After a decade away from behind the camera, Hacksaw Ridge marks Mel Gibson’s directorial return. The World War II true-life tale casts Andrew Garfield as a conscientious objector who nevertheless ended up being awarded the Medal of Honor for his heroic exploits on the battlefield. Costars include Vince Vaughn, Sam Worthington, Luke Bracey, Hugo Weaving, Teresa Palmer, and Rachel Griffiths.
The reported $45 million production debuted at Venice Film Festival in September to very positive word of mouth. Its Rotten Tomatoes score stands at 94% and it seems to be gaining some traction as a potential awards contender. Ridge is the first war drama of November, but will be followed up quickly just a week later with Ang Lee’s Billy Lynn’s Long Halftime Walk.
Gibson, of course, is an Oscar winner for his direction of 1995’s Braveheart and struck box office gold in 2004 with his follow-up, The Passion of the Christ. 2006’s Apocalypto was his last job as director and it grossed $50M domestic. The last decade has been an interesting one for Mr. Gibson – notable more for tabloid fodder than anything on the silver screen. His acting jobs have ranged from supporting roles in Machete Kills and The Expendables 3 to direct to On Demand action flicks like Get the Gringo and Blood Father.
It’s a legitimate question whether or not his name adds anything here. None of its stars carry much box office potency either (though Garfield will also soon headline this fall’s eagerly awaited Martin Scorsese drama Silence). What might help is the encouraging critical buzz swirling around it. I don’t expect an opening above $15 million, yet this could be a slow burner that experiences small declines in subsequent weekends. I’ll predict the most likely scenario is a low double digits opening and potential for growth as the season wears on.
Hacksaw Ridge opening weekend prediction: $12.1 million
Viral intrigue hits multiplexes as Trolls, a timely thriller about Internet irritants, debuts next weekend. OK, the 3D animated musical kiddie pic is actually about those dolls with the funky spiked up hair and it hopes to capture a sizable family audience.
The Dreamworks effort comes with a reported $120 million budget and features the voices (both spoken and in song) of Anna Kendrick, Justin Timberlake, Zooey Deschanel, Russell Brand, Gwen Stefani, and James Corden. The soundtrack has already yielded Timberlake’s summer smash “Can’t Stop The Feeling!”. Reviews thus far have been surprisingly quite positive and it stands at 88% on Rotten Tomatoes.
Early November has been fertile ground for animated fare in recent years past. Some of the original titles and their opening grosses include: 2007’s Bee Movie ($38M), 2010’s Masterminds ($46M), 2012’s Wreck-It-Ralph ($49M), 2014’s Big Hero 6 ($56M), and last year’s The Peanuts Movie ($44M). There is one significant factor standing in the way of Trolls potentially achieving those numbers and that would be Marvel’s Doctor Strange, which debuts directly against it. While the wild haired characters of this may be looking to siphon off an even younger audience (and their parents), Strange should undoubtedly succeed in bringing in families as well.
That said, I expect Trolls to manage a mid-30s roll out and likely play well into the month of November.
The Marvel Cinematic Universe’s mega billion dollar alliance with Disney rolls along as Doctor Strange opens in theaters next weekend. Based on the character created by Steve Ditko over a half century ago, this is the 14th entry in the MCU that began with Iron Man in 2008.
And that first Tony Stark pic over eight years ago is the film many critics are comparing the Doctor to. Benedict Cumberbatch is the title character with a stellar supporting cast that includes Chiwetel Ejiofor, Rachel McAdams, Tilda Swinton, Benedict Wong, Michael Stuhlbarg, Benjamin Bratt, and Mads Mikkelsen. Scott Derrickson (most known for horror flicks such as The Exorcism of Emily Rose and Sinister) directs. Advance word of mouth for the reported $165 million has been quite encouraging, with reviewers praising Cumberbatch’s performance, the striking visuals, and an origin story said to be satisfying in the way that Iron Man’s was. It stands at 97% currently on Rotten Tomatoes.
