The December box office begins slowly with Thanksgiving/November leftovers sure to rule the charts. There are no new wide releases this weekend as Hollywood takes a breath to prepare for the would-be Christmas season blockbusters.
In other words, it’s a rather dull week. The post Turkey Day weekend is known for seeing holdovers have rather significant drops from the holiday frame that preceded it and that should hold true here. I don’t look for much change in the rankings as Pixar’s Coco should easily retain the top spot.
And with that, my top 6 predictions:
1. Coco
Predicted Gross: $25.2 million (representing a drop of 50%)
2. Justice League
Predicted Gross: $16.8 million (representing a drop of 59%)
3. Wonder
Predicted Gross: $14.4 million (representing a drop of 36%)
4. Thor: Ragnarok
Predicted Gross: $7.7 million (representing a drop of 54%)
5. Daddy’s Home 2
Predicted Gross: $7.1 million (representing a drop of 46%)
6. Murder on the Orient Express
Predicted Gross: $6.9 million (representing a drop of 47%)
Box Office Results (November 24-26)
As expected (especially after the disappointing opening of Justice League), Pixar’s Coco topped the Thanksgiving charts with $50.8 million over the Friday to Sunday portion of the weekend. Since its Wednesday start, it’s made $72.9 million. That’s a touch under my respective forecasts of $54.1 million and $74.6 million yet it’s still a solid debut for the studio as it looks to play well in the coming weekends. It stands an excellent chance at being the #1 picture for three weeks in a row before a certain other Disney property is unleashed on December 15th.
Justice League dropped to second with its continued less than anticipated earnings at $41 million, right on target with my $41.6 million projection. The DC pic has earned $171 million thus far and is on pace to be the lowest earner in its particular cinematic universe.
Wonder was third with $22.6 million. I was a tad higher at $25.4 million. Regardless, the sleeper hit has surpassed all expectations and taken in $69 million as it looks to join the $100 million club in the coming weeks.
Thor: Ragnarok was fourth with $16.8 million, in line with my prediction of $16.2 million. The MCU hit has amassed $277 million.
Daddy’s Home 2 took the five-spot with $13.2 million, a tad ahead of my $11.9 million estimate for a total of $72 million.
Murder on the Orient Express was right behind in sixth with $13.1 million (I was lower at $10.8 million). The Kenneth Branagh mystery, which will have a sequel with his Poirot character returning, stands at $74 million.
The faith-based animated The Star was seventh in its sophomore frame with $6.9 million compared to my $8.6 million forecast for $22 million overall.
Finally, Denzel Washington’s Roman J. Israel, Esq. failed to impress, debuting wide in ninth with just $4.4 million (I said $5 million). With no awards buzz and middling buzz, expect it to fade quickly.
I’m back at it again with my post Turkey Day Oscar predictions. The winner of this particular week is Phantom Thread, which has held screenings. While reviews are under strict embargo until next week, there is some positive word emanating from the Twitterverse. It’s buzz could certainly change once official reviews are released, but for now I’ve got it in Best Picture for the first time and that means The Florida Project has been taken out. Additionally, Phantom has gone from an estimated four nods last week to seven today.
Steven Spielberg’s The Post is also gaining traction even though official reviews aren’t yet out. It’s doubled my predicted nomination count from 4 to 8 this week.
If there’s a loser this week, it’s Darkest Hour. I had it at 10 nominations last week and now I have it at 6.
Some other developments:
Best Director has two newbies: Spielberg and Greta Gerwig for Lady Bird. That means Joe Wright (Darkest Hour) and Dee Rees (Mudbound) are currently out.
In Best Actor, I’ve removed Andrew Garfield (Breathe) in favor of James Franco (The Disaster Artist).
Changes in both Supporting races as I’ve put Michael Stuhlbarg (Call Me by Your Name) in and taken Mark Rylance (Dunkirk) out. In Supporting Actress, I’ve vaulted Lesley Manville’s (there’s buzz) work in Phantom Thread in, therefore removing Kristin Scott Thomas in Darkest Hour.
Here’s how I’ve got it all playing out!
