Jigsaw Box Office Prediction

For seven years in gruesome clockwork fashion every October, the Saw franchise unleashed a new entry that began in 2004 and ended in 2010. After seven years of dormancy, it’s back next weekend with Jigsaw. The Lionsgate release comes from directors Michael and Peter Spierig with Tobin Bell returning as the title character and a cast of relative unknowns.

In 2004, the first Saw pic impressed critics and audiences alike and quickly turned into a sleeper hit. Sequels II-V all subsequently posted low 30s openings before installment VI stopped the gravy train with a $14.1 million debut and $27 million overall gross (all series lows). The seventh pic, Saw 3D in 2010, bounced back a bit with a $22 million debut and $45 million total.

After such a lengthy break, will sequelitis sink in? The answer is probably yes. We have seen these significant layoffs in the genre hurt titles such as Scream 4 and Blair Witch. Additionally, the teens that frequent these pics may not have as much familiarity with the franchise due to the hiatus.

I’ll predict Jigsaw barely manages to avoid a series low premiere with a debut in the $14-$16 million range.

Jigsaw opening weekend prediction: $14.8 million

For my Suburbicon prediction, click here:

https://toddmthatcher.com/2017/10/18/suburbicon-box-office-prediction/

For my Thank You for Your Service prediction, click here:

https://toddmthatcher.com/2017/10/18/thank-you-for-your-service-box-office-prediction/

My Love of Movies IV

Four years ago on a Thursday evening, I made the snap decision to start a movie blog. I did it without much thought and with little clue what I wanted it to be.

I knew two things: I love movies and I love writing. And so I penned my first blog post. It’s called “My Love of Movies”. Look at it. Isn’t it adorable?

https://toddmthatcher.com/2012/10/11/my-love-of-movies/

Then came the first anniversary. I wrote about that here:

https://toddmthatcher.com/2013/10/10/you-could-see-that-pierre-did-truly-love-the-mademoiselle-my-blog-turns-1-years-old/

Then the second anniversary:

https://toddmthatcher.com/2014/10/09/my-love-of-movies-part-ii-the-blogs-second-anniversary/

And the third:

https://toddmthatcher.com/2015/10/11/the-blog-turns-3/

Yes, maybe the anniversary posts have dwindled in quality as time has passed. With every year comes the familiarity of the blog having become more of a reality. More of everyday life. What I’m writing at this moment is my 1,516th post.

Truth be told – 2016 hasn’t been the best year for movies. Oh, don’t get me wrong. There’s always those moments that I’ve described so lovingly in previous posts. A truly hilarious scene at an animated DMV run by sloths in Zootopia. A comic book adaptation in Deadpool that had moments of raunchy inspiration. And there’s a lot more for me to see in 2016.

Let’s get real for a second, friends. 2016 hasn’t been the best year for lots of things. Political discourse for one, but let us not go THERE.

Sequels. Too many of ’em. Too many we didn’t ask for.

Apparently Zoolander did say all that needed to be said fifteen years ago. Audiences weren’t ready to travel back to the Blair Witch woods. I could go on.

But I won’t. No, where 2016 has been truly sad is in the people we’ve lost. Hans Gruber of Die Hard is one of the greatest film villains in screen history. Alan Rickman brilliantly played him, along with lots of other amazing performances.

Gene Wilder may hold the record for appearing in the most flat out brilliant comedies, not to mention being a part of our collective childhoods in Willy Wonka and the Chocolate Factory.

Our ears have been blessed to experience the music of Prince and David Bowie and witness their contributions to film.

I know what you might be thinking… this anniversary post is a bummer, dude!

A silver lining. A consolation point. We will always have film to remind us of the aforementioned artists brilliance.

We will always have the knowledge that the cherished memories we have of them are preserved.

We will always have the knowledge, film lovers that we are, that more memories will be formed with new amazing performers.

Every week on this blog, there are more box office predictions to be estimated. More Oscar Watch movies to be discussed. More reviews to be written.

