The Fourth of July weekend is here at the box office as three new titles make their debuts over the four day frame: Steven Spielberg’s The BFG, horror three-quel The Purge: Election Year, and adventure pic The Legend of Tarzan. You can find my detailed prediction posts on each here:
While I have all three earning over $20 million over the long weekend, I don’t expect any of them will manage to top the third weekend of Finding Dory. My estimates reflect a belief that BFG will have a so-so opening, Purge a fairly healthy one albeit under its predecessors, and Tarzan a rather disastrous one.
As for Independence Day: Resurgence in its sophomore weekend, one might think it could hold up well due to… you know, it being Independence Day weekend. I’m not so sure. It had a very lackluster roll out (more on that below) and its weak B Cinemascore grade indicates a rough road ahead.
And with that, my top five predictions (including three and four day projections) for the weekend:
Finding Dory
Predicted Gross: $35.6 million (Friday to Sunday), $44 million (Friday to Monday)
2. The BFG
Predicted Gross: $26.6 million (Friday to Sunday), $33.2 million (Friday to Monday)
3. The Purge: Election Year
Predicted Gross: $21.7 million (Friday to Sunday), $25.5 million (Friday to Monday)
4. Independence Day: Resurgence
Predicted Gross: $17.8 million (Friday to Sunday), $22.8 million (Friday to Monday)
5. The Legend of Tarzan
Predicted Gross: $17.5 million (Friday to Sunday), $22 million (Friday to Monday)
BOX OFFICE RESULTS (JUNE 24-26)
Finding Dory had no problem whatsoever swimming atop the charts as it grossed $72.9 million in weekend #2, just above my $69.8M projection. The Pixar smash has earned $286 million thus far.
20 years ago, Independence Day ruled the summer of 1996. Its long gestating sequel Resurgence? Not so much as it premiered to just $41 million, way below my $63.5M estimate. Here is yet another summer example of a sequel performing well below expectations and this one classifies as a bonafide bomb.
Central Intelligence held up well in its sophomore weekend with $18.2 million for third, ahead of my $15.2M prediction for a two week total of $69 million.
Blake Lively had a nice weekend as her shark tale The Shallows came in well above expectations at #4 with $16.8 million – lapping my $10.4M forecast. Considering its budget is just a reported $17 million, this is a nice size hit for Mrs. Deadpool.
The Conjuring 2 was fifth with $7.7 million for an $86 million tally. I incorrectly had it outside the top five.
That’s because the news was not so good for Matthew McConaughey as his critically panned Civil War drama Free State of Jones stalled with $7.5 million in sixth, under my $12.7M prediction.
And that’ll do it for now, folks! Until next time…
Three new releases populate the final weekend in June as Independence Day: Resurgence, Free State of Jones, and The Shallows all debut. You can find my detailed prediction posts on each here:
Let’s get Free State and The Shallows out the way first, as I expect both to open in the low double digits and likely place fourth and fifth. I look for Central Intelligence to lose over half its opening audience, which should place it firmly in third.
The real battle could be for the top spot between current champ Finding Dory and Resurgence. I’m anticipating that Dory won’t quite drop 50%, which gives it the edge in my view.
And with that, my top 5 predictions for the weekend:
Finding Dory
Predicted Gross: $69.8 million (representing a drop of 48%)
2. Independence Day: Resurgence
Predicted Gross: $63.5 million
3. Central Intelligence
Predicted Gross: $15.2 million (representing a drop of 57%)
4. Free State of Jones
Predicted Gross: $12.7 million
5. The Shallows
Predicted Gross: $10.4 million
Box Office Results (June 17-19)
The Cleveland Cavaliers weren’t the only ones making history this weekend as Disney/Pixar’s FindingDory had the largest animated debut in box office history with $135 million. This easily swam past my $127.3M prediction and topped the $121 million previous record held by ShrektheThird. The sequel to the 2003 classic provided a much needed boost to a summer that is lagging behind the previous one.
CentralIntelligence, as expected, had a sturdy second place debut with $35.5 million, comparable to my $34.1M projection. The debut is in line with recent premieres for costar Kevin Hart and having Dwayne Johnson at his side didn’t hurt.
Holdovers in their sophomore frames held the three-five spots. All experienced precipitous declines and all came in below my estimates. TheConjuring2 was third with $14.8 million (I said $20.3M) for a $71 million total. NowYouSeeMe2 was fourth with $9.3 million (I said $12.5M) for a gross of $41 million. Warcraft was fifth with $7.2 million (I said $8.9M). It’s made $38 million.
