Today we reach the final installment of my listing of the Top 25 Highest Grossing Actresses in box office history with the top five!
Here are the five ladies that have grossed the most stateside:
5. Julia Roberts
Career Earnings: $2.7 billion
Franchises: The Ocean’s pictures
Highest Grossing Picture: Ocean’s Eleven (2001) – $183 million
Number of $100M+ Earners: 11 (Ocean’s Eleven, Ocean’s Twelve, Pretty Woman, Runaway Bride, My Best Friend’s Wedding, Erin Brockovich, Hook, Notting Hill, Valentine’s Day, Sleeping with the Enemy, The Pelican Brief)
Lowest Grosser: Fireflies in the Garden (2011) – $70,000
Overall Rank: 30
4. Helena Bonham Carter
Career Earnings: $2.7 billion
Franchises: Harry Potter, Alice in Wonderland
Highest Grossing Picture: Harry Potter and the Deathly Hallows Part 2 (2011) – $381 million
Number of $100M+ Earners: 9 (Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows Part 1, Harry Potter and the Deathly Hallows Part 2, Alice in Wonderland, Charlie and the Chocolate Factory, Cinderella, Planet of the Apes, Les Miserables, The King’s Speech)
Lowest Grosser: The Theory of Flight (1998) – $73,000
Overall Rank: 28
3. Cate Blanchett
Career Earnings: $2.8 billion
Franchises: Lord of the Rings, The Hobbit
Highest Grossing Picture: Lord of the Rings: The Return of the King (2003) – $377 million
Number of $100M+ Earners: 10 (Lord of the Rings: The Fellowship of the Rings, Lord of the Rings: The Return of the King, The Hobbit: An Unexpected Journey, The Hobbit: The Battle of the Five Armies, Indiana Jones and the Kingdom of the Crystal Skull, Cinderella, How to Train Your Dragon 2, The Curious Case of Benjamin Button, Robin Hood, The Aviator)
Lowest Grosser: Little Fish (2006) – $8,000
Overall Rank: 27
2. Cameron Diaz
Career Earnings: $3 billion
Franchises: Charlie’s Angels, Shrek
Highest Grossing Picture: Shrek 2 (2004) – $441 million
Number of $100M+ Earners: 11 (Shrek, Shrek 2, Shrek the Third, Shrek Forever After, There’s Something About Mary, My Best Friend’s Wedding, Charlie’s Angels, Charlie’s Angels: Full Throttle, The Mask, Vanilla Sky, Bad Teacher)
Lowest Grosser: Head Above Water (1997) – $32,000
Overall Rank: 19
Scarlett Johansson
Career Earnings: $3.3 billion
Franchises: Marvel Cinematic Universe
Highest Grossing Picture: The Avengers (2012) – $623 million
Number of $100M+ Earners: 7 (The Avengers, Avengers: Age of Ultron, Iron Man 2, Captain America: The Winter Soldier, Captain America: Civil War, The Jungle Book, Lucy)
Lowest Grosser: A Love Song for Bobby Long (2004) – $164,000
Overall Rank: 9
And there you have it, my friends! Your 25 highest grossing females in the history of the movies…
Here we are folks! After numerous posts prognosticating on what and whom will be nominated for the Academy Awards honoring 2015’s best, we will all collectively find out tomorrow morning. This Oscar season has been filled with much intrigue and a great deal of uncertainty.
Many questions abound:
Will the performances of Rooney Mara (Carol) and Alicia Vikander (The Danish Girl) be recognized in lead Actress or Supporting Actress? That query alone makes predicting both of those races tricky this year. I will go with both being recognized in Supporting, but if Oscar voters go lead with one or both, it changes the whole dynamic. There’s also the possibility that Vikander could be honored in Supporting for Ex Machina and not Danish, which adds to the confusion.
Will the Academy nominate their first Star Wars pic (The Force Awakens) since the original 38 years ago? It’s already become the highest grossing film of all time and could certainly lead to even more eyeballs watching the telecast. That said, I have it narrowly missing the cut.
Will Leonardo DiCaprio finally win the gold statue for his work in The Revenant? Precursor awards including the Golden Globes point to yes. A nomination seems assured.
Is Spotlight truly the front runner or not? Many other possibilities are out there for an “upset” win. It is, at best, a soft front runner.
I’ll finally note that my predictions reflect a belief that Straight Outta Compton will be shut out. This goes against what several other predictors are saying and many have it being recognized in Best Picture. Another high profile offering that I have coming up empty: Black Mass.
As I’ve done for the last several weeks, I’m listing my predicted nominees and other possibilities in each category by likelihood of being nominated. Just because I have something listed as #1 doesn’t mean I’m predicting it to win (I’ll have my first blog post up predicting the winners this weekend). In parentheses after each entry is how far each predicted nominee/possibility has fallen from my previous predictions last week. On Thursday evening, I’ll have a post up letting you know how well (or not so much) I did.
Let’s get to it, shall we? My FINAL predictions:
Best Picture
As I see it, there are 21 films vying for anywhere from 5-10 spots. The magic number is usually 9 (last year it was 8). I’m going with 9 this year, though I believe 10 is more probable than 8. And strangely enough, my predicted nine has stayed the same over the course of the last month or so. Straight Outta Compton, Sicario, and even The Force Awakens have made some waves of late, but I still have them narrowly missing.
