The adrenaline fused junk food soap opera that is the Fast and Furious franchise has met with real life in its seventh installment, Furious 7. The pic faced the unenviable task of addressing the death of one its signature stars Paul Walker, who lost his life in a car accident in 2013. The filmmakers handle it in a delicate and touching way at the conclusion and manage to give fans of the franchise what they’ve come to anticipate from this multicultural action fest. It’s got everything you’d expect: ridiculous and often cringe inducing one liners, incredibly choreographed sequences with cars doing things they have no business doing, beautiful scenery on both the human and geographical scale, and lots of dialogue about family (which hits closer than normal considering the events with Walker).
The plot of these proceedings is always secondary, of course. Furious 7 actually picks up after the events of Tokyo Drift, the series third entry and its weakest. This would be after the death of team member Han and our new villain is Deckard Shaw (Jason Statham), the older brother of part 6’s dearly departed villain Owen. Deckard is out for revenge and that means he’s targeting the whole crew, led by Dom (Vin Diesel), Brian (Walker), and Letty (Michelle Rodriguez), who’s still suffering from her amnesia as a result of her near death in part 4. The other usual suspects return including Tyrese Gibson, Ludacris, and Jordana Brewster. And there’s Dwayne Johnson back as Hobbs, the gloriously over the top federal agent who is responsible for some of the silliest bits of dialogue. One notable newcomer is Kurt Russell as a shadowy government agent and the veteran performer seems to be having a lot of fun.
Where the Furious movies succeed or fail depends mostly on the action set pieces and 7 has some dandies. The whole midsection set in Abu Dhabi gives us some real thrills, particularly a sequence involving a multi million dollar car crashing through multiple buildings. The eventual climax back in the homeland of Los Angeles involves predator drones, a pretty far cry from a franchise that used to be concerned with just car tricks. When part 5 was released, the Onion newspaper hilariously pontificated that its screenwriter Chris Morgan was actually a kindergartner. He continues to write these pictures and by my math, he’d be in fourth grade now. Sometimes it still feels as if an elementary student is writing the words here, but that’s not really the point. In Furious world, what counts is the adventure on the screen. And there’s plenty of excitement that James Wan (a new director to the series) conjures up here. It’s pretty simple. If you like this franchise, you’ll like what you see the seventh time around. And you might be a little surprised at how just a completely unsubtle series handles the loss of one its biggest stars with a subtle touch.
*** (out of four)