Blogger’s Update (08/03): My projection for Easter Sunday has taken a downward turn. Instead of $8.2M, I’m now only projecting $5.6M and that puts it outside of the top five – with Minions: The Rise of Gru now getting the 5 spot.
Brad Pitt looks to conduct Bullet Train to a sizeable debut while the Jo Koy comedy Easter Sunday looks be a sleeper hit. They are the newbies as August dawns at the box office. You can peruse my detailed prediction posts on them here:
There’s no question that Train (from John Wick maker David Leitch) will hit #1. It’s all about by how much. Some estimates have this in the $40 million range, but I’m skeptical. In the last couple of weekends, both Nope and DC League of Super-Pets have come in under expectations (more on those developments below).
While Pitt certainly has star power, I feel like buzz needs to pick up and fast for this to reach $40 million. Perhaps my projections will rise before Thursday evening. For now, I have Bullet a shade under $30 million.
As for current champ Super-Pets, a dip in the mid to high 30s seems likely and that should place it firmly as the runner-up.
The truly interesting competition could be for the #3 slot. Easter Sunday could surprise and vastly overperform and end up #2. Or it could be outside of the top five with below $8 million. I’m putting at $8.2 million in its basket and here’s where it could be awfully close. If Nope has another plummet close to 60% and Thor: Love and Thunder sees a mid to high 30s drop, the grosses for the trio could be separated by basically nothing.
That’s what I’m thinking will occur and here’s how I think the top 5 ends up looking:
1. Bullet Train
Predicted Gross: $29.7 million
2. DC League of Super-Pets
Predicted Gross: $13.6 million
3. Thor: Love and Thunder
Predicted Gross: $8.3 million
4. Nope
Predicted Gross: $8.1 million
5. Minions: The Rise of Gru
Predicted Gross: $6.9 million
Box Office Results (July 29-31)
The Warner Animation Group won’t be barking loudly about the earnings of DC League of Super-Pets as it came in the very low end of its range. With a muted $23 million, the animated superhero canine teaming of Kevin Hart and Dwayne Johnson is a disappointment (coming in well under my $33.6 million prediction). The only silver lining could be lack of competition for the month. That could mean meager declines until the bulk of kiddos go back to school.
Nope, as anticipated with its lackluster B Cinemascore grade, cratered in its sophomore frame with $18.5 million (a smidge ahead of my $17.5 million projection). Jordan Peele’s sci-fi horror tale is up to $80 million, though it will come in well under his predecessors Get Out and Us.
Thor: Love and Thunder was third with $13.1 million, besting my take of $11.4 million. The MCU four-quel has hammered home $301 million.
Minions: The Rise of Gru took fourth at $10.9 million (I said $10.3 million) to brings it haul to $320 million.
Top Gun: Maverick rounded out the top five at $8.4 million, right on target with my $8.3 million guesstimate. The airborne phenomenon achieved another milestone at $650 million. It will soon become the 7th largest domestic earner in history when it vaults over Titanic ($659 million) and Jurassic World ($652 million).
Finally, When the Crawdads Sing held up solidly in weekend #3 with $7.5 million (I went with $6.9 million). The mystery based on a bestseller is past the half century mark with $53 million.
As July comes to a close, Oscar prognosticators received several bits of fascinating news this past week. The first was the lineup of the Venice Film Festival as well as the bulk of titles that will play in Toronto. That wild season (which also includes Telluride) is a mere month away. We will see a huge number of awards hopefuls being screened with long awaited buzz finally becoming clear.
Yet the biggest news is the (as yet unconfirmed) rumor that Martin Scorsese’s Killers of the Flower Moon will not come out until 2023. Variety and Deadline essentially reported it as fact. I struggled all day with whether to include Killers in my updated predictions (I faced the same choices a couple of weeks ago with Rustin). My final decision was to drop it. If Killers ends up back on the 2022 calendar, Variety and Deadline have some explaining to do…
Another development is that Ron Howard’s Thirteen Lives was released. While reviews were certainly decent, I don’t think they’re strong enough that it will be a true BP contender. It’s at #25 on my list.
