didn’t bring in the masses as the weekend fell under $100 million. That’s despite plenty of new releases for crowds to chew on.
Strangely enough, the biggest winner belonged to a streamer. Netflix doesn’t officially report numbers. They put Glass Onion: A Knives Out Mystery, the acclaimed sequel to 2019’s blockbuster, on just under 700 screens. Word is out that it did approximately $9.2 million from Friday to Sunday and $13.3 million since the Wednesday start. That per theater average of over $13k is easily the best of the bunch. Onion is scheduled to leave its venues tomorrow before it hits Netflix on December 23rd.
Now back to the movies that do report official tallies. Black Panther: Wakanda Forever easily stayed atop the charts with $45.5 million, besting my $37.9 million prediction in weekend #3. The 17-day total is $367 million.
The story of the holiday was the dismal Strange World performance. The Mouse Factory had a disappointing result over the summer with Lightyear. This made it look like a phenomenon. World took in an embarrassing $12.1 million from Friday to Sunday and $18.8 million in the five-day. I said it would manage $19.3 million and $26.7 million, respectively. Simply put, Disney animated efforts aren’t supposed to do those anemic figures.
I suppose technically Glass Onion was third, so the war saga Devotion was fourth. Despite mostly decent reviews, it was a flop considering the reported $90 million budget. The Friday to Sunday take was $5.9 million with $9 million when counting Wednesday and Thursday. I went higher with $7.2 million and $10.7 million.
The Menu rounded out the top five at $5.4 million (I said $6.4 million) to bring the two-week gross to $18 million.
Black Adam was sixth with $3.2 million, on target with my $3.3 million prediction. Total is $162 million.
Steven Spielberg’s awards hopeful The Fabelmans was on 638 screens and was seventh with $2.2 million ($3.1 million for the five-day). That’s under my guesstimates of $2.8 million and $4.1 million. While that’s easily the second best average of the newbies (after Onion), it’s still not too impressive. It will hope to develop legs during awards season.
The cannibalistic romance Bones and All wasn’t a recipe for success with an 8th place showing. The $2.2 million and $3.6 million three and five day earnings couldn’t match my $3.5 and $5.3 million projections.
Ticket to Paradise was ninth with $1.8 million (I went with $2.3 million) as the rom com is up to $65 million.
Fathom Event The Chosen Season 3: Episodes 1 and 2 was 10th as it dove 81% to $1.5 million. I was more giving at $2.4 million. In ten days, it’s made $13 million.
Finally, She Said was 11th after its poor premiere last weekend. With $1.1 million (I said $1.6 million), it’s at a lowly $4 million.
If Mel Gibson in 2020’s Fatman didn’t satiate your desire to see Kris Kringle toting semiautomatic weapons, we’ve got Violent Night sliding into theaters on December 2nd. David Harbour of Stranger Things fame is Santa in the satiric action pic from director Tommy Wirkola. Supporting players include John Leguizamo (currently appearing in The Menu), Cam Gigandet, Alex Hassell, Alexis Louder, and Beverly D’Angelo (already a holiday silver screen staple thanks to Christmas Vacation).
Universal is hoping audiences want a little comedic savagery in their Yuletide viewing plans. Harbour hasn’t had a big screen breakout. In fact, it’s quite the opposite as 2019’s Hellboy was a dud (he did turn up in last year’s MCU blockbuster Black Widow).
The best case scenario would be a premiere approaching 2015’s Krampus, which rolled out on the same December weekend. It made just over $16 million and eventually topped out at $42 million domestically. I don’t anticipate that kind of showing for Violent Night. There’s a chance it won’t even reach double digits. I’ll put it a hair under.
Violent Night opening weekend prediction: $9.4 million
