August 15-17 Box Office Predictions

Action sequel Nobody 2 starring Bob Odenkirk is the only wide release vying for a spot in the top five this weekend as Weapons aims to repeat in first place. You can peruse my detailed prediction post on the newcomer here:

The first Nobody in 2021 premiered as COVID was presenting challenges to theaters. The follow-up is expected to build upon on the original’s numbers. I still question whether this gets to teens and I am putting it a shade under. That likely means a third place showing.

Weapons from Zach Cregger had a spectacular debut (more on that below). With an A- Cinemascore (impressive for the genre), its sophomore dip could be less pronounced than other summer offerings. Lack of competition should also help. I will warn that my drop-off projections have been a bit generous lately. Yet I’ll say a low to mid 40s ease should mean a mid 20s gross and that leaves it in first with room to spare.

As for Freakier Friday, it could fall more than 50% and still remain in second. Holdovers The Fantastic Four: First Steps and The Bad Guys 2 should round out the high five. Here’s how I have it playing out:

1. Weapons

Predicted Gross: $24.9 million

2. Freakier Friday

Predicted Gross: $13 million

3. Nobody 2

Predicted Gross: $11.3 million

4. The Fantastic Four: First Steps

Predicted Gross: $7.5 million

5. The Bad Guys 2

Predicted Gross: $5.5 million

Box Office Results (August 8-10)

Weapons capitalized on its intriguing trailer and laudatory reviews, dominating the chart with $43.5 million. That’s way ahead of my meager $28.8 million take and another 2025 winner for Warner Bros. While I don’t see it legging out like Sinners (another WB property), the road ahead should be fruitful.

Disney’s Freakier Friday with Jamie Lee Curtis and Lindsay Lohan had to settle for second with $28.5 million. That’s on the lower end of its expected range and a bit below my $32.5 million prediction. It’ll hope for family audiences to keep it afloat in the coming weeks. That could be a tall order with its intended audience going back to school.

The Fantastic Four: First Steps, after two weeks at #1, was third with $15.7 million. The near 60% plummet (again) was under my $18.9 million estimate and the reboot stands at $230 million.

The Bad Guys 2 was fourth with $10.5 million in its second go-round. Once again I was more generous at $13.6 million. The animated sequel has made $43 million and is likely to fall short of its predecessor’s domestic tally ($97 million).

The Naked Gun rounded out the top five with $8.3 million and I said it would do $10 million. The two-week total is $32 million.

Finally, Sketch from Angel Studios debuted in lowly 10th place with $2.4 million from Friday to Sunday and $4.9 million since its Wednesday bow. I went with $3.9 million and $5.8 million, respectively.

And that does it for now, folks! Until next time…

Nobody 2 Box Office Prediction

Bob Odenkirk is back in fighting mode when Nobody 2 debuts August 15th. The action flick is the follow-up to 2021’s original which managed to do decent business considering its release in COVID times. Costars include Connie Nielsen, John Ortiz, RZA, Colin Hanks, Christopher Lloyd, Michael Ironside, Gage Munroe, Paisley Cadorath, and Sharon Stone. Timo Tjahjanto directs.

Released in March of 2021 when the pandemic was still presenting significant challenges to theaters, Nobody took in a better than anticipated $6.7 million and legged out to $27 million domestically. That was enough to warrant a sequel and expectations are higher.

I’ll say this could come close doubling what its predecessor made out of the gate nearly four and a half years ago. That means low double digits to possibly low teens.

Nobody 2 opening weekend prediction: $11.3 million

Eddington Box Office Prediction

Ari Aster’s fourth feature Eddington hits screens July 18th after a May premiere at Cannes. The small town set satire takes place during the height of COVID with Joaquin Phoenix (who starred in Aster’s predecessor Beau is Afraid) and the suddenly everywhere Pedro Pascal headlining. Other cast members include Luke Grimes, Deirdre O’Connell, Micheal Ward, Austin Butler, and Emma Stone.

