Summer 1997: The Top 10 Hits and More

Put on your nostalgia goggles (or maybe the sunglasses that make you forget stuff if Will Smith and Tommy Lee Jones flash a light at you) because I’m recounting the summer of 1997 on the blog today!

This has become a seasonal tradition around here and I gave you the top 10 summer hits of 1987 and more earlier this week. If you missed that post, you can find it here:

https://toddmthatcher.com/2017/08/01/summer-1987-the-top-10-hits-and-more/

This time around, we’re going back 20 years when Nicolas Cage accounted for 25% of the top 8 moneymakers and Batman crashed and burned.

We’ll begin with the top ten and then get to some other notable pics and flops:

10. Hercules

Domestic Gross: $99 million

Disney’s ‘toon couldn’t reach the century mark and that was considered a disappointment after early and mid 90s smashes like Beauty and the Beast, Aladdin, and The Lion King. 

9. Contact

Domestic Gross: $100 million

Robert Zemeckis’s follow-up to Forrest Gump (which ruled summer 1994) was a well-regarded science fiction drama with Jodie Foster and an emerging Matthew McConaughey.

8. Con Air

Domestic Gross: $101 million

This action thriller from the Bruckheimer factory is our first to feature Mr. Nicolas Cage (who was coming off a recent Oscar win), along with an all-star cast including John Cusack, John Malkovich, Steve Buscemi, and Ving Rhames.

7. George of the Jungle

Domestic Gross: $105 million

Disney probably didn’t anticipate this remake of the  cartoon starring Brendan Fraser would manage to out perform Hercules, but that it did.

6. Batman and Robin

Domestic Gross: $107 million

This may have placed sixth for the summer, but Batman and Robin came in well below its three predecessors and director Joel Schumacher and new Caped Crusader George Clooney have been apologizing about it for the last 20 years. We’re still trying to block out those Arnold/Mr. Freeze bad puns.

5. Face/Off

Domestic Gross: $112 million

Mr. Cage teamed up for Mr. John Travolta for John Woo’s entertainingly over-the-top sci-fi and action mash-up.

4. My Best Friend’s Wedding

Domestic Gross: $127 million

Julia Roberts made a return to box office dominance in this rom com which featured stolen scenes from costar Rupert Everett.

3. Air Force One

Domestic Gross: $172 million

“Get off my plane!” became one of the season’s catchphrases with Harrison Ford as the butt kicking POTUS battling Russian terrorist Gary Oldman in the skies.

2. The Lost World: Jurassic Park

Domestic Gross: $229 million

Steven Spielberg’s eagerly anticipated follow-up to 1993’s Jurassic Park kicked off with the biggest opening weekend of all time (at that time). However, in the end, it couldn’t manage to top the gross of its predecessor. If you’d polled probably any box office analyst at the beginning of the year, they likely would have said it’d be #1 for the summer. Yet that honor ended up belonging to…

1. Men in Black

Domestic Gross: $250 million

A franchise was born and Will Smith made it two summers in a row with the top grossing picture (the previous year being Independence Day) with Barry Sonnenfeld’s megahit sci-fi action comedy.

And now for some other notable pics:

The Fifth Element

Domestic Gross: $63 million

Audiences and critics didn’t quite know what to make of Luc Besson’s visual feast featuring Bruce Willis, Gary Oldman, and Chris Tucker. Sound familiar? Same thing is happening 20 years later with Besson’s Valerian and the City of a Thousand Planets. 

Austin Powers: International Man of Mystery

Domestic Gross: $53 million

The Mike Myers 007 spoof performed well, but it wasn’t until home video that Powers turned into a genuine phenomenon spawning countless catchphrases. Its sequel two summers later would earn more in its opening weekend that part 1 did in its domestic total.

