The AFI Film Festival shed some light this week on some Oscar hopefuls that I’ve written about on this here blog in the past few days. It gave Ava DuVernay’s MLK pic Selma some real heat in the Best Picture, Director, and Actor race while Clint Eastwood’s American Sniper gave itself a shot in the Picture race as well. The industry has also trained its collective eyes on Big Eyes, Tim Burton’s true life biographical drama/comedy. The result? Iffy at best.
Burton is used to dealing with gargantuan budgets, but Big Eyes is an exception. Reportedly it cost just $10 million to produce and it focuses on Margaret Keane (Amy Adams), whose paintings became a phenomenon in the 1950s yet all credit was taken by her husband Walter (Christoph Waltz).
Adams and Waltz are no strangers to acting nominations at the Oscars. Adams has been recognized five times in the past nine years but hasn’t won. On the flip side, Waltz has been nominated in the Supporting Actor race for Tarantino’s Inglourious Basterds and Django Unchained and took home the gold on both occasions.
For Waltz, some writers have said his performance is a bit over the top and he seems highly unlikely to get his third nod. Adams is the one who could sneak in, but she would appear to be behind Julianne Moore (Still Alice), Reese Witherspoon (Wild), Rosamund Pike (Gone Girl), and Felicity Jones (The Theory of Everything). That would leave Adams with the fifth slot and there’s still Emily Blunt’s work in Into the Woods that has yet to be evaluated. Factor in other actresses who sneak into spot #5 and the chances of Adams getting her sixth nomination is very much a question mark.
The picture itself is receiving decent reviews but they aren’t overwhelmingly glowing. Big Eyes appears on the outside looking in for Best Picture and Director for Burton, who’s surprisingly yet to get Academy recognition.
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