Reviews from the French fest were mixed with 67% on Rotten Tomatoes and a 64 Metacritic. That buzz zapped any awards chatter for the A24 feature. This has the appearance of an autumn release trapped in midsummer and I am doubtful that adult crowds will turn up. For one thing, audiences might be hesitant to relive the lockdown days of a half decade ago. If this gets over $5 million, I’d be surprised.

Eddington opening weekend prediction: $3.4 million

For my I Know What You Did Last Summer prediction, click here:

For my Smurfs prediction, click here:

Bad Boys: Ride or Die Box Office Prediction

Nearly four and a half years ago, Will Smith and Martin Lawrence were riding high with Bad Boys for Life. The third entry in the buddy cop franchise that began nearly 30 years ago set series best marks with $73 million over the four-day MLK frame in January 2020. It ended up with just over $200 million domestically.

And then things got weird. Life was the last mega-grosser before the pandemic hit and stalled the industry for many months. Smith, meanwhile, became embroiled in the infamous Oscar slap controversy two years later with Chris Rock. The directors of part 3 – Adil El Arbi and Bilall Fallah – followed Life up with Batgirl which Warner Bros shockingly decided to shelve for eternity.

So it kind of feels like there’s a lot riding on Bad Boys: Ride or Die when it opens June 7th. Smith and Lawrence are back alongside Joe Pantoliano, Vanessa Hudgens, Alexander Ludwig, Paola Núñez, Jacob Scipio, and DJ Khaled. The Batgirl makers return as well. Newcomers to part 4 include Tiffany Haddish, Eric Dane, Ioan Gruffudd, Rhea Seehorn, Melanie Liburd, and Tasha Smith (pulling an Aunt Viv and replacing Theresa Randle as Lawrence’s wife).

Bad Boys hopes to shake up a summer season where plenty of titles have fallen below expectations. This is also the first test of Smith’s star power post slap. I do not expect it to match the earnings of its predecessor. Part 3 took in $62 million for the three-day portion of its premiere. Sony would probably be satisfied with that and it would quell any “Smith’s career is dead” chatter.

I’m estimating a start that might not totally quell that conversation in the mid to late 40s.

Bad Boys: Ride or Die opening weekend prediction: $47.3 million

For my The Watchers prediction, click here:

Dune: Part Two Box Office Prediction

Dune: Part Two looks to storm the box office when it debuts on March 1st with what should easily be the largest debut so far in 2024. Denis Villeneuve returns as director with Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Charlotte Rampling, and Javier Bardem back in action. Newcomers to the franchise include Austin Butler, Florence Pugh, Christopher Walken, Léa Seydoux, and Anya Taylor Joy.

The follow-up to the 2021 original could double its opening. As you may recall, Dune experienced a COVID delay from fall 2020 to fall 2021. The pandemic still limited its potential as it simultaneously premiered on Max. That resulted in a $41 million start which was quite impressive for that period of time. It wrapped up its run at $110 million domestically.

At its low end, Part Two is expected to take in $60 million out of the gate. Reviews for the continuation of Frank Herbert’s source material top part one and it’s currently at 98% on RT with plenty of Oscar nominations expected months down the road. The high end of its range is $80 million or even $90 million.

I am forecasting this could get to the low to mid 80s for the aforementioned double up of its predecessor with a little room to spare.

Dune: Part Two opening weekend prediction: $83.6 million

Best Picture 2020: The Final Five

We have reached 2020 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

2020 is a tricky year to consider. As we all know, it was a year dominated by the COVID-19 pandemic. Many of us were working from home and theaters were essentially shuttered for the majority of the year.

Beyond the challenging, tragic, and unprecedented news events of 2020, it was just a strange year for motion pictures. Eight pictures contended for the big prize. I have the leading nominee (with 10) missing the BP cut. The next most nominated film had 6 mentions… and there’s 6 of them. The other BP contender had 5.