BestPicture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. TheShapeofWater (PR: 2)
3. ThreeBillboardsOutsideEbbing, Missouri (PR: 4)
4. LadyBird (PR: 7)
5. CallMebyYourName (PR: 6)
6. DarkestHour (PR: 3)
7. ThePost (PR: 8)
8. Mudbound (PR: 5)
9. PhantomThread (PR: 12)
Other Possibilities:
10. TheFloridaProject (PR: 7)
11. GetOut (PR: 10)
12. I, Tonya (PR: 11)
13. Detroit (PR: 14)
14. BattleoftheSexes (PR: 15)
15. BladeRunner2049 (PR: 13)
BestDirector
1. Christopher Nolan, Dunkirk (PR: 1)
2. Guillermo del Toro, TheShapeofWater (PR: 2)
3. Martin McDonagh, ThreeBillboardsOutsideEbbing, Missouri (PR: 4)
4. Greta Gerwig, LadyBird (PR: 6)
5. Steven Spielberg, ThePost (PR: 7)
Other Possibilities:
6. Dee Rees, Mudbound (PR: 5)
7. Joe Wright, DarkestHour (PR: 3)
8. Luca Guadagnino, CallMebyYourName (PR: 8)
9. Paul Thomas Anderson, PhantomThread (PR: Not Ranked)
3. Lesley Manville, PhantomThread (PR: Not Ranked)
4. Melissa Leo, Novitiate (PR: 3)
5. Mary J. Blige, Mudbound (PR: 4)
Other Possibilities:
6. Hong Chau, Downsizing (PR: 6)
7. Octavia Spencer, TheShapeofWater (PR: 10)
8. Holly Hunter, TheBigSick (PR: 7)
9. Kristin Scott Thomas, DarkestHour (PR: 5)
10. Julianne Moore, Wonderstruck (PR: 8)
Dropped Out:
Claire Foy, Breathe
BestAdaptedScreenplay
Predicted Nominees:
1. CallMebyYourName (PR: 1)
2. Mudbound (PR: 2)
3. Molly’sGame (PR: 3)
4. TheDisasterArtist (PR: 4)
5. Wonderstruck (PR: 5)
Other Possibilities:
6. LastFlagFlying (PR: 6)
7. Wonder (PR: 10)
8. VictoriaandAbdul (PR: 7)
9. First, TheyKilledMyFather (PR: Not Ranked)
10. TheBeguiled (PR: 8)
Dropped Out:
Stronger
BestOriginalScreenplay
Predicted Nominees:
1. ThreeBillboardsOutsideEbbing, Missouri (PR: 1)
2. LadyBird (PR: 3)
3. TheShapeofWater (PR: 2)
4. GetOut (PR: 4)
5. ThePost (PR: 8)
Other Possibilities:
6. I, Tonya (PR: 9)
7. TheBigSick (PR: 7)
8. TheFloridaProject (PR: 6)
9. DarkestHour (PR: 5)
10. PhantomThread (PR: 10)
Best Animated Feature
Predicted Nominees:
1. Coco (PR: 1)
2. Loving Vincent (PR: 3)
3. The Breadwinner (PR: 2)
4. Cars 3 (PR: 5)
5. Birdboy: The Forgotten Children (PR: 4)
Other Possibilities:
6. The LEGO Batman Movie (PR: 6)
7. Ferdinand (PR: 7)
8. Captain Underpants: The First Epic Movie (PR: 8)
9. Despicable Me 3 (PR: 10)
10. The Big Bad Fox and Other Tales (PR: Not Ranked)
Dropped Out:
The Girl Without Hands
Best Foreign Language Film
Predicted Nominees:
1. BPM (Beats Per Minute) (PR: 1)
2. In the Fade (PR: 2)
3. Foxtrot (PR: 5)
4. First, They Killed My Father (PR: 3)
5. The Square (PR: 4)
Other Possibilities:
6. A Fantastic Woman (PR: 6)
7. Loveless (PR: 7)
8. The Divine Order (PR: 9)
9. The Insult (PR: Not Ranked)
10. Happy End (PR: 8)
Dropped Out:
Tom of Finland
Best Documentary Feature
Predicted Nominees:
1. Jane (PR: 2)
2. Cries from Syria (PR: 1)
3. Icarus (PR: 3)
4. City of Ghosts (PR: 4)
5. Long Strange Trip (PR: 9)
Other Possibilities:
6. Step (PR: Not Ranked)
7. Risk (PR: 7)
8. Strong Island (PR: 5)
9. Faces Places (PR: 10)
10. The Final Year (PR: Not Ranked)
Dropped Out:
Kedi
Joan Didion: The Center Will Not Hold
Best Film Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. The Shape of Water (PR: 2)
3. Three Billboards Outside Ebbing, Missouri (PR: 4)
4. The Post (PR: 5)
5. Darkest Hour (PR: 3)
Other Possibilities:
6. I, Tonya (PR: 7)
7. Blade Runner 2049 (PR: 8)
8. Lady Bird (PR: 6)
9. Phantom Thread (PR: Not Ranked)
10. Detroit (PR: 9)
Dropped Out:
Get Out
Best Cinematography
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. The Shape of Water (PR: 3)
4. The Post (PR: 6)
5. Darkest Hour (PR: 4)
Other Possibilities:
6. Phantom Thread (PR: 7)
7. Three Billboards Outside Ebbing, Missouri (PR: 10)
8. Wonderstruck (PR: 5)
9. Lady Bird (PR: Not Ranked)
10. Mudbound (PR: 8)
Dropped Out:
Detroit
Best Production Design
Predicted Nominees:
1. Blade Runner 2049 (PR: 3)
2. The Shape of Water (PR: 1)
3. Dunkirk (PR: 2)
4. Beauty and the Beast (PR: 5)
5. Phantom Thread (PR: 4)
Other Possibilities:
6. Darkest Hour (PR: 6)
7. The Post (PR: 8)
8. Wonderstruck (PR: 7)
9. The Greatest Showman (PR: 9)
10. Three Billboards Outside Ebbing, Missouri (PR: Not Ranked)
Dropped Out:
Wonder Wheel
Best Costume Design
Predicted Nominees:
1. Phantom Thread (PR: 1)
2. Beauty and the Beast (PR: 2)
