There’s a trio of pics debuting or expanding this weekend, but they could all find themselves outside of the top five. A24’s slasher comedy Bodies Bodies Bodies hopes to build on its impressive NY/LA limited release while the Diane Keaton comedy Mack & Rita and survival thriller Fall premiere. You can peruse my detailed prediction posts on them here:
Both Bodies and Fall are expected to hit around 1200 screens. That’s low and limits their range. Let’s start with Fall as its lack of promotion could find it failing to even make $1 million. I’m projecting $1.2 million and that obviously leaves it well outside the high five (and ten for that matter).
Bodies is a bit tougher to figure out. In six venues in our nation’s two largest cities, it took in a robust per screen average of nearly $40k. Yet as I mentioned in my individual post, I’m skeptical that this plays well in the middle of the country. My $4.4 million estimate also leaves it on the outside looking in.
Mack & Rita also seems to be suffering from lack of awareness. I’m only going with $2.3 million as this should come and go in multiplexes quickly.
With the newcomers out of the way, that leaves holdovers to talk about. Sony’s Bullet Train with Brad Pitt opened right on track with reasonable expectations (more on that below) and it should have no trouble remaining in the top spot again. With minimal competition, it could slide in the mid 40s in the best case scenario. That said, if you look at action titles of early August past, a drop in the low 50s to mid 50s seems just as likely. DC League of Super-Pets should stay in second… with a caveat.
If Top Gun: Maverick continues percentage drops in the teens (and there’s no reason to think it won’t), it should re-enter the top 5. Nope could drop out altogether with Thor: Love and Thunder and Minions: The Rise of Gru battling it out for the 4 spot alongside Bodies Bodies Bodies. There’s even a chance Maverick could go from #6 to #2.
Here’s how I see the charts playing out and I’ll expand it to a top ten this time around:
1. Bullet Train
Predicted Gross: $14.1 million
2. DC League of Super-Pets
Predicted Gross: $7.2 million
3. Top Gun: Maverick
Predicted Gross: $6.2 million
4. Thor: Love and Thunder
Predicted Gross: $5.4 million
5. Minions: The Rise of Gru
Predicted Gross: $5.2 million
6. Bodies Bodies Bodies
Predicted Gross: $4.4 million
7. Nope
Predicted Gross: $4.2 million
8. Where the Crawdads Sing
Predicted Gross: $4.1 million
9. Elvis
Predicted Gross: $2.6 million
10. Easter Sunday
Predicted Gross: $2.5 million
11. Mack & Rita
Predicted Gross: $2.3 million
Box Office Results (August 5-7)
Bullet Train came in right where I thought it would with $30 million (my call was $29.7 million). While it certainly didn’t exceed expectations, it’s a perfectly decent opening and its overseas grosses are solid. The B+ Cinemascore indicates a somewhat fair-weather reaction so it’s worth monitoring how it holds up. As mentioned, the lack of competition should help.
DC League of Super-Pets had a stiffer sophomore fall than I anticipated with $11 million compared to my $13.6 million take. The two-week total is a muted $44 million.
Nope saw a drop of over 50% once again with $8.5 million, in range with my $8.1 million prediction. The three-week tally is approaching nine digits at $97 million.
Thor: Love and Thunder was fourth at $7.7 million (I said $8.3 million) as the MCU sequel became the highest pic in the franchise by eclipsing 2017’s Ragnarok. Total is $316 million.
Minions: The Rise of Gru rounded out the top five with $7.1 million (I went with $6.9 million) for a $334 million haul.
Finally, the Jo Koy comedy Easter Sunday struggled in its start in 8th place with $5.4 million, just under my $5.6 million estimate.
Blogger’s Update (08/03): My projection for Easter Sunday has taken a downward turn. Instead of $8.2M, I’m now only projecting $5.6M and that puts it outside of the top five – with Minions: The Rise of Gru now getting the 5 spot.
Brad Pitt looks to conduct Bullet Train to a sizeable debut while the Jo Koy comedy Easter Sunday looks be a sleeper hit. They are the newbies as August dawns at the box office. You can peruse my detailed prediction posts on them here:
There’s no question that Train (from John Wick maker David Leitch) will hit #1. It’s all about by how much. Some estimates have this in the $40 million range, but I’m skeptical. In the last couple of weekends, both Nope and DC League of Super-Pets have come in under expectations (more on those developments below).
While Pitt certainly has star power, I feel like buzz needs to pick up and fast for this to reach $40 million. Perhaps my projections will rise before Thursday evening. For now, I have Bullet a shade under $30 million.
As for current champ Super-Pets, a dip in the mid to high 30s seems likely and that should place it firmly as the runner-up.
The truly interesting competition could be for the #3 slot. Easter Sunday could surprise and vastly overperform and end up #2. Or it could be outside of the top five with below $8 million. I’m putting at $8.2 million in its basket and here’s where it could be awfully close. If Nope has another plummet close to 60% and Thor: Love and Thunder sees a mid to high 30s drop, the grosses for the trio could be separated by basically nothing.
