British spies join forces with their American counterparts in Kingsman: The Golden Circle, the sequel to the 2015 action/comedy hit Kingsman: The Secret Service. Matthew Vaughn is back directing with returning stars Colin Firth, Taron Egerton, and Mark Strong. We also have some new but very familiar faces that include Channing Tatum, Jeff Bridges, Julianne Moore, Halle Berry, and even Elton John!
Two and a half years ago, the original hit its mark with both critics and moviegoers. Opening to $36 million, The Secret Service went on to gross $128M overall domestically. With the relatively small gap between the sequel and its predecessor, I don’t see sequelitis kicking in here.
Circle could find itself in a real battle for the #1 spot with The Lego Ninjago Movie. Both pictures are expected to post debuts in the low to mid 40s. There’s also the third weekend of It to consider, as it still should be raking in plenty of cash.
I’ll project that the second go-round for the Kingsman (and now the Statesman) debuts about $7 million above the first.
Kingsman: The Golden Circle opening weekend prediction: $43.6 million
For my The Lego Ninjajo Movie prediction, click here:
Two new movies debut wide this weekend as It should continue its incredible run on top in its second weekend. The newbies are the Jennifer Lawrence horror thriller mother! and Dylan O’Brien/Michael Keaton CIA action flick American Assassin. You can peruse my detailed prediction posts on each of them here:
I’m anticipating a close race for second between the newcomers with mother! just edging out Assassin. I look for both to post numbers in the low to mid teens.
And… now to It. I have much more below on its record breaking haul over the weekend which blew away even the most generous forecasts. The question now is how much it falls in its sophomore frame.
As I see it, It should drop around 55% or so according to similarly performing titles. However, the Stephen King adapted pic displayed remarkably sturdy holds over the weekend from Friday to Saturday to Sunday. I believe there’s a chance it doesn’t even quite dip 50%, but I will put it at about 52%.
The rest of the top five should consist of the underwhelming Home Again and The Hitman’s Bodyguard.
And with that, my top 5 projections for the weekend:
1. It
Predicted Gross: $59 million (representing a drop of 52%)
2. mother!
Predicted Gross: $14.7 million
3. American Assassin
Predicted Gross: $13.2 million
4. Home Again
Predicted Gross: $4.5 million (representing a drop of 47%)
5. The Hitman’s Bodyguard
Predicted Gross: $2.6 million (representing a drop of 46%)
Box Office Results (September 8-10)
It happens and then some! You could see the potential for the horror pic’s opening weekend possibilities growing higher and higher prior to Friday. That said, it was hard to foresee just how huge it would be. It took in an astonishing $123.4 million… I was only $58M off with my $65.4 million estimate.
The film crossed into cultural phenomenon and must-see territory somewhere along the way. It deciminated records. The previous highest September debut held by HotelTransylvania2 at $48 million? It topped that by $75 million. The all-time horror opening record of $52 million by ParanormalActivity3? Bested that by over $70 million.
It also scored the second largest R rated premiere ever behind Deadpool ($132M). As far as 2017 goes, it ranks third – meaning it debuted higher than WonderWoman, Spider–Man: Homecoming and TheFateoftheFurious.
Sometimes a picture manages to catch a wave of anticipation that few can see. It accomplished that and then some. Chapter 2 will be out in two years and expect lots of Stephen King remakes to go into production shortly.
There were other movies playing even if no one else really noticed. The Reese Witherspoon rom com Home Again couldn’t overcome its mostly poor reviews to serve as counter programming to the It juggernaut. It earned just $8.5 million for second, below my $11.3M projection.
The Hitman’s Bodyguard was third after three weeks on top with $4.8 million compared to my $5.4M prediction. It’s earned $64 million overall.
Annabelle: Creation was fourth with $4 million (I said $3.4M) as it nears the century mark with $96 million.
Wind River rounded out the top five with $3.1 million (I said $3.6M) to bring its total to $24 million.
It’s deeper and more relatable fears that allow It it’s most effective scares. That is the truth emanating from the Stephen King source material. Yes, clowns are creepy. Yet the other items that frighten our kid cast here are creepier – those of loss, innocence, bullying, and even free will to just be a young teen.
