After nearly 12 years, that creepy contortionist Samara and that deadly videotape returns to the silver screen when Rings debuts next weekend. The horror flick reboots a franchise that began in 2002 with the American version of a 1998 Japanese pic. It was a huge success, followed up by a somewhat lackluster 2005 sequel. The question is whether young audiences who flock to the genre and now older moviegoers who were transfixed by the original turn out.
F. Javier Gutierrez takes over directorial reigns in this follow-up set 13 years after part two. The cast includes Matilda Lutz, Alex Roe, Johnny Galecki, and Vincent D’Onofrio.
Curiously, Rings has been pushed back on multiple occasions. First scheduled for fall of 2015, then spring 2016, and then October – Paramount finally settled for February 2017. The stateside version of The Ring in 2002 started off with a decent $15 million opening before its solid word-of-mouth carried it to a $129 million overall domestic gross. The sequel debuted much bigger with $35 million, but petered out quickly with a $76 million eventual tally.
I don’t expect Rings to come anywhere near the franchise high of Ring Two. There’s also a football game that Sunday that could deter some viewers away. That said, we’ve seen the horror genre outperform expectations twice already in the new year – when The Bye Bye Man took in nearly $16 million out of the gate and Split made $40 million for its start. This could also mean genre enthusiasts may have had their fill in recent weeks. I believe Rings manages to just top $20 million.
Rings opening weekend prediction: $20.3 million
For my The Space Between Us prediction, click here:
Three new titles debut this weekend, but none in the trio may dislodge Split from a second weekend atop the charts. The newbies are: sixth and presumably last franchise pic Resident Evil: The Final Chapter, family friendly pet tale A Dog’s Purpose, and Matthew McConaughey vehicle Gold. You can peruse my detailed prediction posts on each here:
We’ll begin with Resident Evil. While all other entries in the series have managed over $20 million (except for the first in 2002), the near five-year gap between sequels should hurt this, similar to how it just hurt Underworld: Blood Wars. Still, a second place showing looks probable.
That brings us to A Dog’s Purpose. Based on a hugely successful bestseller, I had this pegged at nearly $18 million until last week when a TMZ story alleged very questionable animal handling practices on set. My feeling is that the story has gotten big enough to hurt this significantly and I now have it barely topping double digits.
As for Gold, middling reviews could hinder this one and I’ve got it outside the top five with mid single digits.
Returning champ Split had a much larger than expected debut (more on that below). Even if it dips more than 50% (typical for horror titles), I still see it remaining #1.
xXx: Return of Xander Cage had an unimpressive opening and I expect it to fall from #2 to #6. That’s because both Hidden Figures and La La Land should reap the benefits of Oscar nominations. La La, in particular, looks poised to receive the most Academy nods of any picture in history tomorrow morning and that could contribute to a bump.
And with that, my top 8 predictions for this weekend:
1. Split
Predicted Gross: $18.5 million (representing a drop of 53%)
2. Resident Evil: The Final Chapter
Predicted Gross: $14.6 million
3. Hidden Figures
Predicted Gross: $12.8 million (representing a drop of 19%)
4. A Dog’s Purpose
Predicted Gross: $10.3 million
5. La La Land
Predicted Gross: $9.9 million (representing an increase of 18&)
6. xXx: Return of Xander Cage
Predicted Gross: $8.9 million (representing a drop of 55%)
7. Sing
Predicted Gross: $5.6 million (representing a drop of 38%)
8. Gold
Predicted Gross: $5.4 million
Box Office Results (January 20-22)
On the weekend that we just had, maybe it’s somewhat appropriate and ironic that the #1 movie in America is titled Split. And the M. Night Shymalan pic rocketed out of the gate with a fantastic and unforeseen $40.1 million, more than doubling my teeny $19.6M estimate. This is the director’s fourth highest domestic debut, trailing Signs, The Village, and The Last Airbender. It puts the director, who’d been on a downturn until 2015’s low-budget The Visit performed well, on even more of an upswing.
xXx: Return of Xander Cage managed a middling $20.1 million in second, under my $25.4M prediction. The Diesel power is clearly stronger with his Fast and Furious franchise.
Two-week champ Hidden Figures was third with $15.7 million (a bit above my $13.7M forecast) for $83M thus far.
Sing was fourth with $9 million (I said $8.4M) to bring its tally to $249M.
Fifth place belonged to La La Land with $8.4 million (not matching my $11.4M estimate) for an $89M total. Still, as mentioned, its Oscar bump could be forthcoming.