3. The Shape of Water (PR: 6)
4. The Post (PR: 7)
5. The Greatest Showman (PR: 5)
Other Possibilities:
6. Victoria and Abdul (PR: 9)
7. Darkest Hour (PR: 4)
8. The Beguiled (PR: 3)
9. Wonder Wheel (PR: 8)
10. Wonderstruck (PR: Not Ranked)
Dropped Out:
Murder on the Orient Express
Best Makeup and Hairstyling
Predicted Nominees:
1. Darkest Hour (PR: 1)
2. Beauty and the Beast (PR: 4)
3. Phantom Thread (PR: 3)
Other Possibilities:
4. I, Tonya (PR: 7)
5. The Shape of Water (PR: 2)
6. The Greatest Showman (PR: 5)
7. Wonder (PR: Not Ranked)
8. Thor: Ragnarok (PR: 10)
9. Guardians of the Galaxy Vol. 2 (PR: 6)
10. It (PR: 8)
Dropped Out:
Star Wars: The Last Jedi
Best Visual Effects
Predicted Nominees:
1. Blade Runner 2049 (PR: 1)
2. The Shape of Water (PR: 2)
3. Star Wars: The Last Jedi (PR: 3)
4. War for the Planet of the Apes (PR: 4)
5. Dunkirk (PR: 5)
Other Possibilities:
6. Spider-Man: Homecoming (PR: 6)
7. Beauty and the Beast (PR: 7)
8. Wonder Woman (PR: 9)
9. Guardians of the Galaxy Vol. 2 (PR: 8)
10. Thor: Ragnarok (PR: 10)
Best Sound Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. The Shape of Water (PR: 4)
4. Baby Driver (PR: 6)
5. Star Wars: The Last Jedi (PR: 3)
Other Possibilities:
6. War for the Planet of the Apes (PR: 7)
7. Wonder Woman (PR: 10)
8. Transformers: The Last Knight (PR: 5)
9. Detroit (PR: Not Ranked)
10. Beauty and the Beast (PR: Not Ranked)
Dropped Out:
Spider-Man: Homecoming
Coco
Best Sound Mixing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. Star Wars: The Last Jedi (PR: 4)
4. Baby Driver (PR: 3)
5. The Shape of Water (PR: 6)
Other Possibilities:
6. Beauty and the Beast (PR: Not Ranked)
7. Transformers: The Last Knight (PR: 8)
8. Detroit (PR: 7)
9. The Greatest Showman (PR: 5)
10. War for the Planet of the Apes (PR: 9)
Dropped Out:
Darkest Hour
Best Original Score
Predicted Nominees:
1. Dunkirk (PR: 3)
2. Phantom Thread (PR: 7)
3. The Shape of Water (PR: 1)
4. The Post (PR: 5)
5. Darkest Hour (PR: 2)
Other Possibilities:
6. Wonderstruck (PR: 4)
7. Blade Runner 2049 (PR: 6)
8. Star Wars: The Last Jedi (PR: 8)
9. Three Billboards Outside Ebbing, Missouri (PR: Not Ranked)
10. Victoria and Abdul (PR: 9)
Dropped Out:
Detroit
Best Original Song
Predicted Nominees:
1. “Remember Me” from Coco (PR: 6)
2. “Stand Up for Something” from Marshall (PR: 1)
3. “Prayers for this World” from Cries from Syria (PR: 5)
4. “Evermore” from Beauty and the Beast (PR: 2)
5. “The Mystery of Love” from Call Me by Your Name (PR: Not Ranked)
Other Possibilities:
6. “It Ain’t Fair” from Detroit (PR: 3)
7. “I Don’t Wanna Live Forever” from Fifty Shades Darker (PR: 4)
8. “Truth to Power” from An Inconvenient Sequel: Truth to Power (PR: 8)
9. “Come Alive” from The Greatest Showman (PR: 7)
10. “The Promise” from The Promise (PR: 9)
Dropped Out:
“Jump” from Step
And that tallies up the following nominations for each film:
13 Nominations
The Shape of Water
9 Nominations
Dunkirk
8 Nominations
The Post
7 Nominations
Phantom Thread
6 Nominations
Three Billboards Outside Ebbing, Missouri, Call Me by Your Name, Darkest Hour
5 Nominations
Lady Bird, Blade Runner 2049
4 Nominations
Beauty and the Beast
3 Nominations
Mudbound, Star Wars: The Last Jedi
2 Nominations
The Disaster Artist, I, Tonya, Coco, Cries from Syria, Baby Driver
1 Nomination
Stronger, The Florida Project, Novitiate, Molly’s Game, Wonderstruck, Get Out, Loving Vincent, The Breadwinner, Cars 3, Birdboy: The Forgotten Children, BPM (Beats Per Minute), In the Fade, Foxtrot, First, They Killed My Father, The Square, Jane, Icarus, City of Ghosts, Long Strange Trip, The Greatest Showman, War for the Planet of the Apes, Marshall
I’ll be back at it next Monday with updated predictions!
In the eight decades of Oscar history, we have seen the Supporting Actor category honor actors from the same picture about one-fifth of the time. It’s a fairly rare occurrence, but it’s been especially so as of late. It’s been 26 years since the Academy last did so and that serves as the longest gap by a lot. 2017 could change that.
Before we get to that, a little history lesson…
The first multiple Supporting Actor nominees happened in 1939 when Harry Carey and Claude Rains were nominated for Mr. Smith Goes to Washington.
