Actor Tony Goldwyn goes behind the camera for Ezra which hits theaters Friday after screening at the Toronto Film Festival last fall. Bobby Cannavale headlines the family dramedy alongside Robert De Niro, Rose Byrne, William Fitzgerald, Vera Farmiga, Whoopi Goldberg, Rainn Wilson, and Goldwyn himself.
The project was met with muted buzz during its north of the border unveiling in September. Bleecker Street eventually picked up the distribution rights for what should be an unceremonious opening. The Rotten Tomatoes score is a so-so 65%. While some reviews are good, in order for it to get awards attention… well, it needs to be better than Ezra. My Oscar Prediction posts will continue…
The Color Purple has existed for over four decades via book (by Alice Walker), film (Steven Spielberg’s 1985 adaptation), and Broadway play (beginning in 2005). At each turn, it’s generated awards attention. The book won a Pulitzer. The first cinematic rendering landed 11 Academy nominations (though it didn’t win any of them). The first iteration of the play also managed 11 Tony nods and a single victory in lead actress while the 2015 revival nabbed four nominations and two trophies (including Cynthia Erivo in lead actress).
On Christmas Day, the screen treatment of the stage musical arrives in theaters. Blitz Bazawule directs with a cast including Fantasia Barrino, Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Ciara, Halle Bailey, Aunjanue Ellis, Jon Batiste, Louis Gossett Jr., and David Alan Grier. Spielberg and Oprah Winfrey (who played Sofia in the ’85 adaptation) are producers.
Given the awards heavy past of the source material, Purple has been seen as a potentially significant Oscar hopeful since the project was announced. The review embargo has lapsed (rather late I must say) with a solid 85% Rotten Tomatoes score.
That said, much of the critical reaction is of the *** variety and not ****. Perhaps the biggest snub of the Golden Globe nominations was this not receiving a mention in Best Motion Picture (Musical/Comedy). Days later, the Critics Choice nods threw Purple a lifeline when it made their Top 10 features.
Any way you cut it, Purple‘s inclusion in the Oscar BP ten is far from certain. I had it listed at #10 in my latest round of predictions on Sunday. If this manages to make the SAG quintet when their nominations are announced for Best Ensemble, that would be another feather in its cap. Though don’t be surprised at all if it misses the BP cut. Bazawule’s direction is highly unlikely to be mentioned (even Spielberg couldn’t get in that race nearly 40 years back). Same goes for the Adapted Screenplay.
Purple will manage to get other nominations. The most certain is Danielle Brooks for Supporting Actress. For months, I had her listed in 1st to win but I recently switched the top spot to Da’Vine Joy Randolph in The Holdovers. Brooks is playing the same role Winfrey played and got an Academy nod for. In 1985, Whoopi Goldberg was nominated for Actress as Celie. Fantasia Barrino hopes to replicate that success. It’s doable, but competition is fierce. I had her in 7th place on the outside looking in last weekend. 7th place is also where I had Taraji P. Henson in Supporting Actress as Shug. Margaret Avery was nominated for her portrayal in ’85 though Henson has already missed key precursors like the Globes and Critics Choice.
Finally, there are down the line races where it could pop up. This includes Original Song (“Keep It Movin”), Production Design, and Costume Design. It won’t generate 11 mentions like the Spielberg pic. Four or five is more feasible. My Oscar Prediction posts will continue…
Danielle Deadwyler is likely headed for a Best Actress nomination in Chinonye Chukwu’s Till, which opens wide in approximately 2000 theaters on October 28th. She plays Mamie Till, mother of Emmett who was brutally murdered in 1955. The biographical drama features Jalyn Hall as her son as well as Frankie Faison, Haley Bennett, and Whoopi Goldberg.
After its premiere at the New York Film Festival, Till received critical acclaim and it sports a 99% Rotten Tomatoes rating. Yet since its October 14th limited release, returns have been underwhelming. This past weekend, it earned approximately $600,000 on 104 screens. That’s a per screen average of just over $3600 and it doesn’t bode well for the expansion.
Three years ago, Harriet surpassed forecasts with its debut at the same time of year. With nearly $12 million for its start, that kind of number would be amazing for Till. Given the early evidence, it may only make a third of that.
It could be time to admit that I’ve slept on My Father’s Dragon when it comes to Oscar consideration. Based on the 1948 children’s book by Ruth Stiles Gannett, the 2-D fantasy makes its way to Netflix on November 11th. It had its unveiling at the London Film Festival. Dragon is the fifth animated feature from Cartoon Saloon and their track record is, shall we say, fire.