That’s what I’m thinking will occur and here’s how I think the top 5 ends up looking:
1. Bullet Train
Predicted Gross: $29.7 million
2. DC League of Super-Pets
Predicted Gross: $13.6 million
3. Thor: Love and Thunder
Predicted Gross: $8.3 million
4. Nope
Predicted Gross: $8.1 million
5. Minions: The Rise of Gru
Predicted Gross: $6.9 million
Box Office Results (July 29-31)
The Warner Animation Group won’t be barking loudly about the earnings of DC League of Super-Pets as it came in the very low end of its range. With a muted $23 million, the animated superhero canine teaming of Kevin Hart and Dwayne Johnson is a disappointment (coming in well under my $33.6 million prediction). The only silver lining could be lack of competition for the month. That could mean meager declines until the bulk of kiddos go back to school.
Nope, as anticipated with its lackluster B Cinemascore grade, cratered in its sophomore frame with $18.5 million (a smidge ahead of my $17.5 million projection). Jordan Peele’s sci-fi horror tale is up to $80 million, though it will come in well under his predecessors Get Out and Us.
Thor: Love and Thunder was third with $13.1 million, besting my take of $11.4 million. The MCU four-quel has hammered home $301 million.
Minions: The Rise of Gru took fourth at $10.9 million (I said $10.3 million) to brings it haul to $320 million.
Top Gun: Maverick rounded out the top five at $8.4 million, right on target with my $8.3 million guesstimate. The airborne phenomenon achieved another milestone at $650 million. It will soon become the 7th largest domestic earner in history when it vaults over Titanic ($659 million) and Jurassic World ($652 million).
Finally, When the Crawdads Sing held up solidly in weekend #3 with $7.5 million (I went with $6.9 million). The mystery based on a bestseller is past the half century mark with $53 million.
As July comes to a close, Oscar prognosticators received several bits of fascinating news this past week. The first was the lineup of the Venice Film Festival as well as the bulk of titles that will play in Toronto. That wild season (which also includes Telluride) is a mere month away. We will see a huge number of awards hopefuls being screened with long awaited buzz finally becoming clear.
Yet the biggest news is the (as yet unconfirmed) rumor that Martin Scorsese’s Killers of the Flower Moon will not come out until 2023. Variety and Deadline essentially reported it as fact. I struggled all day with whether to include Killers in my updated predictions (I faced the same choices a couple of weeks ago with Rustin). My final decision was to drop it. If Killers ends up back on the 2022 calendar, Variety and Deadline have some explaining to do…
Another development is that Ron Howard’s Thirteen Lives was released. While reviews were certainly decent, I don’t think they’re strong enough that it will be a true BP contender. It’s at #25 on my list.
The Killers announcement obviously means major changes in most of my lineups. Cannes fest winner Triangle of Sadness replaces it in my 10 BP picks while Sarah Polley (Women Talking) is in for Scorsese in Director. Adam Driver in the Venice opener White Noise replaces Leonardo DiCaprio in Actor. Hong Chau (The Whale) is now in Supporting Actress with Lily Gladstone out. And with Jesse Plemons dropping in Supporting Actor, that leaves room for Triangle‘s Woody Harrelson. Finally, She Said rises in Adapted Screenplay.
That’s not all, folks! There’s a new #1 in Best Picture! I’ve had Damien Chazelle’s Babylon ranked #1 from the beginning… until now. In order to find a BP winner that didn’t play at either Venice or Telluride or Toronto or Sundance or Cannes, you have to go all the way back to (ironically) Martin Scorsese’s The Departed. That was 16 years ago. Babylon could still sneak into Telluride. Yet I’m skeptical it will. This factoid alone is enough for me to vault Steven Spielberg’s The Fabelmans (premiering at Toronto) to the top spot.
I’m not finished yet with the #1 changes. The Son is now first in Adapted Screenplay since Killers has moved. And Ke Huy Quan rises to the pole position in Supporting Actor over Paul Dano from The Fabelmans.
Another alteration – Empire of Light falls out of Original Screenplay with The Banshees of Inisherin in as my likely lone screenplay nominee.
That’s a lot of movement in one week and you can peruse it all below!
My look back at the cinematic summers of 30, 20, and 10 years ago culminates with 2012. A decade ago, the Marvel Cinematic Universe went from a successful franchise to the phenomenal juggernaut that it remains today. That’s due to the release of a little something called The Avengers. On a side note, it’s worth mentioning that the biggest grosser 30 years ago (Batman Returns), two decades ago (Spider-Man), and in this post all share comic book roots.
Before we get to Iron Man and company, I’ll recount the other features in the top ten moneymakers before covering additional notable titles and some flops. If you missed my write-ups about the seasons of 1992 and 2002, you can find them here:
Some three decades after Alien terrified audiences, Ridley Scott returned to the franchise. However, this was more of a mixed bag in terms of critical and audience reaction. The production design and Michael Fassbender’s performance were praised while the script drew its share of critics. Nevertheless Scott would be back in the mix five years later with Alien: Covenant.