The Full Monty

Domestic Gross: $45 million

This British import about unconventional male strippers was the summer’s true sleeper and went on to earn a host of Oscar nominations, including Best Picture. Monty would earn over $250 million worldwide compared to its tiny $3.5 million budget.

https://www.youtube.com/watch?v=rSqZzO47pHw

Cop Land

Domestic Gross: $44 million

After appearing in a string of high-octane action flicks, Sylvester Stallone changed it up with this crime drama featuring an impressive supporting cast that included Robert De Niro, Ray Liotta, and Harvey Keitel.

And now for some of the season’s large belly flops:

Speed 2: Cruise Control

Domestic Gross: $48 million

Keanu Reeves didn’t want to touch it, but Sandra Bullock came back for this ridiculed sequel where Jason Patric was the new lead. Considered by many to be one of the worst follow-ups of all time.

Out to Sea

Domestic Gross: $29 million

Jack Lemmon and Walter Matthau created comedic gold with The Fortune Cookie and The Odd Couple and reunited years later to box office fortune with the Grumpy Old Men movies. This one? Not so much.

Father’s Day

Domestic Gross: $28 million

Ivan Reitman directing Robin Williams and Billy Crystal in a high-profile comedy? Sounds like a good recipe, but the product was mediocre at best and audiences didn’t turn out.

Excess Baggage

Domestic Gross: $14 million

Two summers earlier, Alicia Silverstone had broken out with Clueless. The summer of 1997 was a breakdown. In addition to appearing as Batgirl in the already discussed Batman and Robin, this action comedy with Benicio del Toro bombed big time.

Steel

Domestic Gross: $1.7 million

People may have wanted to watch Shaquille O’Neal on the basketball court, but they had zero interest in watching him as the title superhero in this disaster.

And that does it for now, folks, but I’ll be back soon recounting 2007!

Oscar Watch: Fences

Another key piece in the 2016 Oscar puzzle came into sharper focus this weekend as Fences had its first industry screening. Based on the acclaimed August Wilson play (he also penned the script) for which Denzel Washington and Viola Davis won Tony Awards, Mr. Washington directs and stars in the adaptation.

It’s not out until Christmas and reviews are embargoed for another few weeks,  but initial reaction out yesterday indicates this will be a major player in the awards derby. This holds true especially for Denzel in the lead Actor race and Davis in Supporting Actress. For months, it was thought that Davis would compete in the lead Actress field. However, a couple weeks back, that designation was shifted. The reasoning could have to do with the significant competiveness of Actress where Annette Bening (20th Century Women), Natalie Portman (Jackie), and Emma Stone (La La Land) are assured nominees who should battle it out for the gold. Supporting Actress appears less packed and Davis looks to be the current front runner. Same goes for Denzel in the Actor race, which would give him his third golden statue.

The early buzz also bodes well for Fences getting Picture, Director and Adapted Screenplay nods. Yet not everything is totally clear cut. There are three performances that could compete in Supporting Actor: Jovan Adepo, Stephen Henderson, and Mykelti Williamson (yes, Bubba from Forrest Gump). In my weekly Oscar predictions posts, I’ve given Henderson the edge. Last night may have changed my thinking as both Williamson and Adepo have garnered seemingly greater chatter. There’s the possibility of two of these gentlemen getting in or just one or perhaps the trio canceling each other out (less likely).

One thing is for sure: Fences has been on the radar of Academy Awards predictors for quite some time and this weekend only increased the visibility.

Top 25 Highest Grossing Actresses of All Time (20-16)

Continuing on with the Top 25 Highest Grossing Actresses in box office history, today brings us to part two and numbers 20-16.