Andy Muschietti’s version of the King classic moves the book’s actions from the 1950s (when the author was a boy) to 1989, making those StrangerThings comparisons apt. It’s summer in Derry, Maine where the rate of missing persons – especially kids – is astronomical. The prologue shows us how poor little seven-year old Georgie earned his milk carton status. It involves a meeting with demented clown Pennywise (Bill Skarsgard), luring the child into the sewer. Eight months later, Georgie’s older brother Bill (Jaeden Lieberher) is desperately trying to find him. He’s part of a group known as The Losers. They include Beverly (Sophia Lillis), who’s got an undeserved reputation at school for being loose but whose real circumstances are far more terrifying and sad. There’s Ben (Jeremy Ray Taylor), the overweight new kid on the block who coincidentally and humorously is a fan of New Kids on the Block. Richie (Finn Wolfhard from StrangerThings) is the nerd who can’t keep his foul mouth shut. Eddie (Jack Dylan Grazer) is a hypochondriac, Stan (Wyatt Oleff) is the doubter of the bunch, and Mike (Chosen Jacobs) is the homeschooled orphan. All of The Losers soon experience their own visions of Pennywise and come to realize they must defeat him since no one else seems willing to.
Pennywise’s reign of terror seems to occur every 27 years in Derry, but there’s other issues the kids must deal with each day. Sophia with her abusive dad. Eddie with his overprotective mom. A nasty bully named Bowers (Nicholas Hamilton) who’s nearly as dangerous as the title character. Ben having to admit his affection for both Sophia and those five crooners from Boston. And so on. Pennywise (with credit to Skarsgard’s performance) does have his moments of heebie jeebie glory, but they usually come with a simple facial expression and most of them are early on. The clown loses a bit of luster when an over reliance on CGI with “It” comes into play. What remains is the genuine creepiness happening with some of the kids daily lives. That trumps the increasingly milder scares involving Pennywise.
It helps tremendously that the performances of the young actors are all first-rate. Sophia Lillis has a young Amy Adams vibe and Lieberher (who already showed his chops in St. Vincent and MidnightSpecial) is an effective Loser leader. Stephen King was able to subtly write a coming of age story filled with heart that just happened to have a demented circus freak in the mix. Muschietti and his screenwriters pick up on that with this adaptation to mostly satisfying results.
Lionsgate Films is hoping American Assassin successfully targets action fans when it debuts next weekend. The pic features Maze Runner star Dylan O’Brien as a CIA recruit teamed with a Cold War vet played by Michael Keaton. Sanaa Lathan and Taylor Kitsch costar in this effort from director Michael Cuesta (who last made the Jeremy Renner thriller Kill the Messenger).
The biggest draw here should be Keaton, who’s experienced a genuine career resurgence that began with back to back Best Picture winners Birdman and Spotlight in 2014 and 2015 and continued this summer with his well-received villainous turn in Spider-Man: Homecoming.
Assassin also has the benefit of being the only straight up action pic geared towards a male audience. That said, there is still competition with It‘s second weekend and mother!‘s first.
Reviews (not out at press time) could cause a revision here, but I’ll project Assassin ends up hitting low to possibly mid teens.
American Assassin opening weekend prediction: $13.3 million
Darren Aronofsky’s mother! received quite the splashy debut at the Venice Film Festival over the weekend and stateside audiences will render their verdict on September 15th. Oscar winners Jennifer Lawrence and Javier Bardem headline the psychological horror thriller with a supporting cast including Ed Harris, Michelle Pfeiffer, Kristin Wiig, and Domhnall Gleeson.
Critical reaction from mother! has been something to witness, with some reviews labeling it a masterwork from the Requiem for a Dream and Black Swan auteur. Other notices haven’t gone that far, but all seem to agree it will push the audience’s buttons with its out there approach. The pic stands at 82% on Rotten Tomatoes currently.
Here are the pluses as I see them when it comes to potential box office performance. First, it’s headlined by Jennifer Lawrence and that should be a draw for some. Second, the buzz surrounding it could create a “you have to witness this thing” for yourself type of vibe.