9. Snow White and the Huntsman
Domestic Gross: $155 million
Hot off the Twilight franchise and hot off playing Thor in The Avengers, Kristen Stewart and Chris Hemsworth battled Prometheus costar Charlize Theron’s evil stepmom in this fantasy adventure. Reviews were so-so but it performed well enough to warrant a less appreciated prequel The Huntsman: Winter’s War in 2016.
8. Ice Age: Continental Drift
Domestic Gross: $161 million
The fourth entry in the animated franchise featuring the vocal stylings of Ray Romano and John Leguizamo kept the grosses hot. Sequel Collision Course would follow four years later.
7. Men in Black 3
Domestic Gross: $179 million
The third teaming of Will Smith and Tommy Lee Jones (with Josh Brolin playing a convincing younger version of him) earned $11 million less than 2002’s part II. That sequel made less than the 1997 original. The series was revamped in 2019 with Men in Black: International with none other than Chris Hemsworth, but audiences tuned out.
6. Madagascar 3: Europe’s Most Wanted
Domestic Gross: $216 million
Ben Stiller and Chris Rock returned for the third time voicing their respective lion and zebra. Spin-off Penguins of Madagascar came out two years later while a proper fourth entry never materialized from DreamWorks.
5. Ted
Domestic Gross: $218 million
Moving from Fox’s hugely successful animated sitcom Family Guy the big screen, Seth MacFarlane’s story of Mark Wahlberg and his crude talking bear Ted was the breakout comedy of the season. Follow-ups A Million Ways to Die in the West and the Ted sequel were not as well received.
4. Brave
Domestic Gross: $237 million
The first Pixar film led by a female hero is also the inaugural studio entry (co)directed by a woman. It would go on to win Best Animated Feature at the Oscars.
3. The Amazing Spider-Man
Domestic Gross: $262 million
After not moving forward with a fourth title directed by Sam Raimi and starring Tobey Maguire, the Spidey franchise was rebooted with Marc Webb behind the camera and Andrew Garfield donning the red. The dollars followed although reviews were mixed and a 2014 sequel was widely considered a disappointment.
2. The Dark Knight Rises
Domestic Gross: $448 million
While perhaps not quite reaching the heights of 2008’s The Dark Knight, the culmination to Christopher Nolan’s trilogy sent Christian Bale’s Caped Crusader off in stirring fashion and with hugely profitable earnings.
1. The Avengers
Domestic Gross: $623 million
Setting record after record upon release, the melding of Iron Man, Thor, Captain America, Hulk, Black Widow, and Hawkeye transfixed filmgoers. It’s been Marvel’s world and we’ve been living in it ever since.
And now for some other pics worthy of discussion:
Magic Mike
Domestic Gross: $113 million
Steven Soderbergh’s saga of male exotic dancers was based loosely on Channing Tatum’s real life experiences. It turned him into a superstar while giving Matthew McConaughey a memorable showcase. The micro budgeted pic (a reported $7 million) spawned a 2015 sequel and there’s a third scheduled to hit HBO Max next year.
The Bourne Legacy
Domestic Gross: $113 million
Audiences weren’t clamoring for Jeremy Renner to replace Matt Damon in this franchise, but the stateside and overseas grosses were still pretty acceptable. That said, Renner’s tenure lasted this pic and this pic only.
The Best Exotic Marigold Hotel
Domestic Gross: $46 million
While it performed even better overseas, this British import with Judi Dench was a sleeper hit stateside that begat a 2015 sequel.
Moonrise Kingdom
Domestic Gross: $45 million
Wes Anderson scored with critics and crowds with this coming-of-age dramedy that premiered at Cannes and then found an audience in the weeks that followed.
Beasts of the Southern Wild
Domestic Gross: $12 million
This indie drama from Benh Zeitlin was truly a little movie that could. Shot for under $2 million, it eventually nabbed Oscar nods for Picture, Director, Actress (Quvanzhane Wallis at age 9), and Adapted Screenplay.
They’re not all winners so let’s get into some critical and/or commercial failures from the period:
Dark Shadows
Domestic Gross: $79 million
Johnny Depp’s box office happy days were beginning to fade as his 8th collaboration with Tim Burton was perhaps the least memorable. This horror comedy failed to enlighten viewers.
Battleship
Domestic Gross: $65 million
Action fans weren’t taken with this Peter Berg directed board game adaptation starring Liam Neeson and Rihanna with a bloated budget of over $200 million.
Total Recall
Domestic Gross: $58 million
And your action sci-fi fans weren’t signing up for Colin Farrell taking over for Arnold Schwarzenegger in this unneeded remake.
Rock of Ages
Domestic Gross: $38 million
Based on the Broadway musical, there was a deaf ear turned to this adaptation despite Tom Cruise getting solid notices for his performance. Lucky for him, he’d rule this current summer with Top Gun: Maverick.
That’s My Boy
Domestic Gross: $36 million
Adam Sandler and Andy Samberg’s comedic partnership drew a 20% Tomatoes meter and ambivalence from usually devoted Sandler fans.
The Watch
Domestic Gross: $35 million
That wasn’t the only high-profile comedic flop as this sci-fi mashup with Ben Stiller, Vince Vaughn, and Jonah Hill fared even worse in numbers and rotten reviews (17% RT).