When it come to their movies getting nominated for Best Animated Feature at the Oscars, Pixar is in a class by itself. This specific category was created in 2001. Of the 15 pictures that have won, 8 have come from Pixar. They include 2004’s The Incredibles, 2007’s Ratatouille, 2008’s Wall-E, 2009’s Up, 2010’s Toy Story 3, 2012’s Brave, and 2015’s Inside Out.
And the first Pixar pic to claim the prize? 2003’s Finding Nemo and its long in the works sequel Finding Dory is out Friday. Will Dory become the 9th studio entry to take home the gold statue? After all, it has a glowing 94% Rotten Tomatoes score and could be the summer’s biggest hit.
Well… Not so fast. It’s also worth noting that in 2013 and 2014, two traditional Disney animated flicks took the Oscar with Frozen and Big Hero 6. While Finding Dory will unquestionably score a nomination, its main competition appears now to be Zootopia. That Disney animated traditional title, released in March, became a box office phenomenon itself (a billion worldwide) and holds an even better 98% RT rating. I would maintain that the animals of Zootopia currently hold the edge, with Dory swimming a bit behind it.
Disney/Pixar looks to have their biggest debut ever while Dwayne “The Rock” Johnson and Kevin Hart team up for an action comedy as Finding Dory and Central Intelligence premiere this weekend. You can find my detailed prediction posts on each here:
My estimates do have that animated fish pulling off Pixar’s largest opening weekend haul with Intelligence performing similarly to Hart’s two last pics, Ride Along 2 and Get Hard.
As for holdovers, I look for current champ The Conjuring 2 to lose about half its audience. Another sequel, Now You See Me 2, should experience a better sophomore hold than Warcraft.
And with that, my top five predictions for the weekend:
Finding Dory
Predicted Gross: $117.3 million
2. Central Intelligence
Predicted Gross: $34.1 million
3. The Conjuring 2
Predicted Gross: $20.3 million (representing a drop of 49%)
4. Now You See Me 2
Predicted Gross: $12.5 million (representing a drop of 44%)
5. Warcraft
Predicted Gross: $8.9 million (representing a drop of 63%)
Box Office Results (June 10-12)
Horror fans turned out for The Conjuring 2 as it debuted on top with $40.4 million, just below my $42.6 million estimate and just under the $41.5 million that the original made in its first weekend in 2013.
The video game based Warcraft managed a pretty minor debut with $24.1 million – though it did barely outdo my $23.3M projection. Mostly scathing reviews and poor word of mouth didn’t help for the mega-budget production, but it is doing well overseas.
Another sequel to a 2013 hit, Now You See Me 2, came in third with $22.3 million. I went just over with a $24.1M forecast. This doesn’t match the $29 million that the first made.
Last weekend’s #1 Teenage Mutant Ninja Turtles: Out of the Shadows slipped to fourth with $14.3 million, on target with my $14.4M prediction for an underwhelming two week tally of $60M.
X-Men: Apocalypse was fifth with $9.9 million (I said $10.4M) for a $136M total and Me Before You was sixth with $9 million (I said $10M) for a gross of $36M.
And that’ll do it for now, folks! Until next time…
Thirteen years after the original made a major splash at the box office, Finding Dory hits theaters next weekend and looks to reinvigorate a somewhat slumping marketplace. The Disney/Pixar release is, of course, the sequel to 2003’s now classic Finding Nemo. Director Andrew Stanton is back, as are the voices of Ellen DeGeneres and Albert Brooks. Plenty of other familiar faces make their voices heard here – Diane Keaton, Bill Hader, Idris Elba, Eugene Levy, Kate McKinnon, Ty Burrell, Ed O’Neill, and Dominic West among them.
The summer of 2016 has seen a host of sequels not matching up to their originals. Some of them have been family programming, like Alice Through the Looking Glass and Teenage Mutant Ninja Turtles: Out of the Shadows.
It is highly likely that Dory will not suffer the same fate. In fact, the real question seems to be whether or not this will score Pixar’s largest opening weekend in its now 21 year history. That honor currently belongs to another sequel, 2010’s Toy Story 3, which debuted with $110.3 million. Dory is currently said to be tracking a bit above that. I believe it will surpass that number, but probably not by much (though with the sequelitis occurring recently, I do feel a touch of nervousness with this prediction). Still, if anything can break through – it’s this.
