Tag: Yellowstone

June 28-30 Box Office Predictions

Horror prequel A Quiet Place: Day One will attempt to make enough noise to knock Inside Out 2 from its third week atop the charts, but that could be a tall order. We also have Kevin Costner’s epic Western Horizon: An American Saga – Chapter 1 and the semi-wide expansion of the Yorgos Lanthimos anthology Kinds of Kindness out. You can peruse my detailed prediction posts on the trio right here:

A Quiet Place: Day One Box Office Prediction
Horizon: An American Saga – Chapter 1 Box Office Prediction
Kinds of Kindness Box Office Prediction

My mid 40s projection for Quiet would be right in line with expectations and a tad under predecessor A Quiet Place Part II from 2021. That should put it firmly in second.

That’s because animated box office behemoth Inside Out 2 might ease around 40% for a third weekend in first after its record breaking performance during its second frame (more on that below).

Horizon is a legit question mark. Some estimates have it as low as $10 million and that would likely put it in fourth behind the fourth outing of Bad Boys: Ride or Die. Despite lackluster reviews and a three-hour runtime, I think it might manage low teens for third if enough Yellowstone viewers turn up.

The Bikeriders, with significant competition for adult eyeballs, should fall around 50% to fifth after a so-so start. As for Kinds of Kindness (which just scored the biggest PTA of 2024 on five screens), it is expanding to approximately 500 venues Friday and a gross just above $3 million might be enough for sixth.

Here’s how I have it shaking out:

1. Inside Out 2

Predicted Gross: $61.5 million

2. A Quiet Place: Day One

Predicted Gross: $46.3 million

3. Horizon: An American Saga – Chapter 1

Predicted Gross: $14.8 million

4. Bad Boys: Ride or Die

Predicted Gross: $11.2 million

5. The Bikeriders

Predicted Gross: $4.6 million

6. Kinds of Kindness

Predicted Gross: $3.2 million

Box Office Results (June 21-23)

Disney/Pixar broke its own record (previously held by Incredibles 2) with the second highest animated weekend in history at $101.2 million. That bests my $93.6 million projection as the mighty sequel is up to $356 million in just ten days. A billion plus worldwide haul seems to be in the making. This is also vying for title of summer 2024’s heftiest domestic grosser with Deadpool & Wolverine seemingly the only challenger.

Bad Boys: Ride or Die held in second at $18.8 million, a bit shy of my $21.3 million take. The three-week gross is $147 million.

The Bikeriders couldn’t quite reach double digits in third with $9.6 million compared to my $10.5 million forecast. With an unimpressive B Cinemascore, this should stall out in subsequent weekends.

Kingdom of the Planet of the Apes was fourth with $3.8 million (I said $4.1 million) for a seven-week tally of $164 million.

The Garfield Movie closely followed in fifth with $3.7 million and I incorrectly had it outside the high five. It has made $85 million after five weeks.

IF was sixth with $2.7 million as the family friendly original hit $106 million after six weeks.

I was a little too kind to Russell Crowe’s The Exorcism. His second feature with this subject matter in a year’s time (after The Pope’s Exorcist) was underwater in seventh with $2.4 million. I predicted $3.2 million.

Finally, I didn’t do an estimate for the critically acclaimed comedy Thelma with June Squibb. It was eighth with $2.3 million which is pretty decent considering it’s on less than 1300 screens.

And that does it for now, folks! Until next time…

Horizon: An American Saga – Chapter 1 Box Office Prediction

Warner Bros is hoping Horizon: An American Saga – Chapter 1 is more Dances with Wolves, less The Postman when it comes to Kevin Costner’s behind the camera filmography. The three-hour Western epic is the first of four planned sagas with Chapter 2 slated for mid-August and part 3 shooting. Costner, who has experienced a recent career resurgence thanks to Yellowstone on the small screen, also stars and co-scripts. The large supporting cast includes Sienna Miller, Sam Worthington, Jena Malone, Abbey Lee, Michael Rooker, Danny Huston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, Jamie Campbell Bower, and Thomas Haden Church.