The Killers announcement obviously means major changes in most of my lineups. Cannes fest winner Triangle of Sadness replaces it in my 10 BP picks while Sarah Polley (Women Talking) is in for Scorsese in Director. Adam Driver in the Venice opener White Noise replaces Leonardo DiCaprio in Actor. Hong Chau (The Whale) is now in Supporting Actress with Lily Gladstone out. And with Jesse Plemons dropping in Supporting Actor, that leaves room for Triangle‘s Woody Harrelson. Finally, She Said rises in Adapted Screenplay.
That’s not all, folks! There’s a new #1 in Best Picture! I’ve had Damien Chazelle’s Babylon ranked #1 from the beginning… until now. In order to find a BP winner that didn’t play at either Venice or Telluride or Toronto or Sundance or Cannes, you have to go all the way back to (ironically) Martin Scorsese’s The Departed. That was 16 years ago. Babylon could still sneak into Telluride. Yet I’m skeptical it will. This factoid alone is enough for me to vault Steven Spielberg’s The Fabelmans (premiering at Toronto) to the top spot.
I’m not finished yet with the #1 changes. The Son is now first in Adapted Screenplay since Killers has moved. And Ke Huy Quan rises to the pole position in Supporting Actor over Paul Dano from The Fabelmans.
Another alteration – Empire of Light falls out of Original Screenplay with The Banshees of Inisherin in as my likely lone screenplay nominee.
That’s a lot of movement in one week and you can peruse it all below!
Documentaries of the musical variety often face a tough road from that branch of Academy voters. For every Summer of Soul (which won the prize last year), there’s entries like The Sparks Brothers or The Velvet Underground and Miss Americana. That trio all missed the cut over the last couple of years.
Daniel Geller and Dayna Goldfine co-direct Hallelujah: Leonardo Cohen, a Journey, a Song, an adaptation of musical journalist Alan Light’s book. It focuses on Canadian crooner Cohen’s trademark tune “Hallelujah”.
Reviews are mostly laudatory with an 85% rating on Rotten Tomatoes. I don’t sense enough enthusiasm for this to be a genuine player. Perhaps it could make the Documentary Feature shortlist, but it might take a Hail Mary for it to make the top five. My Oscar Prediction posts will continue…
Blogger’s Update (08/03): I am revising my projection downward from $8.2M to $5.6M as buzz for Easter Sunday simply hasn’t seemed to pick up since last week.
If it’s early August, it must be Easter Sunday at the box office! Not so much, but that’s the title of the upcoming comedy out August 5th. The film serves as the first major cinematic starring vehicle for Jo Koy, known for his Netflix standup specials. Jay Chandrasekhar, a member of the Broken Lizard troupe that helmed Super Troopers and its sequel, directs. Costars include Jimmy O. Yang, Tia Carrere, Brandon Wardell, Tiffany Haddish, and Lou Diamond Phillips.
Playing a struggling comedian visiting the family for the holiday, Sunday is hoping to book a diverse audience. Koy’s Filipino roots could bring in a demographic underserved at multiplexes.
Early prognoses have this getting past double digits by a slim margin. That sounds doable to me and it could even have the capacity to go higher. I could also see it falling just under that and there’s where I’m currently at.
Easter Sunday opening weekend prediction: $5.6 million
B.J. Novak is known to most folks for his in front of the camera work on NBC’s The Office. You may not know he also served as a director, writer, and producer for the beloved show. His theatrical debut is the comedic mystery Vengeance and it’s out in theaters this weekend.
The filmmaker stars in the pic that premiered in June at the Tribeca Film Festival. Novak’s costars include Boyd Holbrook, Dove Cameron, Issa Rae, and Ashton Kutcher.
Reviews are solid and it sits at 84% on Rotten Tomatoes. This doesn’t, however, appear to be the type of effort that would garner awards chatter. My guess is it’ll also slip through the cracks with HFPA voters for the Golden Globes (in the Musical/Comedy races). My Oscar Prediction posts will continue…
Sony Pictures is hoping moviegoers catch the Bullet Train when it debuts August 5th. The action comedy comes from John Wick maker David Leitch with Brad Pitt headlining as an assassin. The supporting cast includes Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Zazie Beetz, Logan Lerman, Bad Bunny, and Pitt’s recent The Lost City costar Sandra Bullock (in a role first slated for Lady Gaga).