Spotlight (No Change)
The Big Short (No Change)
The Revenant (+3)
Mad Max: Fury Road (-1)
The Martian (No Change)
Carol (+1)
Bridge of Spies (+1)
Room (-4)
Brooklyn (No Change)
Other Possibilities:
10. Straight Outta Compton (No Change)
11. Star Wars: The Force Awakens (No Change)
12. The Hateful Eight (No Change)
13. Sicario (+1)
14. Inside Out (-1)
15. Steve Jobs (+1)
16. Ex Machina (+2)
17. Trumbo (No Change)
18. Beasts of No Nation (-3)
19. Son of Saul (+1)
20. The Danish Girl (-1)
21. Creed (No Change)
Best Director
Tuesday’s Directors Guild of America usually provides a reasonably reliable snap shot of at least three or four of the nominees that will end up being recognized here. Their picks were Tom McCarthy, Ridley Scott, George Miller, Alejandro Gonzalez Inarritu, and Adam McKay. Of those, McKay seems the most vulnerable (with Miller and Scott behind). I’ll keep my prediction for Todd Haynes in and there’s certainly a chance there’s a shocker nominee as we sometimes see in this category.
Tom McCarthy, Spotlight (+1)
Alejandro Gonzalez Inarritu, The Revenant (+1)
Ridley Scott, The Martian (+1)
George Miller, Mad Max: Fury Road (-3)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Steven Spielberg, Bridge of Spies (+1)
7. Adam McKay, The Big Short (-1)
8. Denis Villenueve, Sicario (+5)
9. Lenny Abrahamson, Room (-1)
10. F. Gary Gray, Straight Outta Compton (+1)
11. John Crowley, Brooklyn (-2)
12. Quentin Tarantino, The Hateful Eight (-2)
13. J.J. Abrams, Star Wars: The Force Awakens (-1)
14. Jay Roach, Trumbo (Previously Unranked)
15. Cary Fukanaga, Beasts of No Nation (-1)
16. Alex Garland, Ex Machina (Previously Unranked)
17. Laszlo Nemes, Son of Saul (-2)
18. Ryan Coogler, Creed (Previously Unranked)
19. Danny Boyle, Steve Jobs (Previously Unranked)
20. Tom Hooper, The Danish Girl (Previously Unranked)
Best Actor
This race is increasingly looking like ‘The Leo Show” with Mr. DiCaprio likely to nab (finally) his first Oscar. Only Leo seems to be a totally safe bet (though it would be a surprise to me if Redmayne and Fassbender don’t get in and probably Cranston too). I would say numbers 5-8 are practically interchangeable while anything 9 or below would be a fairly big surprise.
Leonardo DiCaprio, The Revenant (No Change)
Eddie Redmayne, The Danish Girl (No Change)
Michael Fassbender, Steve Jobs
Bryan Cranston, Trumbo (No Change)
Matt Damon, The Martian (+1)
Other Possibilities:
6. Steve Carell, The Big Short (-1)
7. Will Smith, Concussion (No Change)
8. Johnny Depp, Black Mass (No Change)
9. Ian McKellen, Mr. Holmes (No Change)
10. Michael Caine, Youth (No Change)
11. Michael B. Jordan, Creed (+1)
12. Geza Rohrig, Son of Saul (-1)
Best Actress
As previously discussed, all the rules go out the window if either Rooney Mara or Alicia Vikander are recognized here instead of in Supporting Actress. That said, I feel pretty confident about Larson, Ronan, and Blanchett. The rest? Not so much.
Brie Larson, Room (No Change)
Saoirse Ronan, Brooklyn (No Change)
Cate Blanchett, Carol (No Change)
Jennifer Lawrence, Joy (+1)
Charlotte Rampling, 45 Years (-1)
Other Possibilities:
6. Charlize Theron, Mad Max: Fury Road (+1)
7. Helen Mirren, Woman in Gold (+1)
8. Emily Blunt, Sicario (+3)
9. Blythe Danner, I’ll See You in My Dreams (+1)
10. Sarah Silverman, I Smile Back (-1)
11. Maggie Smith, The Lady in the Van (Previously Unranked)
Best Supporting Actor
Bottom line: I feel like Rylance and Stallone are the only safe bets here. This category has been wide open for quite some time and all 12 performers listed here could get in. Very curious to see how this works out come tomorrow.
Mark Rylance, Bridge of Spies (No Change)
Sylvester Stallone, Creed (+1)
Idris Elba, Beasts of No Nation (-1)
Paul Dano, Love and Mercy (+1)
Christian Bale, The Big Short (-1)
Other Possibilities:
6. Michael Keaton, Spotlight (No Change)
7. Michael Shannon, 99 Homes (No Change)
8. Mark Ruffalo, Spotlight (No Change)
9. Tom Hardy, The Revenant (No Change)
10. Jacob Tremblay, Room (+1)
11. Benicio del Toro, Sicario (-1)
12. Jason Mitchell, Straight Outta Compton (Previously Unranked)
Best Supporting Actress
Rooney Mara and Alicia Vikander seem like safe bets – as long as they’re nominated here and not in Actress. Kate Winslet (fresh off a Globe win) and Jennifer Jason Leigh should play here, too. The fifth slot is truly up for grabs, I feel.