A May premiere at Cannes yielded shaky buzz. The Rotten Tomatoes score is only 43%. There is no doubt that Horizon is a risky summer proposition. Costner apparently financed the bulk of the project himself.

I do think the Yellowstone exposure could cause this to surprise with a better than expected turnout of older viewers. A best case scenario might be a kickoff in the high teens to low 20s. I’ll hedge my bets and go with low to mid teens.

Horizon: An American Saga – Chapter 1 opening weekend prediction: $14.8 million

For my A Quiet Place: Day One prediction, click here:

A Quiet Place: Day One Box Office Prediction

For my Kinds of Kindness prediction, click here:

Kinds of Kindness Box Office Prediction

Oscar Predictions – Horizon: An American Saga – Chapter One

When it comes to Academy possibilities for Kevin Costner’s latest directorial epic, think The Postman more than Dances with Wolves. The latter from 1990 was up for 12 Oscars and took home 7 including Picture and Director. The former was a flop at multiplexes and on the awards circuit.

His latest is Horizon: An American Saga – Chapter One and it has premiered at Cannes ahead of its June 28th theatrical bow. The Western is not only directed by Costner, but he stars and cowrites what is a mostly self-financed project. The large supporting cast includes Sienna Miller, Sam Worthington, Giovanni Ribisi, Danny Huston, Duval Branch, Jena Malone, Abbey Lee, Jamie Campbell Bower, Owen Crow Shoe, Tatanka Means, Luke Wilson, Ella Hunt, Will Patton, Isabelle Fuhrman, Jeff Fahey, and Thomas Haden Church.

I kind of thought Cannes seemed like an odd launch pad for the Yellowstone lead’s first behind the camera big screen production since 2003’s Open Range. Critics have not been kind as evidenced by the 29% Rotten Tomatoes rating.

I’m not sure how much the reviews will hurt its commercial prospects. This could be effective adult counter programming in the summer months and Costner’s visibility from his hit show won’t hurt. Chapter 2 will follow in mid-August. Who knows? Maybe it will garner better notices from cinematic pundits. You can close the book on any Oscar buzz for this first chapter. My Oscar Prediction posts will continue…

Best Picture 2016: The Final Five


We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:

Best Picture 2009: The Final Five
Best Picture 2010: The Final Five
Best Picture 2011: The Final Five
Best Picture 2012: The Final Five
Best Picture 2013: The Final Five
Best Picture 2014: The Final Five
Best Picture 2015: The Final Five

We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.

As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.

Arrival

Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.

Does It Make the Final Five?

No, but I’ll admit I went back and forth here. There’s certainly an argument to be made that it gets in due to the high number of nominations. However, the Actress snub and it not making the Golden Globe five for Drama make me more comfortable leaving it out. **As a side note – I didn’t let my personal take on it interfere as it’s probably my favorite picture of 2016.

Fences

Denzel Washington starred and directed this adaptation of the August Wilson play. Washington landed an Actor nom while costar Viola Davis won Supporting Actress. The Adapted Screenplay was also up.

Does It Make the Final Five?

No. Had it materialized in Director, I might think twice but this was probably 7th at best of the nine contenders.

Hacksaw Ridge

Mel Gibson made a filmmaking comeback in the World War II drama. He was up for his direction and Andrew Garfield earned a Best Actor spot. It won Sound Mixing and Film Editing and was up for Sound Editing.

Does It Make the Final Five?

Yes. Despite its screenplay not being mentioned, the Editing victory puts it in for me. In the 21st century, the winner of the race has missed BP exactly once (2011’s The Girl with the Dragon Tattoo).

Hell or High Water

Taylor Sheridan is best known these days for co-creating TV’s hit Yellowstone. He earned an Original Screenplay nod for this neo-Western that was also up for Supporting Actor (Jeff Bridges) and Film Editing.

Does It Make the Final Five?

No. Director David Mackenzie wasn’t up and the 0 for 4 showing is a sign the final five wasn’t reachable.

Hidden Figures

Theodore Melfi’s true life look at African-American female mathematicians at NASA during the 1960s was a gigantic hit – blasting off to $170 million domestically. Besides BP, Octavia Spencer was up for Supporting Actress as was the Adapted Screenplay.

Does It Make the Final Five?