The Japan set stunt fest is hoping to turn out an adult audience ready for original programming in a summer filled mostly with plenty of sequels and superheroes.
Since starting a franchise with Wick in 2014, Leitch followed up with Atomic Blonde. It was a box office disappointment that debuted with just over $18 million. Train should have no trouble getting past that number. However, it won’t reach the earnings of his last two pictures which were built-in franchise entries: Deadpool 2 and Fast and Furious spin-off Hobbs & Shaw.
Nope was able to reach mid 40s and it had the advantage of Jordan Peele’s brand. This will rely mostly on Pitt’s star power. I’m curious to see how word-of-mouth is in the coming days and that could increase or decrease my projection. My hunch is that mid 2os is the floor and low 40s could be the ceiling. I wouldn’t be surprised if it comes toward the lower end of that spectrum, and I’ll say high 20s to low 30s is where this lands.
Bullet Train opening weekend prediction: $29.7 million
My look back at the cinematic summers of 30, 20, and 10 years ago culminates with 2012. A decade ago, the Marvel Cinematic Universe went from a successful franchise to the phenomenal juggernaut that it remains today. That’s due to the release of a little something called The Avengers. On a side note, it’s worth mentioning that the biggest grosser 30 years ago (Batman Returns), two decades ago (Spider-Man), and in this post all share comic book roots.
Before we get to Iron Man and company, I’ll recount the other features in the top ten moneymakers before covering additional notable titles and some flops. If you missed my write-ups about the seasons of 1992 and 2002, you can find them here:
Some three decades after Alien terrified audiences, Ridley Scott returned to the franchise. However, this was more of a mixed bag in terms of critical and audience reaction. The production design and Michael Fassbender’s performance were praised while the script drew its share of critics. Nevertheless Scott would be back in the mix five years later with Alien: Covenant.
9. Snow White and the Huntsman
Domestic Gross: $155 million
Hot off the Twilight franchise and hot off playing Thor in The Avengers, Kristen Stewart and Chris Hemsworth battled Prometheus costar Charlize Theron’s evil stepmom in this fantasy adventure. Reviews were so-so but it performed well enough to warrant a less appreciated prequel The Huntsman: Winter’s War in 2016.
8. Ice Age: Continental Drift
Domestic Gross: $161 million
The fourth entry in the animated franchise featuring the vocal stylings of Ray Romano and John Leguizamo kept the grosses hot. Sequel Collision Course would follow four years later.
7. Men in Black 3
Domestic Gross: $179 million
The third teaming of Will Smith and Tommy Lee Jones (with Josh Brolin playing a convincing younger version of him) earned $11 million less than 2002’s part II. That sequel made less than the 1997 original. The series was revamped in 2019 with Men in Black: International with none other than Chris Hemsworth, but audiences tuned out.
6. Madagascar 3: Europe’s Most Wanted
Domestic Gross: $216 million
Ben Stiller and Chris Rock returned for the third time voicing their respective lion and zebra. Spin-off Penguins of Madagascar came out two years later while a proper fourth entry never materialized from DreamWorks.
5. Ted
Domestic Gross: $218 million
Moving from Fox’s hugely successful animated sitcom Family Guy the big screen, Seth MacFarlane’s story of Mark Wahlberg and his crude talking bear Ted was the breakout comedy of the season. Follow-ups A Million Ways to Die in the West and the Ted sequel were not as well received.
4. Brave
Domestic Gross: $237 million
The first Pixar film led by a female hero is also the inaugural studio entry (co)directed by a woman. It would go on to win Best Animated Feature at the Oscars.
3. The Amazing Spider-Man
Domestic Gross: $262 million
After not moving forward with a fourth title directed by Sam Raimi and starring Tobey Maguire, the Spidey franchise was rebooted with Marc Webb behind the camera and Andrew Garfield donning the red. The dollars followed although reviews were mixed and a 2014 sequel was widely considered a disappointment.