And that’ll close it out, ladies and gents! It’s been a pleasure revising these cinematic seasons of days past.
Blogger’s Note (07/27): I am revising my Super-Pets estimate down considerably- from $42.6M to $33.6M
DC League of Super-Pets should have no trouble hitting the top spot as July closes out at the box office. It’s the only wide new offering coming to multiplexes and you can peruse my detailed prediction post on it here:
My low to mid 40s projection puts the animated comedic adventure reuniting Kevin Hart and Dwayne Johnson in the same range with where Jordan Peele’s Nope premiered this past weekend.
There’s more on that Nope debut below, but it could be headed for a sophomore fall in the mid to upper 50s. Considering its weak B Cinemascore grade, it’s not out of the question that it could plummet even farther. We could see a close race for the #3 position between Thor: Love and Thunder and Minions: The Rise of Gru, depending on how far each title drops. The former is likely to see a larger decline. However, Super-Pets being out could cause Gru to have a heftier dip than its meager mid 30s decline last weekend. Top Gun: Maverick could hold the #5 slot with Where the Crawdads Sing falling to sixth place.
Here’s how I see that top 6 playing out:
1. DC League of Super-Pets
Predicted Gross: $33.6 million
2. Nope
Predicted Gross: $17.5 million
3. Thor: Love and Thunder
Predicted Gross: $11.4 million
4. Minions: The Rise of Gru
Predicted Gross: $10.3 million
5. Top Gun: Maverick
Predicted Gross: $8.3 million
6. Where the Crawdads Sing
Predicted Gross: $6.9 million
Box Office Results (July 22-24)
As mentioned previously, Nope started out on the lower end of expectations with $44.3 million. That’s under my call of $53.2 million and there were estimates that it would surpass my projection. While the sci-fi horror pic may end up turning a profit, Peele’s third outing opened nearly $30 million below his predecessor Us (which benefited by being the auteur’s follow-up to the unexpected smash Get Out). Word-of-mouth is not strong and that’s why you see me projecting a nearly 60% sophomore drop above.
Thor: Love and Thunder was runner-up after two weeks in first. Its $22.5 million gross is right on target with my take of $22.4 million as the MCU fourquel has hammered home $276 million.
Minions: The Rise of Gru took third with $18 million (I was close with $17 million) for a four-week tally of $298 million.
Where the Crawdads Sing had a solid hold in weekend #2 with $10.3 million, just ahead of my $9.5 million prediction. The ten-day earnings are $38 million.
Top Gun: Maverick was in the five spot with $10.2 million (I said $9.8 million). The overall $635 million haul is now 9th all-time as it just flew ahead of 2012’s The Avengers.
The release schedule for 2022 is always shifting (though thankfully not as much as in 2020 and 2021). This week, there were reports that Netflix’s Rustin will be pushed to 2023. While this isn’t 100% confirmed, it’s enough that I’ve moved it out of contention and that’s significant. I had it pegged for a Best Picture nomination as well as Actor (Colman Domingo) and Supporting Actress (Audra McDonald) in my post from 7 days ago.
The beneficiary of Rustin falling out of contention? None other than Top Gun: Maverick. Let me be clear – I’m very skeptical that it receives a nod in the biggest race of all. Yet it’s hard to ignore the potency of its box office supremacy over the summer. Oscar voters will know that audiences will root for its inclusion. And that could be enough to push it past the finish line.
In Actor, Bardo‘s Daniel Gimenez Cacho replaces Domingo while Zoe Kazan (She Said) rises to the final five in Supporting Actress. There’s another change in Actress as I’m putting Cate Blanchett (Tar) in the mix over Regina King (Shirley). The latter is another Netflix effort where the release date seems uncertain. If they verify 2022 in the near future, she could (and probably would) get back in the mix.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 4) (E)
5. Women Talking (PR: 5) (E)
6. Bardo (PR: 6) (E)
7. The Son (PR: 7) (E)
8. Empire of Light (PR: 8) (E)
9. The Whale (PR: 9) (E)
10. Top Gun: Maverick (PR: 12) (+2)
Other Possibilities:
11. She Said (PR: 11) (E)
12. White Noise (PR: 14) (+2)
13. Tar (PR: 13) (E)
14. Avatar: The Way of Water (PR: 15) (+1)
15. Triangle of Sadness (PR: 18) (+3)
16. Elvis (PR: 16) (E)
17. Till (PR: 21) (+4)
18. Broker (PR: 19) (+1)
19. Decision to Leave (PR: 22) (+3)
20. The Banshees of Inisherin (PR: 20) (E)
21. The Woman King (PR: Not Ranked)
22. Thirteen Lives (PR: 17) (-5)
23. Amsterdam (PR: 23) (E)
24. Black Panther: Wakanda Forever (PR: Not Ranked)
25. The Greatest Beer Run Ever (PR: Not Ranked)