No in spite of its box office. Of the nine nominees, it got the smallest number of noms and took home zero. It was also missed the Golden Globe and Critics Choice lists.

La La Land

Damien Chazelle won Best Director for his musical and Emma Stone was crowned Best Actress. The total number of nominations was 14 – which tied All About Eve and Titanic for the most ever. Other victories were Score, Song, Cinematography, and Production Design. The other mentions were Actor (Ryan Gosling), Original Screenplay, Sound Editing, Sound Mixing, Costume Design, and Film Editing.

Does It Make the Final Five?

A big and obvious yes. When Dunaway accidentally proclaimed it BP, no one was surprised since it was the frontrunner. It was very likely the runner-up in votes.

Lion

Garth Davis’s drama finds Dev Patel searching for his birth parents and it found its way to five other nods for Patel in Supporting Actor, Nicole Kidman for Supporting Actress, Adapted Screenplay, Score, and Cinematography. It did not win any of them.

Does It Make the Final Five?

Yes. I will admit that this could be a stretch and Arrival might be the pick of others. I just think that there would have been enough sentiment for this one to make the final cut even without directing and editing mentions.

Manchster by the Sea

Kenneth Lonergan got a directing nod for this grief filled drama and Casey Affleck won Best Actor. Lucas Hedges and Michelle Williams were up for the supporting derbies while Lonergan won Original Screenplay.

Does It Make the Final Five?

Yes. The screenplay and Actor wins solidify this and it was probably third of the five behind Moonlight and La La Land.

Therefore my projected 2016 five is:

Hacksaw Ridge

La La Land

Lion

Manchester by the Sea

Moonlight

2017 is next!

Those Who Wish Me Dead Box Office Prediction

Bloggers Update: Prediction downgraded to $3.8 million

Angelina Jolie tries to heat up the box office on May 14 with the simultaneous theatrical and HBO Max release of Those Who Wish Me Dead. The thriller casts Jolie as a fire warden attempting to protect a young boy whose father was murdered by assassins. Taylor Sheridan, director of Wind River and co-creator of the hit series Yellowstone, serves behind the camera. Costars include Finn Little, Nicholas Hoult, Jon Bernthal, and Tyler Perry.

Warner Bros. has had successes recently with their strategy of putting their product on the big screen and thru HBO’s streaming platform. This resulted in impressive openings for Godzilla vs. Kong and Mortal Kombat over the past two months. This one could be a tougher sell due to it not being part of a known franchise.

Dead will need to rely on an adult crowd turning out and Jolie’s star power. One recent comp is The Little Things with Denzel Washington. Also a Warner/HBO venture, the thriller opened domestically with $4.8 million. More theaters have opened their doors since and capacity has increased. That leads me to think that Jolie’s latest could exceed that gross, but perhaps not by much. If my estimate holds, Dead should place second next weekend behind Spiral: From the Book of Saw.

Those Who Wish Me Dead opening weekend prediction: $3.8 million

For my Spiral: From the Book of Saw prediction, click here:

Spiral Box Office Prediction

For my Army of the Dead prediction, click here:

Army of the Dead Box Office Prediction

For my Profile prediction, click here:

Profile Box Office Prediction

Let Him Go Box Office Prediction

Focus Features is hopeful that an adult audience will turn out this weekend with their dramatic thriller Let Him Go. From director Thomas Bezucha, Diane Lane and Kevin Costner headline as a couple mourning the loss of their son and trying to save their grandchild from a dangerous situation. Costars include Lesley Manville, Will Brittain, and Jeffrey Donovan.

Originally slated for August before the inevitable COVID-19 delay, Go has screened for critics and the results are pretty positive. The Rotten Tomatoes score stands at 74% based on nearly 20 reviews. Costner has been particularly visible as of late with strong ratings for his Paramount Network TV show Yellowstone. In a different reality, the pic could serve as shrewd counter programming for older viewers who might turn out.

The obvious question: will they do so during these times? The decent critical reaction might help, but I question whether this gets beyond $2 million out of the gate. I’ll put it right at that number and anything above would likely be considered a pleasant surprise.

Let Him Go opening weekend prediction: $2 million