There’s always more. It’s the NeverEnding Story of film that I described here three years ago:

https://toddmthatcher.com/2014/02/05/the-neverending-story/

Are there times it feels stale when the latest unwanted sequel is rolled out? Sure.

Are there moments you wonder where else the superhero genre can possibly go when we get a new one every couple months now? Yes.

And then Star Wars: The Force Awakens turns out to be a pleasure… and not unwanted. And then Deadpool brings something new to the genre.

I remember four years ago tonight writing that first blog post and wondering if I’d have any ideas for a second one. Then I figured out what I wanted the blog to be… and it constantly changes.

I love doing it. I thank you for reading it and I’m humbled to report that 2016 has been the most viewed year so far already! I’ve also tremendously valued my partnership with Fantasy Movie League that began this year and continuing my history of getting out predicted by Joe Giuliano at box office numbers.

2016 has been a challenge for us who love the silver screen and love incredible music. We remember that vile antagonist of John McClane in my favorite action movie ever.

We remember that gentle and hilarious man who brought us into a world of pure imagination.

We remember bathing in the beautiful sounds of the Purple Rain.

And we wait for the next moments of inspiration and all the other emotions that the movies bring.

They’ll come. They always do.

https://m.youtube.com/watch?v=dCuhvqmTo7c

Box Office Predictions: September 30-October 2

Four new titles roll out in wide release this weekend at the box office and they are: Mark Wahlberg’s true-life disaster pic Deepwater Horizon, Tim Burton’s YA fantasy Miss Peregrine’s Home for Peculiar Children, oft delayed Zach Galifianakis/Kristin Wiig comedy Masterminds, and Disney’s Ugandan chess prodigy tale Queen of Katwe. You can peruse my detailed prediction posts on each here:

https://toddmthatcher.com/2016/09/21/deepwater-horizon-box-office-prediction/

https://toddmthatcher.com/2016/09/21/miss-peregrines-home-for-peculiar-children-box-office-prediction/

https://toddmthatcher.com/2016/09/21/masterminds-box-office-prediction/

https://toddmthatcher.com/2016/09/23/queen-of-katwe-box-office-prediction/

As I see it, Deepwater Horizon should top Peregrine for the top spot. Both have the chance to debut higher than my predictions, but the trend over the last couple of weeks has been titles under performing and not over performing. If Magnificent Seven loses close to half its opening weekend audience, it should be third with Storks at the four spot (it should experience the smallest decline of holdovers).

My estimates for Masterminds and Queen of Katwe put them in the sixth and seventh positions with Sully holding on for another week in the top five.

Here’s how the blog readers feel about my projections for the newcomers:

Deepwater Horizon – 45% Too Low, 38% Just About Right, 17% Too High

Miss Peregrine’s Home for Peculiar Children – 69% Too Low, 16% Just About Right, 15% Too High

Masterminds – 54% Just About Right, 46% Too Low, 0% Too High

Queen of Katwe – 50% Just About Right, 38% Too Low, 12% Too High

And with that, a top 7 predictions for this weekend:

1. Deepwater Horizon

Predicted Gross: $24.7 million

2. Miss Peregrine’s Home for the Peculiar Children

Predicted Gross: $19.6 million

3. The Magnificent Seven

Predicted Gross: $18.2 million (representing a drop of 47%)

4. Storks

Predicted Gross: $13.2 million (representing a drop of 37%)

5. Sully

Predicted Gross: $9.1 million (representing a drop of 33%)

6. Masterminds

Predicted Gross: $6.3 million

7. Queen of Katwe

Predicted Gross: $5 million

Box Office Results (September 23-25)

As expected, The Magnificent Seven remake with Denzel Washington and Chris Pratt easily topped the charts, though it did come in towards the bottom end of most expectations. The Western took in $34.7 million and I went considerably higher with $47.1M. Still, the opening is in line with Washington’s The Equalizer from two years ago.

