There’s a segment in Gone Girl where the bizarre relationship between Rosamund Pike and Neil Patrick Harris comes to a rather memorable end. This sequence contains a mix of sex and violence that would’ve made Alfred Hitchcock proud. It’s the kind of scene that the master director probably would’ve loved to film had the time he was making movies allowed it.
This is why, for the first time, a remake of a Hitchcock classic actually doesn’t sound like a bad idea. It was announced this week that Gone Girl’s director – the brilliant David Fincher – will helm a remake of Strangers on a Train, Hitch’s 1951 effort. The screenwriter is Gillian Flynn, who of course wrote the Gone Girl book and its screenplay. Ben Affleck will star.
If there’s anyone out there who could pull off the daunting task of remaking Hitchcock, it’s Fincher. Having said that, the last time an Oscar nominated auteur attempted the same feat… well, it failed miserably.
Gus Van Sant, who was fresh off Oscar attention for Good Will Hunting, made the infamously terrible decision to do a shot for shot remake of Hitchcock’s Psycho. Audiences and critics alike didn’t understand why and it struggled at the box office.
Psycho was released in 1998, as were two other Hitch remakes that also made little impression. A Perfect Murder took on 1954’s Dial M for Murder and starred Michael Douglas and Gwyneth Paltrow. It did better financially than Psycho but couldn’t hold a candle to its source material.
On the television front, Christopher Reeve appeared in one of his final roles headlining a rehash of Rear Window. While Reeve received positive notices, the picture itself didn’t.
Indeed the director who’s probably had the greatest success remaking Alfred Hitchcock is Alfred Hitchcock. In 1956, he released The Man Who Knew Too Much with James Stewart and Doris Day to solid box office results. 22 years earlier in England was his even more acclaimed original with Peter Lorre.
I’ll say this: Gone Girl is a movie that Hitchcock probably would have found highly enjoyable. The fact that its team is now involved in a direct homage to the filmmaker is certainly going to be interesting to watch.