In order for it to score the second biggest animated premiere in history, it’d need to top the $115.7 million earned by last summer’s Minions. To get to #1, Dory would have to swim past the $121.6 million gross of Shrek the Third from 2007. It’s possible that it could achieve either one of those records.
I’ll predict Dory falls below Shrek and just above Minions to earn the #2 animated debut stateside and also set the Pixar record. That would go a long ways toward washing the bad taste out of the Mouse Factory’s mouths for Looking Glass and last fall’s The Good Dinosaur, which was the first Pixar title to lose money.
Finding Dory opening weekend prediction: $117.3 million
For my Central Intelligence prediction, click here:
Over Memorial Day weekend this year, Disney’s Alice Through the Looking Glass opened to an abysmal $33 million over the holiday weekend, immediately making it one of the biggest bombs of 2016. How poor was that opening? It’s the sequel to 2010’s Alice in Wonderland, which made $116 million in its first weekend (which was a three-day frame, not a four-day one). Looking Glass will be lucky to make $80M in its entire domestic run, nearly $40M under what Wonderland earned in its premiere weekend. Ouch.
Is there an easy explanation? Did Disney take too long with the six year hiatus between franchise entries? Perhaps. Did the negative tabloid publicity surrounding star Johnny Depp hurt? Maybe.
Yet another explanation is likely part of the equation. In 2016, moviegoers have seemed to catch a case of “sequelitis” and their symptoms have been affecting box office grosses for a number of pictures already this year.
Over that same Memorial Day weekend, X-Men: Apocalypse ruled the charts with a $79 million debut. That would seem impressive, except X-Men: Days of Future Past made $110 million over the same weekend just two years earlier.
This story has repeated itself repeatedly in recent months. Ride Along 2 was expected to build on its predecessor’s opening weekend. The 2014 original cruised to a $41M opening. The sequel: $35M. When all was said and done, the first Ride made $44M more than its follow-up.
Other comedies have suffered the same fate. 2001’s Zoolander actually only made $45 million in its initial run, but became a major cult hit in subsequent years. It’s long gestating sequel would surely earn more. It didn’t. Just $28M.
2002’s My Big Fat Greek Wedding became the unexpected smash of that year with $241M stateside. Part 2? $59 million (to be fair, this was on the higher end of many expectations, but still just 25% of what the first Wedding did).
2014’s Neighbors? $150 million. Last month’s Neighbors: Sorority Rising? It should top out at around $60M.
Barbershop: The Next Cut will make $55 million, under the $75M and $65M of its predecessors (though still not bad).
The action crowd has showed their ambivalence. London Has Fallen earned a just OK $62 million compared to Olympus Has Fallen‘s $98M.
2014’s Divergent made $150 million. 2015’s Insurgent: $130 million. This year’s Allegiant: a troubling $66 million.
Then there’s The Huntsman Winter’s War, which may not even reach $50 million. It’s the sequel to Snow White and the Huntsman, which made $155 million.
Just this weekend, Teenage Mutant Ninja Turtles: Out of the Shadows took in $35 million in its debut, which is a shell of the $65 million that the first made two summers ago.
Faith based audiences propelled God’s Not Dead to a heavenly $60 million gross in 2014. Part 2? $20 million.
Kung Fu Panda 3 performed decently with $143 million, but couldn’t match part 1’s $215M or part 2’s $165M.
Seeing a trend here, folks?
There have been rare exceptions in 2016 so far. 10 Cloverfield Lane managed $72 million. Even though that’s below the $80M of Cloverfield, it’s still a solid gross and a profitable venture for its studio.
And Captain America: Civil War was widely expected to outdo the respective $176M and $259M earnings of the first two entries. This was due to it basically being The Avengers 3. It did and will top $400M domestically.
Coming this weekend: two more sequels will try to avoid the 2016 trend and both actually have a decent chance of succeeding. The Conjuring 2 is receiving positive reviews and its studio is hoping the goodwill left over from the 2013 original will propel it to similar grosses (I’m predicting it’ll make $42 million for its start, slightly above the first).
Now You See Me 2 is hoping to match the $29 million made by the 2013 original for its beginning. I’m predicting $24M.
If both of these titles come in below expectations, that may truly show that crowds are just plain sick and tired of seeing roman numerals and numbers behind titles. Looking over the remainder of the 2016 calendar, there’s a heap of sequels that could also struggle to match what came before them. They include:
The Purge: Election Year. Bridget Jones’s Baby. Underworld: Blood Wars. Jack Reacher: Never Go Back. Ouija 2. Bad Santa 2.