It was 14 years before it happened again with 1953’s Shane bestowing nods for Jack Palance and Brandon deWilde. The following year gave us our first three actor nominations when Lee J. Cobb, Karl Malden, and Rod Steiger all had their names up for On the Waterfront. The 1950s would do this twice more – in 1957’s Peyton Place for Arthur Kennedy and Russ Tamblyn and 1959’s Anatomy of a Murder for Arthur O’Connell and George C. Scott.
1961 would bring Scott another nod for The Hustler, along with Jackie Gleason. 1967’s Bonnie and Clyde nominated both Gene Hackman and Michael J. Pollard.
1971 was the first year when one of the multiple picture nominees actually won. Ben Johnson emerged victorious for The Last Picture Show, while costar Jeff Bridges was nominated.
The Godfather saga would bestow six nominations among its two classic films. The 1972 original nominated James Caan, Robert Duvall, and Al Pacino. The 1974 sequel had Robert De Niro winning the statue, along with the nominated Michael V. Gazzo and Lee Strasberg. 1976’s Rocky nominated both Mick (Burgess Meredith) and Paulie (Burt Young) while Jason Robards won for 1977’s Julia with Maximillian Schell getting a nod.
Timothy Hutton would win for Ordinary People in 1980 with costar Judd Hirsch nominated. Jack Nicholson won for 1983’s Terms of Endearment with John Lithgow getting recognition. 1986’s Platoon was granted two nominees – Willem Dafoe and Tom Berenger.
And in 1991 – Harvey Keitel and Ben Kingsley were nominated for Bugsy.
That is the 16th and final time this has happened.
As mentioned, this year could potentially change that and there’s a surprising four ways for it to happen.
The least likely of the four scenarios in my opinion would be Jason Mitchell or Garrett Hedlund for Mudbound. Perhaps Mitchell could sneak in, but even that’s a long shot and the chances of both getting in seems non-existent.
The other three scenarios are all plausible. There’s Michael Shannon and Richard Jenkins for The Shape of Water. We have Armie Hammer and Michael Stuhlbarg for Call Me by Your Name. It wouldn’t shock me for either to occur, but maybe the best chance is Sam Rockwell (a lock for a nod) and Woody Harrelson (less so) for Three Billboards Outside Ebbing, Missouri.
It’s been a quarter century since two actors from the same film heard the names called in Supporting Actor. Will 2017 change that?
It’s Thanksgiving week at the box office as Disney/Pixar’s Coco looks to reign supreme over the leftovers and Denzel Washington’s courtroom drama Roman J. Israel Esq. also expands nationwide. You can peruse my detailed prediction posts on each of them right here:
My Coco estimate is likely to put it in the #1 spot over Justice League, due to the latter’s rather disappointing debut (more on that below). The #3 position should easily go to Wonder, which opened with great results this past weekend (more on that below as well).
The Thanksgiving weekend is traditionally one where holdovers experience smallish declines and I see that holding true for titles such as Thor: Ragnarok, Daddy’s Home 2, Murder on the Orient Express, and The Star.
As for Denzel’s Roman, my $5 million prediction for it over the Friday to Sunday portion of the weekend puts it outside the top 7 I’m estimating today. And here they are…
1. Coco
Predicted Gross: $54.1 million (Friday to Sunday), $74.6 million (Wednesday to Sunday)
2. Justice League
Predicted Gross: $41.6 million (representing a drop of 55%)
3. Wonder
Predicted Gross: $25.4 million (representing a drop of 8%)
4. Thor: Ragnarok
Predicted Gross: $16.2 million (representing a drop of 25%)
5. Daddy’s Home 2
Predicted Gross: $11.9 million (representing a drop of 18%)
6. Murder on the Orient Express
Predicted Gross: $10.8 million (representing a drop of 22%)
7. The Star
Predicted Gross: $8.6 million (representing a drop of 12%)
Box Office Results (November 17-19)
Warner Bros. is dealing with some disappointment this weekend as Justice League suffered a lackluster opening. I had DC’s version of The Avengers nabbing the third highest premiere of 2017 with $128.4 million. However, it grossed well under forecasts with $93.8 million.
That debut is good for just the 8th largest of the year, about $10 million behind Wonder Woman, which wasn’t expected to make the bank that it did. It serves as the DC Cinematic Universe’s smallest opening thus far. That Wonder Woman sequel can’t come soon enough…
The other story of the weekend was the terrific debut of Wonder in second,which defied all expectations with $27.5 million (way above my meager $12.9 million forecast). With great word-of-mouth, expect the drama to perform well over the holiday weekend and for the next several weeks.
Thor: Ragnarok dropped to third after two weeks on top with $21.6 million (under my $25 million estimate) to bring its total to $247 million.
Daddy’s Home 2 was fourth in weekend #2 with $14.4 million (shy of my $15.9 million projection) for a $50 million overall tally.
In its sophomore weekend, Murder on the Orient Express was fifth with $13.8 million (I said $14.5 million) for $51 million total.
Debuting in sixth place was the faith-based animated pic The Star, which pretty much met expectations with $9.8 million (in line with $10.3 million prediction). It could benefit from low declines over Thanksgiving.