Alicia Vikander, The Danish Girl (No Change)
Rooney Mara, Carol (No Change)
Kate Winslet, Steve Jobs (+1)
Jennifer Jason Leigh, The Hateful Eight (-1)
Helen Mirren, Trumbo (+1)
Other Possibilities:
6. Jane Fonda, Youth (-1)
7. Kristen Stewart, Clouds of Sils Maria (No Change)
8. Rachel McAdams, Spotlight (+1)
9. Joan Allen, Room (-1)
10. Alicia Vikander, Ex Machina (No Change)
11. Elizabeth Banks, Love and Mercy (No Change)
12. Marion Cotillard, MacBeth (Previously Unranked)
Best Original Screenplay
Spotlight (No Change)
Inside Out (No Change)
Bridge of Spies (+1)
The Hateful Eight (-1)
Sicario (+1)
Other Possibilities:
6. Ex Machina (-1)
7. Straight Outta Compton (No Change)
8. Love and Mercy (No Change)
9. Son of Saul (+2)
Best Adapted Screenplay
The Big Short (No Change)
Carol (No Change)
Room (No Change)
Steve Jobs (+1)
Brooklyn (-1)
Other Possibilities:
6. The Martian (No Change)
7. The Revenant (+1)
8. Beasts of No Nation (+1)
9. Trumbo (-2)
10. Mad Max: Fury Road (Previously Unranked)
11. Anomalisa (No Change)
Best Animated Feature
Inside Out (No Change)
Anomalisa (No Change)
Shaun the Sheep Movie (No Change)
Kahlil Gabran’s The Prophet (No Change)
The Peanuts Movie (+1)
Other Possibilities:
6. The Good Dinosaur (-1)
7. When Marnie Was There (No Change)
8. Minions (Previously Unranked)
Best Documentary Feature (First Time Predictions)
Amy
The Look of Silence
Winter on Fire
Going Clear: Scientology and the Prison of Belief
He Named Me Malala
Other Possibilities:
6. Listen to Me Marlon
7. Best of Enemies
8. The Hunting Ground
9. Where to Invade Next
10. Heart of the Dog
Best Foreign Language Film (First Time Predictions)
Son of Saul
Mustang
A War
The Brand New Testament
Embrace of the Serpent
Other Possibilities:
6. The Fencer
7. Labyrinth of Lies
8. Theeb
9. Viva
Best Production Design
The Danish Girl (No Change)
Mad Max: Fury Road (+1)
Bridge of Spies (+1)
Carol (-2)
The Revenant (+4)
Other Possibilities:
6. Brooklyn (-1)
7. The Martian (Previously Unranked)
8. Star Wars: The Force Awakens (+3)
9. The Hateful Eight (-3)
10. Cinderella (-3)
Best Cinematography
The Revenant (No Change)
Mad Max: Fury Road (No Change)
The Hateful Eight (No Change)
Bridge of Spies (+1)
Sicario (-1)
Other Possibilities:
6. Carol (+1)
7. Son of Saul (+2)
8. The Martian (-2)
9. The Assassin (-1)
10. Spotlight (Previously Unranked)
Best Costume Design
The Danish Girl (No Change)
Carol (No Change)
Cinderella (+1)
Brooklyn (-1)
Far from the Madding Crowd (No Change)
Other Possibilities:
6. Mad Max: Fury Road (+6)
7. The Hateful Eight (-1)
8. Suffragette (-1)
9. The Revenant (No Change)
10. Mr. Holmes (Previously Unranked)
Best Editing
Mad Max: Fury Road (No Change)
The Big Short (No Change)
Spotlight (+2)
The Revenant (No Change)
Bridge of Spies (+2)
Other Possibilities:
6. The Martian (-3)
7. Sicario (+3)
8. Steve Jobs (-2)
9. Star Wars: The Force Awakens (+3)
10. The Hateful Eight (-1)
11. Room (-3)
Best Makeup and Hairstyling
Mad Max: Fury Road (No Change)
The Revenant (No Change)
The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+1)
Other Possibilities:
4. Black Mass (-1)
5. Mr. Holmes (No Change)
6. Concussion (No Change)
7. Legend (No Change)
Best Sound Mixing
Mad Max: Fury Road (No Change)
The Revenant (+3)
Star Wars: The Force Awakens (No Change)
Sicario (No Change)
The Martian (-3)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Bridge of Spies (Previously Unranked)
8. Jurassic World (-1)
Best Sound Editing
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
The Revenant (No Change)
The Martian (No Change)
The Hateful Eight (+1)
Other Possibilities:
6. Sicario (-1)
7. Jurassic World (+1)
8. Bridge of Spies (Previously Unranked)
Best Visual Effects
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
Jurassic World (No Change)
The Martian (No Change)
The Revenant (Previously Unranked)
Other Possibilities:
6. Ex Machina (-1)
7. The Walk (No Change)
8. Ant-Man (Previously Unranked)
9. Avengers: Age of Ultron (-1)
10. In the Heart of the Sea (-4)
Best Score
The Hateful Eight (No Change)
Carol (+1)
Star Wars: The Force Awakens (+2)
Bridge of Spies (-2)
The Danish Girl (-1)
Other Possibilities:
6. Spotlight (No Change)
7. Mad Max: Fury Road (+1)
Best Original Song
“See You Again” from Furious 7 (+2)
“Til It Happens to You” from The Hunting Ground (-1)
“Writing’s on the Wall” from Spectre (+4)
“Simple Song #3” from Youth (No Change)
“So Long” from Concussion (-3)
Other Possibilities:
6. “Love Me Like You Do” from Fifty Shades of Grey (-1)
7. “Earned It” from Fifty Shades of Grey (-1)
These FINAL predictions reflect a belief that the following pictures will receive this number of nominations:
10 Nominations
The Revenant
9 Nominations
Mad Max: Fury Road
8 Nominations
Carol
7 Nominations
Bridge of Spies
6 Nominations
The Martian
5 Nominations
The Danish Girl, The Hateful Eight
4 Nominations
The Big Short, Brooklyn, Spotlight, Star Wars: The Force Awakens
3 Nominations
Room, Sicario, Steve Jobs
2 Nominations
Inside Out, Trumbo
1 Nomination
Beasts of No Nation, Cinderella, Concussion, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Hunting Ground, Joy, Jurassic World, Love and Mercy, The 100 Year Old Man Who Climbed Out of the Window and Disappeared, Spectre, Youth
And there you have it, folks! My final Oscar predictions! I’ll have an update posted tomorrow. Until then…
We have arrived at my weekly Friday predictions for who and what will be nominated for the Oscars honoring 2015 pictures. This will be the last Friday I’ll be doing so because the nominations themselves come out this Thursday, January 14th. I will have one final post of predictions either on Tuesday or Wednesday next week.
