Captain America: Brave New World isn’t the sole fourth franchise entry seeking viewers over the holiday weekend. Renée Zellweger returns as the title character in Bridget Jones: Mad About the Boy. It premieres on Peacock stateside tomorrow and has international theatrical distribution on Friday. Michael Morris directs with Hugh Grant, Colin Firth, and Emma Thompson reprising their roles from earlier installments. Newcomers to the series are Chiwetel Ejiofor, Leo Woodall, and Isla Fisher.
Reviews are providing mostly solid marks with 86% on Rotten Tomatoes and Metacritic at 71. Back in 2001, Bridget Jones’s Diary earned Zellweger Academy Award and Golden Globes nods in lead Actress (she respectively lost to Halle Berry in Monster’s Ball and Nicole Kidman from Moulin Rouge!). 2004 sequel Bridget Jones: The Edge of Reason saw Zellweger get another nomination at the Globes for Actress in a Musical or Comedy where she fell short to Annette Bening (Being Julia). 2016’s Bridget Jones’s Baby received no significant awards play.
I wouldn’t rule out Zellweger (a two-time Oscar winner for 2003’s Cold Mountain and 2019’s Judy) getting some attention from Globes voters, but that will depend on competition. An Academy nom seems out of reach. My Oscar Prediction posts will continue…
Four new titles roll out in wide release this weekend at the box office and they are: Mark Wahlberg’s true-life disaster pic Deepwater Horizon, Tim Burton’s YA fantasy Miss Peregrine’s Home for Peculiar Children, oft delayed Zach Galifianakis/Kristin Wiig comedy Masterminds, and Disney’s Ugandan chess prodigy tale Queen of Katwe. You can peruse my detailed prediction posts on each here:
As I see it, Deepwater Horizon should top Peregrine for the top spot. Both have the chance to debut higher than my predictions, but the trend over the last couple of weeks has been titles under performing and not over performing. If Magnificent Seven loses close to half its opening weekend audience, it should be third with Storks at the four spot (it should experience the smallest decline of holdovers).
My estimates for Masterminds and Queen of Katwe put them in the sixth and seventh positions with Sully holding on for another week in the top five.
Here’s how the blog readers feel about my projections for the newcomers:
Deepwater Horizon – 45% Too Low, 38% Just About Right, 17% Too High
Miss Peregrine’s Home for Peculiar Children – 69% Too Low, 16% Just About Right, 15% Too High
Masterminds – 54% Just About Right, 46% Too Low, 0% Too High
Queen of Katwe – 50% Just About Right, 38% Too Low, 12% Too High
And with that, a top 7 predictions for this weekend:
1. Deepwater Horizon
Predicted Gross: $24.7 million
2. Miss Peregrine’s Home for the Peculiar Children
Predicted Gross: $19.6 million
3. The Magnificent Seven
Predicted Gross: $18.2 million (representing a drop of 47%)
4. Storks
Predicted Gross: $13.2 million (representing a drop of 37%)
5. Sully
Predicted Gross: $9.1 million (representing a drop of 33%)
6. Masterminds
Predicted Gross: $6.3 million
7. Queen of Katwe
Predicted Gross: $5 million
Box Office Results (September 23-25)
As expected, TheMagnificentSeven remake with Denzel Washington and Chris Pratt easily topped the charts, though it did come in towards the bottom end of most expectations. The Western took in $34.7 million and I went considerably higher with $47.1M. Still, the opening is in line with Washington’s TheEqualizer from two years ago.
After the animated talking animal mega-hits that were Zootopia, Finding Dory, and The Secret Life of Pets – perhaps family audiences had their fill as Storks posted a debut on the lowest end of expectations. Despite positive reviews, the Warner Bros release made $21.3 million for second (below my $27.9M projection). Its best hope is for smallish declines in future weekends.
Sully dropped to third after two weeks on top with $13.5 million (under my $14.9M forecast) for a total of $92M.