This is only the second MCU feature to open in the autumn season. 2013’s sequel Thor: The Dark World premiered to $85.7 million in early November. That’s probably the range that Strange is looking to debut at, but I’m not sure it’ll quite get there. I certainly don’t see it reaching the $94 million accomplished by Star Lord and his Guardians of the Galaxy or the $98 million that Robert Downey Jr.’s signature character got the first time out of the gate. Yet I see it outpacing the $65 million that Thor opened to in his first solo saga and $57 million from Ant-Man in summer 2015. The buzz for this one seems stronger.
Ultimately, I think this manages a mid to high 70s opening weekend. Low 80s is reachable. Regardless, this should be a new franchise for the Mouse Factory’s comic book division.
Doctor Strange opening weekend prediction: $77.3 million
For the previous two weekends at the box office, we’ve seen a total of seven features roll out in wide release. As the final frame of October is upon us, we just have one to close the month out – Inferno. This is the third teaming of director Ron Howard with Tom Hanks in adapting Dan Brown’s Robert Langdon novels to the screen. You can peruse my detailed prediction post on it here:
While Inferno should have no trouble debuting at #1, just how much it makes is a legit question. I’ve got it pegged at just over $30M, though my blog readers tend to disagree with 64% saying my prediction is Too High. 23% think I’m Just About Right with 13% believing I’m Too Low.
As for holdovers, Boo! A Madea Halloween had a much larger than anticipated debut last weekend (more on that below). Similar Madea titles that opened in the same range dropped about 60% in their second weekend. Could Halloween dip a bit lower since, you know, this is Halloween weekend coming up? Perhaps, but probably not by much.
Jack Reacher: Never Go Back should lose close to half its audience. Same for Ouija. The Accountant in weekend #3 has been experiencing good worth of mouth and its drop may not be quite as pronounced (I have it leaping over Evil).
And with that – the top 5 predictions for the weekend:
1. Inferno
Predicted Gross: $30.6 million
2. Boo! A Madea Halloween
Predicted Gross: $12.7 million (representing a drop of 55%)
3. Jack Reacher: Never Go Back
Predicted Gross: $12.4 million (representing a drop of 46%)
4. The Accountant
Predicted Gross: $8.7 million (representing a drop of 36%)
5. Ouija: Origin of Evil
Predicted Gross: $7.3 million (representing a drop of 48%)
Box Office Results (October 21-23)
In an unexpected box office twist, Tyler Perry outpaced Tom Cruise this weekend as Boo! A Madea Halloween scored a terrific debut with $28.5 million, more than double my meager $12.5M estimate. This marks the third highest debut for a Madea titled pic and ensures this character will be having other holiday fun (Thanksgiving’s probably next) into the future.
It was expected to top the charts, but Madea blocked that as Jack Reacher: Never Go Back debuted in second with $22.8 million (just below my $23.9M estimate). The Tom Cruise sequel suffered from middling reviews and it was following up a predecessor that isn’t exactly beloved. It should struggle to make the $80M earned by the first Reacher and it probably won’t.
Ouija: Origin of Evil didn’t scare up as much business as its predecessor, taking in $14 million for third place (I predicted $15.2M). With a lackluster C Cinemascore grade (same as the first one), it should fade fast, but may not have too calamitous a drop next weekend due to the Halloween holiday.
With all the newbies premiering, The Accountant slipped to fourth with $13.6 million. My prediction? $13.6M! At least I got something right this weekend! Its total stands at $47M.
The Girl on the Train was fifth with $7.1 million and I incorrectly had it outside the top five. The thriller has grossed $58M in three weeks.
The Zack Galifianakis led comedy Keeping Up with Joneses had to settle for seventh place with a poor $5.4 million, well below my $10.1M forecast. It actually performed worse than the star’s comedy from earlier this month, Masterminds.
And that’ll do it for now, folks! Until next time…
A movie from the Marvel Cinematic Universe getting its own Oscar Watch post, you say? Yes indeed as DoctorStrange has screened for critics and the advance word of mouth is quite encouraging. The superhero tale with Benedict Cumberbatch stands at 100% on Rotten Tomatoes.