My point? Whittling these 8 down to 5 is not easy. Considering it took BP, Director (Chloe Zhao, the second female ever to win), and Actress (Frances McDormand), we can safely reserve a spot for Nomadland. As for the rest? Let’s get into it!

The Father

Florian Zeller’s devastasting drama about Alzheimer’s missed a nod in Director, but Anthony Hopkins landed his second Actor statue over the late Chadwick Boseman in Ma Rainey’s Black Bottom, who was the frontrunner. Zeller did win Adapted Screenplay and this was also up for Supporting Actress (Olivia Colman), Film Editing, and Production Design.

Does It Make the Final Five?

Yes. Its two wins not only give me confidence of its inclusion in a quintet, but it could be argued this was runner-up to Nomadland.

Judas and the Black Messiah

Daniel Kaluuya won Supporting Actor for his performance as Fred Hampton in Shaka King’s historical drama. Costar Lakeith Stanfield was up in the same race and it was nominated for Original Screenplay and Cinematography. A second statue was given to H.E.R. for her original song “Fight for You”.

Does It Make the Final Five?

No but I certainly struggled with this one. The lack of directing and editing noms have it on the outside looking in.

Mank

This is where it gets complicated. David Fincher’s jaded Netflix aired look at Old Hollywood easily led the program with 10 mentions and it won Cinematography and Production Design. Fincher was also in contention for his behind the camera work. Other nods went to Gary Oldman for Actor, Amanda Seyfried in Supporting Actress, Costume Design, Makeup and Hairstyling, Original Score, and Sound.

Does It Make the Final Five?

Surprisingly enough… I’m saying no. Despite the haul, it is the only one of the 8 nominees not up for screenplay. Furthermore the Film Editing omission feels significant. It certainly isn’t normal to project the leader not making the final five. However, rules are meant to be broken.

Minari

Lee Isaac Chung also garnered a directing spot in that quintet while Youn yuh-Jung was the Supporting Actress recipient in this family drama. Other nods: Actor (Steven Yeun), Original Screenplay, and Original Score.

Does It Make the Final Five?

Yes though I went back and forth. This seemed to gather strength as the season wore on and not just with yuh-Jung. I think it squeaks in.

Promising Young Woman

Emerald Fennell was up for director and won Adapted Screenplay for this revenge dramedy. Carey Mulligan made the Actress cut (and may have been second to McDormand) and it was in for Film Editing.

Does It Make the Final Five?

Yes. The victory in Adapted Screenplay over four other BP hopefuls helps solidify that decision.

Sound of Metal

The impressive haul for the indie drama is Riz Ahmed in Actor, Paul Raci in Supporting Actor, Original Screenplay, and wins in Film Editing and Sound.

Does It Make the Final Five?

Yes though I again went back and forth. While director Darius Marder was left out, it’s the Editing and Sound combo that give it an edge over the three that got left out.

The Trial of the Chicago 7

7‘s six nods came (in addition to BP) in Supporting Actor (Sacha Baron Cohen), Original Screenplay, Cinematography, Film Editing, and Original Song. The Aaron Sorkin political drama is the only BP vier not to take home a single trophy.

Does It Make the Final Five?

No though I struggled again. This Netflix pic undoubtedly didn’t match awards expectations after it was once seen as the on paper favorite. The 0 for 6 performance make it easier to elevate some of the others.

And there you have it. That means my 2020 vision of the Final Five is:

The Father

Minari

Nomadland

Promising Young Woman

Sound of Metal

2021 will be be up soon! If you missed my entries covering 2009-19, you can find them here:

2022: The Year of Tom Cruise

As I do annually when the year winds down, it’s time to take a look at the performers who made significant impacts on the silver screen in the previous 12 months. I’ll do so with 6 of them in the coming days.