Dropped Out:
Rustin
The Killer
Don’t Worry Darling
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
4. Daniels, Everything Everywhere All at Once (PR: 4) (E)
5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)
Other Possibilities:
6. Sarah Polley, Women Talking (PR: 6) (E)
7. Sam Mendes, Empire of Light (PR: 7) (E)
8. Florian Zeller, The Son (PR: 8) (E)
9. Darren Aronofsky, The Whale (PR: 9) (E)
10. James Cameron, Avatar: The Way of Water (PR: 10) (E)
11. Ruben Ostlund, Triangle of Sadness (PR: 11) (E)
12. Park Chan-wook, Decision to Leave (PR: 14) (+2)
13. Noah Baumbach, White Noise (PR: 12) (-1)
14. Todd Field, Tar (PR: 15) (+1)
15. Chinoye Chukwu, Till (PR: Not Ranked)
Dropped Out:
Hirokazu Kore-ada, Broker
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Olivia Colman, Empire of Light (PR: 3) (E)
4. Danielle Deadwyler, Till (PR: 5) (+1)
5. Cate Blanchett, Tar (PR: 6) (+1)
Other Possibilities:
6. Regina King, Shirley (PR: 4) (-2)
7. Viola Davis, The Woman King (PR: 7) (E)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)
Blogger’s Update (07/21): On the eve of its premiere, I’m revising my Nope prediction slightly from $49.2M to $53.2M
Jordan Peele’s Nope should make it a hat trick for the director’s titles opening at #1. The only newcomer arriving in multiplexes this weekend, you can peruse my detailed prediction post on it here:
Most estimates have the supernatural horror tale debuting between $40-60 million. I’m putting it right in the middle of that range, but reserving the right to revise when the buzz and reviews materialize throughout the week. If anything, I could see it moving up.
As for holdovers, Thor: Love and Thunder should drop to second after two weeks. The MCU fourquel experienced a significant tumble in its sophomore frame (more on that below). It should stabilize some in its third outing with a drop in the late 40s to low 50s.
Minions: The Rise of Gru is likely to fall one slot to third while the 4-5 could be interesting. It’s all about the second weekend percentage dip for Where the Crawdads Sing, which had a solid start. I’m projecting mid 40s and that could allow Top Gun: Maverick to narrowly remain in fourth if it only sees a 20% or lower decrease.
Here’s how I see the top five shaking out:
1. Nope
Predicted Gross: $53.2 million
2. Thor: Love and Thunder
Predicted Gross: $22.4 million
3. Minions: The Rise of Gru
Predicted Gross: $17 million
4. Top Gun: Maverick
Predicted Gross: $9.8 million
5. Where the Crawdads Sing
Predicted Gross: $9.5 million
Box Office Results (July 15-17)
As anticipated, Thor: Love and Thunder remained atop the charts for a second frame. It was hammered a bit with a precipitous sophomore drop. Grossing $46.6 million (under my $50.2 million estimate), that’s a 68% decline and that’s a touch more than the 67% of MCU predecessor Doctor Strange in the Multiverse of Madness. The ten-day earnings are $233 million.
Minions: The Rise of Gru was runner-up with $26.8 million, rising above my $23.1 million prediction. It’s up to an impressive $263 million with north of $300 million easily in its sights and then some.
Where the Crawdads Sing, based on a huge bestseller, satisfied an older and female crowd with $17.2 million out of the gate. While falling shy of my $18.7 million projection, it’s still a commendable start.
Top Gun: Maverick was fourth with $12.2 million (I said $10.9 million) as the phenomenon has reached $618 million in eight weeks.
Elvis was fifth and I incorrectly had it outside of the top five. The biopic added $8 million to its coffers as it passed the century mark with $106 million.
The animated Paws of Fury: The Legend of Hawk couldn’t find its family audience. Placing sixth with a piddly $6.3 million (well below my $10.5 million take), it got lost in the summer shuffle between Minions and the upcoming DC League of Super-Pets.
Finally, critically appreciated Mrs. Harris Goes to Paris (on a low number of 980 screens) made a so-so $1.9 million for ninth place. Paris didn’t quite reach my prediction of $2.3 million.
For my mid-July Oscar predictions, the Picture, Director, Actress, and Actor remain intact (with some ranking maneuvering). Same goes for the Screenplay races. However, there are some significant changes in the supporting fields. In Supporting Actress, I’ve moved Audra McDonald (Rustin) and Vanessa Kirby (The Son) in the final five while taking Hong Chau (The Whale) and Zoe Kazan (She Said) out. For Supporting Actor, I’ve had Robert De Niro (Killers of the Flower Moon) perched in #1 for many weeks. With this update, he drops all the way out of the top 5 with Paul Dano (The Fabelmans) now in first position. This moves Colin Firth (Empire of Light) into the predicted quintet.