Rogue One was sixth with $7.2 million (I said $7.8M) for a $512M haul.
#7 – Monster Trucks in weekend #2 with $7 million (I said $6.2M). Total gross: $22M.
#8 – Patriots Day, also in weekend #2 of wide release with $5.7 million (I said $7.2M). Total gross: $23M.
#9 – Sleepless in its sophomore frame with $3.4M and #10 was The Bye Bye Man, also with $3.4M in weekend 2. My respective guesstimates were $4.3M and $5.9M.
The Founder with Michael Keaton opened to stale results with $3.4 million in 11th, a bit shy of my $4.1M estimate.
Finally, two other newcomers posted low numbers as 20th Century Women expanded wide and made $1.4 million (I was higher with $2.8M) and faith-based dramedy The Resurrection of Gavin Stone earned $1.3 million (I said $1.6M).
Matthew McConaughey packed on some pounds for next weekend’s Gold, but whether it manages to be a heavyweight at the box office is very much in question. The pic casts the Oscar winner as a hapless businessman who strikes you know what in the jungles of Indonesia. Stephen Gaghan makes his first directorial effort since 2005’s Syriana and costars include Bryce Dallas Howard, Edgar Ramirez, Corey Stoll, Stacy Keach, Toby Kebbell, Craig T. Nelson, and Bruce Greenwood.
The early 90s set adventure comedy/drama faces some obstacles in breaking through. First, while it received a very late 2016 limited release for Academy consideration, that didn’t bear fruit. Gold stands at only 43% currently on Rotten Tomatoes. While McConaughey has been a draw in various genres, this may not stand out enough to strike… you get it.
I believe a decent comp for this could be the star’s previous headlining role – last summer’s Free State of Jones, which managed only $7.5 million in its premiere. Bottom line: I don’t see audiences rushing to it and I’m not totally convinced it even reaches the Jones number.
The sixth (and apparently last judging by the title) franchise entry in a nearly decade and a half series, Resident Evil: The Final Chapter opens next weekend. Stemming from the Capcom video game which premiered nearly 20 years ago, Evil brings back Milla Jovovich as heroine Alice with a supporting cast that includes Ali Larter, Shawn Roberts, Ruby Rose (she’s costarring in another just out sequel xXx: Return of Xander Cage), and Iain Glen. Paul W.S. Anderson (not as you may suspect, the guy who did Boogie Nights and There Will Be Blood), directs his fourth Resident feature.
The latest blend of action and horror in this franchise has seen its longest lay-off in between pictures. That’s a trait recently shared by Underworld: Blood Wars, which came out earlier this month and posted a series low. The Evil pics have all opened in the high teens to mid 20s range. Let’s take a trip down memory lane, shall we?
Resident Evil (2002): $17.7 million opening
Resident Evil: Apocalypse (2004): $23 million
Resident Evil: Extinction (2007): $23.6 million
Resident Evil: Afterlife (2010): $26.6 million
Resident Evil: Retribution (2012): $21 million
As you can see, the previous longest gap was three years and this one has been five. As with the aforementioned Underworld, that might mean a lower opening than the series has witnessed thus far. Blood Wars managed just $13.6 million out of the gate while the four preceding it all made over $20M.
My guess is that this will suffer a very similar final fate and a gross in the low to mid teens range.
Resident Evil: The Final Chapter opening weekend prediction: $14.6 million
Blogger’s Update (Saturday, 01/21, 4:56pm): As mentioned below, I have decided to reconsider and revise my opening weekend prediction for ADog’sPurpose due to the swirling controversy regarding it. I am revising down from $17.9 million to just $10.3 million now.
Blogger’s Update (Wednesday, 01/18, 6:24pm): The prediction below for ADog’sPurpose was written prior to the Wednesday, January 18th allegations in the media involving animal mistreatment on set. Obviously, this story could alter my estimate and I will be monitoring the story as it progresses. I will keep my current projection for the time being, but it is likely to change. I will post further updates as needed.
A Dog’s Purpose is based on a very successful 2010 bestseller by W. Bruce Cameron and the film version hits theaters next weekend. Chronicling the existence of one of man’s best friends through various incarnations, Purpose comes from director Lasse Hallstrom, who was nominated for an Oscar over 30 years ago for Swedish pic My Life as a Dog (he also made The Cider House Rules and Chocolat). Human stars here include Britt Robertson, Dennis Quaid, Josh Gad, and Peggy Lipton (yep, the one from TV’s “The Mod Squad”!).