One minus is a considerable one. The It factor. The Stephen King adaptation is riding its own higher decibel wave of chatter and should still be garnering big grosses in its sophomore weekend. It could easily divert some moviegoers away from this.
I’ll predict mother! begins with a low to mid teens output and it’ll be fascinating to see how it progresses or regresses from there (its Cinemascore rating could be an interesting indicator).
The fall box office officially is underway this weekend and it can’t come soon enough after a truly lackluster end to the summer season. This season is looking to kick off in record breaking fashion with the release of Stephen King adapted horror pic It as well as the Reese Witherspoon rom com Home Again. You can read my detailed prediction posts on each of them here:
Riding a wave of solid buzz coupled with its eerie TV spots and trailers, It is shaping up to be an event film. My estimate easily makes it the highest September debut of all time and biggest horror opening in history.
Home Again should easily be #2 considering the extreme lack of competition, but the question is how effective it will be as counter programming for female audiences. I have it just under a teens debut as it hopes to leg out in subsequent weekends.
The rest of the top five will be filled with holdovers. The Hitman’s Bodyguard three week reign on top will be over. Last weekend’s #2 Annabelle: Creation may suffer the largest decline because of the It factor.
And with that, my top 5 predictions for the weekend:
1. It
Predicted Gross: $65.4 million
2. Home Again
Predicted Gross: $11.3 million
3. TheHitman’sBodyguard
Predicted Gross: $5.4 million (representing a drop of 48%)
4. WindRiver
Predicted Gross: $3.6 million (representing a drop of 43%)
5. Annabelle: Creation
Predicted Gross: $3.5 million (representing a drop of 54%)
Box Office Results (September 1-4)
As anticipated, the summer movie season closed with a whimper. That said, most of the holdovers help up better than my estimates while two newcomers couldn’t manage to find an audience. Even though my forecasts were low, this was still the weakest Labor Day frame in 17 years.
The Hitman’s Bodyguard placed first for the third weekend in a row with $13.2 million, managing to easily surpass my $8.9M projection. It ends its run in first place with $57 million total.
Annballe: Creation was second with $9.1 million – topping my meager $5.7M estimate for a tally of $90 million.
WindRiver continued a laudible run, climbing to third with $7.8 million (I was under with $5.1M). It’s made $20 million thus far.
Animated Leap! was fourth with $6.2 million (I said $5.4M) to see its total jump to $12 million.
Dunkirk rounded out the top five with $5.5 million, ahead of my $4.2M prediction. The Oscar hopeful has amassed $180 million.
Aforementioned newbies both bombed. Latin comedy HazloComoHombre earned a measly $1.4 million (I went higher with $3.5M). Long delayed Alicia Vikander period piece TulipFever fared even worse at $1.3 million (I predicted $1.9M). Those debuts were good for 22nd and 24th place, respectively. Ouch.
Reese Witherspoon is back in rom com territory when Home Again debuts in theaters next weekend. The Open Road Films release casts the actress as a single mom who allows three college age men to bunk at her place and hijinks and hopeful hilarity ensue. The pic marks the directorial debut of Hallie Meyers-Shyer (who also penned the screenplay), daughter of Nancy Meyers who’s made similar genre titles such as Something’s Gotta Give, The Holiday, It’s Complicated, and The Intern. Costars include Nat Wolff, Jon Rudnitsky, Pico Alexander, Michael Sheen, and Candice Bergen.
The film should have little trouble placing second on the charts after the box office juggernaut that is likely to be It. This could potentially serve as decent counter programming for female audiences who aren’t feeling the clown horror. That said, Witherspoon’s drawing power has waned a bit through the years and the actress is past the days when she experienced $30M+ openers like Sweet Home Alabama and Four Christmases. Her last headliner was the poorly reviewed Hot Pursuit, which debuted to just under $14M in the summer of 2015. She has gotten a bit of recent exposure with her Emmy nominated turn in the HBO miniseries Big Little Lies.
Besides It, it could help Home that there’s little in the way of competition. Due to that factor, I’ll say this manages to top single digits.
Home Again opening weekend prediction: $11.3 million
It’s been a rough stretch at the box office in recent weekends and Hollywood’s prescription seems to be… send in the clowns! That happens on September 8th when It unleashes itself into multiplexes. It could set some records along the way.