While reviews have been positive and the box office should be potent when it debuts November 4, I’m not getting carried away enough to proclaim it’ll play in Best Picture. Let’s be real: if TheDarkKnight couldn’t land a nod, it’s highly doubtful this would. Yet Strange has established itself in the Visual Effects race based on the buzz. Critics have gone out their way to praise the apparently Inception like special effects.
Before the reviews, Strange was a question mark as to whether it’d get recognized in that category. Now it looks like it should join TheJungleBook as a sure thing. There’s plenty of other contenders making their way to screens in the next two months plus: RogueOne: AStarWarsStory, Arrival, FantasticBeastsandWheretoFindThem, BillyLynn’sLongHalftimeWalk, Passengers, and AMonsterCalls. There’s also Marvel’s other entry this year, CaptainAmerica: CivilWar, which should find itself in the mix.
Today’s prognosis on the Doctor, though, proves room may be needed for it in this potentially crowded race.
Five years ago, Nicolas Winding Refn made Drive, one of my absolute favorite pictures in years. The ultra stylish and occasionally extremely violent action thriller was light on plot, but heavy on atmosphere. I found it hypnotic. I was less enamored with OnlyGodForgives, the filmmaker’s follow-up two years later. Violent and fascinating to look at? Indeed it was and it had some good stuff in it. Yet I wrote at the time that it lacked soul and that’s something Drive had with the relationship between Ryan Gosling and Carey Mulligan.
Now we arrive at TheNeonDemon and that whole soulless thing pervades this experience even more so. Elle Fanning stars as Jesse, fresh out of some small town and in Los Angeles to become a model. She’s sixteen, but tells everyone she’s 19. Jesse is stunningly beautiful and knows it. So does everyone around her and it infects them with feelings of jealousy and lust. This includes two other models (Abbey Lee and Bella Heathcote) and a makeup artist (Jena Malone) who befriends our wide eyed beauty for a while. Then there’s the photographer (Karl Glusman) who has the hots for her and the manager of the fleabag motel (Keanu Reeves) she’s staying at that might, too.
The central concept of TheNeonDemon is that being gorgeous can get you somewhere in life, but it can be dangerous as well due to how it affects others. We pretty much get that within the first 15 minutes and then Demon just keeps going. And going. Anyone familiar with the director knows he favors style over substance and there are some technically pleasing shots to behold. Drive had an interesting enough story to go with the tone and visuals. Forgives did some of the time. This mostly doesn’t. It’s an ugly film about beautiful people.
I found myself simply not caring where the plot went and atmospherics weren’t enough to hold my attention. Nor were the performances. None are bad, but none really rise above the material. The final act gives us a tone shift that may you have you either rolling your eyes or trying to keep your lunch down. We’ve come a long way from the thrill I felt awaiting Refn’s next picture after Drive. With Demon, he seems stuck in reverse.
It’s Thursday, ladies and gents, and that means my weely Oscar predictions are in! There’s been some serious changes to the predictions, a new film that’s qualified itself for consideration, and some category shifting that’s occurred within the past week.
So – perhaps some explanation on where I see the state of the races in each of the eight major categories is required this week. My synopsis of said races are for your enjoyment below…
Let’s get to it!