For 2022, that list has to begin with Tom Cruise. Before May, the biggest opening in the superstar’s near 40 years of headlining pictures was 2005’s War of the Worlds at $64 million. That’s right. Even though he’s consistently been one of Hollywood’s most bankable figures, there were no premieres north of $100 million. In fact, only three of his titles exceeded $200 million domestically: Mission: Impossible II, the aforementioned Worlds, and Mission: Impossible – Fallout.

There was understandable skepticism when Top Gun: Maverick was finally green lit. Would crowds turn out for the sequel to a relic from the mid 80s? It arrived in multiplexes after many COVID delays some three years plus after filming wrapped.

What it did at the box office was astounding and very important in preserving the viability of the theatrical experience. This wasn’t a superhero franchise entry with the dollars already built in. Maverick brought out moviegoers who hadn’t ventured out to the multiplex in a couple of years. Some of them went for repeat viewings.

It nearly doubled Cruise’s previous best with $126 million over the Friday to Sunday of the Memorial holiday weekend and $160 million for the four-day. Then the money kept holding on. It even returned to 1st place over two months after its release for the Labor Day frame. All in all, Maverick soared to $718 million domestically and nearly a billion and a half worldwide. The ripple effect of its success is evident even in humorous ways. Another continuation of an 80s blockbuster coming soon sees Eddie Murphy back in his signature role. The title? Beverly Hills Cop: Axel Foley (!!!).

In the year where he turned 60, Tom Cruise experienced easily the largest hit and cultural phenomenon of his career. Millions of people saw the preview for next summer’s Mission: Impossible – Dead Reckoning Part One play in front of it. It might be the most talked about trailer of 2022 that doesn’t involve a demonic doll dancing.

At a time when true movie stars are hard to come by, audiences turned to a reliable one in 2022. It was indeed his year. These posts will continue with another legend who turned 60 and got the role (multiples ones) of a lifetime…

Oscar Predictions: Retrograde

Documentarian Matthew Heineman is no stranger to tackling hot button issues and awards voters have rewarded his features in the past. 2015’s Cartel Land was an Oscar nominee for Documentary Feature. Additional acclaim was bestowed upon 2017’s City of Ghosts and last year’s The First Wave, which took us into a NYC hospital at the height of the COVID epidemic. Heineman’s lone fictional work was 2018’s A Private War, in which Rosamund Pike nabbed a Golden Globe Best Actress nod in the Drama competition.

His latest is the Nat Geo produced Retrograde, recounting America’s final nine months in the Afghanistan War. It’s out already on an awards qualifying run prior to a December 11th Hulu bow. Initial reviews are typical for the filmmaker at 96% on Rotten Tomatoes.

Both Ghosts and Wave didn’t make the Academy’s cut. If Retrograde can manage to make the shortlist, it could certainly vie for one of the five spots. Based on recent history, I’m not yet comfortable slotting it there. My Oscar Prediction posts will continue…

June 24-26 Box Office Predictions

Blogger’s Update (06/23): On the eve of its premiere, I am revising my Elvis prediction from $42.6M to $35.6M. That still gives it the #1 slot over Top Gun: Maverick… barely.

In what should be an intriguing and potentially unpredictable weekend to close out the June box office, Baz Luhrmann’s musical biopic Elvis and critically lauded horror pic The Black Phone debut. You can peruse my detailed prediction posts on both of them here:

Elvis Box Office Prediction

The Black Phone Box Office Prediction

There’s plenty of possibilities for how the top 5 will look. While there’s no doubt about which quintet will populate the list, the order is up for grabs. I believe Elvis will open closer to the $51 million of Bohemian Rhapsody than the $25 million of Rocketman. That should be enough to earn it the title of Box Office King.

However, if it does premiere in the mid to late 20s range, the chances of a #1 start are considerably lower. We could legitimately see Top Gun: Maverick rise from 3rd to 1st. With a projected dip in the low to mid 20s, it should at least rise to 2nd place. That’s assuming current two-week champ Jurassic World: Dominion loses more than half its audience in its third go-round and Lightyear also sees a sophomore fall of around 55%. I’m assuming both.