As for other news, Taika Waititi’s sports pic Next Goal Wins appears to have pushed to 2023 (it was originally slated for 202o) and that explains it dropping out of contention. And for those who haven’t caught the recently released trailers for She Said and Amsterdam, you can find them below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 4) (E)
5. Women Talking (PR: 5) (E)
6. Bardo (PR: 6) (E)
7. The Son (PR: 7) (E)
8. Empire of Light (PR: 9) (+1)
9. The Whale (PR: 8) (-1)
10. Rustin (PR: 10) (E)
Other Possibilities:
11. She Said (PR: 11) (E)
12. Top Gun: Maverick (PR: 13) (+1)
13. TAR (PR: 14) (+1)
14. White Noise (PR: 12) (-2)
15. Avatar: The Way of Water (PR: 15) (E)
16. Elvis (PR: 17) (+1)
17. Thirteen Lives (PR: 19) (+2)
18. Triangle of Sadness (PR: 21) (+3)
19. Broker (PR: 16) (-3)
20. The Banshees of Inisherin (PR: 22) (+2)
21. Till (PR: 24) (+3)
22. Decision to Leave (PR: 23) (+1)
23. Amsterdam (PR: 20) (-3)
24. The Killer (PR: 25) (+1)
25. Don’t Worry Darling (PR: Not Ranked)
Dropped Out:
Next Goal Wins
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
4. Daniels, Everything Everywhere All at Once (PR: 4) (E)
5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)
Other Possibilities:
6. Sarah Polley, Women Talking (PR: 6) (E)
7. Sam Mendes, Empire of Light (PR: 7) (E)
8. Florian Zeller, The Son (PR: 10) (+2)
9. Darren Aronofsky, The Whale (PR: 8) (-1)
10. James Cameron, Avatar: The Way of Water (PR: 9) (-1)
11. Ruben Ostlund, Triangle of Sadness (PR: 15) (+4)
12. Noah Baumbach, White Noise (PR: 11) (-1)
13. Hirokazu Kore-ada, Broker (PR: 12) (-1)
14. Park Chan-wook, Decision to Leave (PR: Not Ranked)
15. Todd Field, TAR (PR: 13) (-2)
Dropped Out:
George C. Wolfe, Rustin
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Olivia Colman, Empire of Light (PR: 4) (+1)
4. Regina King, Shirley (PR: 3) (-1)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Cate Blanchett, TAR (PR: 6) (E)
7. Viola Davis, The Woman King (PR: 10) (+3)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-1)
9. Carey Mulligan, She Said (PR: 8) (-1)
10. Ana de Armas, Blonde (PR: 9) (-1)
11. Helen Mirren, Golda (PR: 11) (E)
12. Frances McDormand, Women Talking (PR: Not Ranked)
13. Jessica Chastain, The Good Nurse (PR: 12) (-1)
14. Annette Bening, Nyad (PR: Not Ranked)
15. Florence Pugh, Don’t Worry Darling (PR: Not Ranked)
Dropped Out:
Lesley Manville, Mrs. Harris Goes to Paris
Michelle Williams, Showing Up
Jennifer Lawrence, Red, White, and Water
Best Actor
Predicted Nominees:
1. Hugh Jackman, The Son (PR: 1) (E)
2. Brendan Fraser, The Whale (PR: 2) (E)
3. Colman Domingo, Rustin (PR: 3) (E)
4. Leonardo DiCaprio, Killers of the Flower Moon (PR: 5) (+1)
5. Austin Butler, Elvis (PR: 4) (-1)
Other Possibilities:
6. Adam Driver, White Noise (PR: 6) (E)
7. Daniel Gimenez Cacho, Bardo (PR: 7) (E)
8. Diego Calva, Babylon (PR: 8) (E)
9. Song Kang-Ho, Broker (PR: 13) (+4)
10. Colin Farrell, The Banshees of Inisherin (PR: 10) (E)
11. Tom Cruise, Top Gun: Maverick (PR: 15) (+4)
12. Viggo Mortensen, Thirteen Lives (PR: 11) (-1)
13. Bill Nighy, Living (PR: Not Ranked)
14. Gabriel LaBelle, The Fabelmans (PR: 14) (E)
15. Christian Bale, The Pale Blue Eye (PR: Not Ranked)
Dropped Out:
Michael Fassbender, Next Goal Wins
Christian Bale, Amsterdam
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Audra McDonald, Rustin (PR: 7) (+3)
5. Vanessa Kirby, The Son (PR: 12) (+7)
Other Possibilities:
6. Hong Chau, The Whale (PR: 4) (-2)
7. Zoe Kazan, She Said (PR: 5) (-2)
8. Stephanie Hsu, Everything Everywhere All at Once (PR: 9) (+1)
9. Sadie Sink, The Whale (PR: 11) (+2)
10. Laura Dern, The Son (PR: 6) (-4)
11. Jean Smart, Babylon (PR: 8) (-3)
12. Patricia Clarkson, She Said (PR: 10) (-2)
13. Nina Hoss, TAR (PR: 13) (E)
14. Dakota Johnson, Cha Cha Real Smooth (PR: 14) (E)
15. Jodie Foster, Nyad (PR: Not Ranked)
Dropped Out:
Dolly De Leon, Triangle of Sadness
Best Supporting Actor
Predicted Nominees:
1. Paul Dano, The Fabelmans (PR: 2) (+1)
2. Ke Huy Quan, Everything Everywhere All at Once (PR: 3) (+1)
3. Brad Pitt, Babylon (PR: 4) (+1)
4. Jesse Plemons, Killers of the Flower Moon (PR: 5) (+1)
5. Colin Firth, Empire of Light (PR: 6) (+1)
Other Possibilities:
6. Robert De Niro, Killers of the Flower Moon (PR: 1) (-5)
7. Glynn Turman, Rustin (PR: 7) (E)
8. Michael Ward, Empire of Light (PR: Not Ranked)
9. Ben Whishaw, Women Talking (PR: 8) (-1)
10. Woody Harrelson, Triangle of Sadness (PR: 13) (+3)