2. The Dark Knight Rises
Domestic Gross: $448 million
While perhaps not quite reaching the heights of 2008’s The Dark Knight, the culmination to Christopher Nolan’s trilogy sent Christian Bale’s Caped Crusader off in stirring fashion and with hugely profitable earnings.
1. The Avengers
Domestic Gross: $623 million
Setting record after record upon release, the melding of Iron Man, Thor, Captain America, Hulk, Black Widow, and Hawkeye transfixed filmgoers. It’s been Marvel’s world and we’ve been living in it ever since.
And now for some other pics worthy of discussion:
Magic Mike
Domestic Gross: $113 million
Steven Soderbergh’s saga of male exotic dancers was based loosely on Channing Tatum’s real life experiences. It turned him into a superstar while giving Matthew McConaughey a memorable showcase. The micro budgeted pic (a reported $7 million) spawned a 2015 sequel and there’s a third scheduled to hit HBO Max next year.
The Bourne Legacy
Domestic Gross: $113 million
Audiences weren’t clamoring for Jeremy Renner to replace Matt Damon in this franchise, but the stateside and overseas grosses were still pretty acceptable. That said, Renner’s tenure lasted this pic and this pic only.
The Best Exotic Marigold Hotel
Domestic Gross: $46 million
While it performed even better overseas, this British import with Judi Dench was a sleeper hit stateside that begat a 2015 sequel.
Moonrise Kingdom
Domestic Gross: $45 million
Wes Anderson scored with critics and crowds with this coming-of-age dramedy that premiered at Cannes and then found an audience in the weeks that followed.
Beasts of the Southern Wild
Domestic Gross: $12 million
This indie drama from Benh Zeitlin was truly a little movie that could. Shot for under $2 million, it eventually nabbed Oscar nods for Picture, Director, Actress (Quvanzhane Wallis at age 9), and Adapted Screenplay.
They’re not all winners so let’s get into some critical and/or commercial failures from the period:
Dark Shadows
Domestic Gross: $79 million
Johnny Depp’s box office happy days were beginning to fade as his 8th collaboration with Tim Burton was perhaps the least memorable. This horror comedy failed to enlighten viewers.
Battleship
Domestic Gross: $65 million
Action fans weren’t taken with this Peter Berg directed board game adaptation starring Liam Neeson and Rihanna with a bloated budget of over $200 million.
Total Recall
Domestic Gross: $58 million
And your action sci-fi fans weren’t signing up for Colin Farrell taking over for Arnold Schwarzenegger in this unneeded remake.
Rock of Ages
Domestic Gross: $38 million
Based on the Broadway musical, there was a deaf ear turned to this adaptation despite Tom Cruise getting solid notices for his performance. Lucky for him, he’d rule this current summer with Top Gun: Maverick.
That’s My Boy
Domestic Gross: $36 million
Adam Sandler and Andy Samberg’s comedic partnership drew a 20% Tomatoes meter and ambivalence from usually devoted Sandler fans.
The Watch
Domestic Gross: $35 million
That wasn’t the only high-profile comedic flop as this sci-fi mashup with Ben Stiller, Vince Vaughn, and Jonah Hill fared even worse in numbers and rotten reviews (17% RT).
And that’ll close it out, ladies and gents! It’s been a pleasure revising these cinematic seasons of days past.
The Warner Animation Group kicked off nearly a decade ago with 2014’s The Lego Movie. This Friday, their 10th effort under the production banner is DC League of Super-Pets. It comes from director Jared Stern (who wrote The Lego Batman Movie and The Lego Ninjago Movie) and features the voices of Kevin Hart and Dwayne Johnson as Batman and Superman’s respective canine pals.