Even this month’s Independence Day: Resurgence is an iffy proposition to capitalize on the nostalgia factor from the 1996 original. It appears unlikely to match the $306M earned 20 years ago by the first one.
Next month’s Star Trek Beyond could have trouble matching the $228M made by part 2 in 2013.
Inferno, the third Tom Hanks thriller based on Dan Brown’s novels, is a question mark to match the $133M that Angels & Demons made in 2011 and certainly won’t approach The Da Vinci Code‘s $217M a decade ago.
When it comes to 2016 sequels, it might not all be bad news. Finding Dory (out June 17) shouldn’t have much trouble topping the $70M that Nemo made in 2003 (though whether it reaches its eventual gross of $380M is a mystery).
And July’s Jason Bourne should benefit from having Matt Damon return to the franchise after nine years away. It should manage to outpace the $113M made by Jeremy Renner’s The Bourne Legacy in 2012. However, could it approach the $227M earned by Damon’s last one, 2007’s The Bourne Ultimatum? Probably not.
Perhaps these disappointing results for so many sequels will cause studios to give us more original programming, but don’t hold your breath. Next year is already packed with follow-ups and some of them already look like they could be in trouble.
For instance, it’s probably safe to assume Disney is sweating over the fifth Pirates of the Caribbean flick, Dead Men Tell No Tales. Same goes for Lionsgate with their final Divergent pic, Ascendant.
Some of the 2017 sequels that may not have much to worry about: Guardians of the Galaxy Vol. 2. Fast 8. And, of course, Star Wars: Episode VIII.
Yet given the recent trends, who knows? No one thought Alice or Huntsman or Allegiantwould do that poorly and it’s contributed to a bad… and maybe badly needed downturn for sequels in 2016.
Two wildly different 2016 animated features could both find themselves in the Best Animated Feature category come Oscar time next year.
The first is Disney’s Zootopia, which has ruled the box office kingdom for the last two weeks and looks to reach an eventual gross of $275-$300 million domestically. With a fantastic 99% Rotten Tomatoes score and bragging rights for being the biggest opener of all time for a traditionally animated tale, there is little doubt it will be among the five nominees. It could even win, though its biggest competitor might be Disney/Pixar’s Finding Nemo sequel Finding Dory, which is out this summer.
Our second possibility is Sausage Party, which screened in a rough cut at the South by Southwest Festival last night. Billed as the first hard R rated CG flick, Party comes from the minds of Seth Rogen and his writing/producing partner Evan Goldberg. In addition to Mr. Rogen, featured voices include Kristin Wiig, Jonah Hill, Michael Cera, James Franco, Danny McBride, Craig Robinson, Edward Norton, and Salma Hayek. It’s not out until August, but word of mouth from the festival is strong and this looks to be a potential sleeper hit come summer. This isn’t your typical animated material that the Academy would recognize, but it might be tough for them to ignore.
We’ll see how this race plays out as more competition is released in the coming months, but we may already have a couple of major possibilities in the mix.
The Academy Awards honoring the best of 2015 aired just over a week ago. So what does that mean? Well, it means that it’s time for incredibly early Oscar speculation on the films and performers that could factor into next year’s ceremony.
This evening on the blog, I take a look at 16 pictures that may find themslves in contention a year from now. Obviously, this is about as premature as it gets and there will be LOTS more speculation as the year rolls along. Yet here’s a first look at 16 for ’16 Oscar potentials:
Billy Lynn’s Long Halftime Walk
Release Date: November 11
Ang Lee has directed four Best Picture nominees over the past two decades and received two wins for his direction (Brokeback Mountain, Life of Pi). This Iraq War themed drama (based on a well received novel) featuring newcomer Joe Alwyn and familiar faces Garrett Hedlund, Kristen Stewart, Vin Diesel, Steve Martin, and Chris Tucker is highly likely to receive some chatter.
The Birth of a Nation
Release Date: October 7
Focusing on the true story of the slave rebellion led by Nat Turner, this passion project from Nate Parker (who stars and directs) received glowing reviews out of the Sundance Film Festival and picked up an Oscar friendly release date.
Collateral Beauty
Release Date: December 16
The Devil Wears Prada director David Frankel helms this comedic drama with an all-star cast that includes Will Smith, Kate Winslet, Keira Knightley, Helen Mirren, Edward Norton, and Jonah Hill.
Finding Dory
Release Date: June 17
Pixar has found itself in the Best Picture mix before with both 2009’s Up and 2010’s Toy Story 3. This sequel to 2003’s beloved Finding Nemo may follow suit and it should at the least be a major contender in Best Animated Feature.
