Furious 7 Movie Review

The adrenaline fused junk food soap opera that is the Fast and Furious franchise has met with real life in its seventh installment, Furious 7. The pic faced the unenviable task of addressing the death of one its signature stars Paul Walker, who lost his life in a car accident in 2013. The filmmakers handle it in a delicate and touching way at the conclusion and manage to give fans of the franchise what they’ve come to anticipate from this multicultural action fest. It’s got everything you’d expect: ridiculous and often cringe inducing one liners, incredibly choreographed sequences with cars doing things they have no business doing, beautiful scenery on both the human and geographical scale, and lots of dialogue about family (which hits closer than normal considering the events with Walker).

The plot of these proceedings is always secondary, of course. Furious 7 actually picks up after the events of Tokyo Drift, the series third entry and its weakest. This would be after the death of team member Han and our new villain is Deckard Shaw (Jason Statham), the older brother of part 6’s dearly departed villain Owen. Deckard is out for revenge and that means he’s targeting the whole crew, led by Dom (Vin Diesel), Brian (Walker), and Letty (Michelle Rodriguez), who’s still suffering from her amnesia as a result of her near death in part 4. The other usual suspects return including Tyrese Gibson, Ludacris, and Jordana Brewster. And there’s Dwayne Johnson back as Hobbs, the gloriously over the top federal agent who is responsible for some of the silliest bits of dialogue. One notable newcomer is Kurt Russell as a shadowy government agent and the veteran performer seems to be having a lot of fun.

Where the Furious movies succeed or fail depends mostly on the action set pieces and 7 has some dandies. The whole midsection set in Abu Dhabi gives us some real thrills, particularly a sequence involving a multi million dollar car crashing through multiple buildings. The eventual climax back in the homeland of Los Angeles involves predator drones, a pretty far cry from a franchise that used to be concerned with just car tricks. When part 5 was released, the Onion newspaper hilariously pontificated that its screenwriter Chris Morgan was actually a kindergartner. He continues to write these pictures and by my math, he’d be in fourth grade now. Sometimes it still feels as if an elementary student is writing the words here, but that’s not really the point. In Furious world, what counts is the adventure on the screen. And there’s plenty of excitement that James Wan (a new director to the series) conjures up here. It’s pretty simple. If you like this franchise, you’ll like what you see the seventh time around. And you might be a little surprised at how just a completely unsubtle series handles the loss of one its biggest stars with a subtle touch.

*** (out of four)

A Walk in the Woods Box Office Prediction

A host of recognizable faces populate this Wednesday’s adventure comedy A Walk in the Woods, but that may not mean it will be granted box office success. Robert Redford, Nick Nolte, Emma Thompson, Nick Offerman and Mary Steenburgen headline this pic based on a 1998 novel by travel writer Bill Bryson, whom Mr. Redford portrays. Ken Kwapis directs and he’s certainly had a fascinating career with titles like the Cyndi Lauper 1988 vehicle Vibes and Fran Drescher’s Beautician and the Beast to his credit.

Critics have not been impressed and the Rotten Tomatoes meter is currently at 45%. The marketing campaign has been subdued and there could be many moviegoers who simply aren’t aware of Woods existence. Its five day opening number is unlikely to reach double digits and I question whether even $5 million is feasible. I think it’ll just top that, which isn’t exactly an accomplishment.

A Walk in the Woods opening weekend prediction: $4.3 million (Friday to Sunday), $5.8 million (Wednesday to Monday)

For my The Transporter: Refueled prediction, click here:

https://toddmthatcher.com/2015/08/28/the-transporter-refueled-box-office-prediction/

The Transporter Refueled Box Office Prediction

On Labor Day weekend, the fourth entry in the Transporter franchise hits theaters nearly seven years after the third edition with The Transporter: Refueled. A lot has changed in the meantime. Most notably, the series star Jason Statham is nowhere to be found and English rapper/actor Ed Skrein is the leading man. Cowritten by Luc Besson, who’s scripted the other films, Refueled will attempt to revitalize a franchise that had begun losing steam with part three.

It won’t be an easy task. The original pic in 2002 debuted to $9 million with an eventual $25 million domestic take. 2005’s Transporter 2 marked the highs of the series with a $16 million premiere and $43 million eventual gross. 2008’s Transporter 3 made $12 million out of the gate with a $31 million haul. The absence of Statham and long wait between pics leads me to believe The Transporter: Refueled may struggle to reach double digits. I think it’ll just manage it, if only due to the lack of product currently in the marketplace.