Based on Stephen King’s acclaimed novel, the Warner Bros pic has been building steady momentum through its creepily effective trailers and TV spots. There’s an entire generation of moviegoers who recall the 1990 miniseries where Tim Curry portrayed demented clown Pennywise. This time around, it’s Swedish actor Bill Skarsgard donning the makeup. Andy Muschietti, who made the well-regarded 2013 horror flick Mama, is behind the camera. The rest of the youthful cast deemed The Losers includes Jaeden Lieberher, Jeremy Ray Taylor, Sophia Lillis, Chosen Jacobs, Jack Dylan Grazer, and Finn Wolfhard (who you may recognize from Netflix’s Stranger Things).
As mentioned, the current rough stretch on the box office charts looks to demolished by this killer clown. Tracking has been rising in recent weeks with It, so much so that the following records could be done away with. The current all-time September best debut is 2015’s Hotel Transylvania 2 with $48 million. When it comes to horror titles in general, that record is held by 2011’s Paranormal Activity 3 at $52 million. If you throw 2001’s Hannibal into that category, that gets you to $58 million.
The current financial slumber in theaters should only help It break out in a major way. Genre enthusiasts should eat this up and crossover appeal based on buzz and solid early word-of-mouth should be significant. I’m predicting It will break all the records mentioned and float north of $60 million for its start.
After this weekend’s incredibly sluggish box office frame (more on that below), Hollywood is more or less taking the Labor Day holiday off. Only two pictures are debuting and neither is a wide release. They are the Spanish language comedy Hazlo Como Hombre and oft-delayed costume drama Tulip Fever. You can peruse my detailed prediction posts on each of them here:
Even though Hombre is on 200 screens less than Tulip, I’m predicting it will have a higher opening. My $3.5 million estimate for it outshines my $1.9 million one for Tulip. Either way, my takes on the newbies put them both outside the top 5.
The good news (if you can call it that) for returnees is that this particular weekend usually sees very small declines and even increases from the previous weekend. That should mean a return engagement on top for The Hitman’s Bodyguard for the third time.
There could be a legitimate battle for #2 depending on the fluctuations of holdovers like Annabelle: Creation, Leap!, WindRiver, Dunkirk, or a potentially higher Hombre gross than I’m saying.
And with that, my top 5 estimates for the holiday weekend:
1. The Hitman’s Bodyguard
Predicted Gross: $8.9 million (representing a drop of 13%)
2. Annabelle: Creation
Predicted Gross: $5.7 million (representing a drop of 25%)
3. Leap!
Predicted Gross: $5.4 million (representing an increase of 15%)
4. WindRiver
Predicted Gross: $5.1 million (representing an increase of 11%)
5. Dunkirk
Predicted Gross: $4.2 million (representing an increase of 10%)
Box Office Results (August 25-27)
It was, to put it mildly, a terrible weekend at the box office. Between the lack of any high-profile releases, a hurricane in Texas, and a boxing match that captured the nation’s attention on Saturday night, the top 12 sunk to its lowest level since late September 2001. Obviously, this was at a time when the country was still reeling from the 9/11 tragedy. It will clearly take It the following weekend to wake the box office from its slumber because it isn’t happening over Labor Day.
As anticipated, The Hitman’s Bodyguard repeated at #1 with $10.2 million, in line with my $10.5M estimate for a two-week total of $39M. Look for it to three peat this weekend in another disastrous frame.
Annabelle: Creation held the runner-up spot again with $7.6 million, on pace with my $7.7M projection for a $78M overall tally.
Animated Leap! debuted in third with a middling $4.7 million, a bit above my $4.1M take. The production did manage an A Cinemascore grade, so it’ll hope for a fair Labor Day gross.
I incorrectly left the Jeremy Renner thriller WindRiver outside the top 5, but it expanded its screen count to place fourth and made $4.6 million to bring its earnings to $10M.
LoganLucky was fifth with $4.2 million (I said $4M) and it’s lackluster total is $14M.
Dunkirk was sixth with $3.9 million (I estimated $4.2M) for $172M overall.