This adaptation could be rather successful in bringing in a female audience (and dog lovers for that matter). The well-known source material should help and I even think it will likely surpass the opening weekend of its main competitor, Resident Evil: The Final Chapter.
I’ll estimate that Purpose reaches in the mid to high teens for a decent debut. That’s only about half of what Marley and Me made in 2008, but it’s still pretty doggone good.
A Dog’s Purpose opening weekend prediction: $10.3 million
**REVISED NUMBER BASED ON EVENTS
For my Resident Evil: The Final Chapter prediction, click here:
As if the six films crowding the MLK four-day weekend wasn’t enough this past frame, there are now five more hitting theaters in wide release on Friday. They are: Vin Diesel action sequel xXx: Return of Xander Cage, M. Night Shyamalan horror thriller Split, Michael Keaton led Ray Kroc biopic The Founder, comedic drama 20th Century Women with Annette Bening, and faith-based pic The Resurrection of Gavin Stone. You can find my detailed prediction posts on each of them here:
As I see it, Mr. Diesel is likely to rule the weekend, though a higher than expected gross for Split would not surprise me (reviews are good and so are the TV spots). The three and four spots should be filled with two awards hopefuls already doing brisk business: two-week champ Hidden Figures and Best Picture front runner La La Land.
As for The Founder, it’s only debuting on 1100 screens which should hinder its potential. My $4.1 million estimate puts it just outside the top 10. I anticipate both 20th Century Women ($2.8M forecast) and Gavin Stone ($1.6M prediction) to be pretty far outside my projected 10.
And here is that top 10 from where I see it:
1. xXx: Return of Xander Cage
Predicted Gross: $25.4 million
2. Split
Predicted Gross: $19.6 million
3. Hidden Figures
Predicted Gross: $13.7 million (representing a drop of 34%)
4. La La Land
Predicted Gross: $11.4 million (representing a drop of 22%)
5. Sing
Predicted Gross: $8.4 million (representing a drop of 41%)
6. Rogue One: A Star Wars Story
Predicted Gross: $7.8 million (representing a drop of 42%)
7. Patriots Day
Predicted Gross: $7.2 million (representing a drop of 39%)
8. Monster Trucks
Predicted Gross: $6.2 million (representing a drop of 43%)
9. The Bye Bye Man
Predicted Gross: $5.9 million (representing a drop of 57%)
10. Sleepless
Predicted Gross: $4.3 million
Box Office Results (January 13-16)
Those ladies from NASA held onto the top spot for the second weekend in a row as Hidden Figures topped the Martin Luther King, Jr. holiday weekend with earnings of $27.5 million. This is a bit above my predicted figure of $24.1M and brings its tally to $61 million.
The animated Sing was second with $19 million (past my $16.4M estimate) as it stands at a pleasing $238 million total.
LaLaLand sang and danced its way to third place one weekend after cleaning up at the Golden Globes. It earned $17.7 million (I was lower with $13.7M) and its total is at $77 million, barreling towards $100M as Oscar nominations are due next week.
RogueOne: AStarWarsStory was fourth with $16.8 million (I was close with $16.4M). The highest grosser of 2015 padded its gross to $501 million.
The top four did not include a single one of the six newbies that entered the marketplace. The biggest grosser of that group was surprisingly low-budget horror pic TheByeByeMan. It earned an impressive $15.2 million, well beyond my $8.8M projection.
Kiddie flick MonsterTrucks opened in sixth with $14.1 million. The good news? That was better than my $10.1M guesstimate. The bad news? It still had an inexplicable $115M budget and is a sizable flop.
PatriotsDay with Mark Wahlberg posted an unimpressive debut in seventh with $13.7 million, nearly $10M under my $23.6M prediction. It did garner an A+ Cinemascore so its best hope is for low drop-offs in the coming weekends.
The Jamie Foxx action thriller Sleepless premiered in eighth with a rather sleepy $9.7 million, on pace with my $10.3M take.
Underworld: BloodWars dropped to ninth in its sophomore frame with $7.2 million, just above my $6.6M projection. It’s made $25 million thus far.
Passengers rounded out the top ten with $6.4 million and I incorrectly didn’t have it there. The total is $90 million as it looks to top the century club.
Perhaps the biggest stunner of the weekend was the dismal performance of Ben Affleck’s LivebyNight. The gangster drama which received middling reviews bombed in 12th place with just $6 million, less than half of my $13.2M prediction.