The Transporter: Refueled opening weekend prediction: $10.2 million (Friday to Monday for Labor Day weekend)

For my A Walk in the Woods prediction, click here:

https://toddmthatcher.com/2015/08/29/a-walk-in-the-woods-box-office-prediction/

War Room Box Office Prediction

It happens sometimes and we have a late entry in my box office predictin’ business as the Christian themed drama War Room opens tomorrow on an estimated on 1100 screens. That’s enough exposure that the pic could sneak into the top five, considering this should be a lackluster weekend at the multiplex.

Director Alex Kendrick has seen modest box office successes before with his faith based works, particularly 2008’s Fireproof with Kirk Cameron. It opened with $6 million on its way to a $33 million domestic take. Kendrick’s last feature, 2011’s Courageous, opened with $3 million with an eventual $9 million gross. These are great numbers considering they cost very little to produce (War Room‘s budget is just a reported $3M).

I will be revising my top five predictions for the weekend as I believe Room will snag the #4 spot and outdo another newcomer, No Escape.

War Room opening weekend prediction: $5.7 million

For my We Are Your Friends prediction, click here:

https://toddmthatcher.com/2015/08/20/we-are-your-friends-box-office-prediction/

For my No Escape prediction, click here:

https://toddmthatcher.com/2015/08/21/no-escape-box-office-prediction/

The Superman We Never Saw

When you’ve got yourself a documentary about a major Hollywood production that never ended up being made and its director Tim Burton isn’t the most eccentric individual being interviewed, you’re probably in for something fascinating. And so it is with The Death of Superman Lives: What Happened?, which tells the tale of why Burton’s proposed reimagining of the Man of Steel never made it to the screen.

The more eccentric character is by far Jon Peters, the mega producer who had successfully worked with Burton to bring Batman to the masses in 1989. The two were deep into pre-production on the late 1990s Superman Lives project before the plug was pulled and some of this doc’s greatest moments involve Peters being interviewed and, even more so, other people talking about him. Peters started out as Barbara Streisand’s hairdresser before becoming a major producing player. We hear tales of Peters’ insistence on having a giant spider featured in the film, his preference on having scripts read to him while he lays on the couch, his proclivity for putting employees in headlocks and trying out his jiu jitsu moves on underlings.

There’s a lot more to the story of how Superman Lives died and director/writer Jon Schnepp explores it in great detail here. This documentary has had its own difficult history in finally being released and it was partly funded through a Kickstarter campaign. The Supes reboot went through three screenwriters during its gestation: Kevin Smith at first, who brought his comic book geek sensibility before being jettisoned by Warner Bros brass, Peters, and Burton; Wesley Strick, who would eventually suffer the same fate; and its final writer Dan Gilroy, who would go onto direct my favorite pic of last year, Nightcrawler. Nicolas Cage was to star in the title role and there’s even fascinating footage of him trying on the iconic Superman costume, which the doc spends a lot of time talking delving into. In the late 1990s, Cage seemed like a fairly logical choice as he was coming off an Oscar for 1995’s Leaving Las Vegas and headlining A list action projects like The Rock, Con Air, and Face/Off.  In other words, it was a few years prior to Cage seemingly accepting every single script that came his way. Other casting choices are discussed, including Sandra Bullock as Lois Lane, Chris Rock as Jimmy Olsen, Christopher Walken as Brainiac, and Kevin Spacey as Lex Luthor (that actor would go onto play him in 2006’s Superman Returns).

What emerges from the documentary is a film about a film never made (it was three weeks away from shooting) that probably would’ve been something to behold. Would it have been good? Hard to say. The two subsequent Superman reboots that would follow years later (the aforementioned Superman Returns and 2013’s Man of Steel) were both rather disappointing in my view and many comic book lovers felt the same way. Burton’s track record over the last quarter century has been hit and miss. While his take on Batman was a rousing success, his “reimagining” of Planet of the Apes in 2001 left much to be desired. What’s clear is that it would have been a much different Superman than we’ve ever seen and would have looked a whole lot different (the long portions about its production design are quite intriguing).

One important through line that runs in the doc is the fact that Superman Lives was by no means guaranteed massive success in the late 1990s. We must remember that it wasn’t until the turn of the century that 2000’s X-Men truly helped usher in the golden age of comic book flicks that we’ve seen steadily over the last 15 years. When this project was gestating, 1997’s Batman and Robin had essentially killed that Caped Crusader franchise until Chris Nolan brought it back to life eight years later. Warner Bros. was nervous about a similar fate for Burton’s new project. Ironically, it was Batman and Robin director Joel Schumacher who killed Burton’s Batman series and helped pump the brakes on Burton’s budding Superman picture.