One consistent source of consternation is whether Rooney Mara will be nominated in lead Actress or Supporting Actress for Carol (same goes, to a lesser degree, for Alicia Vikander’s work in The Danish Girl). Last week, I had her in Actress, but now I’m switching back to Supporting. We shall see. As with my posts every week, it will show where the movers and shakers have shifted around with chances of nomination.
So here goes… my penultimate Oscar predictions…
Best Picture
Spotlight (No Change)
The Big Short (+1)
Mad Max: Fury Road (+1)
Room (-2)
The Martian (+1)
The Revenant (+1)
Carol (-2)
Bridge of Spies (+1)
Brooklyn (-1)
Other Possibilities:
10. Straight Outta Compton (+3)
11. Star Wars: The Force Awakens (-1)
12. The Hateful Eight (No Change)
13. Inside Out (-2)
14. Sicario (+4)
15. Beasts of No Nation (-1)
16. Steve Jobs (No Change)
17. Trumbo (+2)
18. Ex Machina (Previously Unranked)
19. The Danish Girl (+1)
20. Son of Saul (-5)
21. Creed (-4)
DROPPED OUT: Anomalisa
WHAT’S CHANGED: No Changes
Best Director
George Miller, Mad Max: Fury Road (+1)
Tom McCarthy, Spotlight (-1)
Alejandro Gonzalez Inarritu, The Revenant (+1)
Ridley Scott, The Martian (-1)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Adam McKay, The Big Short (No Change)
7. Steven Spielberg, Bridge of Spies (+1)
8. Lenny Abrahamson, Room (-1)
9. John Crowley, Brooklyn (+3)
10. Quentin Tarantino, The Hateful Eight (-1)
11. F. Gary Gray, Straight Outta Compton (Previously Unranked)
12. J.J. Abrams, Star Wars: The Force Awakens (-1)
DROPPED OUT: Creed, Mad Max: Fury Road (moved to Original)
WHAT’S CHANGED: No Changes
Best Animated Feature
Inside Out (No Change)
Anomalisa (No Change)
Shaun the Sheep Movie (No Change)
Kahlil Gabran’s The Prophet (+1)
The Good Dinosaur (+1)
Other Possibilities:
6. The Peanuts Movie (-2)
7. When Marnie Was There (No Change)
DROPPED OUT: Minions
WHAT’S CHANGED – In: The Good Dinosaur. Out: The Peanuts Movie.
Best Production Design
The Danish Girl (+1)
Carol (-1)
Mad Max: Fury Road (No Change)
Bridge of Spies (No Change)
Brooklyn (+2)
Other Possibilities:
6. The Hateful Eight (-1)
7. Cinderella (-1)
8. MacBeth (+3)
9. The Revenant (-1)
10. Far From the Madding Crowd (No Change)
11. Star Wars: The Force Awakens (-2)
WHAT’S CHANGED – In: Brooklyn. Out: The Hateful Eight.
Best Cinematography
The Revenant (No Change)
Mad Max: Fury Road (+1)
The Hateful Eight (-1)
Sicario (No Change)
Bridge of Spies (No Change)
Other Possibilities:
6. The Martian (No Change)
7. Carol (+1)
8. The Assassin (Previously Unranked)
9. Son of Saul (-2)
DROPPED OFF: Star Wars: The Force Awakens
WHAT’S CHANGED: No Changes
Best Costume Design
The Danish Girl (+1)
Carol (-1)
Brooklyn (+1)
Cinderella (-1)
Far from the Madding Crowd (No Change)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Suffragette (+3)
8. Trumbo (Previously Unranked)
9. The Revenant (No Change)
10. MacBeth (-2)
11. Star Wars: The Force Awakens (No Change)
12. Mad Max: Fury Road (-5)
WHAT’S CHANGED: No Changes
Best Editing
Mad Max: Fury Road (No Change)
The Big Short (+5)
The Martian (+1)
The Revenant (-2)
Spotlight (-2)
Other Possibilities:
6. Steve Jobs (-1)
7. Bridge of Spies (+1)
8. Room (+4)
9. The Hateful Eight (No Change)
10. Sicario (-4)
11. Straight Outta Compton (Previously Unranked)
12. Star Wars: The Force Awakens (-2)
DROPPED OUT: Carol
WHAT’S CHANGED – In: The Big Short. Out: Steve Jobs.