And there’s the wild card that is The Black Phone. Horror titles often outdo expectations and with its aforementioned solid reviews, that could apply here. I’m sticking with a debut of just under $20 million and that would likely mean a fifth place reception.

Here’s how I envision perhaps the most fascinating box office weekend so far in the pandemic era looking:

1. Elvis

Predicted Gross: $35.6 million

2. Top Gun: Maverick

Predicted Gross: $34.8 million

3. Jurassic World: Dominion

Predicted Gross: $28.3 million

4. Lightyear

Predicted Gross: $23.2 million

5. The Black Phone

Predicted Gross: $18.6 million

Box Office Results (June 17-19)

In a major upset, Jurassic World: Dominion remained #1 for the second frame with $59.1 million. That’s stronger than my $54.8 million estimate as the threequel is up to $250 million in its first ten days. That’s $15 million under where predecessor was at four summers ago.

Jurassic‘s reign was unexpected because Disney/Pixar’s Toy Story spinoff Lightyear was widely anticipated to rule the charts. Instead it grossed $50.5 million for second place. That’s, ahem, $35 million under my projection of $85.5 million and less than half of what Toy Story 3 and Toy Story 4 made out of the gate. There’s plenty of think pieces out there for why Lightyear was a disappointment. It includes theories about politics, Disney Plus being the same day distributor for recent Pixar material, and the absence of Tim Allen as the voice of the title character. Any way you slice it, it’s a shocker.

Top Gun: Maverick continued its amazing run in third with $44.6 million – dropping a scant 14%. I was lower at $36 million. The biggest hit of the year (and of Tom Cruise’s career by far) is flying at $466 million as its domestic haul will reach $500 million shortly. As mentioned, if Elvis doesn’t reach my projection, it could see a return to the top spot. I wrote more about Maverick‘s unreal performance yesterday on the blog and it’s here:

Top Gun: Maverick – Lightyears Ahead of Expectations

Doctor Strange in the Multiverse of Madness was fourth with $4.4 million compared to my $3.4 million take. The tally is $405 million.

The Bob’s Burgers Movie rounded out the top five with $1.1 million. I incorrectly had it outside the high five. It’s made $29 million.

I figured The Bad Guys would be fifth, but it was sixth with $1 million (I said $1.5 million)/ The overall take is $94 million.

And that does it for now, folks! Until next time…

The Bob’s Burgers Movie Box Office Prediction

I will readily admit that I’m no expert when it comes to this prediction as I’ve never seen an episode of Bob’s Burgers. The cinematic adaptation is slated to debut over Memorial Day weekend. Based on the Fox series that began in 2011 and recently completed season #12, Bernard Derriman directs. Voice actors participating from the show include H. Jon Benjamin, Dan Mintz, Eugene Mirman, Larry Murphy, Kristen Schaal, John Roberts, Zach Galifianakis, and Kevin Kline. Familiar faces joining the fun are Aziz Ansari, Gary Cole, Jenny Slate, and Stephanie Beatriz.

Burger’s was originally ordered up for summer of 2020 before its COVID delays. The TV program certainly has its dedicated admirers, but I’m not convinced it will translate to a robust holiday weekend. Plenty of fans could simply wait until it’s available to stream. In other words, this might make about a tenth of what The Simpsons Movie made ($74 million) for its beginning.

I’ll also confess that I could be underestimating this based on my unfamiliarity with the source material. A four-day take near $20 million would be pleasing for the studio considering the reported $60-70 million price tag. I’m not willing to go that high.

The Bob’s Burgers Movie opening weekend prediction: $9.2 million (Friday to Sunday); $11.6 million (Friday to Monday)

For my Top Gun: Maverick prediction, click here:

Top Gun: Maverick Box Office Prediction