Last weekend’s newcomers all posted lackluster debuts and they all experienced unimpressive second weekends as well. Bridget Jones’s Baby was fourth with $4.6 million (I said $5.1M) for a $16M total. Snowden was fifth with $4 million (I said $4.3M) for a $15M tally. Blair Witch dropped to sixth with $4 million as well (I predicted $3.4M) for a $16M overall gross.
This past weekend, all newcomers failed to connect with audiences, but the fourth weekend of September has two openings where their prospects look more solid. They are the Denzel Washington/Chris Pratt Western remake The Magnificent Seven and Warner Bros animated Storks. You can read my detailed prediction posts on each right here:
I have Seven slated for the second largest September debut of all time, just behind last year’s Hotel Transylvania 2. As for Storks, I’m predicting a solid second place start.
Sully should fall to third after two weeks on top. As for the aforementioned newbies from last weekend, Bridget Jones’s Baby seems likely to have the smallest decline in its sophomore frame over Blair Witch and Snowden. In fact, while Blair Witch had the highest opening of the fresh titles (which isn’t saying much), I have it primed for a massive drop due to its putrid D+ Cinemascore average.
As far as where the readers think I am with predictions on our two newcomers:
The Magnificent Seven: 36% Too High, 35% Just About Right, 29% Too Low – quite the even split!
Storks: 46% Too Low, 36% Just About Right, 18% Too High
In last weekend’s poll, 74% incorrectly (including I) guessed that Blair Witch would be #1 while 26% correctly said Sully.
And with that, let’s do a top six for this weekend:
1. The Magnificent Seven
Predicted Gross: $47.1 million
2. Storks
Predicted Gross: $27.9 million
3. Sully
Predicted Gross: $14.9 million (representing a drop of 31%)
4. Bridget Jones’s Baby
Predicted Gross: $5.1 million (representing a drop of 40%)
5. Snowden
Predicted Gross: $4.3 million (representing a drop of 47%)
6. Blair Witch
Predicted Gross: $3.4 million (representing a drop of 65%)
Box Office Results (September 16-18)
Sully once again landed (the pun is old, I know) safely in first place for the second weekend in a row with $21.6 million – just shy of my $23.3M forecast. The Tom Hanks hit has earned $70M thus far.
The curse of the Blair Witch applied to its dismal box office numbers as the sequel to the 1999 smash hit made just $9.5 million. I originally predicted $27.4 million before revising it down to $22.4M. I should have kept going down further and further. In a year that’s been mighty good for horror, the Witch debut gave us a rare dud. However, keeping things in perspective, it did only cost a measly $5 million to make, so it nearly doubled its budget in three days.
In more underwhelming sequel news – Renee Zellweger’s return to the big screen in her signature role was met with a shrug as Bridget Jones’s Baby earned $8.5 million, under my $12.3M estimate. The third entry in the franchise (and first in 12 years) posted its lowest debut in third, just under the $8.6M of 2004’s Bridget Jones: The Edge of Reason.
Oliver Stone’s Snowden was fourth with $8 million, a bit ahead of my $6.8M prediction. This is just an OK showing as mixed reviews and perhaps a distaste for political drama on the big screen contributed to its ambivalent roll out.
Don’t Breathe stayed in the top five with $5.6 million ($75M total). I incorrectly didn’t include it as its drop-off was smaller than I anticipated.
When the Bough Breaks was sixth in weekend #2 with $5.4 million (I said $5.6M). It’s made $22M.
Last and least – the Christian concert doc Hillsong – Let Hope Rise tanked with only $1.3 million – less than half of my $3M projection for an unlucky 13th place showing.
And that will do it for now, friends! Until next time…
The third weekend of September brings us four new films (just as last weekend did) and they are: horror sequel Blair Witch, rom com three-quel Bridget Jones’s Baby, Oliver Stone’s political thriller Snowden, and faith-based concert documentary Hillsong – Let Hope Rise. You can peruse my detailed prediction posts on each of them here:
As I see it, Bridget Jones’s Baby looks like it’ll easily place third for the weekend – unless Snowden does considerably better than my estimate. However, I have Snowden pretty far behind in fourth.