After the animated talking animal mega-hits that were Zootopia, Finding Dory, and The Secret Life of Pets – perhaps family audiences had their fill as Storks posted a debut on the lowest end of expectations. Despite positive reviews, the Warner Bros release made $21.3 million for second (below my $27.9M projection). Its best hope is for smallish declines in future weekends.

Sully dropped to third after two weeks on top with $13.5 million (under my $14.9M forecast) for a total of $92M.

Last weekend’s newcomers all posted lackluster debuts and they all experienced unimpressive second weekends as well. Bridget Jones’s Baby was fourth with $4.6 million (I said $5.1M) for a $16M total. Snowden was fifth with $4 million (I said $4.3M) for a $15M tally. Blair Witch dropped to sixth with $4 million as well (I predicted $3.4M) for a $16M overall gross.

And that’s all for now, folks! Until next time…

Box Office Predictions: September 23-25

This past weekend, all newcomers failed to connect with audiences, but the fourth weekend of September has two openings where their prospects look more solid. They are the Denzel Washington/Chris Pratt Western remake The Magnificent Seven and Warner Bros animated Storks. You can read my detailed prediction posts on each right here:

https://toddmthatcher.com/2016/09/14/the-magnificent-seven-box-office-prediction/

https://toddmthatcher.com/2016/09/14/storks-box-office-prediction/

I have Seven slated for the second largest September debut of all time, just behind last year’s Hotel Transylvania 2. As for Storks, I’m predicting a solid second place start.

Sully should fall to third after two weeks on top. As for the aforementioned newbies from last weekend, Bridget Jones’s Baby seems likely to have the smallest decline in its sophomore frame over Blair Witch and Snowden. In fact, while Blair Witch had the highest opening of the fresh titles (which isn’t saying much), I have it primed for a massive drop due to its putrid D+ Cinemascore average.

As far as where the readers think I am with predictions on our two newcomers:

The Magnificent Seven: 36% Too High, 35% Just About Right, 29% Too Low – quite the even split!

Storks: 46% Too Low, 36% Just About Right, 18% Too High

In last weekend’s poll, 74% incorrectly (including I) guessed that Blair Witch would be #1 while 26% correctly said Sully.

And with that, let’s do a top six for this weekend:

1. The Magnificent Seven

Predicted Gross: $47.1 million

2. Storks

Predicted Gross: $27.9 million

3. Sully

Predicted Gross: $14.9 million (representing a drop of 31%)

4. Bridget Jones’s Baby

Predicted Gross: $5.1 million (representing a drop of 40%)

5. Snowden

Predicted Gross: $4.3 million (representing a drop of 47%)

6. Blair Witch

Predicted Gross: $3.4 million (representing a drop of 65%)

Box Office Results (September 16-18)

Sully once again landed (the pun is old, I know) safely in first place for the second weekend in a row with $21.6 million – just shy of my $23.3M forecast. The Tom Hanks hit has earned $70M thus far.

The curse of the Blair Witch applied to its dismal box office numbers as the sequel to the 1999 smash hit made just $9.5 million. I originally predicted $27.4 million before revising it down to $22.4M. I should have kept going down further and further. In a year that’s been mighty good for horror, the Witch debut gave us a rare dud. However, keeping things in perspective, it did only cost a measly $5 million to make, so it nearly doubled its budget in three days.

In more underwhelming sequel news – Renee Zellweger’s return to the big screen in her signature role was met with a shrug as Bridget Jones’s Baby earned $8.5 million, under my $12.3M estimate. The third entry in the franchise (and first in 12 years) posted its lowest debut in third, just under the $8.6M of 2004’s Bridget Jones: The Edge of Reason.

Oliver Stone’s Snowden was fourth with $8 million, a bit ahead of my $6.8M prediction. This is just an OK showing as mixed reviews and perhaps a distaste for political drama on the big screen contributed to its ambivalent roll out.