Best Picture
Predicted Nominees
1. La La Land (Previous Ranking: 1)
2. Silence (PR: 2)
3. Fences (PR: 3)
4. Lion (PR: 6)
5. Jackie (PR: 5)
6. Moonlight (PR: 7)
7. Manchester by the Sea (PR: 6)
8. Arrival (PR: 9)
9. Hidden Figures (PR: 12)
Other Possibilities
10. Loving (PR: 10)
11. 20th Century Women (PR: 11)
12. Hell or High Water (PR: 14)
13. Live by Night (PR: 13)
14. Sully (PR: 15)
15. Billy Lynn’s Long Halftime Walk (PR: 4)
16. Nocturnal Animals (PR: 17)
17. Florence Foster Jenkins (PR: 18)
18. Hacksaw Ridge (PR: Not Ranked)
19. The Jungle Book (PR: 20)
20. 13th (PR: 16)
21. Allied (PR: 21)
22. Gold (PR: 22)
23. Rules Don’t Apply (PR: Not Ranked)
24. Passengers (PR: 23)
25. The Founder (PR: 24)
Dropped Out:
Miss Sloane
I, Daniel Blake
Where The Race Stands…
With La La Land as the current front runner and there’s no doubt about it. The conventional wisdom for the last several weeks is that there were three fall entries that could potentially give it a run for its money: Martin Scorsese’s Silence, Denzel Washington’s Fences, and Ang Lee’s Billy Lynn’s Long Halftime Walk. That dynamic shifted dramatically when Halftime opened to middling reviews when it screened at the New York Film Festival this weekend. The film has now dropped 11 spots and out of my predicted nominees and it’s unlikely to make its way back in. Silence and Fences now seem the only likely pictures to stand in the way of La La. Meanwhile, Mel Gibson’s Hacksaw Ridge makes a serious jump into the possibilities – from not ranked a week ago to #18. I’ve also found room for the Warren Beatty pic Rules Don’t Apply, which has yet to screen. Others on the list of possibilities that have yet to be reviewed (meaning they could jump up when they do or fall out completely): Hidden Figures (which I have in the ninth spot at the moment for a nod), Live by Night, Passengers, Allied, Gold, The Founder and others not currently in the top 25 such as Miss Sloane and Collateral Beauty.
Best Director
Predicted Nominees
1. Damien Chazelle, La La Land (PR: 1)
2. Martin Scorsese, Silence (PR: 3)
3. Denzel Washington, Fences (PR: 4)
4. Kenneth Lonergan, Manchester by the Sea (PR: 6)
5. Pablo Larrain, Jackie (PR: 5)
Other Possibilties
6. Denis Villeneuve, Arrival (PR: 7)
7. Garth Davis, Lion (PR: 8)
8. Barry Jenkins, Moonlight (PR: 9)
9. Jeff Nichols, Loving (PR: 10)
10. Ang Lee, Billy Lynn’s Long Halftime Walk (PR: 2)
11. Mike Mills, 20th Century Women (PR: 12)
12. Ben Affleck, Live by Night (PR: 11)
13. Theodore Melfi, Hidden Figures (PR: Not Ranked)
14. Clint Eastwood, Sully (PR: 13)
15. Ana DuVernay, 13th (PR: 14)
Dropped Out:
Tom Ford, Nocturnal Animals
Where the Race Stands…
With two-time Oscar winner Ang Lee falling 8 spots after the NYFF Halftime reaction. Chazelle remains at #1 as he’s been for weeks as we await Scorsese and Washington’s films. I’m growing more confident that Lonergan manages to squeeze into the top five.
Best Actor
Predicted Nominees
1. Denzel Washington, Fences (PR: 1)
2. Casey Affleck, Manchester by the Sea (PR: 2)
3. Ryan Gosling, La La Land (PR: 3)
4. Tom Hanks, Sully (PR: 4)
5. Joel Edgerton, Loving (PR: 5)
Other Possibilities
6. Andrew Garfield, Silence (PR: 8)
7. Dev Patel, Lion (PR: 6)
8. Warren Beatty, Rules Don’t Apply (PR: Not Ranked in Lead Actor)
9. Andrew Garfield, Hacksaw Ridge (PR: Not Ranked)
10. Michael Keaton, The Founder (PR: 9)
11. Jake Gyllenhaal, Nocturnal Animals (PR: 10)
12. Matthew McConaughey, Gold (PR: 11)
13. Will Smith, Collateral Beauty (PR: 12)
14. Viggo Mortensen, Captain Fantastic (PR: 15)
15. Miles Teller, Bleed for This (PR: 13)
Dropped Out:
Joe Alwyn, Billy Lynn’s Long Halftime Walk
Ben Affleck, Live by Night
Where the Race Stands…
Up in the air until we see Denzel’s work in Fences, which could potentially become the immediate front runner as I’m currently estimating. Casey Affleck is getting raves, too and has held steady at #2 for weeks. Andrew Garfield is on the outside looking in for now, but could get in for either Silence or Hacksaw Ridge. There’s also late breaking news that Taylor Hackford’s The Comedian was given a December release for Oscar consideration and perhaps that’ll bode well for its star, Robert De Niro (though I’m not prepared to include him in the mix quite yet). And there’s last week’s reveal that Warren Beatty will compete in this category instead of Supporting, as was previously thought.