Greetings all as my Oscar predictions return! My Thursday predictions will now become my Monday predictions as I missed last Thursday due to vacation. The biggest development of the last 11 days was that Steven Spielberg’s The Post screened last night. While it’s under strict embargo still from reviews, word leaking out currently is pretty encouraging and it’s bolstered both the picture and Meryl Streep’s chances for Oscar recognition (and possibly its director and Tom Hanks as well). It’s enough that I’ve got it going from 1 predicted nod a couple weeks ago to 4 today. A word of caution: with the embargo in place, I would describe my current Post placements as fluid.
You can peruse all the activity below and I’ll be back next Monday with fresh predictions!
BestPicture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. TheShapeofWater (PR: 2)
3. DarkestHour (PR: 3)
4. ThreeBillboardsOutsideEbbing, Missouri (PR: 4)
5. Mudbound (PR: 6)
6. CallMebyYourName (PR: 5)
7. LadyBird (PR: 7)
8. The Post (PR: 9)
9. TheFloridaProject (PR: 8)
Other Possibilities:
10. GetOut (PR: 11)
11. I, Tonya (PR: 10)
12. PhantomThread (PR: 13)
13. BladeRunner2049 (PR: 12)
14. Detroit (PR: 14)
15. BattleoftheSexes (PR: Not Ranked)
Dropped Out:
LastFlagFlying
BestDirector
Predicted Nominees:
1. Christopher Nolan, Dunkirk (PR: 1)
2. Guillermo del Toro, TheShapeofWater (PR: 2)
3. Joe Wright, DarkestHour (PR: 3)
4. Martin McDonagh, ThreeBillboardsOutsideEbbing, Missouri (PR: 4)
2. Sam Rockwell, ThreeBillboardsOutsideEbbing, Missouri (PR: 2)
3. Armie Hammer, CallMebyYourName (PR: 3)
4. Michael Shannon, TheShapeofWater (PR: 6)
5. Mark Rylance, Dunkirk (PR: 4)
Other Possibilities:
6. Michael Stuhlbarg, CallMebyYourName (PR: 5)
7. Richard Jenkins, TheShapeofWater (PR: 8)
8. Woody Harrelson, ThreeBillboardsOutsideEbbing, Missouri (PR: Not Ranked)
9. Jason Mitchell, Mudbound (PR: 7)
10. Steve Carell, BattleoftheSexes (PR: Not Ranked)
Dropped Out:
Ben Mendelsohn, DarkestHour
Will Poulter, Detroit
BestSupportingActress
Predicted Nominees:
1. Allison Janney, I, Tonya (PR: 1)
2. Laurie Metcalf, LadyBird (PR: 2)
3. Melissa Leo, Novitiate (PR: 3)
4. Mary J. Blige, Mudbound (PR: 4)
5. Kristin Scott Thomas, DarkestHour (PR: 6)
Other Possibilities:
6. Hong Chau, Downsizing (PR: 5)
7. Holly Hunter, TheBigSick (PR: 7)
8. Julianne Moore, Wonderstruck (PR: Not Ranked)
9. Claire Foy, Breathe (PR: 8)
10. Octavia Spencer, TheShapeofWater (PR: 9)
Dropped Out:
Bria Vinaite, TheFloridaProject
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 1)
2. Mudbound (PR: 2)
3. Molly’s Game (PR: 3)
4. The Disaster Artist (PR: 6)
5. Wonderstruck (PR: 4)
Other Possibilities:
6. Last Flag Flying (PR: 5)
7. Victoria and Abdul (PR: 7)
8. The Beguiled (PR: 8)
9. Stronger (PR: 9)
10. Wonder (PR: Not Ranked)
Dropped Out:
Blade Runner 2049
Best Original Screenplay
Predicted Nominees:
1. Three Billboards Outside Ebbing, Missouri (PR: 1)
2. The Shape of Water (PR: 2)
3. Lady Bird (PR: 3)
4. Get Out (PR: 5)
5. Darkest Hour (PR: 6)
Other Possibilities:
6. The Florida Project (PR: 4)
7. The Big Sick (PR: 7)
8. The Post (PR: 9)
9. I, Tonya (PR: 8)
10. Phantom Thread (PR: 10)
Best Animated Feature
Predicted Nominees:
1. Coco (PR: 1)
2. The Breadwinner (PR: 2)
3. Loving Vincent (PR: 3)
4. Birdboy: The Forgotten Children (PR: 4)
5. Cars 3 (PR: 6)
Other Possibilities:
6. The LEGO Batman Movie (PR: 7)
7. Ferdinand (PR: 5)
8. Captain Underpants: The First Epic Movie (PR: 9)
9. The Girl Without Hands (PR: Not Ranked)
10. Despicable Me 3 (PR: 10)
Dropped Out:
The Big Bad Fox and Other Tales
Best Foreign Language Film
Predicted Nominees:
1. BPM (Beats Per Minute) (PR: 1)
2. In the Fade (PR: 2)
3. First, They Killed My Father (PR: 4)
4. The Square (PR: 5)
5. Foxtrot (PR: 6)
Other Possibilities:
6. A Fantastic Woman (PR: 8)
7. Loveless (PR: 3)
8. Happy End (PR: 7)
9. The Divine Order (PR: 10)
10. Tom of Finland (PR: 9)
Best Documentary Feature
Predicted Nominees:
1. Cries from Syria (PR: 1)
2. Jane (PR: 2)
3. Icarus (PR: 4)
4. City of Ghosts (PR: 3)
5. Strong Island (PR: Not Ranked)
Other Possibilities:
6. Kedi (PR: 8)
7. Risk (PR: 5)
8. Joan Didion: The Center Will Not Hold (PR: Not Ranked)
9. Long Strange Trip (PR: 9)
10. Faces Places (PR: Not Ranked)
Dropped Out:
Human Flow
Step
One of Us
Best Film Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. The Shape of Water (PR: 2)
3. Darkest Hour (PR: 3)
4. Three Billboards Outside Ebbing, Missouri (PR: 4)
5. The Post (PR: Not Ranked)
Other Possibilities:
6. Lady Bird (PR: Not Ranked)
7. I, Tonya (PR: Not Ranked)
8. Blade Runner 2049 (PR: 5)
9. Detroit (PR: 10)
10. Get Out (PR: 6)
Dropped Out:
Mudbound
Star Wars: The Last Jedi
Call Me by Your Name
Best Cinematography
Predicted Nominees:
1. Dunkirk (PR: 2)
2. Blade Runner 2049 (PR: 1)
3. The Shape of Water (PR: 3)
4. Darkest Hour (PR: 4)
5. Wonderstruck (PR: 5)
Other Possibilities:
6. The Post (PR: Not Ranked)
7. Phantom Thread (PR: 6)
8. Mudbound (PR: 9)
9. Detroit (PR: Not Ranked)
10. Three Billboards Outside Ebbing, Missouri (PR: 8)
Dropped Out:
Wonder Wheel
mother!