Best Makeup and Hairstyling
Mad Max: Fury Road (No Change)
Black Mass (+1)
The Revenant (-1)
Other Possibilities:
4. The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+2)
5. Concussion (-1)
6. Mr. Holmes (-1)
7. Legend (No Change)
WHAT’S CHANGED: No Changes
Best Sound Mixing
Mad Max: Fury Road (No Change)
The Martian (+2)
Star Wars: The Force Awakens (-1)
Sicario (+1)
The Revenant (-2)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Jurassic World (+1)
8. In the Heart of the Sea (-1)
WHAT’S CHANGED: No Changes
Best Sound Editing
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (+1)
The Revenant (-1)
The Martian (No Change)
Sicario (+1)
Other Possibilities:
6. The Hateful Eight (+1)
7. In the Heart of the Sea (-2)
8. Jurassic World (No Change)
WHAT’S CHANGED – In: Sicario. Out: In the Heart of the Sea.
Best Visual Effects
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
Jurassic World (+1)
The Martian (-1)
Ex Machina (No Change)
Other Possibilities:
6. In the Heart of the Sea (No Change)
7. The Walk (No Change)
8. Avengers: Age of Ultron (Previously Unranked)
9. Everest (-1)
DROPPED OFF: The Revenant
WHAT’S CHANGED: No Changes
Best Original Score
The Hateful Eight (No Change)
Bridge of Spies (No Change)
Carol (No Change)
The Danish Girl (+1)
Star Wars: The Force Awakens (-1)
Other Possibilities:
6. Spotlight (No Change)
7. Steve Jobs (No Change)
8. Mad Max: Fury Road (+1)
DROPPED OFF: Inside Out, The Revenant
WHAT’S CHANGED: No Changes
Best Original Song
“Til It Happens to You” from The Hunting Ground (No Change)
“So Long” from Concussion (+1)
“See You Again” from Furious 7 (-1)
“Simple Song #3” from Youth (No Change)
“Love Me Like You Do” from Fifty Shades of Grey (+2)
Other Possibilities:
6. “Earned It” from Fifty Shades of Grey (-1)
7. “Writing’s on the Wall” from Spectre (-1)
WHAT’S CHANGED – In: “Love Me Like You Do”. Out: “Earned It”.
These current predictions reflect the following breakdown of films getting these numbers:
9 Nominations
Mad Max Fury Road
8 Nominations
Carol, The Revenant
6 Nominations
Bridge of Spies, The Martian
5 Nominations
The Big Short, Brooklyn, The Danish Girl
4 Nominations
The Hateful Eight, Spotlight, Star Wars: The Force Awakens
3 Nominations
Room. Sicario, Steve Jobs
2 Nominations
Ex Machina, Inside Out
1 Nomination
Anomalisa, Beasts of No Nation, Black Mass, Cinderella, Concussion, Creed, Far from the Madding Crowd, Fifty Shades of Grey, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, Joy, Jurassic World, Kahlil Gabran’s The Prophet, Love and Mercy, Shaun the Sheep Movie, Trumbo, Youth
That’ll do it for now, folks! I’ll have my FINAL Oscar predictions up next week…
Avengers: Age of Ultron moves the Marvel Cinematic Universe onwards while answering the questions we’ve been pondering for years. How is the romantic relationship going between Hulk and Black Widow? What’s going on with Hawkeye’s wife and children out on their family farm?
Wait, what?
These two out of nowhere subplots are emblematic of a pervasive problem with the sequel to the 2012 mega blockbuster. When Joss Whedon made the original three years ago, it was hard to imagine him combining Iron Man, Thor, Captain America, Hulk, Black Widow and Hawkeye into a cohesive and satisfactory experience. Did he ever though and it resulted in one of the greatest superhero tales to reach the screen. With Ultron, many of the fears that were assuaged the first time are present. Here, the struggle is real and Whedon can’t manage to recapture the magic the second time around.
The pic dives headfirst into Avengers action in Eastern Europe with our protagonists obtaining Loki’s old scepter and Tony Stark (Robert Downey Jr.) discovering its artificial intelligence capabilities. This results in the creation of Ultron (voiced by James Spader), a robotic monster hell bent on ending the world… you know, like all MCU villains. We’re also introduced to Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen), characters played by different actors in last year’s in X-Men: Days of Future Past. Incidentally, Quicksilver was used much more effectively in the latter.