Hillsong is unpredictable (it doesn’t help that I don’t have a screen count). I have it in eighth place at $3 million.
The battle for #1 could be one to watch. My estimate for Blair Witch puts it there, but I expect Sully to experience a rather smallish decline. If Witch comes in below my prognosis, the Clint Eastwood/Tom Hanks could land in first for the second frame.
As for current #2 When the Bough Breaks, I look for it to place fifth with a hefty decline.
Here’s how the blog readers feel about my newcomer predictions:
Blair Witch: 36% Too High, 33% Just About Right, 31% Too Low
Bridget Jones’s Baby: 51% Too Low, 32% Just About Right, 17% Too High
Snowden: 71% Too Low, 23% Just About Right, 6% Too High
**I made my Hillsong prediction just this evening, so no real data on that one yet.
And with that, a top 5 predictions for the weekend:
1. Blair Witch
Predicted Gross: $27.4 million
2. Sully
Predicted Gross: $23.3 million (representing a drop of 33%)
3. Bridget Jones’s Baby
Predicted Gross: $12.3 million
4. Snowden
Predicted Gross: $6.8 million
5. When the Bough Breaks
Predicted Gross: $5.6 million (representing a drop of 61%)
Box Office Results (September 9-11)
Sully had a terrific debut over the weekend with $35 million – good for the fifth highest September opening ever and coming in above my $28.5M estimate. It also marks Tom Hanks’s largest live-action premiere in seven years. With an A Cinemascore grade, expect Sully to have sturdy legs moving forward.
The news wasn’t as good for When the Bough Breaks, which made $14.2 million for runner-up status. I was way higher with $22.7M. The romantic thriller couldn’t match the September openings of similarly themed 2014 and 2015 pics – No Good Deed and The Perfect Guy. That said, Bough‘s price tag is only a reported $10 million so a tidy profit is in order for studio Screen Gems.
Don’t Breathe, as expected, dropped to third after two weeks on top with $8.2 million – in line with my $7.5M forecast for a total of $66M. Suicide Squad was fourth with $5.7 million (I predicted $5.1M) for a $307M tally.
Fifth place belonged to Belgian animated entry The Wild Life and I incorrectly had it outside the top five. It earned $3.3 million (I went with $3.2M) for a lackluster beginning.
Kubo and the Two Strings was sixth, also at $3.3 million (I said $3.8M) to bring its gross to $40M.
Last and least, Kate Beckinsale’s horror flick The Disappointments Room bombed in a 17th place showing with just $1.4 million. I was a bit more generous at $2.3M.
And that will do it for now, folks! Until next time…
BridgetJones’sBaby not only marks the return of a long dormant franchise, but also the return of Oscar winner Renee Zellweger, making her first onscreen appearance in six years. It’s been twice that long since her title character has been in multiplexes.
In 2001, BridgetJones’sDiary was a solid hit, opening to $10.7 million and displaying great legs to get to $71 million domestic. It also earned its lead a Best Actress nod. The 2004 sequel, BridgetJones: TheEdgeofReason, didn’t fare as well with a $40 million eventual gross.
Besides Zellweger returning to one of her most well-known roles, Sharon Maguire (director of the original) is also back. Same with Colin Firth and Jim Broadbent. Not returning: Hugh Grant and the love triangle with Bridget and Mr. Firth is instead completed by Patrick Dempsey.
As I see it, the long wait between entries and middling performance of the second entry doesn’t bode too well here. I highly doubt this can reach the $17.8 million accomplished by MyBigFatGreekWedding2 (another long gestating rom com sequel) earlier this year. After all, the predecessor for that one made $241 million.
My prediction is this doesn’t quite reach teens for its box office birth.