Don’t Breathe stayed in the top five with $5.6 million ($75M total). I incorrectly didn’t include it as its drop-off was smaller than I anticipated.

When the Bough Breaks was sixth in weekend #2 with $5.4 million (I said $5.6M). It’s made $22M.

Last and least – the Christian concert doc Hillsong – Let Hope Rise tanked with only $1.3 million – less than half of my $3M projection for an unlucky 13th place showing.

And that will do it for now, friends! Until next time…

Box Office Predictions: September 16-18

The third weekend of September brings us four new films (just as last weekend did) and they are: horror sequel Blair Witch, rom com three-quel Bridget Jones’s Baby, Oliver Stone’s political thriller Snowden, and faith-based concert documentary Hillsong – Let Hope Rise. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2016/09/07/blair-witch-box-office-prediction/

https://toddmthatcher.com/2016/09/07/bridget-joness-baby-box-office-prediction/

https://toddmthatcher.com/2016/09/07/snowden-box-office-prediction/

https://toddmthatcher.com/2016/09/12/hillsong-let-hope-rise-box-office-prediction/

As I see it, Bridget Jones’s Baby looks like it’ll easily place third for the weekend – unless Snowden does considerably better than my estimate. However, I have Snowden pretty far behind in fourth.

Hillsong is unpredictable (it doesn’t help that I don’t have a screen count). I have it in eighth place at $3 million.

The battle for #1 could be one to watch. My estimate for Blair Witch puts it there, but I expect Sully to experience a rather smallish decline. If Witch comes in below my prognosis, the Clint Eastwood/Tom Hanks could land in first for the second frame.

As for current #2 When the Bough Breaks, I look for it to place fifth with a hefty decline.

Here’s how the blog readers feel about my newcomer predictions:

Blair Witch: 36% Too High, 33% Just About Right, 31% Too Low

Bridget Jones’s Baby: 51% Too Low, 32% Just About Right, 17% Too High

Snowden: 71% Too Low, 23% Just About Right, 6% Too High

**I made my Hillsong prediction just this evening, so no real data on that one yet.

And with that, a top 5 predictions for the weekend:

1. Blair Witch

Predicted Gross: $27.4 million

2. Sully

Predicted Gross: $23.3 million (representing a drop of 33%)

3. Bridget Jones’s Baby

Predicted Gross: $12.3 million

4. Snowden

Predicted Gross: $6.8 million

5. When the Bough Breaks

Predicted Gross: $5.6 million (representing a drop of 61%)

Box Office Results (September 9-11)

Sully had a terrific debut over the weekend with $35 million – good for the fifth highest September opening ever and coming in above my $28.5M estimate. It also marks Tom Hanks’s largest live-action premiere in seven years. With an A Cinemascore grade, expect Sully to have sturdy legs moving forward.

The news wasn’t as good for When the Bough Breaks, which made $14.2 million for runner-up status. I was way higher with $22.7M. The romantic thriller couldn’t match the September openings of similarly themed 2014 and 2015 pics – No Good Deed and The Perfect Guy. That said, Bough‘s price tag is only a reported $10 million so a tidy profit is in order for studio Screen Gems.

Don’t Breathe, as expected, dropped to third after two weeks on top with $8.2 million – in line with my $7.5M forecast for a total of $66M. Suicide Squad was fourth with $5.7 million (I predicted $5.1M) for a $307M tally.

Fifth place belonged to Belgian animated entry The Wild Life and I incorrectly had it outside the top five. It earned $3.3 million (I went with $3.2M) for a lackluster beginning.

Kubo and the Two Strings was sixth, also at $3.3 million (I said $3.8M) to bring its gross to $40M.

Last and least, Kate Beckinsale’s horror flick The Disappointments Room bombed in a 17th place showing with just $1.4 million. I was a bit more generous at $2.3M.