Best Production Design
Predicted Nominees:
1. The Shape of Water (PR: 1)
2. Dunkirk (PR: 5)
3. Blade Runner 2049 (PR: 3)
4. Phantom Thread (PR: 4)
5. Beauty and the Beast (PR: 6)
Other Possibilities:
6. Darkest Hour (PR: 2)
7. Wonderstruck (PR: 8)
8. The Post (PR: Not Ranked)
9. The Greatest Showman (PR: 9)
10. Wonder Wheel (PR: 10)
Dropped Out:
Star Wars: The Last Jedi
Best Costume Design
Predicted Nominees:
1. Phantom Thread (PR: 1)
2. Beauty and the Beast (PR: 2)
3. The Beguiled (PR: 5)
4. Darkest Hour (PR: 3)
5. The Greatest Showman (PR: 4)
Other Possibilities:
6. The Shape of Water (PR: Not Ranked)
7. The Post (PR: 9)
8. Wonder Wheel (PR: 6)
9. Victoria and Abdul (PR: 7)
10. Murder on the Orient Express (PR: 8)
Dropped Out:
Blade Runner 2049
Best Makeup and Hairstyling
Predicted Nominees:
1. Darkest Hour (PR: 1)
2. The Shape of Water (PR: 2)
3. Phantom Thread (PR: 5)
Other Possibilities:
4. Beauty and the Beast (PR: 3)
5. The Greatest Showman (PR: 4)
6. Guardians of the Galaxy Vol. 2 (PR: 7)
7. I, Tonya (PR: 8)
8. It (PR: 9)
9. Star Wars: The Last Jedi (PR: 6)
10. Thor: Ragnarok (PR: 10)
Best Visual Effects
Predicted Nominees:
1. Blade Runner 2049 (PR: 1)
2. The Shape of Water (PR: 4)
3. Star Wars: The Last Jedi (PR: 3)
4. War for the Planet of the Apes (PR: 2)
5. Dunkirk (PR: 5)
Other Possibilities:
6. Spider-Man: Homecoming (PR: 7)
7. Beauty and the Beast (PR: 9)
8. Guardians of the Galaxy Vol. 2 (PR: 6)
9. Wonder Woman (PR: 8)
10. Thor: Ragnarok (PR: 10)
Best Sound Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. Star Wars: The Last Jedi (PR: 3)
4. The Shape of Water (PR: 4)
5. Transformers: The Last Knight (PR: 5)
Other Possibilities:
6. Baby Driver (PR: 6)
7. War for the Planet of the Apes (PR: 9)
8. Spider-Man: Homecoming (PR: 10)
9. Coco (PR: 7)
10. Wonder Woman (PR: 8)
Best Sound Mixing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. Baby Driver (PR: 4)
4. Star Wars: The Last Jedi (PR: 3)
5. The Greatest Showman (PR: 5)
Other Possibilities:
6. The Shape of Water (PR: 6)
7. Detroit (PR: Not Ranked)
8. Transformers: The Last Knight (PR: 8)
9. War for the Planet of the Apes (PR: 10)
10. Darkest Hour (PR: 7)
Dropped Out:
Coco
Best Original Score
Predicted Nominees:
1. The Shape of Water (PR: 1)
2. Darkest Hour (PR: 3)
3. Dunkirk (PR: 2)
4. Wonderstruck (PR: 4)
5. The Post (PR: 8)
Other Possibilities:
6. Blade Runner 2049 (PR: 5)
7. Phantom Thread (PR: Not Ranked)
8. Star Wars: The Last Jedi (PR: 6)
9. Victoria and Abdul (PR: 7)
10. Detroit (PR: Not Ranked)
Dropped Out:
Coco
Three Billboards Outside Ebbing, Missouri
Best Original Song
Predicted Nominees:
1. “Stand Up for Something” from Marshall (PR: 1)
2. “Evermore” from Beauty and the Beast (PR: 4)
3. “It Ain’t Fair” from Detroit (PR: 7)
4. “I Don’t Wanna Live Forever” from Fifty Shades Darker (PR: 3)
5. “Prayers for this World” from Cries from Syria (PR: 5)
Other Possibilities:
6. “Remember Me” from Coco (PR: 2)
7. “Come Alive” from The Greatest Showman (PR: 6)
8. “Truth to Power” from An Inconvenient Sequel (PR: Not Ranked)
9. “The Promise” from The Promise (PR: 8)
10. “Jump” from Step (PR: Not Ranked)
Dropped Out:
“If I Dare” from Battle of the Sexes
“This is Me” from The Greatest Showman
And that leaves us with the following breakdown of nominations:
12 Nominations
The Shape of Water
10 Nominations
Dunkirk, Darkest Hour
6 Nominations
Three Billboards Outside Ebbing, Missouri
5 Nominations
Blade Runner 2049
4 Nominations
Call Me by Your Name, Mudbound, Lady Bird, The Post, Phantom Thread
3 Nominations
Wonderstruck, Beauty and the Beast, Star Wars: The Last Jedi
2 Nominations
The Florida Project, I, Tonya, Cries from Syria, The Greatest Showman,
1 Nomination
Stronger, Breathe, Novitiate, Molly’s Game, The Disaster Artist, Get Out, Coco, The Breadwinner, Loving Vincent, Birdboy: The Forgotten Children, Cars 3, BPM (Beats Per Minute), In the Fade, First, They Killed My Father, The Square, Foxtrot, Jane, Icarus, Strong Island, The Beguiled, War for the Planet of the Apes, Transformers: The Last Knight, Baby Driver, Marshall, Detroit, Fifty Shades Darker.