For comic book lovers, The Death of Superman Lives: What Happened? will be a treasure trove of intel on why this project never saw the light of day. Yet for movie fans in general, it provides key insight into how movies are made… and how some aren’t made. And how its possibly crazy main producer was obsessed with spiders and jui jitsu.

Box Office Predictions: August 28-30

BLOGGER’S NOTE (Thursday, August 27) – I am revising my top five predictions and accounting for the Christian themed drama War Room (opening on approximately 1100 screens). I believe it will manage to snag the #4 spot.

https://toddmthatcher.com/2015/08/27/war-room-box-office-prediction/

The last weekend of August should bring forth some serious box office doldrums as it usually does this time of year. There are two new entries out: the Zac Efron DJ drama We Are Your Friends and Owen Wilson action thriller No Escape. You can read my detailed prediction posts on each here:

https://toddmthatcher.com/2015/08/20/we-are-your-friends-box-office-prediction/

https://toddmthatcher.com/2015/08/21/no-escape-box-office-prediction/

I frankly don’t expect much from either, but Friends stands the better chance of over performing and possibly even nabbing the #1 spot. I don’t think it’ll quite get there though and that means Straight Outta Compton should manage to stay #1 for the third weekend in a row. Mission: Impossible – Rogue Nation should drop from 2nd to 3rd.

And with that, my predictions for the weekend’s top five:

  1. Straight Outta Compton

Predicted Gross: $12.5 million (representing a drop of 52%)

2. We Are Your Friends

Predicted Gross: $10.9 million

3. Mission: Impossible – Rogue Nation

Predicted Gross: $7.4 million (representing a drop of 37%)

4. War Room

Predicted Gross: $5.7 million

5. No Escape

Predicted Gross: $4.7 million (Friday to Sunday), $6.3 million (Wednesday to Sunday prediction)

Box Office Results (August 21-23)

The N.W.A. biopic continued to rule the charts as Straight Outta Compton took in $26.3 million in its sophomore frame, just above my $24.6M estimate. The acclaimed pic has amassed an impressive $111 million in ten days.

Staying in the runner-up spot was Mission: Impossible – Rogue Nation which added $11.4 million to its coffers, just ahead of my $10.4M projection. Its total stands at $157M.

Horror sequel Sinister 2 sputtered with just $10.5 million, well below my $16.2M prediction and well under the $18 million earned by the original for its start. Hitman: Agent 47 debuted in fourth with an unremarkable $8.3 million, though it did top my $6M estimate.

The Man from U.N.C.L.E. dropped to fifth in weekend #2 with $7.3 million, in line with my $7.1M prediction. Its sleepy two week total is at $26M. Finally, the Jesse Eisenberg/Kristen Stewart action comedy American Ultra tanked in sixth place with just $5.4 million, falling below my $9.8M estimate.

And that’s all for now, folks! Until next time…

No Escape Box Office Prediction

Seeing that a number of Owen Wilson comedies have under performed recently, it’s tough to envision a scenario where his late August action thriller No Escape gains any traction with moviegoers when it opens on Wednesday. The pic casts Wilson as a businessman trapped with his family in Southeast Asia during a military coup. Lake Bell and Pierce Brosnan costar.

The trailers and TV spots do little to inspire much confidence. Frankly, No Escape looks like something that could have as easily gone the direct to VOD route. It’s probably no accident this is arriving the final week of summer, which is primarily a dumping ground for product the studios don’t have much faith in. I believe Escape will struggle to make double digits, even in its expanded five day roll out and it’ll probably be available on the aforementioned VOD quite soon.

No Escape opening weekend prediction: $4.7 million (Friday to Sunday), $6.3 million (Wednesday to Sunday)

For my We Are Your Friends prediction, click here:

We Are Your Friends Box Office Prediction

For my War Room prediction, click here:

War Room Box Office Prediction

We Are Your Friends Box Office Prediction

In his first major role since last summer’s hit Neighbors, Zac Efron is back in theaters with the musical drama We Are Your Friends next Friday. As you will recall, it was music that first made Efron a star with the High School Musical series. The pic finds its lead as a DJ struggling to enter the popular EDM scene. Emily Ratajkowski, Wes Bentley and Jon Bernthal costar.

For those thinking this is a return to Efron’s high school crooning days, the R rating would indicate otherwise. Friends stands no chance of reaching the heights of Neighbors, which rode a wave of positive buzz to blockbuster status. I believe this is more likely to perform similar to Efron’s pic before that one – That Awkward Moment, which earned $8.7 million for its start in spring 2014.