And that will do it for now, folks! Until next time…

Blair Witch Box Office Prediction

Seventeen years ago, The Blair Witch Project came out of nowhere and turned into a 1999 summertime smash. The found footage horror pic (we can basically thank it for kicking off that craze) was initially shot for a tiny $60,000 and made $140 million domestically and $248 million worldwide. A year later, a quasi-sequel entitled Book of Shadows: Blair Witch 2 failed to connect with audiences.

This time around, we have a direct sequel to the original and it was shockingly a secret up until a couple of months ago. The director/writer horror team of Adam Wingard and Simon Barrett have been responsible for some critically acclaimed genre titles such as You’re Next and The Guest. Their latest venture was said to be The Woods and there was even a trailer for it. It wasn’t until this summer’s San Diego Comic Con (where it screened to great buzz) that it was revealed as Blair Witch. Like the 1999 pic, the cast is made up of relative or total unknowns.

Backstory explained, let’s get to its box office potential. First things first – scare tactics have been a bright spot at the multiplexes lately. The Conjuring 2 debuted to $40 million. Lights Out surprised many with a $21 million premiere and Don’t Breathe exceeded all expectations with $26 million out of the gate. That bodes well for this.

One potential concern: will younger viewers feel the connection to a franchise that has laid dormant for over a decade and a half? While the original was a moneymaking sensation, reaction to it was actually polarized and that may have contributed to the mediocre returns of the 2000 follow-up.

That said, I still envision Blair Witch reaching mid to high 20s next weekend with strong word of mouth from its screening helping.

Blair Witch opening weekend prediction: $27.4 million

For my Bridget Jones’s Baby prediction, click here:

https://toddmthatcher.com/2016/09/07/bridget-joness-baby-box-office-prediction/

For my Snowden prediction, click here:

https://toddmthatcher.com/2016/09/07/snowden-box-office-prediction/

For my Hillsong – Let Hope Rise prediction, click here:

https://toddmthatcher.com/2016/09/12/hillsong-let-hope-rise-box-office-prediction/

Will Blair Witch and Rings Scare Up Nostalgia?

Two high-profile horror flicks coming out this fall seem to have a lot in common. Both will help answer the question as to whether late 90s and early 00s nostalgia scares up business for the both of them.

Both Blair Witch (out September 16) and Rings (October 28) have had interesting journeys to the silver screen. Witch is, of course, a sequel to The Blair Witch Project from 1999. It came out of nowhere that summer and kicked off the found footage craze of the genre that continued for some time. Shot for a tiny $60,000, it grossed $248 million worldwide. This new one comes from director Adam Wingard (who made 2013’s well-regarded You’re Next). For months, it was known as The Woods and the reveal that it was actually related to the famed pic from 17 years ago was unknown until recently.

Rings reinvigorates the dormant franchise of movies that hit it big with 2002’s The Ring, Gore Verbinski’s remake of 1998’s Japanese flick Ringu. It starred Naomi Watts in the role that exposed her to mass audiences and made $249 million globally. Like Blair Witch Project, it ushered in its own sub genre of horror that included The Grudge. Rings has been delayed a couple of times – it was originally scheduled to premiere last November, then pushed to April, and finally to this Halloween.

A similarity that these two series share: an underwhelming second picture in between the original and the reboots coming our way this autumn. 2000’s Book of Shadows: Blair Witch 2 didn’t strike the kind of chord that its predecessor did, earning weak reviews and just $50 million in sales. 2005’s The Ring Two also suffered mediocre critical response and audience reaction (making $76 million domestically compared to the original’s $129 million). What I recall most about it is some of the worst CG deer in the history of cinema.

The nostalgia train has been rolling along in theaters recently with some smashing successes (Jurassic World) and crushing failures (Independence Day: Resurgence). The horror genre is one that constantly remakes and re-imagines its popular franchises, but Blair Witch and Rings are among the first to test out moviegoers fondness for these series that hit it big less than two decades ago. Stay tuned!