Bridget Jones’s Baby opening weekend prediction: $12.3 million
Over Memorial Day weekend this year, Disney’s Alice Through the Looking Glass opened to an abysmal $33 million over the holiday weekend, immediately making it one of the biggest bombs of 2016. How poor was that opening? It’s the sequel to 2010’s Alice in Wonderland, which made $116 million in its first weekend (which was a three-day frame, not a four-day one). Looking Glass will be lucky to make $80M in its entire domestic run, nearly $40M under what Wonderland earned in its premiere weekend. Ouch.
Is there an easy explanation? Did Disney take too long with the six year hiatus between franchise entries? Perhaps. Did the negative tabloid publicity surrounding star Johnny Depp hurt? Maybe.
Yet another explanation is likely part of the equation. In 2016, moviegoers have seemed to catch a case of “sequelitis” and their symptoms have been affecting box office grosses for a number of pictures already this year.
Over that same Memorial Day weekend, X-Men: Apocalypse ruled the charts with a $79 million debut. That would seem impressive, except X-Men: Days of Future Past made $110 million over the same weekend just two years earlier.
This story has repeated itself repeatedly in recent months. Ride Along 2 was expected to build on its predecessor’s opening weekend. The 2014 original cruised to a $41M opening. The sequel: $35M. When all was said and done, the first Ride made $44M more than its follow-up.
Other comedies have suffered the same fate. 2001’s Zoolander actually only made $45 million in its initial run, but became a major cult hit in subsequent years. It’s long gestating sequel would surely earn more. It didn’t. Just $28M.
2002’s My Big Fat Greek Wedding became the unexpected smash of that year with $241M stateside. Part 2? $59 million (to be fair, this was on the higher end of many expectations, but still just 25% of what the first Wedding did).
2014’s Neighbors? $150 million. Last month’s Neighbors: Sorority Rising? It should top out at around $60M.
Barbershop: The Next Cut will make $55 million, under the $75M and $65M of its predecessors (though still not bad).
The action crowd has showed their ambivalence. London Has Fallen earned a just OK $62 million compared to Olympus Has Fallen‘s $98M.
2014’s Divergent made $150 million. 2015’s Insurgent: $130 million. This year’s Allegiant: a troubling $66 million.
Then there’s The Huntsman Winter’s War, which may not even reach $50 million. It’s the sequel to Snow White and the Huntsman, which made $155 million.
Just this weekend, Teenage Mutant Ninja Turtles: Out of the Shadows took in $35 million in its debut, which is a shell of the $65 million that the first made two summers ago.
Faith based audiences propelled God’s Not Dead to a heavenly $60 million gross in 2014. Part 2? $20 million.
Kung Fu Panda 3 performed decently with $143 million, but couldn’t match part 1’s $215M or part 2’s $165M.
Seeing a trend here, folks?
There have been rare exceptions in 2016 so far. 10 Cloverfield Lane managed $72 million. Even though that’s below the $80M of Cloverfield, it’s still a solid gross and a profitable venture for its studio.
And Captain America: Civil War was widely expected to outdo the respective $176M and $259M earnings of the first two entries. This was due to it basically being The Avengers 3. It did and will top $400M domestically.
Coming this weekend: two more sequels will try to avoid the 2016 trend and both actually have a decent chance of succeeding. The Conjuring 2 is receiving positive reviews and its studio is hoping the goodwill left over from the 2013 original will propel it to similar grosses (I’m predicting it’ll make $42 million for its start, slightly above the first).
Now You See Me 2 is hoping to match the $29 million made by the 2013 original for its beginning. I’m predicting $24M.
If both of these titles come in below expectations, that may truly show that crowds are just plain sick and tired of seeing roman numerals and numbers behind titles. Looking over the remainder of the 2016 calendar, there’s a heap of sequels that could also struggle to match what came before them. They include:
The Purge: Election Year. Bridget Jones’s Baby. Underworld: Blood Wars. Jack Reacher: Never Go Back. Ouija 2. Bad Santa 2.