11. Colin Farrell, Thirteen Lives (PR: 11) (E)
12. Seth Rogen, The Fabelmans (PR: 10) (-2)
13. Brendan Gleeson, The Banshees of Inisherin (PR: 12) (-1)
14. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (+1)
15. Anthony Hopkins, Armageddon Time (PR: 9) (-6)
Dropped Out:
John David Washington, Amsterdam
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Empire of Light (PR: 4) (E)
5. Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Bardo (PR: 7) (+1)
7. Tar (PR: 10) (+3)
8. The Banshees of Inisherin (PR: 6) (-2)
9. Rustin (PR: 8) (-1)
10. Broker (PR: 9) (-1)
11. Decision to Leave (PR: 13) (+2)
12. Cha Cha Real Smooth (PR: 14) (+2)
13. Amsterdam (PR: 11) (-2)
14. Don’t Worry Darling (PR: Not Ranked)
15. Bros (PR: 15) (E)
Dropped Out:
Aftersun
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. The Son (PR: 2) (E)
3. Women Talking (PR: 3) (E)
4. The Whale (PR: 4) (E)
5. White Noise (PR: 5) (E)
Other Possibilities:
6. She Said (PR: 6) (E)
7. Thirteen Lives (PR: 8) (+1)
8. Till (PR: 9) (+1)
9. The Greatest Beer Run Ever (PR: 10) (+1)
10. The Good Nurse (PR: 11) (+1)
11. Top Gun: Maverick (PR: 15) (+4)
12. The Woman King (PR: Not Ranked)
13. Bones and All (PR: 13) (E)
14. Close (PR: Not Ranked)
15. The Killer (PR: 12) (-3)
Dropped Out:
Next Goal Wins
The Pale Blue Eye
You can anticipate the next update around the first of August!
1989 was unquestionably the Summer of the Bat as Tim Burton’s take on the Caped Crusader broke records. For 1992, it’s a bit more murky but we could call it The Summer of the Cat based on the sequel being the season’s biggest blockbuster.
As I have every season on the blog, I’m recounting the top 10 hits as well as some notable pics and failures from the summers of 30, 20, and 10 years ago. For 1992, it was a time of no crying in baseball, a Best Picture winner being discovered, and audiences refusing a biopic about a discoverer of America.
We begin with the moneymakers from #10 on up before moving to additional hits, misses, and those somewhere in between.
10. Housesitter
Domestic Gross: $58 million
While not the blockbuster he’d had just six months prior with Father of the Bride, Steve Martin had a midsize performer with this rom com costarring Goldie Hawn.
9. Honey, I Blew Up the Kid
Domestic Gross: $58 million
The return of Rick Moranis and plenty of special effects had shrunken grosses compared to the predecessor. The $58 million tally is less than half of what Honey, I Shrunk the Kids made. Nevertheless a direct to video sequel and TV series followed.
8. Far and Away
Domestic Gross: $58 million
Tom Cruise is ruling summer 2022 with Top Gun: Maverick. It was a different story 30 years ago with this rare misfire. Ron Howard directed the epic Western costarring Tom’s ex Nicole Kidman. The domestic take was less than the reported $60 million budget. Cruise would quickly get back in the good graces of moviegoers later in 1992 with A Few Good Men.
7. Boomerang
Domestic Gross: $70 million
While not approaching the earnings of his largest hits, Eddie Murphy’s first foray into romantic leading man territory did decent business. A string of flops would follow before a plus sized comeback four years later in The Nutty Professor.
6. Patriot Games
Domestic Gross: $83 million
Harrison Ford stepped into the role of Jack Ryan after Alec Baldwin (who played the role in The Hunt for Red October) didn’t return. The result didn’t quite reach the financial or critical levels of its predecessor, but it easily made enough to warrant Clear and Present Danger two summers later.
5. Unforgiven
Domestic Gross: $101 million
Clint Eastwood’s tale of an aging cowboy out for revenge took the August box office by storm and eventually was an awards favorite – winning Picture, Director, and Supporting Actor for the villainous Gene Hackman. Unforgiven is the rare BP winner to release in the summer season and kickstarted an impressive second act for the legendary filmmaker.
4. A League of Their Own
Domestic Gross: $107 million
Penny Marshall’s World War II era baseball comedy was celebrated for its interplay between players like Geena Davis, Madonna, and Rosie O’Donnell in addition to one of cinema’s longest urination sequences from Tom Hanks.
3. Sister Act
Domestic Gross: $139 million
Coming on the heels of her Ghost Oscar, Whoopi Goldberg hit the jackpot with this fish out of water pic putting the comedienne in a convent. A less regarded sequel would follow in December 1993 as well as a Broadway musical.