Other debuts failed to garner eyeballs. BirthoftheDragon was 8th with $2.7 million compared to my $2.9M projection. Faith based drama AllSaints faltered in 16th with $1.5 million. I was more generous with a $2.6M prediction.
Well folks – summer is winding down and on the movie calendar, that means fall ushers in Oscar contenders, film festivals, and all kinds of other eagerly awaited releases! Today on the blog, I bring you my 10 most awaited pictures of the season. Getting the list down to that number wasn’t exactly easy, so I’ll cheat a bit and mention some that just “missed the cut”. They include sequels (Kingsman: The Golden Circle, Thor: Ragnarok), star vehicles like American Made with Tom Cruise and Roman Israel, Esq. with Denzel Washington, and Academy contenders like Battle of the Sexes, The Greatest Showman, Suburbicon, Darkest Hour, All the Money in the World, and The Disaster Artist.
Yet here are the ten that my personal movie calendar is most looking forward to (listed alphabetically):
Blade Runner 2049
Release Date: October 6
35 years after Ridley Scott made his landmark sci-fi pic, Sicario and Arrival director Denis Villeneuve enters this visually stunning world with Ryan Gosling, Jared Leto, and Robin Wright and Harrison Ford returning as Deckard.
Downsizing
Release Date: December 22
It may not be out until Christmas, but buzz will be out soon for this Oscar hopeful as it screens in Venice in just days. Alexander Payne’s fantastic filmography includes Election, About Schmidt, Sideways, The Descendants, and Nebraska. His latest is a sci-fi comedy/drama starring Matt Damon, Kristin Wiig, Christoph Waltz, Alec Baldwin, Neil Patrick Harris, Jason Sudeikis, and (get used to hearing this name) Hong Chau, who’s already garnering Supporting Actress talk.
NO TRAILER AT PRESS TIME
It
Release Date: September 8
Fall essentially kicks off with this adaptation of one of Stephen King’s greatest works. Trailers for It looks scary as hell and it could compete for both biggest September debut ever and highest horror opening of all time.
Justice League
Release Date: November 17
DC’s version of The Avengers has been the subject of shaky buzz, but I’m curious to see how Batman, Aquaman, The Flash, and others meld together. Oh… there’s another one in the form of Gal Gadot’s Wonder Woman, who just happened to headline the summer’s unexpected largest domestic hit (beating out other superheroes like the Guardians and Spidey).
mother!
Release Date: September 15
Darren Aronofsky’s latest looks to be in the vein of his Oscar nominated Black Swan and that’s a very good thing. Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer star and if this trailer is any indication, we’re in for something very intriguing.
Murder on the Orient Express
Release Date: November 10
Michelle Pfeiffer makes another appearance on this list as she’s part of an impressive ensemble embroiled in this adaptation of Agatha Christie’s famed novel. Kenneth Branagh directs himself in the lead as Hercule Poirot. Other familiar faces include Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Willem Dafoe, and Josh Gad.
The Papers
Release Date: December 22
As in the Pentagon Papers and the Washington Post‘s battle with the Nixon administration to release them. You think this one has Oscar bait potential? It’s directed by Steven Spielberg and stars Meryl Streep and Tom Hanks.
NO TRAILER AT PRESS TIME
Phantom Thread
Release Date: December 27
Here’s how little is really known about this project… we’re not even sure Phantom Thread is its title. What do we know? It’s master filmmaker Paul Thomas Anderson’s latest and reunites him with his There Will Be Blood star Daniel Day-Lewis.
NO TRAILER AT PRESS TIME
The Shape of Water
Release Date: December 8
Visionary director Guillermo del Toro’s latest looks to be a visual and potentially dramatic winner judging from its trailer. Sally Hawkins and Michael Shannon star in this 1960s set tale of a woman’s friendship with a strange creature.
Star Wars: The Last Jedi
Release Date: December 15
Last, but oh so far from the least. Rian Johnson takes over directorial duties for the year’s most anticipated release with Luke Skywalker (Mark Hamill) gaining significantly more screen time and Carrie Fisher making her final bow as Princess Leia.
And there you have it, folks! Let us look forward to a hopefully glorious autumn season…
All My Life... I Wanted To Be A Blogster 