Of course, we have most of the Marvel crew back. Scarlett Johannson’s Black Widow, who’s turned into one of the more interesting characters even though her aforementioned romance with Dr. Bruce Banner aka Hulk (Mark Ruffalo) seems to be a forced concoction to earn them more screen time. Same goes for Jeremy Renner’s Hawkeye, who isn’t one of the more interesting players and his previously unseen family history doesn’t help. And there’s Chris Hemsworth’s Thor and Chris Evans’s Captain America, both coming off sequels that improved upon their predecessors. Not the case here. Samuel L. Jackson’s Nick Fury, Don Cheadle’s War Machine and Anthony Mackie’s Falcon appear in more limited fashion. The girlfriends of Iron Man and Thor (Oscar winners Gwyneth Paltrow and Natalie Portman, respectively) are missing.
Where Ultron serviceably succeeds is its action sequences, including a humdinger battle between Hulk and Iron Man. The Marvel team obviously know how to make these glorious battle sequences and they acquit themselves fine here, though nothing matches the brilliance of the 2012 edition’s breathtaking climactic sequence. The issues I had are several and not just the needless subplots. Ultron is not an especially compelling villain. Many of the humorous quips fall flatter than normal. Even Downey Jr. (truly an example of the perfect actor in the perfect role) isn’t as fun this time around.
In a way, I found Age of Ultron comparable to the third Hunger Games entry, Mockingjay – Part 1. It’s necessary to view it so we can move on to the rest. With the MCU, that includes two more Avengers pics and forthcoming Thor and Captain America threequels. Ultron is “must see” viewing for that reason and that reason alone. Yet I hope what comes next elevates beyond the material we are given this time.
As the June box office session begins, we have three new pictures opening in the marketplace: the Melissa McCarthy action comedy Spy, horror sequel Insidious: Chapter 3 and the film version of HBO’s Entourage. You can read my individual prediction posts on each here:
As I see it, Spy (which has received rave reviews) should easily come out of the gate at #1. The battle for second could be fierce between Insidious and current champ San Andreas, which had a larger than anticipated premiere (more on that below). I expect the third Insidious to just make it to the #2 position. I have Entourage placing fourth with Pitch Perfect 2 rounding out the top five in its fourth weekend.
And with that, my top five predictions for the weekend:
1. Spy
Predicted Gross: $42.1 million
2. Insidious: Chapter 3
Predicted Gross: $26 million
3. San Andreas
Predicted Gross: $24.3 million (representing a drop of 55%)
4. Entourage
Predicted Gross: $11.2 million ($16.5 million predicted for its five-day gross)
5. Pitch Perfect 2
Predicted Gross: $8.4 million (representing a drop of 43%)
Box Office Results (May 29-31)
Dwayne Johnson’s disaster flick San Andreas had anything but a disastrous opening with a higher than expected $54.5 million, easily topping my $43.4M projection. The pic was pretty much critic proof and audiences responded with a solid A- Cinemascore grade to give its star yet another hit, not even two months after his participation in the massive Furious 7.
Holdovers dipped further from their Memorial Day grosses than I anticipated as Pitch Perfect 2 was second with $14.8 million (I said $18.5M). The high grossing sequel has amassed $147.5M so far.
The bad news continued for Brad Bird’s Tomorrowland, which has undeniably become one of the season’s early disappointments. It experienced a precipitous drop in its sophomore frame with $14.3 million for third place, below my generous $19.1M prediction. Its two week total is at $63M and it probably won’t reach the $100M mark.
Mad Max: Fury Road took fourth with $14.1 million, just below my $15M estimate for an impressive total three week tally of $116.4M. Avengers: Age of Ultron was fifth with $11.4 million and I incorrectly had it outside the top five. The Marvel superhero juggernaut has made $427.5M at press time.
Cameron Crowe’s critically panned Aloha was DOA for a sixth place debut with just $9.6 million, well under my $18.2M projection. Audiences weren’t impressed with what they saw either with a lackluster B- Cinemascore grade. You can read my review of it here:
For the last week of May, we have two more entries into the Summer Box Office Derby: disaster action pic San Andreas starring Dwayne Johnson and the Bradley Cooper/Emma Stone rom com Aloha. You can read my detailed prediction posts on each of them here right here:
As I see it, Andreas should easily dominate the weekend. The wild card is Aloha, but I have it grossing in the high teens for a fourth place debut. All holdovers will likely experience the typical hefty declines for the post Memorial Day weekend. Current champ Tomorrowland may have the most pronounced dip due to lackluster buzz (more on that below) and I’m predicting all currently released top five dwellers will fall over 50% from the four day holiday frame. It could be quite a tight race for the #2 spot.
And with that, my predictions for the weekend’s top five:
1. San Andreas
Predicted Gross: $43.4 million
2. Tomorrowland
Predicted Gross: $19.1 million (representing a drop of 55%)
3. Pitch Perfect 2
Predicted Gross: $18.5 million (representing a drop of 51%)
4. Aloha
Predicted Gross: $18.2 million
5. Mad Max: Fury Road
Predicted Gross: $15 million (representing a drop of 52%)
Box Office Results (May 22-25)
It was a disappointing Memorial Day weekend at the box office as Brad Bird’s polarizing Tomorrowland topped the charts with a ho-hum $42.7 million, just under my $44.6M projection. The Disney fantasy has received both mixed reaction from critics and audiences alike and its long term prospects don’t look great.
On the flip side, last week’s champ Pitch Perfect 2 continued its truly magnificent run with $38.3 million over the holiday weekend (above my $32.8M estimate), bringing its two weeks total to $125.7M, nearly double what the original made in its whole domestic run.