2. Lethal Weapon 3
Domestic Gross: $144 million
Mel Gibson and Danny Glover’s third go-round in their buddy cop franchise didn’t generate the reviews of its two predecessors, but it had no trouble raking in the bucks. Rene Russo joined the party this time as Gibson’s love interest and fellow officer. Part 4 would come six years later and a fifth is in development right now.
1. Batman Returns
Domestic Gross: $162 million
Breathlessly anticipated and then received with mixed reaction due to its dark tone, Batman Returns is now seen by many as an improvement over the 1989 original. One thing that’s generally agreed upon is Michelle Pfeiffer nailing the role of Catwoman. This would be Burton’s last time helming the series with Joel Schumacher taking the franchise in a far more cartoonish direction for 1995’s Batman Forever.
And now for some other noteworthy selections outside of the top ten:
Unlawful Entry
Domestic Gross: $57 million
Coming on the heels of the Rodney King verdict and the L.A. Riots, this thriller starring the late Ray Liotta as a dirty cop tormenting Kurt Russell felt timely.
Single White Female
Domestic Gross: $48 million
Liotta was the Cop From Hell while Jennifer Jason Leigh was the Roommate From Hell terrorizing Bridget Fonda in this memorable psychological thriller.
Encino Man
Domestic Gross: $40 million
The cinematic era of MTV personality Pauly Shore (as well as Brendan Fraser) began with this caveman comedy that grossed several times its meager $7 million budget.
Universal Soldier
Domestic Gross: $36 million
Action lunkheads Jean-Claude Van Damme and Dolph Lundgren teamed up for this futuristic sci-fi pic that turned a nifty profit and spawned numerous sequels. Four summers later, director Roland Emmerich would dominate the season with Independence Day.
Honeymoon in Vegas
Domestic Gross: $35 million
With a plot similar to Indecent Proposal that would follow a few months later, Honeymoon in Vegas took the more comedic route and earned decent grosses in the cast led by Nicolas Cage, Sarah Jessica Parker, and the just departed James Caan. Plus… Flying Elvis impersonators!
Buffy the Vampire Slayer
Domestic Gross: $16 million
It did manage to double its meager budget, but this vampire comedy likely wouldn’t be remembered had it not led to a critically acclaimed WB series starring Sarah Michelle Gellar. The title role in the film version belonged to Kristy Swanson with a supporting cast including Luke Perry, Paul Reubens (aka Pee-Wee Herman), and pre double Oscar winner Hilary Swank.
My final section of the summer 1992 recap gets to the under performers and downright flops…
Death Becomes Her
Domestic Gross: $58 million
This star studded satire from Robert Zemeckis boasted Meryl Streep, Goldie Hawn, and Bruce Willis above the title and some innovative special effects. While it just missed the top ten, the $58 million take barely surpassed the $55 million budget. Audiences and critics were mixed though Death has become a cult favorite in subsequent years.
Alien 3
Domestic Gross: $55 million
Despite marking the directorial debut of David Fincher and featuring a memorably bald Sigourney Weaver, Alien 3 is considered to be a step-down from its iconic predecessors Alien and Aliens. In spite of the backlash, the franchise has continued and, of course, Fincher went onto brighter (albeit even darker) pastures.
Cool World
Domestic Gross: $14 million
Animator Ralph Bakshi is best known for his X-rated 1972 feature Fritz the Cat. After Cool World, he was still mostly known for Fritz the Cat. This hybrid of live-action and cartoon fantasy starred Kim Basinger and Brad Pitt. Yet it bombed with reviewers and crowds alike and only earned half its budget back stateside.
Christopher Columbus: The Discovery
Domestic Gross: $8 million
No one had interest in discovering this critically drubbed Columbus biopic that had Marlon Brando and Tom Selleck in the cast. Later in the fall, Ridley Scott’s 1492: Conquest of Paradise about the title character would also bomb.
Twin Peaks: Fire Walk with Me
Domestic Gross: $4 million
In 1990, David Lynch’s bizarre TV series was a cultural phenomenon… at least for a season. The movie version arrived after the second and final season and audiences had tuned out.
And that’s your look at the cinematic summer from 30 years ago! My recap of 2002 will be available in short order…
Delia Owens had a massive bestseller released in 2018 with Where the Crawdads Sing and the North Carolina set mystery’s film adaptation is out on Friday. Directed by Olivia Newman, the cast of mostly relative unknowns includes Daisy Edgar-Jones, Taylor John Smith, and Harris Dickinson.
The review embargo is lifted and critical reaction is mixed at best. With a 38% Rotten Tomatoes rating, it’s safe to assume awards voters will ignore it… with one possible exception.
A big fan of the source material, superstar Taylor Swift composed the track “Carolina” for the soundtrack. If the Academy nominates it in Best Original Song, that practically guarantees Oscar night performances from Swift and Lady Gaga (whose Top Gun: Maverick ballad “Hold My Hand” should be a no brainer for the final five). Gaga’s chances are considerably stronger, but it could be tempting to bring that double star power to the evening’s festivities. My Oscar Prediction posts will continue…
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