Even this month’s Independence Day: Resurgence is an iffy proposition to capitalize on the nostalgia factor from the 1996 original. It appears unlikely to match the $306M earned 20 years ago by the first one.
Next month’s Star Trek Beyond could have trouble matching the $228M made by part 2 in 2013.
Inferno, the third Tom Hanks thriller based on Dan Brown’s novels, is a question mark to match the $133M that Angels & Demons made in 2011 and certainly won’t approach The Da Vinci Code‘s $217M a decade ago.
When it comes to 2016 sequels, it might not all be bad news. Finding Dory (out June 17) shouldn’t have much trouble topping the $70M that Nemo made in 2003 (though whether it reaches its eventual gross of $380M is a mystery).
And July’s Jason Bourne should benefit from having Matt Damon return to the franchise after nine years away. It should manage to outpace the $113M made by Jeremy Renner’s The Bourne Legacy in 2012. However, could it approach the $227M earned by Damon’s last one, 2007’s The Bourne Ultimatum? Probably not.
Perhaps these disappointing results for so many sequels will cause studios to give us more original programming, but don’t hold your breath. Next year is already packed with follow-ups and some of them already look like they could be in trouble.
For instance, it’s probably safe to assume Disney is sweating over the fifth Pirates of the Caribbean flick, Dead Men Tell No Tales. Same goes for Lionsgate with their final Divergent pic, Ascendant.
Some of the 2017 sequels that may not have much to worry about: Guardians of the Galaxy Vol. 2. Fast 8. And, of course, Star Wars: Episode VIII.
Yet given the recent trends, who knows? No one thought Alice or Huntsman or Allegiantwould do that poorly and it’s contributed to a bad… and maybe badly needed downturn for sequels in 2016.
With 2015 by the wayside, it’s time to focus on the upcoming releases for the New Year and that means listing my 16 most eagerly awaited features! Obviously, I’m going by pedigree alone pretty much and not buzz (I’ll note that Fantastic Four made my 2015 cut, if that tells you something).
2016 appears to be jam packed with both sequels and superhero pics. Just to give you an idea, here’s some sequels that didn’t make the cut: Zoolander No. 2, London Has Fallen, Ride Alone 2, The Divergent Series: Allegiant, My Big Fat Greek Wedding 2, Rings, Barbershop: The Next Cut, The Huntsman Winter’s War, Neighbors 2: Sorority Rising, Alice Through the Looking Glass, Teenage Mutant Ninja Turtles: Out of the Shadows, The Conjuring 2, Now You See Me 2, Finding Dory, Independence Day: Resurgence, Ice Age: Collision Course, The Purge 3, Bridget Jones’s Baby, Underworld 5, Jack Reacher: Never Go Back, Ouija 2, Bad Santa 2, and Inferno (the third Tom Hanks Robert Langdon flick). As for comic book related fare, X-Men: Apocalypse, Doctor Strange, and Gambit didn’t make the list of sweet 16.
Others that closely missed the cut: The Jungle Book remake from director Jon Favreau; The Magnificent Seven remake with Denzel Washington, Chris Pratt, and Ethan Hawke; and Jodie Foster’s political thriller Money Monster starring George Clooney and Julia Roberts.