While some of their titles have performed pleasingly at the box office, none of the pics have caught the attention of awards voters. Super-Pets currently sits at a decent 80% on Rotten Tomatoes. Yet if Lego and its spin-offs and sequels didn’t block space on the Best Animated Feature final five, the competition from Disney and others will likely freeze this out too. My Oscar Prediction posts will continue…
Blogger’s Note (07/27): I am revising my Super-Pets estimate down considerably- from $42.6M to $33.6M
DC League of Super-Pets should have no trouble hitting the top spot as July closes out at the box office. It’s the only wide new offering coming to multiplexes and you can peruse my detailed prediction post on it here:
My low to mid 40s projection puts the animated comedic adventure reuniting Kevin Hart and Dwayne Johnson in the same range with where Jordan Peele’s Nope premiered this past weekend.
There’s more on that Nope debut below, but it could be headed for a sophomore fall in the mid to upper 50s. Considering its weak B Cinemascore grade, it’s not out of the question that it could plummet even farther. We could see a close race for the #3 position between Thor: Love and Thunder and Minions: The Rise of Gru, depending on how far each title drops. The former is likely to see a larger decline. However, Super-Pets being out could cause Gru to have a heftier dip than its meager mid 30s decline last weekend. Top Gun: Maverick could hold the #5 slot with Where the Crawdads Sing falling to sixth place.
Here’s how I see that top 6 playing out:
1. DC League of Super-Pets
Predicted Gross: $33.6 million
2. Nope
Predicted Gross: $17.5 million
3. Thor: Love and Thunder
Predicted Gross: $11.4 million
4. Minions: The Rise of Gru
Predicted Gross: $10.3 million
5. Top Gun: Maverick
Predicted Gross: $8.3 million
6. Where the Crawdads Sing
Predicted Gross: $6.9 million
Box Office Results (July 22-24)
As mentioned previously, Nope started out on the lower end of expectations with $44.3 million. That’s under my call of $53.2 million and there were estimates that it would surpass my projection. While the sci-fi horror pic may end up turning a profit, Peele’s third outing opened nearly $30 million below his predecessor Us (which benefited by being the auteur’s follow-up to the unexpected smash Get Out). Word-of-mouth is not strong and that’s why you see me projecting a nearly 60% sophomore drop above.
Thor: Love and Thunder was runner-up after two weeks in first. Its $22.5 million gross is right on target with my take of $22.4 million as the MCU fourquel has hammered home $276 million.
Minions: The Rise of Gru took third with $18 million (I was close with $17 million) for a four-week tally of $298 million.
Where the Crawdads Sing had a solid hold in weekend #2 with $10.3 million, just ahead of my $9.5 million prediction. The ten-day earnings are $38 million.
Top Gun: Maverick was in the five spot with $10.2 million (I said $9.8 million). The overall $635 million haul is now 9th all-time as it just flew ahead of 2012’s The Avengers.
Ron Howard is no stranger to Academy voters as 1995’s Apollo 13 was his first effort to nab a Best Picture nomination. Six years later in 2001, A Beautiful Mind won the big prize as did the former child star for his direction. It’s been nearly a decade and a half since Frost/Nixon and that was his last title to compete for BP.
On paper, Thirteen Lives looks like a contender. On the flip side, so did Hillbilly Elegy two years ago and it only managed a Supporting Actress nod for Glenn Close and Makeup and Hairstyling.
Following its limited release on July 29th, Lives streams on Amazon beginning August 5th. The true life survival tale recounts the events of the Tham Luang cave rescue of 2018. Viggo Mortensen, Colin Farrell, and Joel Edgerton costar. Early reviews are decent but perhaps a tad deceiving. The current 90% Rotten Tomatoes rating masks the fact that several critics claim it’s merely serviceable. While it might be a crowdpleaser, the initial reaction leads me to think voters won’t take the bait.
There’s lots of mentions of last year’s documentary The Rescue which covered the same subject matter. That film surprisingly missed the cut for Documentary Feature. It won’t be unexpected when Thirteen Lives misses Best Picture. Perhaps a tech nod (Sound?) could materialize. I wouldn’t count on it. In my Sunday update, I had Lives listed in the Other Possibilities section for Picture, Actor (Mortensen), Supporting Actor (Farrell), and screenplay. Don’t be surprised if they all fall out of contention in my next update. My Oscar Prediction posts will continue…
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