In case you missed part one, you can find here it here –

https://toddmthatcher.com/2016/06/09/top-25-highest-grossing-actresses-of-all-time-25-21/

Here we go:

20. Meryl Streep

Career Earnings: $2 billion

Franchises: None

Highest Grossing Picture: Mamma Mia! (2008) – $144 million

Number of $100M+ Earners: 6 (Mamma Mia!, Into the Woods, The Devil Wears Prada, Lemony Snicket’s A Series of Unfortunate Events, It’s Complicated, Kramer vs. Kramer)

Lowest Grosser: Dark Matter (2008) – $30,000

Overall Rank: 94

19. Amy Adams

Career Earnings: $2 billion

Franchises: Current Superman/Batman films

Highest Grossing Picture: Batman v Superman: Dawn of Justice (2016) – $329 million

Number of $100M+ Earners: 7 (Batman v Superman, Man of Steel, Night at the Museum: Battle of the Smithsonian, Catch Me If You Can, American Hustle, Talladega Nights: The Ballad of Ricky Bobby, Enchanted)

Lowest Grosser: Standing Still (2006) – $30,000

Overall Rank: 93

18. Natalie Portman

Career Earnings: $2 billion

Franchises: Star Wars episodes I-III, Thor

Highest Grossing Picture: Star Wars: Episode I – The Phantom Menace (1999) – $474 million

Numbers of $100M+ Earners: 6 (Star Wars: Episode I – The Phantom Menace, Star Wars: Episode II – Attack of the Clones, Star Wars: Episode III – Revenge of the Sith, Black Swan, Thor, Thor: The Dark World)

Lowest Grosser: The Other Woman (2011) – $25,000

Overall Rank: 85

17. Sally Field

Career Earnings: $2 billion

Franchises: Second Spider-Man series

Highest Grossing Picture: Forrest Gump (1994) – $330 million

Numbers of $100M+ Earners: Forrest Gump, The Amazing Spider-Man, The Amazing Spider-Man 2, Mrs. Doubtfire, Lincoln, Smokey and the Bandit

Lowest Grosser: Two Weeks (2006) – $47,000

Overall Rank: 94

16. Zoe Saldana

Career Earnings: $2 billion

Franchises: Star Trek (with Avatar and Guardians of the Galaxy soon to follow)

Highest Grossing Picture: Avatar (2009) – $760 million

Numbers of $100M+ Earners: 4 (Avatar, Guardians of the Galaxy, Star Trek, Star Trek Into Darkness)

Lowest Grosser: The Skeptic (2009) – $1,000

Overall Rank: 82

I’ll bring you numbers 15-11 tomorrow!

Summer 1994: The Top Ten Hits and More

Last summer I wrote two blog posts discussing that season’s top films (and flops) from 20 years ago and 10 ten years ago. In that spirit, we shall do it again beginning with the summer movie season of 1994 some two decades in our rearview.

While we may be focused on Godzilla and the X-Men and Spider-Man and Transformers and not yet trained dragons in 2014, summer 1994 proved that when it came to predicting the #1 highest grossing picture, you never knew what you were going to get.

As I did last year, I will start with the top ten grossing pictures from 10 to 1 and then discuss some other notable titles, as well as some flops.

10. Wolf

Domestic Gross: $65 million

Mike Nichols may be known more for dramatic titles such as The Graduate, Carnal Knowledge, and Silkwood – but in 1994 he turned to the horror genre with Wolf, a mature retelling of the Wolfman tale. He got some big names to contribute – Jack Nicholson, Michelle Pfeiffer, and James Spader. The film received mostly positive reviews and I count myself as a fan.

9. The Client

Domestic Gross: $92 million

Josh Grisham fever was its peak at this time as The Firm with Tom Cruise and The Pelican Brief with Julia Roberts were blockbusters the previous year. The Client with Susan Sarandon and Tommy Lee Jones continued the hot streak even though it didn’t reach the grosses of the aforementioned pics. Sarandon received an Oscar nomination for her role and the movie spawned a short-lived TV series one year later.

8. Maverick

Domestic Gross: $101 million

Mel Gibson reteamed with his Lethal Weapon series director Richard Donner for this western/action/comedy based on the 1950s TV show. Jodie Foster and original series star James Garner rounded out the cast. Critical reaction was mostly positive and while the $100M haul was solid, its gross was a bit on the low end of domestic expectations.