So what DID make it? Here’s my alphabetical list:
Batman v Superman: Dawn of Justice
Never mind that the trailer looks like a bit of a mess. And maybe ignore that Zack Snyder’s Man of Steel was a major mixed bag. This “sequel” brings Ben Affleck’s Caped Crusader in to fight with Henry Cavill’s Supes with Wonder Woman joining the party as well, in addition to Jesse Eisenberg’s Lex Luthor. The curiosity factor alone allows it to make this list. (March 25)
The BFG
This fantasy adventure has some seriously impressive pedigree: it’s based on Roald Dahl’s book and the screenplay is written by the late Melissa Mathison, who penned E.T. The director? Steven Spielberg. ‘Nuff said. (July 1)
Captain America: Civil War
The second Captain America pic, 2013’s Winter Soldier, ranks high in pantheon of MCU titles and this third go round is basically a quasi-Avengers experience with Robert Downey Jr.’s Iron Man, Paul Rudd’s Ant-Man, and our new Spider-Man Tom Holland joining the mix. (May 6)
Deadpool
Our third comic book adaptation sounds in many ways to be the most intriguing (save for one a little further down this list). Deadpool casts Ryan Reynolds (whose superhero movie history include a pretty bad Green Lantern flick) in this hard R rated pic infused with comedy and its trailers inspire hope. This is said to tie in with the X-Men franchise at some future juncture. (February 12)
Fantastic Beasts and Where to Find Them
Based on J.K. Rowling’s novel and from Harry Potter director David Yates comes this return to the world of wizardry that stars Oscar winner Eddie Redmayne. Warner Bros. is anticipating at least a trilogy out of this. (November 18)
The Founder
From the director of The Blind Side and Saving Mr. Banks comes this biopic of McDonald’s founder Ray Kroc, played by Michael Keaton. Don’t be surprised to see this one surrounded by Oscar buzz. (November 25)
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Ghostbusters
Bridesmaids and Spy maker Paul Feig reboots the famous 80s franchise with Melissa McCarthy, Kristin Wiig, and current SNL castmates Leslie Jones and Kate McKinnon. (July 15)
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Hail, Caesar!
Anything from the Coen Brothers is worthy of my anticipation and this 1950s Hollywood set comedy features George Clooney, Josh Brolin, Scarlett Johansson, Jonah Hill, Tilda Swinton, Channing Tatum, and Ralph Fiennes. (February 5)
The Nice Guys
A little over a decade ago, screenwriter/director Shane Black started off Robert Downey Jr.’s improbable comeback with the hilarious action comedy Kiss Kiss Bang Bang before move onto direct Iron Man 3. This 70s set action comedy looks extremely promising and stars Russell Crowe and Ryan Gosling. (May 20)
Passengers
Little is known about this sci-fi romance from The Imitation Game director Morten Tyldum. Yet it is headlined by mega-stars Jennifer Lawrence and Chris Pratt. I’m in. (December 25)
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Rogue One: A Star Wars Story
The Force Awakens just became the biggest domestic grosser of all time (in under four weeks) and this December brings the first spin-off, taking place between episodes III and IV. It focuses on a team of rebels tasked with stealing the plans for the Death Star and is directed by Gareth Edwards, who made 2014’s effective Godzilla reboot. This should rule the holiday season in 2016. (December 16)
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Silence
Like the Coens, anything from Martin Scorsese is worthy of inclusion and this historical epic focused on Jesuit priests in Japan stars Andrew Garfield, Adam Driver, and Liam Neeson. (No Release Date at Press Time)
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Star Trek Beyond
J.J. Abrams has exited the franchise as director to concentrate on a different one while Justin Lin (maker of four Fast and Furious entries) takes over. Let’s see if he keeps the momentum Abrams brought fourth speeding along. (July 22)
Suicide Squad
This is my most anticipated comic book adaptation of the many in 2016. Fury director David Ayer gathers a group of super villains together to hopefully do some good. The cast includes Will Smith, Margot Robbie, and Jared Leto as The Joker. The trailer is terrific. (August 5)
Sully
Clint Eastwood follows up his cultural phenomenon American Sniper with this biopic of the pilot who famously landed on the Hudson, with Tom Hanks in the title role. Another pic that could be ripe for Oscar bait. (September 9)
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Untitled Bourne Film
When Jeremy Renner stepped in for Matt Damon for this celebrated action franchise, audiences reacted with mostly ambivalence. So Damon is back, paired with Paul Greengrass, director of the winning second and third pics in the series. Tommy Lee Jones and Alicia Vikander costar. (July 29)
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And there you have it! We’ll see you at the movies in 2016 and I hope this helped you a little bit…
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