The Irish outlet is 4 for 4 when it comes to getting their pics nominated for Best Animated Feature: 2010’s The Secret of Kells, 2014’s Song of the Sea, The Breadwinner from 2017, and 2020’s Wolfwalkers. Despite their success rate getting their product in the final quintet, they’ve yet to win.
Dragon is directed by Nora Twomey, who co-directed Kells and solo helmed The Breadwinner. The sprawling voice cast includes Jacob Tremblay, Gaten Matarazzo, Golshifteh Farahani, Jackie Earle Haley, Whoopi Goldberg, Dianne Wiest, Rita Moreno, Chris O’Dowd, Judy Greer, Alan Cumming, Yara Shahidi, Mary Kay Place, Leighton Meester, and Ian McShane.
Reviews are just beginning to trickle out of London and so far so good. The initial buzz indicates this should be a contender. Like its earlier efforts, I’d say it’s a viable film for nomination and not a victory. My last estimates had it ranked seventh… pretty low for a production company with the aforementioned history.
Yet there could be roadblocks on the Saloon’s road to five in a row. The main one is internal competition from Netflix itself. Most prognosticators (myself included) have Guillermo del Toro’s Pinocchio from the streamer listed in first place. Even though that’s sight unseen, the pedigree would suggest it’ll be Netflix’s biggest push for the gold statue. Others that the company could be focused on include this summer’s acclaimed The Sea Beast and Wendell and Wild from Jordan Peele, which debuts later this month and nabbed positive feedback at the Toronto Film Festival.
That’s four legit contenders from Netflix and Disney (for one) will have something to say about them achieving four nominations (they won’t). Something’s gotta give and we’ll see how the next few weeks play out to determine which movies from the quartet don’t make the dance. My Oscar Prediction posts will continue…
Danielle Deadwyler’s performance as Mamie Till-Mobley, mother of lynched Emmett Till in 1955 has come into focus this weekend. Chinonye Chukwu’s Till premiered at the New York Film Festival prior to its October 14th theatrical release. Over the past several months, I’ve had Deadwyler either just making the Best Actress cut in fifth or on the outside looking in at sixth.
Now that reviews are out, it appears she’s fully in. Critics are raving about her work to the extent that Deadwyler is a threat to win. The Rotten Tomatoes score for the picture itself is 100% though many write-ups claim it’s her performance that elevates the material. It’s unlikely any costars get attention. They include Jalyn Hall as her slain son, Frankie Faison, Haley Bennett, and Whoopi Goldberg.
Ms. Deadwyler enters an already crowded Best Actress field where I’ve had Cate Blanchett (Tar) and Michelle Yeoh (Everything Everywhere All at Once) slotted in first and second. There’s also Michelle Williams and Universal’s curious decision to campaign for her in lead for The Fabelmans. Let’s not forget Olivia Colman (Empire of Light) and Viola Davis (The Woman King) or Ana de Armas (Blonde) and the as yet unseen Margot Robbie for Babylon (though I’m currently putting her in Supporting Actress).
Even with that considerable competition, Deadwyler seems pretty safe and there’s a narrative in which she moves past the aforementioned to claim gold. A better question is whether Till picks up any other nominations. Picture is not impossible, but I’d say it’s iffy. Adapted Screenplay is more feasible as that race is on the weak side (compared to 2022’s original hopefuls). There’s also an original song titled “Stand Up” that I expect to contend.
Bottom line: like Blanchett and Yeoh particularly, we have another close to sure thing in the lead actress field. My Oscar Prediction posts will continue…
Apple TV and a new production company are hoping luck comes their way this Friday with the release of the animated fantasy comedy Luck. From director Peggy Holmes, the inaugural offering from Skydance Animation comes with a reported eye popping budget of $140 million. Featuring the voices of Eva Noblezada, Simon Pegg, Jane Fonda, Whoopi Goldberg, Lil Rel Howery, and Pixar vet John Ratzenberger, this was originally slated for theaters last summer before going the streaming route.
Reviews might indicate the reasoning. Luck stands at a jeopardous 48% on Rotten Tomatoes. That kind of reaction indicates it could struggle to find eyeballs on Apple. And it certainly confirms that it will not find any luck finding its way into the Best Animated Feature conversation. My Oscar Prediction posts will continue…
As July comes to a close, Oscar prognosticators received several bits of fascinating news this past week. The first was the lineup of the Venice Film Festival as well as the bulk of titles that will play in Toronto. That wild season (which also includes Telluride) is a mere month away. We will see a huge number of awards hopefuls being screened with long awaited buzz finally becoming clear.