7. The Mask

Domestic Gross: $119 million

In February of 1994, Jim Carrey became a massive box office force with his starring debut Ace Ventura: Pet Detective. This special effects driven comedy would go even further in solidifying that status. It also introduced the world to Cameron Diaz, in her first major movie role. A sequel in 2005 Son of the Mask minus Carrey was quickly and deservedly forgotten.

6. Speed

Domestic Gross: $121 million

A surprise hit – the well-constructed and suspenseful Speed from director Jan de Bont turned Keanu Reeves into an action star and gave Sandra Bullock her breakout role. Dennis Hopper was a rock solid villain, too. Like The Mask, this too spawned a ridiculed sequel in 1997 minus Reeves.

5. Clear and Present Danger

Domestic Gross: $122 million

Harrison Ford was fresh off his megahit The Fugitive when his second Jack Ryan flick Clear and Present Danger managed to out gross its predecessor Patriot Games two years earlier by $40 million dollars. It remains the highest grossing Jack Ryan picture domestically.

4. The Flintstones

Domestic Gross: $130 million

Many expected the film version of the famous Hanna-Barbera cartoon to be the summer’s top grosser with its huge marketing tie-ins. It didn’t turn out that way, though its $130M take was decent. Reviews were mostly bad, however, and while Universal planned this as a franchise – we would never see John Goodman as Fred, Elizabeth Perkins as Wilma, Rick Moranis as Barney, or Rosie O’Donnell as Betty return. A 2000 “sequel” with an all-new cast fizzled.

3. True Lies

Domestic Gross: $146 million

The previous summer, Arnold Schwarzenegger had experienced an unexpected box office flop with Last Action Hero. His reteaming with Terminator director James Cameron in this action/comedy got him back in the good graces of audiences. This well-reviewed flick also featured a fine performance from Jamie Lee Curtis as Schwarzenegger’s wife who’s oblivious that he’s an international super spy. The pic also has the distinction of featuring career best work from Tom Arnold!

2. The Lion King

Domestic Gross: $312 million

Disney was five years into its animation resurgence (The Little Mermaid, Beauty and the Beast, Aladdin) when this came along and out earned them all. A classic from the moment it was released, The Lion King remained the highest grossing traditionally animated picture until just last year when Frozen overtook it. The film is also well-remembered for its Elton John soundtrack.

1. Forrest Gump

Domestic Gross: $329 million

If you would’ve polled 100 people in early 1994 as to what would be the summer’s biggest earner, I’ll venture to guess nobody would’ve said Forrest Gump. The journey through history of a simple yet remarkable man captured the hearts of audiences across the U.S. upon its July release. The reward? Besides being the year’s largest hit, it also earned Oscars for Best Picture, Director (Robert Zemeckis) and Actor (Tom Hanks), earning the performer his second Academy Awards in consecutive years following his 1993 Philadelphia victory. It also spawned a whole lotta catchphrases.

Outside of the Top Ten, here are some other notables flicks from the season 20 years ago:

12. The Crow

Arriving in theaters more than a year after star Brandon Lee was tragically killed on the set of the film, The Crow resonated with audiences to the tune of a $50 million gross.

13. Natural Born Killers

Oliver Stone’s wild tale of media sensationalism gave Woody Harrelson his first acclaimed dramatic role. The controversial pic, costarring Juliette Lewis, Tommy Lee Jones, and Robert Downey, Jr., earned a solid $50 million.

And now… for the flops of the season:

City Slickers II: The Legend of Curly’s Gold whiffed with both critics and audiences. While the 1991 original earned $124 million, the sequel managed a sad $43 million. Sequelitis also caught up with Eddie Murphy as Beverly Hills Cop III also was drubbed by critics and viewers alike. The third installment took in $42 million while the first earned $234 million in 1984 and II made $153 million in 1987.