We’ll see you next Monday with updated projections!
Denzel Washington headlines RomanJ. Israel, Esq., which expands nationwide over the Thanksgiving weekend. From Nightcrawler director Tony Gilroy, the legal drama hopes to appeal to the star’s fans and adult moviegoers looking for alternatives over the Turkey Day frame. Colin Farrell and Carmen Ejogo costar.
Israel has some issues that could block it from achieving solid grosses. While Washington can be a draw, this isn’t an action pic which are often his highest earners. Additionally, there is little awards buzz and reviews have been mixed (it sits at 55% currently on Rotten Tomatoes).
I’ll estimate that this won’t even reach double digits over the full five-day holiday weekend.
RomanJ.Israel, Esq. opening weekend prediction: $5 million (Friday to Sunday), $6.9 million (Wednesday to Sunday)
Blogger’s Note (11/21): On the eve of its premiere, I’m revising my estimate up a bit from $50.5 million in the three-day to $54.1 million and $74.6 million for the five-day.
Disney/Pixar looks to brings hordes of family audiences in over the Thanksgiving holiday once again when Coco debuts next Wednesday. The musical fantasy centers around the Mexican holiday Day of the Dead and features the voices of Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, and Edward James Olmos. It’s directed by Lee Unkrich, who last made Toy Story 3 for the studio.
The animated flick is already setting box office records in Mexico, which should be no major surprise given its setting. Reviews (as they typically are for Pixar) are solid with a current 96% Rotten Tomatoes score.
So how well will Coco perform stateside? Looking over the history of Disney’s Thanksgiving releases, there are several models to choose from. On the high-end, 2013’s Frozen took in $67.3 million for the three-day traditional Friday to Sunday portion of the weekend and $93.9 million for the five-day Wednesday to Sunday gross. On the low-end, 2015’s The Good Dinosaur only managed $39.1 million from Friday to Sunday and $55.4 million for the five-day. I don’t believe Coco will achieve the Frozen peak or the Dinosaur low.
Going back to just last year, Moana earned $56.6 million for the three-day and $82 million from Wednesday-Sunday. That would be on the higher end of expectations here, but it’s certainly feasible. Like Moana, our 2017 Disney offering has good buzz and looks to be the front-runner for Best Animated Feature at the Oscars.
Yet I believe it may fall a bit below that and the best model I see goes back seven years to Tangled, which took in $48.7 million for the three-day and $68.7 million for the five-day. I’ll estimate Coco gets just above that.
Coco opening weekend prediction: $54.1 million (Friday to Sunday), $74.6 million (Wednesday to Sunday)
For my RomanJ. Israel, Esq. prediction, click here:
Superheroes will rule the box office this weekend as DC’s Justice League looks to dominate the competition with Marvel’s Thor: Ragnarok sliding to second in its third frame. We also have the debuts of Wonder with Julia Roberts, Owen Wilson, and Jacob Tremblay and the animated The Star. You can peruse my detailed prediction posts on the newbies here:
My Justice League estimate gives it the third highest opening of 2017 behind Beauty and the Beast and Guardians of the Galaxy Vol. 2 – and about $6 million above what Thor achieved just two weeks ago. Figuring in the Ragnarok gross this weekend, the DC/Marvel Cinematic Universes should account for about $150-$160 million of this pre-Thanksgiving weekend.
The 3-6 slots could get interesting. Daddy’s Home 2 rose above expectations, as did Murder on the Orient Express. I’m projecting that their sophomore frames should find them in third and fourth with Wonder rounding out the top 5 and The Star in sixth. Yet it could be close and that could change if either of the newcomers surpass expectations. Both of them stand decent shots at over performing.