Yet the biggest news is the (as yet unconfirmed) rumor that Martin Scorsese’s Killers of the Flower Moon will not come out until 2023. Variety and Deadline essentially reported it as fact. I struggled all day with whether to include Killers in my updated predictions (I faced the same choices a couple of weeks ago with Rustin). My final decision was to drop it. If Killers ends up back on the 2022 calendar, Variety and Deadline have some explaining to do…
Another development is that Ron Howard’s Thirteen Lives was released. While reviews were certainly decent, I don’t think they’re strong enough that it will be a true BP contender. It’s at #25 on my list.
The Killers announcement obviously means major changes in most of my lineups. Cannes fest winner Triangle of Sadness replaces it in my 10 BP picks while Sarah Polley (Women Talking) is in for Scorsese in Director. Adam Driver in the Venice opener White Noise replaces Leonardo DiCaprio in Actor. Hong Chau (The Whale) is now in Supporting Actress with Lily Gladstone out. And with Jesse Plemons dropping in Supporting Actor, that leaves room for Triangle‘s Woody Harrelson. Finally, She Said rises in Adapted Screenplay.
That’s not all, folks! There’s a new #1 in Best Picture! I’ve had Damien Chazelle’s Babylon ranked #1 from the beginning… until now. In order to find a BP winner that didn’t play at either Venice or Telluride or Toronto or Sundance or Cannes, you have to go all the way back to (ironically) Martin Scorsese’s The Departed. That was 16 years ago. Babylon could still sneak into Telluride. Yet I’m skeptical it will. This factoid alone is enough for me to vault Steven Spielberg’s The Fabelmans (premiering at Toronto) to the top spot.
I’m not finished yet with the #1 changes. The Son is now first in Adapted Screenplay since Killers has moved. And Ke Huy Quan rises to the pole position in Supporting Actor over Paul Dano from The Fabelmans.Â
Another alteration – Empire of Light falls out of Original Screenplay with The Banshees of Inisherin in as my likely lone screenplay nominee.
That’s a lot of movement in one week and you can peruse it all below!
Best PictureÂ
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 2) (+1)
2. Babylon (PR: 1) (-1)
3. Everything Everywhere All at Once (PR: 4) (+1)
4. Bardo (PR: 6) (+2)
5. Women Talking (PR: 5) (E)
6. The Son (PR: 7) (+1)
7. Empire of Light (PR: 8) (+1)
8. The Whale (PR: 9) (+1)
9. Top Gun: Maverick (PR: 10) (+1)
10. Triangle of Sadness (PR: 15) (+5)
Other Possibilities:
11. She Said (PR: 11) (E)
12. White Noise (PR: 12) (E)
13. Tar (PR: 13) (E)
14. Avatar: The Way of Water (PR: 14) (E)
15. Elvis (PR: 16) (+1)
16. Decision to Leave (PR: 19) (+3)
17. Broker (PR: 18) (+1)
18. The Banshees of Inisherin (PR: 20) (+2)
19. Till (PR: 17) (-2)
20. Bones and All (PR: Not Ranked)
21. Amsterdam (PR: 23) (+2)
22. Black Panther: Wakanda Forever (PR: 24) (+2)
The release schedule for 2022 is always shifting (though thankfully not as much as in 2020 and 2021). This week, there were reports that Netflix’s Rustin will be pushed to 2023. While this isn’t 100% confirmed, it’s enough that I’ve moved it out of contention and that’s significant. I had it pegged for a Best Picture nomination as well as Actor (Colman Domingo) and Supporting Actress (Audra McDonald) in my post from 7 days ago.
The beneficiary of Rustin falling out of contention? None other than Top Gun: Maverick. Let me be clear – I’m very skeptical that it receives a nod in the biggest race of all. Yet it’s hard to ignore the potency of its box office supremacy over the summer. Oscar voters will know that audiences will root for its inclusion. And that could be enough to push it past the finish line.