Best Actress
Predicted Nominees
1. Emma Stone, La La Land (PR: 1)
2. Natalie Portman, Jackie (PR: 2)
3. Viola Davis, Fences (PR: 3)
4. Annette Bening, 20th Century Women (PR: 4)
5. Ruth Negga, Loving (PR: 5)
Other Possibilities
6. Amy Adams, Arrival (PR: 7)
7. Meryl Streep, Florence Foster Jenkins (PR: 6)
8. Isabelle Huppert, Elle (PR: 9)
9. Jessica Chastain, Miss Sloane (PR: 8)
10. Taraji P. Henson, Hidden Figures (PR: 12)
11. Rebecca Hall, Christine (PR: 10)
12. Marion Cotillard, Allied (PR: 14)
13. Amy Adams, Nocturnal Animals (PR: 11)
14. Emily Blunt, The Girl on the Train (PR: 13)
15. Jennifer Lawrence, Passengers (PR: 15)
Where the Race Stands…
As one of the most competitive Best Actress races in history. Both Stone and Portman are serious contenders for the win and we haven’t even seen heard the word on Davis’s work in Fences. They appear to be the trio that could win. In any other year, Bening’s acclaimed performance in Women might earn her some overdue recognition, but probably not this year. The fifth slot is much trickier and I almost picked Adams (for Arrival and not Nocturnal Animals) over Negga. Just to show you the competitiveness, Streep in most years would be a shoo-in for her 20th (!) nomination for Jenkins, but could be left out. Others to keep an eye on: Chastain and a dark horse nominee like Hall.
Best Supporting Actor
Predicted Nominees
1. Michael Shannon, Nocturnal Animals (PR: 1)
2. Liam Neeson, Silence (PR: 2)
3. Hugh Grant, Florence Foster Jenkins (PR: 3)
4. Stephen Henderson, Fences (PR: 4)
5. Mahershala Ali, Moonlight (PR: 5)
Other Possibilities
6. Lucas Hedges, Manchester by the Sea (PR: 10)
7. Aaron Eckhart, Sully (PR: 6)
8. Peter Sarsgaard, Jackie (PR: 8)
9. Sunny Pawar, Lion (PR: 9)
10. Mykelti Williamson, Fences (PR: 11)
11. Jeff Bridges, Hell or High Water (PR: 12)
12. Alan Rickman, Eye in the Sky (PR: Not Ranked)
13. Aaron Eckhart, Bleed for This (PR: 13)
14. Kevin Costner, Hidden Figures (PR: Not Ranked)
15. Ben Foster, Hell or High Water (PR: Not Ranked)
Dropped Out:
Warren Beatty, Rules Don’t Apply (moved to Lead Actor list)
Steve Martin, Billy Lynn’s Long Halftime Walk
Timothy Spall, Denial
Where the Race Stands…
Absolutely and 100% percent wide open… so much so that I’m not confident any of my current picks make the final cut. Some would argue Grant is in, but I’m not totally convinced. Shannon is such a well-respected actor that he’s probably in, but reaction has been very mixed on Nocturnal Animals. Neeson and Henderson’s work has yet to be seen. Bottom line: this particular category could change a lot over the next few weeks.