Universal Pictures was hoping to turn The Shadow with Alec Baldwin into a franchise, but its meager $32 million gross ended that prospect in a hurry.

Wyatt Earp starring Kevin Costner was looked at as a potential blockbuster but mixed reviews and the fact that well-received Earp flick Tombstone had come six months prior meant this only made a paltry $25 million.

Finally, while Julia Roberts had already starred in successful rom coms – it turned out filmgoers weren’t clamoring to see her chemistry with Nick Nolte in the flop I Love Trouble, which petered out at $30 million.

And there you have it, folks! That’s what was happening 20 years ago at multiplexes across the nation. I’ll be back with my overview of summer 2004 very soon!

2013: The Year of Tom Hanks

In 1993, Tom Hanks literally made a dramatic shift to more serious projects with Philadelphia, which brought the AIDS epidemic front and center to a more mainstream audience. For his performance, Hanks won an Oscar and forever changed moviegoers perceptions of him from a comedic actor to a jack of all trades.

The following year, Forrest Gump turned into a smash hit and Hanks would win his second Best Actor trophy in a row (a feat that hadn’t been accomplished since Spencer Tracy in the late 1930s). The rest of the 1990s would see the performer headlining one prestige project after another that connected with critics and audiences alike. Apollo 13. Saving Private Ryan. The Green Mile. Cast Away. In addition, he starred in a pair of hit rom coms with Meg Ryan – Sleepless in Seattle and You’ve Got Mail.

The last decade or so for Hanks could be described as spotty at best. After a mostly well-received turn in Sam Mendes’ Prohibition era pic Road to Perdition (where he cast against type as a hitman), there was Steven Spielberg’s The Terminal, which failed to make a major impression with audiences. The actor’s biggest financial successes were with adaptations of Dan Brown novels, 2006’s The Da Vinci Code and 2009’s Angels and Demons. Neither pictures were particularly beloved by critics. Of course, there was also the animated smash hit Toy Story 3 in 2010. And a supporting turn in Catch Me If You Can, another collabo with Spielberg that turned out well. However, there were disappointments as well. 2004’s Coen Bros remake The Ladykillers was a box office disappointment. 2007’s Charlie Wilson’s War was expected to be an Oscar player, but wasn’t. His directorial effort Larry Crowne costarring Julia Roberts didn’t resonate with audiences or critics. And last year’s Cloud Atlas was a financial dud domestically.

Two decades after Hanks achieved double Oscar glory, 2013 will be seen as a return to form. October’s Captain Phillips (the tale of the 2009 Somali hijacking incident) earned the actor his best reviews in years. The project (from director Paul Greengrass) gives Hanks his greatest chance for an Oscar nod in the last 13 years. He hasn’t been recognized by the Academy since 2000’s Cast Away. Audiences responded well to Phillips, too. It’s earned $102 million domestically at press time.

Captain Phillips would probably be enough to earn Hanks a spot in this blog series, but there’s another feature coming this month that should only add to his solid year. John Lee Hancock’s Saving Mr. Banks casts Hanks (recently named America’s most trusted person in America) as iconic studio head Walt Disney. The film focuses on the making of 1964’s Mary Poppins and stars Emma Thompson as author P.L. Travers. Attention is already focused on Hanks receiving a Best Supporting Actor nod for his turn as Disney. If that happens, the performer may well be a double nominee as this year’s ceremony. Banks also seems likely to be a commercial hit.

While the last few years have been a mixed bag commercially and critically for Mr. Trustworthy, audiences and critics (and probably Oscar voters) entrusted Hanks at a level in 2013 not seen in a while. Hanks has no projects lined up for release in 2014, though expect Toy Story 4 and The Lost Symbol (another Dan Brown adaptation) in the future.

Part three of my six-part series on performers who had a profound impact in the movies in 2013 continues tomorrow with an actress who gave a performance that was literally out of this world.