And with that, my top 6 predictions for the weekend:
1. Justice League
Predicted Gross: $128.4 million
2. Thor: Ragnarok
Predicted Gross: $25 million (representing a drop of 56%)
3. Daddy’s Home 2
Predicted Gross: $15.9 million (representing a drop of 46%)
4. Murder on the Orient Express
Predicted Gross: $14.5 million (representing a drop of 49%)
5. Wonder
Predicted Gross: $12.9 million
6. The Star
Predicted Gross: $10.3 million
Box Office Results (November 10-12)
Thor: Ragnarok hammered all competition and set some franchise records as well. The threequel earned $57 million in weekend #2 (above my $53.8 million take) to brings its total to $212 million. In ten days, it’s already outdone both of its predecessors.
Just as the original did in December 2015, Daddy’s Home 2 surpassed forecasts. While it didn’t open with the $38 million achieved by the first Daddy’s, the sequel took in a pleasing $29.6 million. That’s well ahead of my $21.8 million prediction and on the highest end of expectations. The Will Ferrell/Mark Wahlberg follow-up hopes to continue its nice run over the next few weeks.
Kenneth Branagh’s Murder on the Orient Express also came in high with $28.6 million compared to my $24.6 million estimate. The murder mystery remake did receive a middling B Cinemascore average, but it could still play well with an adult audience for the remainder of November.
After a so-so opening that couldn’t match its predecessor from summer 2016, the second weekend of A Bad Moms Christmas delivered good news for the comedy sequel. It dropped just 32% to earn $11.4 million (topping my $8.6M estimate) to bring its two-week total to $39 million. If it continues to play well through the holidays, it may not be a disappointment after all.
Jigsaw rounded out the top five with $3.4 million (I said $2.9 million) to brings it tally to $34 million.
Stephen Chbsoky’s Wonder opens on Friday and reviews out today reveal that it could be more than the umpteenth film to feature the word “wonder” in the title. Seriously, there’s been five.
The pic is adapted from a R.J. Palacio novel and casts Jacob Tremblay as a young boy with a facial deformity in public school. Julia Roberts and Owen Wilson play his parents. Truth be told, I kind of assumed Wonder wasn’t much of a candidate for positive reviews. Yet it’s getting them. Variety went as far to say it deserved to be in the same company as 1980’s TheElephantMan and 1985’s Mask, which both had similar themes. Perhaps I shouldn’t have been so surprised considering Chbsoky’s previous directorial effort, 2012’s ThePerksofBeingaWallflower, received critical praise.
How will this translate to Oscar attention? It most likely won’t, but its chances look better today than yesterday at least. That said, a Best Picture nod is unlikely. Lionsgate could push Tremblay in Supporting Actor and there’s plenty who feel the youngster should have been nominated for 2015’s Room, in which his costar Brie Larson won Actress.
That’s probably a long shot, too. The best hope for Wonder is that its solid reviews thus far will translate to a nice box office showing. And just maybe it could factor into Adapted Screenplay, which is looking less crowded than Original Screenplay right now.
Those three words, in today’s age, are enough to send collective shivers down most of our spines. They’re our lifeline to everything and everyone. In Matt Spicer’s darkly funny IngridGoesWest, those words have a considerably more sinister meaning when uttered by its central character Ingrid Thorburn (Aubrey Plaza). We may feel useless without our devices. Yet it provides her with her only feeling of usefulness and takes that in uncomfortable directions.
Ingrid is a lonely and mentally disturbed figure who finds solace through Instagram scrolling and fixating on certain profiles. We first find her ❤️ing the endless wedding posts of someone we assume is her friend. When she crashes said wedding (these things happen in real-time nowadays) and frighteningly confronts her for not being invited, it turns out they’re not really connected at all.
The second part of the title comes into play when Ingrid’s next fixation is Taylor (Elizabeth Olsen), a Venice Beach native who’s essentially a professional Instagram poster. Ingrid uses her inheritance from her mom’s death to move across the country with the idea of making her acquaintance. It works and it takes a dognapping to do it. She actually does befriend Taylor and her starving artist hubby (Wyatt Russell).
There’s not an action taken here by Ingrid that isn’t directly a result of her considerably loneliness and need for friendship, no matter how fake or manufactured it is. Her Batman obsessed landlord (O’Shea Jackson Jr.) becomes a love interest, but only for Ingrid’s self-serving purposes. The character of Taylor’s brother (Billy Magnussen, memorable here) is a sleazy loose cannon, but he’s the only one that manages to see Ingrid for who she is.
Spicer and his co-writer David Branson Smith have certainly concocted a screenplay for its time. While there are laughs present, Ingrid goes into SingleWhiteFemale territory (that quarter century old pic is name checked).
Plaza is a gifted performer who seems to be in a constant state of ambivalence in many of her roles. Ingrid gives her an opportunity to show a more varied range of emotions. She creates a character that is sympathetic to a point, but she also serves as good reminder to not talk to strangers. Even on Instagram.
The film also cleverly shows what we all kind of already know. These social media platforms are a way to create yourself in many instances and not be yourself. In the conclusion of IngridGoesWest, our title character has a rare moment to be herself. That might be a moment of triumph in many pictures. In this jet black comedy, we’re left uncertain just how well or badly that could go.
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