Best Supporting Actress
Predicted Nominees
1. Michelle Williams, Manchester by the Sea (PR: 1)
2. Naomie Harris, Moonlight (PR: 2)
3. Nicole Kidman, Lion (PR: 3)
4. Greta Gerwig, 20th Century Women (PR: 4)
5. Octavia Spencer, Hidden Figures (PR: 10)
Other Possibilities
6. Molly Shannon, Other People (PR: 7)
7. Elle Fanning, 20th Century Women (PR: 5)
8. Margo Martindale, The Hollars (PR: 8)
9. Helen Mirren, Eye in the Sky (PR: 9)
10. Janelle Monae, Hidden Figures (PR: Not Ranked)
11. Kristen Stewart, Billy Lynn’s Long Halftime Walk (PR: 6)
12. Felicity Jones, A Monster Calls (PR: Not Ranked)
13. Janelle Monae, Moonlight (PR: 13)
14. Laura Linney, Nocturnal Animals (PR: 11)
15. Bryce Dallas Howard, Gold (PR: 12)
Dropped Out:
Sienna Miller, Live by Night
Gugu Mbatha-Raw, Miss Sloane
Where The Race Stands…
Seemingly with Williams and Harris as the two front runners and it’s been that way for a while after Manchester and Moonlight, respectively, hit the festival circuit. Perhaps one of the two actresses from the not yet screened Hidden Figures (Spencer and Monae, who also got positive notices for Moonlight) could make a play. Otherwise, this looks like a two-way competition at the moment.
Best Original Screenplay
Predicted Nominees
1. La La Land (PR: 1)
2. Manchester by the Sea (PR: 2)
3. Jackie (PR: 3)
4. Moonlight (PR: 4)
5. 20th Century Women (PR: 6)
Other Possibilties
6. Loving (PR: 7)
7. Hell or High Water (PR: 5)
8. Toni Erdmann (PR: 9)
9. Miss Sloane (PR: 8)
10. I, Daniel Blake (PR: 14)
11. Florence Foster Jenkins (PR: 11)
12. The Lobster (PR: 12)
13. Allied (PR: 10)
14. Gold (PR: 13)
15. Rules Don’t Apply (PR: Not Ranked)
Dropped Out:
Captain Fantastic
Where the Race Stands…
As a race that La La Land may not automatically win over Manchester by the Sea. Jackie and Moonlight are also looking solid for nominations with a fifth slot that I keep changing up between 20th Century Women, Loving, and Hell or High Water.
Best Adapted Screenplay
Predicted Nominees
1. Fences (PR: 1)
2. Silence (PR: 2)
3. Lion (PR: 3)
4. Hidden Figures (PR: 7)
5. Arrival (PR: 6)
Other Possibilities
6. Nocturnal Animals (PR: 5)
7. Love & Friendship (PR: 11)
8. Live by Night (PR: 8)
9. Elle (PR: 10)
10. Sully (PR: 9)
11. Billy Lynn’s Long Halftime Walk (PR: 4)
12. The Jungle Book (PR: 14)
13. Indignation (PR: 12)
14. Certain Women (PR: 13)
15. Hacksaw Ridge (PR: Not Ranked)
Dropped Out:
Denial
Where the Race Stands…
In a waiting pattern as Fences and Silence have yet to screen. They could both be heavy hitters. If they both falter, look to Lion.
And that does it for this week, folks! Until next time…
The combination of Dan Brown’s novel, Tom Hanks’s star power, and Ron Howard’s direction melds together for the third time as Inferno hits theaters next weekend. The thriller arrives a decade after The Da Vinci Code and five years after Angels & Demons. Costars for this include Felicity Jones (beginning a busy fall 2016 with A Monster Calls and Rogue One: A Star Wars Story coming up), Ben Foster, Omar Sy, and Irrfan Khan.
When Da Vinci hit theaters in the summer of 2006, it provided Hanks’s largest live-action opening of all time with $77 million and an eventual $217M domestic gross. In summer 2011, follow-up Angels couldn’t achieve those numbers, but did provide Hanks with his #2 biggest opener at $46 million and a final tally of $133M.
I don’t expect Inferno to match the numbers of either of its two predecessors. Critics haven’t been impressed. It currently stands at 23% on Rotten Tomatoes. That said, these Brown adaptations have been rather review proof (Code had 25%, Angels 37%). Many sequels in 2016 have posted middling numbers and this franchise certainly displayed a downward trend from 2006 to 2011.
Still, Hanks fans and the author’s fans should turn out to some degree. While I mentioned that this won’t approach the debuts of its aforementioned series entries, it could be in the running for its star’s third highest live-action premiere. In order to do so, it’d need to top the $35 million that Sully (out less than two months ago) achieved.