Florence Foster Jenkins
Release Date: TBD
Put Meryl Streep in anything and she might be a possibility for an Actress nomination. So it is with Stephen Frears’ comedy/drama, which casts the 19 times nominated and 3 time winning Streep as the opera singing title character.
The Founder
Release Date: August 5
Michael Keaton has found himself featured in the last two Best Picture winners (Birdman, Spotlight). Could it be a three-peat with this biopic, which finds Keaton as McDonald’s founder Ray Kroc? John Lee Hancock (The Blind Side, Saving Mr. Banks) directs with Laura Dern costarring.
Free State of Jones
Release Date: May 13
2013 Best Actor winner Matthew McConaughey headlines this Civil War drama from Seabiscuit and Hunger Games director Gary Ross.
The Girl on the Train
Release Date: October 7
The Help‘s Tate Taylor directs this psychological thriller that could provide an Oscar friendly role for star Emily Blunt.
La La Land
Release Date:December 16
Damien Chazelle follows up his 2014 Oscar nominee Whiplash with this comedic musical drama starring Ryan Gosling, Emma Stone, and J.K. Simmons.
Nocturnal Animals
Release Date: TBD
Fashion designer Tom Ford follows up his acclaimed 2009 debut A Single Man with this drama featuring Jake Gyllenhaal, Amy Adams, Kim Basinger, Aaron Taylor-Johnson, and Michael Shannon.
Richard Pryor: Is It Something I Said?
Release Date: TBD
Lee Daniels directs this biopic of the legendary comedian with Mike Epps in the starring role and Oprah Winfrey and Eddie Murphy among the supporting cast.
Silence
Release Date: TBD
Andrew Garfield, Adam Driver, and Liam Neeson headline this historical drama from Martin Scorsese, who has seen five out his last six movies nominated for the big prize.
Sully
Release Date: September 9
Clint Eastwood follows up his 2014 nominee American Sniper with the true life tale of the title character pilot who pulled off the “Miracle on the Hudson” (which I like better as a title, by the way). Tom Hanks is Sully with Aaron Eckhart and Laura Linney backing him up.
A United Kingdom
Release Date: TBD
The period piece interracial romance features two stars who could be ripe for recognition – David Oyelowo and Rosamund Pike.
War Machine
Release Date: TBD
Release Date: This Afghanistan war comedy is likely to garner more attention than the last one, Tina Fey’s Whiskey Tango Foxtrot. Based on a bestselling novel, it stars Brad Pitt, Ben Kingsley, and Topher Grace.
The Zookeeper’s Wife
Release Date: TBD
This Holocaust themed drama (based on a bestseller) could be a factor in Picture and in Actress for Jessica Chastain’s lead role.
With 2015 by the wayside, it’s time to focus on the upcoming releases for the New Year and that means listing my 16 most eagerly awaited features! Obviously, I’m going by pedigree alone pretty much and not buzz (I’ll note that Fantastic Four made my 2015 cut, if that tells you something).
2016 appears to be jam packed with both sequels and superhero pics. Just to give you an idea, here’s some sequels that didn’t make the cut: Zoolander No. 2, London Has Fallen, Ride Alone 2, The Divergent Series: Allegiant, My Big Fat Greek Wedding 2, Rings, Barbershop: The Next Cut, The Huntsman Winter’s War, Neighbors 2: Sorority Rising, Alice Through the Looking Glass, Teenage Mutant Ninja Turtles: Out of the Shadows, The Conjuring 2, Now You See Me 2, Finding Dory, Independence Day: Resurgence, Ice Age: Collision Course, The Purge 3, Bridget Jones’s Baby, Underworld 5, Jack Reacher: Never Go Back, Ouija 2, Bad Santa 2, and Inferno (the third Tom Hanks Robert Langdon flick). As for comic book related fare, X-Men: Apocalypse, Doctor Strange, and Gambit didn’t make the list of sweet 16.
Others that closely missed the cut: The Jungle Book remake from director Jon Favreau; The Magnificent Seven remake with Denzel Washington, Chris Pratt, and Ethan Hawke; and Jodie Foster’s political thriller Money Monster starring George Clooney and Julia Roberts.