Mad Max: Fury Road also held up better in its second weekend with $31.3 million, ahead of my $25.5M prediction. The acclaimed reboot has amassed $94.7M.
Avengers: Age of Ultron took $28.2 million (in line with my $26.6M estimate) and the Marvel title’s four week total stands at $411.4M.
Finally, the horror remake Poltergeist had a fair start with $26.3 million, not quite matching my prediction of $29.3M. Look for it to drop quickly, as most horror titles tend to do.
The four day Memorial Day weekend at the box office promises to be a fascinating one as Disney’s Tomorrowland and horror reboot Poltergeist enter the marketplace in competition with holdover hits Pitch Perfect 2, Mad Max: Fury Road, and Avengers: Age of Ultron. It could easily create a situation where all top five films over the holiday frame post numbers north of $25 million. You can read my detailed prediction posts on Tomorrowland and Poltergeist here:
My predictions reflect a belief that Tomorrowland will manage to top the charts, though it could face competition from Pitch Perfect 2. That musical comedy sequel performed way above expectations this weekend (more on that below) and depending on its drop, could contend for the #1 position, especially if Tomorrowland doesn’t meet projections. That said, I do have Pitch losing over half its audience due to its front loaded amazing start.
My estimate for Poltergeist is a bit on the low end compared to others and I have it debuting third. As for other holdovers, Avengers: Age of Ultron and Mad Max: Fury Road could find themselves in a close race for the four spot, but I’ll give the slight edge to Marvel’s heroes.
And with that, my top five predictions for the four day, Friday to Monday holiday weekend:
1. Tomorrowland
Predicted Gross: $44.6 million
2. Pitch Perfect 2
Predicted Gross: $32.8 million (representing a drop of 52%)
3. Poltergeist
Predicted Gross: $29.3 million
4. Avengers: Age of Ultron
Predicted Gross: $26.6 million (representing a drop of 31%)
5. Mad Max: Fury Road
Predicted Gross: $25.5 million (representing a drop of 43%)
Box Office Results (May 15-17)
As mentioned above, Pitch Perfect 2 had a shockingly great opening with $69.2 million. This marks the largest opening ever for a musical and third biggest comedic debut in history. Even more impressively, it made more in its first three days than its 2012 predecessor made in its entire domestic run ($65M). Perfect soared above my $42M projection and you can rest assure a third edition will be forthcoming.
Mad Max: Fury Road had to settle for a second place start far behind Pitch, but its $45.4 million haul is nothing to be ashamed of. And neither, ladies and gentleman, was my prediction… $45.4M million! Gold star! This is a solid debut for a reboot of a franchise that had been dormant for thirty years and its international grosses have impressed as well.
Avengers: Age of Ultron dropped to third after two weeks on top with $38.8 million, just above my $36.8M prediction. The Marvel tale has amassed $372M so far. The Reese Witherspoon comedy flop Hot Pursuit was fourth with $5.7 million in its sophomore frame, below my $7.2M estimate. The critically drubbed flick’s gross is at just $23M. Furious 7 was fifth with $3.6 million and I incorrectly had it outside the top five (its overall is at $343M). I had holdover The Age of Adaline at fifth with $4.1 million, but it was seventh with $3.1M (current earnings: $37M).
And that’s all for now, folks! Enjoy your holiday weekend!
Summer 2015’s sequel and reboot mania kicks into high gear this weekend as the critically acclaimed Mad Max: Fury Road (arriving thirty years after the last Max feature) and musical comedy Pitch Perfect 2 hit theaters. You can read my detailed prediction posts on each of them here:
Both should make quite an impact. Fury Road has been blessed with truly awesome trailers and TV spots and its current 100% rating on Rotten Tomatoes inspires supreme confidence. Pitch Perfect 2 is the follow-up to a cult hit three years ago and it is also receiving favorable reviews and should capture a hefty young adult/female audience. I look for both to achieve openings north of $40 million.
That likely means Avengers: Age of Ultron will fall to third in its third weekend after two weeks on top, barring the unlikely scenario of the two newbies not meeting expectations. The Reese Witherspoon/Sofia Vergara flop Hot Pursuit should dip to fourth with The Age of Adaline rounding out the top five.
And with that, my predictions the weekend:
1. Mad Max: Fury Road
Predicted Gross: $45.4 million
2. Pitch Perfect 2
Predicted Gross: $42 million
3. Avengers: Age of Ultron
Predicted Gross: $36.8 million (representing a drop of 52%)
4. Hot Pursuit
Predicted Gross: $7.2 million (representing a drop of 48%)
5. The Age of Adaline
Predicted Gross: $4.1 million (representing a drop of 31%)
Box Office Results (May 8-10)
Avengers: Age of Ultron easily maintained its box office dominance, but its 59% drop-off in weekend #2 was a bit steeper than estimated. The Marvel sequel took in $77.7 million, below my $90.6M prediction. The ten day total stands at $313 million. While the numbers it’s accomplishing are gargantuan, this follow-up has no realistic shot of reaching the $623M achieved by the 2012 predecessor.
The Reese Witherspoon/Sofia Vergara comedy Hot Pursuit was savaged by critics and audiences responded in kind with a weak $13.9 million debut, far below my $21.3M projection. Look for this dud to fade fast.