For Warner Bros, this is a rather low risk venture as it comes with a reported budget of only $10 million. I’ll predict it just manages to outdo that budget in weekend one.

We Are Your Friends opening weekend prediction: $10.9 million

For my No Escape prediction, click here:

No Escape Box Office Prediction

For my War Room prediction, click here:

War Room Box Office Prediction

Oscar Watch: Straight Outta Compton

Last weekend the N.W.A. biopic Straight Outta Compton became a cultural phenomenon, grossing an astonishing $60 million out of the gate. This rocketed past even the most lofty expectations. The film’s A Cinemascore grade prove audiences were very pleased. Its 89% Rotten Tomatoes rating show critics are behind it too.

This brings up a question that I wouldn’t have thought to ask even a week ago: could Straight Outta Compton get some Oscar love? The short answer: it’s possible but unlikely. Compton will need the help of at least two or three hotly anticipated autumn releases not to meet their awards potential. That often happens, but one other summer release (and a much different one) is currently the front runner for this season’s potential Picture nominees: Pixar’s Inside Out.

Still – Oscar voters could certainly show a cool factor and express themselves by bringing Compton into the mix. Its only real shot is probably a stand alone Best Picture nod. Director F. Gary Gray and the actors shouldn’t be a factor. For now, this blogger will say it’s a long shot, but we shall see how the next four and a half months plays out.

Box Office Predictions: August 21-23

As we enter the doldrums of late August at the box office, we have three new entries populating the multiplexes: horror sequel Sinister 2, Jesse Eisenberg/Kristen Stewart action comedy American Ultra, and video game inspired Hitman: Agent 47. You can read my detailed prediction posts on each here:

https://toddmthatcher.com/2015/08/13/sinister-2-box-office-prediction/

https://toddmthatcher.com/2015/08/13/american-ultra-box-office-prediction/

https://toddmthatcher.com/2015/08/13/hitman-agent-47-box-office-prediction/

I don’t expect any of them to outdo the second weekend of current champ Straight Outta Compton, which made a boatload of cash this weekend (more on that below). Sinister 2 seems to be the only one with a shot, as horror films do often over perform. I expect both Ultra and Hitman to premiere under double digits.

Compton should actually drop precipitously in its sophomore frame considering many moviegoers likely wanted to rush out and see it. For comparison sake, Eminem’s 8 Mile dipped 62% in its second weekend and Compton could drop close to that (which is nothing against it considering it made way more out of the gate than anybody figured it would).

As for other holdovers, I look for Mission: Impossible – Rogue Nation to eek out a third place showing over Ultra and The Man from U.N.C.L.E. taking the five spot in weekend #2 after its disappointing opening.

And with that, my predictions for the weekend’s top six:

  1. Straight Outta Compton

Predicted Gross: $24.6 million (representing a drop of 59%)

2. Sinister 2

Predicted Gross: $16.2 million

3. Mission: Impossible – Rogue Nation

Predicted Gross: $10.4 million (representing a drop of 41%)

4. American Ultra

Predicted Gross: $9.8 million

5. The Man from U.N.C.L.E.

Predicted Gross: $7.1 million (representing a drop of 47%)

6. Hitman: Agent 47

Predicted Gross: $6 million

Box Office Results (August 14-16)

As mentioned, the NWA biopic Straight Outta Compton capitalized on its great reviews, music, and word of mouth and had a massive opening that exceeded all expectations. The film grossed an astonishing $60.2 million, blasting past my $39.3M estimate. With a reported budget of just $29 million, Compton represents another blockbuster for Universal Pictures in 2015.

Mission: Impossible – Rogue Nation dropped to second in weekend #3 with $17.1 million, a bit above my $14.9M projection. The hit fifth entry in Tom Cruise’s franchise stands at $138M so far.

The news was not good for The Man from U.N.C.L.E., which stalled with just a $13.4 million opening, under my $18.6M prediction. Audience attention was clearly elsewhere over the weekend and this planned franchise will likely end here.

Speaking of possibly dead franchises, the news kept getting worse for last weekend’s bomb Fantastic Four. It dropped a dramatic 68% in weekend #2 with just $8.1 million, under my predicted $11.1M. The Fox property has taken in an embarrassing $42M in ten days.

Finally, the Jason Bateman/Joel Edgerton suspense pic The Gift took in $6.5 million in its second weekend, right in line with my $6.3M estimate. The critically applauded film has made a respectable $23M.

And that’s all for now, folks! Until next time…