So what DID make it? Here’s my alphabetical list:
Batman v Superman: Dawn of Justice
Never mind that the trailer looks like a bit of a mess. And maybe ignore that Zack Snyder’s Man of Steel was a major mixed bag. This “sequel” brings Ben Affleck’s Caped Crusader in to fight with Henry Cavill’s Supes with Wonder Woman joining the party as well, in addition to Jesse Eisenberg’s Lex Luthor. The curiosity factor alone allows it to make this list. (March 25)
The BFG
This fantasy adventure has some seriously impressive pedigree: it’s based on Roald Dahl’s book and the screenplay is written by the late Melissa Mathison, who penned E.T. The director? Steven Spielberg. ‘Nuff said. (July 1)
Captain America: Civil War
The second Captain America pic, 2013’s Winter Soldier, ranks high in pantheon of MCU titles and this third go round is basically a quasi-Avengers experience with Robert Downey Jr.’s Iron Man, Paul Rudd’s Ant-Man, and our new Spider-Man Tom Holland joining the mix. (May 6)
Deadpool
Our third comic book adaptation sounds in many ways to be the most intriguing (save for one a little further down this list). Deadpool casts Ryan Reynolds (whose superhero movie history include a pretty bad Green Lantern flick) in this hard R rated pic infused with comedy and its trailers inspire hope. This is said to tie in with the X-Men franchise at some future juncture. (February 12)
Fantastic Beasts and Where to Find Them
Based on J.K. Rowling’s novel and from Harry Potter director David Yates comes this return to the world of wizardry that stars Oscar winner Eddie Redmayne. Warner Bros. is anticipating at least a trilogy out of this. (November 18)
The Founder
From the director of The Blind Side and Saving Mr. Banks comes this biopic of McDonald’s founder Ray Kroc, played by Michael Keaton. Don’t be surprised to see this one surrounded by Oscar buzz. (November 25)
NO TRAILER AT PRESS TIME
Ghostbusters
Bridesmaids and Spy maker Paul Feig reboots the famous 80s franchise with Melissa McCarthy, Kristin Wiig, and current SNL castmates Leslie Jones and Kate McKinnon. (July 15)
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Hail, Caesar!
Anything from the Coen Brothers is worthy of my anticipation and this 1950s Hollywood set comedy features George Clooney, Josh Brolin, Scarlett Johansson, Jonah Hill, Tilda Swinton, Channing Tatum, and Ralph Fiennes. (February 5)
The Nice Guys
A little over a decade ago, screenwriter/director Shane Black started off Robert Downey Jr.’s improbable comeback with the hilarious action comedy Kiss Kiss Bang Bang before move onto direct Iron Man 3. This 70s set action comedy looks extremely promising and stars Russell Crowe and Ryan Gosling. (May 20)
Passengers
Little is known about this sci-fi romance from The Imitation Game director Morten Tyldum. Yet it is headlined by mega-stars Jennifer Lawrence and Chris Pratt. I’m in. (December 25)
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Rogue One: A Star Wars Story
The Force Awakens just became the biggest domestic grosser of all time (in under four weeks) and this December brings the first spin-off, taking place between episodes III and IV. It focuses on a team of rebels tasked with stealing the plans for the Death Star and is directed by Gareth Edwards, who made 2014’s effective Godzilla reboot. This should rule the holiday season in 2016. (December 16)
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Silence
Like the Coens, anything from Martin Scorsese is worthy of inclusion and this historical epic focused on Jesuit priests in Japan stars Andrew Garfield, Adam Driver, and Liam Neeson. (No Release Date at Press Time)
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Star Trek Beyond
J.J. Abrams has exited the franchise as director to concentrate on a different one while Justin Lin (maker of four Fast and Furious entries) takes over. Let’s see if he keeps the momentum Abrams brought fourth speeding along. (July 22)
Suicide Squad
This is my most anticipated comic book adaptation of the many in 2016. Fury director David Ayer gathers a group of super villains together to hopefully do some good. The cast includes Will Smith, Margot Robbie, and Jared Leto as The Joker. The trailer is terrific. (August 5)
Sully
Clint Eastwood follows up his cultural phenomenon American Sniper with this biopic of the pilot who famously landed on the Hudson, with Tom Hanks in the title role. Another pic that could be ripe for Oscar bait. (September 9)
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Untitled Bourne Film
When Jeremy Renner stepped in for Matt Damon for this celebrated action franchise, audiences reacted with mostly ambivalence. So Damon is back, paired with Paul Greengrass, director of the winning second and third pics in the series. Tommy Lee Jones and Alicia Vikander costar. (July 29)
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And there you have it! We’ll see you at the movies in 2016 and I hope this helped you a little bit…
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