Leftovers populated the rest of the top five and they all experienced smaller dips that I estimated. The Age of Adaline was third with $5.8 million (I predicted $3.5M) and its total is at $31 million. Furious 7 took fourth with $5.4 million (I said $3.5M) for an overall haul of $338M. Paul Blart: Mall Cop 2 rounded out the top five with $5.3 million (I predicted $3.2M) and its cume sits at $58M. Last and least… the Jack Black comedy rolled out on approximately 1000 screens and sputtered with a putrid $469,000 – not coming close to even my meager $1.7M projection.
That’ll do it for now, folks! Be sure to check this coming weekend for my Tomorrowland and Poltergeist predictions. As always, next Monday I’ll bring you full predictions and results from the coming weekend. Until then…
Only one new film is daring to even challenge the second weekend of the Avengers squad and that would be Hot Pursuit, the cop comedy starring Reese Witherspoon and Sofia Vergara. It will attempt to bring in the female crowd and you can read my detailed prediction post on it here:
While I have Pursuit getting off to a pretty decent start, nothing will stand in the way of Iron Man and company reigning supreme for two weeks in a row. The big question is how far Ultron falls in its second frame. Will it drop the 50% that its 2012 predecessor did or in the 58% range of Iron Man 3 in 2013? I’ve got it dropping somewhere in between, though closer to the former (more on Avengers opening weekend further down).
The rest of the top five should be littered with leftovers all making under $4 million. The Jack Black/James Marsden comedy The D Train is only opening on around 700 screens and I’ll predict $1.7 million for it, which would leave it outside the top five.
And with that, my predictions for the weekend:
1. Avengers: Age of Ultron
Predicted Gross: $90.6 million (representing a drop of 52%)
2. Hot Pursuit
Predicted Gross: $21.3 million
3. Furious 7
Predicted Gross: $3.5 million (representing a drop of 48%)
4. The Age of Adaline
Predicted Gross: $3.5 million (representing a drop of 45%)
5. Paul Blart: Mall Cop 2
Predicted Gross: $3.2 million (representing a drop of 46%)
Box Office Results (May 1-3)
All prognosticators had one question when it came to Avengers: Age of Ultron: would it manage to have the largest domestic opening of all time and beat out the $207.4 million record of The Avengers? I predicted it would with an estimate of $212.7 million.
And I and many others were wrong and you probably have American Pharoah, Blake Griffin, Tim Duncan, Floyd Mayweather, and Manny Pacquiao to thank. Ultron still performed gangbusters with $191.2 million, posting the second all-time domestic debut. Yet the sports bonanza that took place all day and night Saturday likely kept it from setting the record. Still – don’t expect to hear much complaining from Disney or Marvel.
Holdovers populated the rest of the top five with all pictures dropping further than I thought they would, due to Avengers and all the weekend activity. Furious 7 was second with $6.6 million (I said $9.6M) and it lifted its cume to $331M. The Age of Adaline took third in its second weekend with $6.2 million ($8M predicted here) and its ten day total is $23M. Paul Blart: Mall Cop 2 was fourth with $5.8 million (I said $8.7M) and it’s made $51M at press time. Finally, Home was fifth with $3.4 million (my projection: $5.8M) and its total is $158M.
The 2015 Summer Movie Season officially kicks off this Friday and there’s a rather big release to start things off: Avengers: Age of Ultron, Marvel’s sequel to the third highest grossing picture of all time. The event film stands a very legitimate shot at scoring the largest opening weekend in domestic box office history (breaking its predecessor’s record) and I’m predicting it will – barely. You can read my detailed prediction post on it here:
No other new release would dare stand in the way of Iron Man, Captain America, and their superhero compadres – so the rest of the top five will be populated by spring leftovers. Furious 7 will fall to the runner-up spot with Paul Blart: Mall Cop 2, The Age of Adaline, and Home behind it.
And with that, my predictions for the weekend:
1. Avengers: Age of Ultron
Predicted Gross: $212.7 million
2. Furious 7
Predicted Gross: $9.6 million (representing a drop of 46%)
3. Paul Blart: Mall Cop 2
Predicted Gross: $8.7 million (representing a drop of 41%)
4. The Age of Adaline
Predicted Gross: $8 million (representing a drop of 40%)
5. Home
Predicted Gross: $5.8 million (representing a drop of 29%)
Box Office Results (April 24-26)
As expected, Furious 7 led the box office for the fourth weekend in a row with $17.8 million, a bit higher than my $15.6M estimate. The massive hit has taken in $320 million so far.
Paul Blart: Mall Cop 2 also managed to surpass my prediction in its second weekend with $14.7 million as compared to my $12M projection. The Kevin James sequel won’t reach the heights of the original, but it’s grossed a solid $43 million in ten days of release.
The romantic drama The Age of Adaline had a fairly decent roll out with $13.2 million, right on target with $13.3M prediction. It may hold up OK in subsequent weekends.
The animated Home took fourth with $8 million, outpacing my $6.5M estimate and its total is at $153M. #5 belonged to horror pic Unfriended in weekend two with $6.1 million, just under my $6.9M prediction and it stands at $25 million.
Critically acclaimed British sci-fi import Ex Machina opened sixth with $5.4 million (below my $7.1M projection, but still a pretty impressive start).
Finally, war drama Little Boy tanked in 13th place with just $2.7 million, just ahead of my $2.1M estimate.
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