Finally, Martin Scorsese’s Silence also flopped as it widened its release. The faith centered passion project for the celebrated director made just $2.3 million in 16th place, not quite reaching my $3M forecast.
Faith based comedic drama The Resurrection of Gavin Stone debuts next weekend and it hopes to over perform like several other Christian themed pics have in recent years. Co-produced in part by Blumhouse Tilt and WWE Studios, it stars Brett Dalton, Anjelah Johnson, Neil Flynn, Shawn Michaels (yep, the wrestler), and D.B. Sweeney (yep, one half of the ice skating duo in early 90s flick The Cutting Edge).
Focusing on a washed up child star who pretends to be a person of faith to play Jesus in a megachurch production, Stone comes with just a teeny $2 million budget. Profitability shouldn’t be a tall order.
That said, I expect it to fall just under its budget in the opening frame with the caveat that it could surprise a bit.
The Resurrection of Gavin Stone opening weekend prediction: $1.6 million
For my xXx: Return of Xander Cage prediction, click here:
20th Century Women first screened at the New York Film Festival in the fall and quickly became mentioned for awards attention. The 1970s set comedic drama is directed by Mike Mills and stars Annette Bening, Greta Gerwig, Elle Fanning, and Billy Crudup. Reviews have been strong and it stands at 93% on Rotten Tomatoes.
Yet it can’t be denied that its Oscar hopes have appeared to dim significantly. Its Best Picture prospects appear gone and even Annette Bening (once looked at as a sure fire Actress nominee) could be on the outside looking in. This is important because the lack of buzz could greatly hurt its box office abilities when it opens wide next weekend.
Women has performed decently in limited release, but I’m not convinced that will hold true for its roll out. I’ll say this manages just under $3 million.
20th Century Women opening weekend prediction: $2.8 million
For my xXx: Return of Xander Cage prediction, click here:
Michael Keaton has had the rare feat of appearing in the last two Best Picture Oscar winners with 2014’s Birdman and 2015’s Spotlight. For awhile, TheFounder (out next weekend) was looked at as potential awards bait. Keaton headlines the biographical drama playing Ray Kroc, the man who acquired what would become the multi billion dollar McDonald’s franchise. John Lee Hancock directs and his previous efforts include TheBlindSide and SavingMr. Banks. Laura Dern, Nick Offerman, John Carroll Lynch, Linda Cardellini, Patrick Wilson, and B.J. Novak costar.
TheFounder has had a shifty journey to the big screen. It was originally tapped to debut in November before being pushed up to August before being pushed back to January. It had a very limited release in December to qualify for Academy consideration, but that probably won’t matter much. While reviews so far have been decent (81% on Rotten Tomatoes), it’s likely to receive zero nominations. This won’t be a Keaton trifecta for Best Picture.
What does it all mean for the box office? While any moviegoer is certainly familiar with the subject matter, I don’t that see that translating to much business. That said, the pic comes with just a tiny reported $7 million budget. I’ll predict it mkea under that in its first weekend for a mid single digits start.
TheFounder opening weekend prediction: $4.1 million
For my xXx: ReturnofXanderCage prediction, click here:
The cinematic horror stylings of M. Night Shyamalan returns to theaters next weekend when Split debuts. His latest fright fest stars James McAvoy as a man with multiple personalities who kidnaps three teen girls. Anya Taylor-Joy and Betty Buckley are among the costars acting alongside all of McAvoy’s characters.
Split screened at a couple of film festivals during the fall and early word suggests a return to form for the auteur. The current Rotten Tomatoes score stands at 82%. Of course, Shyamalan’s filmography is a checkered one. He sprinted out of the gate with commercial and critical hits such as TheSixthSense, Unbreakable, and Signs. Disappointments from critics and audiences would come with LadyintheWater, TheHappening, and AfterEarth. His previous effort, 2015’s TheVisit, drew mixed reaction from reviewers and crowds yet it debuted with a better than anticipated $25 million weekend and $65M overall domestic take.
In fact, the smallest first weekend from the director since he’s become a celebrity in his own right remains LadyintheWater at $18 million. I incorrectly predicted TheVisit would open under that over one year ago and was proven wrong.
With solid reviews and effective TV spots and trailers, I’ll predict Split gets over that $18 million figure and just shy of $20M.
Split opening weekend prediction: $19.6 million
For my xXx: ReturnofXanderCage prediction, click here:
All My Life... I Wanted To Be A Blogster 