In Actor, Bardo‘s Daniel Gimenez Cacho replaces Domingo while Zoe Kazan (She Said) rises to the final five in Supporting Actress. There’s another change in Actress as I’m putting Cate Blanchett (Tar) in the mix over Regina King (Shirley). The latter is another Netflix effort where the release date seems uncertain. If they verify 2022 in the near future, she could (and probably would) get back in the mix.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 4) (E)
5. Women Talking (PR: 5) (E)
6. Bardo (PR: 6) (E)
7. The Son (PR: 7) (E)
8. Empire of Light (PR: 8) (E)
9. The Whale (PR: 9) (E)
10. Top Gun: Maverick (PR: 12) (+2)
Other Possibilities:
11. She Said (PR: 11) (E)
12. White Noise (PR: 14) (+2)
13. Tar (PR: 13) (E)
14. Avatar: The Way of Water (PR: 15) (+1)
15. Triangle of Sadness (PR: 18) (+3)
16. Elvis (PR: 16) (E)
17. Till (PR: 21) (+4)
18. Broker (PR: 19) (+1)
19. Decision to Leave (PR: 22) (+3)
20. The Banshees of Inisherin (PR: 20) (E)
21. The Woman King (PR: Not Ranked)
22. Thirteen Lives (PR: 17) (-5)
23. Amsterdam (PR: 23) (E)
24. Black Panther: Wakanda Forever (PR: Not Ranked)
25. The Greatest Beer Run Ever (PR: Not Ranked)
Dropped Out:
Rustin
The Killer
Don’t Worry DarlingÂ
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
4. Daniels, Everything Everywhere All at Once (PR: 4) (E)
My first Oscar predictions in the six major categories for the month of June sees Top Gun: Maverick rising 3 spots to #17 in the BP derby. My ten predicted nominees remain the same as do the five estimated individuals in Director, Actor, and Supporting Actor. There are changes in Actress with Cate Blanchett (Tar) in my five over Danielle Deadwyler (Till) and in Supporting Actress with Hong Chau (The Whale) being elevated over Vanessa Kirby in The Son. You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 4) (E)
5. Women Talking (PR: 6) (+1)
6. The Son (PR: 5) (-1)
7. Bardo (PR: 7) (E)
8. She Said (PR: 9)
9. The Whale (PR: 10) (+1)
10. Empire of Light (PR: 9) (-1)
Other Possibilities:
11. Rustin (PR: 11) (E)
12. Broker (PR: 12) (E)
13. Poor Things (PR: 18) (+5)
14. Amsterdam (PR: 14) (E)
15. Decision to Leave (PR: 13) (-2)
16. Tar (PR: 24) (+8)
17. Top Gun: Maverick (PR: 20) (+3)
18. Avatar: The Way of Water (PR: 19) (+1)
19. Thirteen Lives (PR: 16) (-3)
20. White Noise (PR: 15) (-5)
21. Elvis (PR: 17) (-4)
22. Next Goal Wins (PR: 23) (+1)
23. Aftersun (PR: 25( +2)
24. Till (PR: 22) (-2)
25. The Banshees of Inisherin (PR: Not Ranked)
Dropped Out:
Armageddon TimeÂ
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
As May comes to a close and the Cannes Film Festival wraps up, I’m giving you a fresh update in the six major Oscar categories!
In Best Picture, I’m elevating Empire of Light from Sam Mendes into the top ten and that takes Rustin out. The Daniels from Everything Everywhere All at Once vault into Director to the detriment of Sarah Polley for Women Talking.Â
Empire of Light also benefits in Best Actress with Olivia Colman in over Carey Mulligan from She Said. While Actor and Supporting Actress remain unchanged, there’s two alterations in Supporting Actor with Ke Huy Quan (Everything Everywhere…) and Jesse Plemons (Killers of the Flower Moon) in over John David Washington (Amsterdam) and Tom Hanks (Elvis).
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 6) (+2)
5. The Son (PR: 5) (E)
6. Women Talking (PR: 4) (-2)
7. Bardo (PR: 8) (+1)
8. She Said (PR: 7) (-1)
9. Empire of Light (PR: 16) (+7)
10. The Whale (PR: 9) (-1)
Other Possibilities:
11. Rustin (PR: 10) (-1)
12. Broker (PR: Not Ranked)
13. Decision to Leave (PR: 12) (-1)
14. Amsterdam (PR: 11) (-3)
15. White Noise (PR: 13) (-2)
16. Thirteen Lives (PR: 21) (+5)
17. Elvis (PR: 20) (+3)
18. Poor Things (PR: 14) (-4)
19. Avatar: The Way of Water (PR: 15) (-4)
20. Top Gun: Maverick (PR: Not Ranked)
21. Armageddon Time (PR: 19) (-2)
22. Till (PR: 18) (-4)
23. Next Goal Wins (PR: 25) (+2)
24. Tar (PR: 17) (-7)
25. Aftersun (PR: Not Ranked)
Dropped Out:
The Woman King
Three Thousand Years of LongingÂ
Don’t Worry DarlingÂ
Best Director
Predicted Nominees:
Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
4. Dan Kwan & Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (+2)
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