That seems right around where I expect Inferno to land opening weekend. I’ll predict it does fall a bit under that, preventing a Robert Langdon hat trick for Mr. Hanks.
It’s a particularly crowded weekend at the box office with four new wide releases hitting the multiplexes and another in semi-wide release. We have Tom Cruise’s action sequel Jack Reacher: Never Go Back, Tyler Perry’s Boo! A Madea Halloween, horror prequel Ouija: Origin of Evil, and the Zach Galifianakis led comedy (his second this month) Keeping Up with the Joneses. You can find my detailed prediction posts on each of them here:
To add to the clutter, there’s also the faith-based drama I’m Not Ashamed, which debuts on around 500 screens. I’ve got it pegged at $2 million for its start.
So how will all this shake out? Well, it’s probable that the four newbies will all land in the top 5. I have Reacher rather easily winning the weekend with Ouija as the runner-up. The Accountant (which had a solid debut in the top spot this past weekend) could fall to third with Boo! and Joneses rounding out the top five.
Here’s how the blog readers see my picks for the newcomers:
Jack Reacher: Never Go Back: 50% Too Low, 41% Just About Right, 9% Too High
Ouija: Origin of Evil: 46% Just About Right, 27%, Too High, 27% Too Low
Boo! A Madea Halloween: 33% Too High, 33% Too Low, 33% Just About Right (how about that?!?!)
Keeping Up with the Joneses: 46% Too Low, 39% Just About Right, 15% Too High
Truth be told, this weekend is pretty unpredictable with all the fresh product coming our way. Let’s see what happens, but here’s how I have the top 5:
1. Jack Reacher: Never Go Back
Predicted Gross: $23.9 million
2. Ouija: Origin of Evil
Predicted Gross: $15.2 million
3. The Accountant
Predicted Gross: $13.6 million (representing a drop of 45%)
4. Boo! A Madea Halloween
Predicted Gross: $12.5 million
5. Keeping Up with the Joneses
Predicted Gross: $10.1 million
Box Office Results (October 14-16)
The numbers were quite good for Ben Affleck’s The Accountant as it scored a #1 opening with $24.7 million, easily topping my $17.6M prediction. Even though reviews were quite mixed, audiences liked what they saw it scored an A Cinemascore grade.
The Girl on the Train dipped to second in its sophomore weekend with a 50% drop to $12.2 million (a bit under my $13.4M projection). The Emily Blunt thriller has taken in $46 million thus far.
The stand-up comedy concert pic Kevin Hart: What Now? debuted in third with a decent $11.7 million, not quite matching my $13.5M estimate.
Tim Burton’s Miss Peregrine’s Home for Peculiar Children was fourth with $8.9 million (I said $8.2M) to bring its tally to $65 million. Deepwater Horizon rounded out the top five with $6.4 million (I said $6.8M) and it’s made $49 million.
Last (and least), Max Steel was met with a massive shrug from audience as it opened in 11th place with $2.1 million. I went a bit higher with $3.8M. Look for this one On Demand quite soon.
And that’ll do it for now, folks! Until next time…
One of the largest pieces of the Oscar puzzle came into sharper focus tonight as Ang Lee’s BillyLynn’sLongHalftimeWalk premiered at the New York Film Festival. For months, the film has rightfully been looked at as a massive awards contender. After all, the director has won two Best Director awards for BrokebackMountain and LifeofPi.
Based on its initial screening, it appears Walk has taken a significant hit. Early critical reaction is quite mixed and several reviews have been negative. I’ve had this pegged at between 2-5 for the last several weeks in terms of getting a Best Picture nod. I’ve also included Lee in the top 5 every week in terms of his nomination. At various junctures, I’ve also predicted Joe Alwyn (Actor), Steve Martin (Supporting Actor), Kristen Stewart (Supporting Actress), and Adapted Screenplay. Based on tonight’s buzz, that’s likely to change come Thursday when I make my next round of predictions.
Billy could still be a player in technical categories like Visual Effects and the Sound races. Yet the sound heard tonight in the Big Apple was a perceived Oscar heavyweight losing serious luster.
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